SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Garrick"/1) | (@(roleclean,performerclean) "George Garrick")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6822 matches on Author, 1365 matches on Performance Comments, 1169 matches on Event Comments, 187 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Norris. [The play is submerged in a long cconcert program of vocal and instrumental music.] At the Grotto Gardens, St George's Fields

Performances

Mainpiece Title: The Ephesian Matron

Event Comment: Afterpiece: A New Piece in 2 Acts [by William O'Brien] never perform'd. [Genest, V, 363, assigns parts as follows: Grub-$Shuter; Consol-$Quick; Chapeau-$Lewes; George Bevil-$Wroughton; Robin-$Dyer; Mrs Grub-$Mrs Green; Emily-$Mrs Bulkley; Jenny-$Mrs Kniveton. See playbill 8 Oct. 1773. Plot given in detail in Town and Country Magazine for this month.

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Afterpiece Title: Cross Purposes

Dance: End: The Recruits, as17721117

Event Comment: At the Crown and Anchor. A Religious Allegorical Poem to be rehearsed, yet in Manuscript, and by the author himself the Reverend George Marriott after the example of the most ancient bards and minstrals, with the assistance of a full orchestra, and vocal performers in the chorusses. The Band conducted and the music (entirely new) composed by Arnold. Postponed by reason of unforseen difficulties in preparing sufficient musical copies of the great number of chorusses. To begin at 7:00 p.m. Prices a quarter guinea each

Performances

Mainpiece Title: The Jesuit

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 5 years. [See 29 Dec. 1766.] Afterpiece: A Comedy of two acts taken from Vanbrugh's Relapse [by John Lee?]. Tickets by Mas. Harris will be taken. Charges #65 18s.; Profit to Mrs Lessingham #39 18s. 6d., plus #79 13s. from tickets (Box 166; Pit 131; Gallery 185) (Account Book). [The Gentleman who played King Henry was George Savile Carey (Hogan).] Receipts: #105 16s. 6d

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Man of Quality

Music: End: A Concerto on the Double Mandoline, Royal Guitar-Sg Mussolini, after which he will accompany a young Gentlewoman in a song, being their first appearance in Public

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Miss Younge being ill Mrs Lessingham was borrow'd from Covent Garden to play Imogen (Hopkins Diary). Benefit for Dibdin. Paid extra bassoons & flute 3 nights in Christmas Tale (7th March incl.) #7 4s.; Tallow chandler's 7th Bill #20 13s. Heroine of the Cave Music Bill #2 3s. 9d.; Ditto Prompter's Bill #1 5s.; Housekeeper's Bill #3 6s. 5d. Properties #1 2s. 8d.; St George's Hospital subs. 1 year #10 10s.; Mr J. French's draft #23 19s. 9d.; Mr Everard's Note to Egerton #5 3s. 4d.; Chorus 2 nights (this incl.) #3 11s. (Treasurer's Book). The Comedy of Twelfth Night, which was to have been performed this Evening, is oblig'd to be changed, on account of the Indisposition of Miss Younge; Therefore Mr Dibdin humbly hopes that his friends will accept of Cymbeline in its stead. Tickets deliver'd for Twelfth Night will be taken. Receipts: #184 9s. Charges #68 15s. 6d. Profit to Dibdin: #115 14s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Deserter

Dance: III: The Mountaineers, as17730930

Event Comment: Benefit for Miss Jameson. Hull is to succeed Colman in the management of Covent Garden (Winston MS 10). Colman sold his share of the patent to Harris in the spring of this year, this departure to take place in June (Page, George Colman, The Elder). Michel Dyer Died (Genest, V, 424). Miss Jameson's charges #77 13s. 6d. Profit to her #59 10s., plus #66 7s. from tickets. (Box 127; Pit 138; Gallery 139). Receipts: #137 3s. 6d. (Account Book)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Author

Dance: II: The Corsican Sailors, as17731013; End Opera: The Highland Reel, as17731112

Event Comment: Afterpiece: By desire. Last time of the company's performing this season. [The Epilogue recites the mock burial of this King of Brentford reviewing certain high points of his management. A mock heroic written by Colman and printed in the Gentleman's Magazine for June 1774 (p. 280). He sold his share for #20,000, which was #5,000 more than he paid for it. (See Page, George Colman, The Elder.) Rec'd half value of ticket returns from 13 servants amounting to #98 3s. 6d. Receipts: #124 8s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Midas

Entertainment: After Opera: the Last New Occasional Epilogue, on the Departure of the Manager,-Miss Barsanti

Event Comment: By George Saville Carey at the Great Room, Panton St., Haymarket. To begin at 8:00 p.m. Price 2s. 6d. [Second night. This was repeated numerous times during the summer season, 28, 30 July, 2, 4 Aug., &c.

Performances

Mainpiece Title: Lecture On Mimicry

Event Comment: Paid salary list #630 1s. 6d. (Treasurer's Book). Tuesday Next, not acted these 2 years. George Barnwell, to which will be added, first time these 6 years, The Jubilee, in honor of Shakespeare. Receipts: #247 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Cast
Role: Archer Actor: Garrick
Related Works
Related Work: The Stratagem Author(s): George Farquhar

Afterpiece Title: The Padlock

Dance: IV: The Irish Fair, as17751003

Event Comment: A sacred Oratorio selected from the works of $George Frederick Handel, Esq.

Performances

Mainpiece Title: Omnipotence; Judas Maccabaeus

Music: End Part First: A New Concerto on 3 Chromatic French Horns-(being their first performance); After Part Second: a Concerto on the Violin-Lamotte

Event Comment: The Prologue to the Capuchin, written by George Colman, Esq printed this day in the Public Advertiser: @"Critics, whatsoe'er I write, in every scene,@Discover meanings that I never mean, etc."

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Metamorphoses

Dance: The Venetian Regatta-

Event Comment: [Afterpiece: Prologue by George Colman elder.] The Doors to be opened at 5:15. To begin at 6:15 [see 30 Apr. 1777]. Receipts: #194 18s

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Bon Ton

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick

Dance: As17761107

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Performances

Mainpiece Title: The Coquette; Or The Mistakes Of The Heart

Related Works
Related Work: The Modern Fine Gentleman; or, 1757 Author(s): David Garrick

Afterpiece Title: The True-Born Irishman; or, The English Sailors and Soldiers in America

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

Event Comment: Afterpiece [1st time in London; F 2, by John O'Keeffe, 1st acted at the Smock Alley Theatre, Dublin, 13 Apr. 1774. Prologue by George Colman elder (Prose on Several Occasions, III, 222)]. Public Advertiser, 16 Aug. 1780: This Day is published Tony Lumpkin in Town (1s.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Tony Lumpkin in Town; or, The Dilettante

Dance: As17780623

Event Comment: Public Advertiser, 22 Mar.: At the particular Desire of the Nobility and Gentry, the Subscribers to this Theatre, on account of the young Prince's Christening there will be no Opera to-morrow. This delay will prove very convenient for compleating the great Preparations which in every respect are necessary to present [the new] Opera [see 25 Mar.] in all the Magnificence it requires. [Prince Octavius, 8th son of George III, was christened on 23 Mar.

Performances

Mainpiece Title: None

Event Comment: Benefit for Daly. Public Advertiser, 14 Apr.: Tickets to be had of Daly, No. 8, George-street, York Buildings

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Event Comment: [Mainpiece: Prologue by George Colman elder.

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: Midas

Dance: As17790610

Event Comment: Afterpiece: Not acted these 2 years. [Prologue by George Colman, the elder.

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Bon Ton

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick
Event Comment: Benefit for Quick. Morning Chronicle, 22 Mar.: Tickets to be had of Quick, No. 151, Drury-lane. 1st piece [1st time; M. PREL I, by George Downing]: The Music by Hook. 3rd piece: Not acted these 18 years. With a grand burlesque Procession and triumphal Entry of Alexander into London. The Nobles, Guards, Officers and Attendants will be all dressed in the Habits of the Times. Receipts: #274 14s. (173.9; tickets: 101.5) (charge: #70 7s. 6d.)

Performances

Mainpiece Title: The Volunteers; Or Taylors To Arms

Related Works
Related Work: The Volunteers; or, Taylors to Arms! Author(s): George Downing

Afterpiece Title: The Double Gallant

Afterpiece Title: The Rival Queans; or, The Life and Death of Alexander the Little

Dance: End IV: As17791013

Event Comment: By Permission of the Lord Chamberlain. [1st time; M.ENT 3, by George Alexander Stevens. Larpent MS 533; not published. Songs published by R. Snagg, 1780.] The Overture, most of the Airs [see 6 Nov.], and Decorations entirely new. Ne Quid Nimis; or, Too much of one Thing is good for Nothing. Boxes 5s. Pit 3s. Gallery 2s. The Public are respectfully informed that the Upper Gallery will not be opened. The Doors to be opened at 6:00. To begin at 7:00. The Songs, written by G. A. Stevens, are to be had at the Theatre

Performances

Mainpiece Title: The Cabinet Of Fancy; Or, Evening Exhibition

Performances

Mainpiece Title: The Cabinet Of Fancy

Performance Comment: As17801101, but added: Written by George Alexander Stevens, with considerable Alterations and Additions; the Overture, Recitatives, most of the Airs and Chorus entirely new, composed by Claggett.
Event Comment: Benefit for Quick. 1st piece: Never acted here; with Alterations. 3rd piece [1st time; F 2, author unknown, based on George Dandin, by Moliere, and on The Amorous Widow, by Thomas Betterton, and on the anonymous No Wit Like a Woman's. Text 1st published by S. Bladon, 1788.]. Receipts: #283 8s. 6d. (186.11.6; tickets: 96.17.0) (charge: #105)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Performances

Mainpiece Title: Seventeen Hundred And Eighty One; Or, The Cartel At Philadelphia

Afterpiece Title: Sir Courtly Nice; or, It Cannot Be

Afterpiece Title: Who'd have Thought It

Performance Comment: Characters-Wilson, Whitfield, Wewitzer, Cubitt, Thompson, Booth, Lee Lewes, Mrs Wilson, Mrs Lewis, Mrs Webb; [Partial cast adjusted from hay playbill of 7 July 1781: Strap-Wilson; Ishmael-Wewitzer; Broadhem-Mrs Wilson; Caroline-Mrs Lewis; Mrs Strap-Mrs Webb; Larpent MS lists the other parts: Hawser, Spangle, Lord George Willmore, Clinker, Clod, Box, Frank, Pillage.] Prologue-Lee Lewes.
Event Comment: Afterpiece [1st time; F 2, by John O'KeefFe, altered from his The She Gallant; or, Square-Toes Outwitted, 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767, and in London at the HAY, 13 Oct. 1779. Incidental music by Michael Arne and William Shield. Text 1st published by T. N. Longman and O. Rees, 1800. Prologue by George Colman, the elder (Colman, Prose, m, 231)]. Receipts: #228 10s. 6d. (226/14/6; 1/16/0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

Related Works
Related Work: The She-Gallants Author(s): George Granville, Lord Lansdowne