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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gallant"/1) | (@(roleclean,performerclean) "Gallant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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342 results for: Keyword - Gallant
We found 290 matches on Performance Title, 52 matches on Event Comments, 38 matches on Roles/Actors, 20 matches on Performance Comments, and 0 matches on Author.

301
August 1675 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until February 1675@6, the references to "Miss-Non-so-Fair," prince Nick, and t'other House Gallants" suggest that it capitalized upon the appearance of Psyche Debauched at dg

Performances

Mainpiece Title: Piso's Conspiracy

302
May 1691 @ Dorset Garden Theatre

Event Comment: The United Company. The date of the first performance is not known, but it very probably occurred not later than May 1691, as the play was advertised in the London Gazette, 4-8 June 1691. For discussions of it, see E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44-45, and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter III. Downes, Roscius Anglicanus, p. 42: King Arthur an Opera, wrote by Mr Dryden: it was Excellently Adorn'd with Scenes and Machines: The Musical Part set by Famous Mr Henry Purcel; and Dances made by Mr Jo. Priest: The Play and Musick pleas'd the Court and City, and being well perform'd, twas very Gainful to the Company. Roger North: I remember in Purcell's excellent opera of King Arthur, when Mrs Butler, in the person of Cupid, was to call up Genius, she had the liberty to turne her face to the scean, and ner back to the theater. She was in no concerne for her face, but sang a recitativo of calling towards the place where Genius was to rise, and performed it admirably, even beyond any thing I ever heard upon the English stage....And I could ascribe it to nothing so much as the liberty she had of concealing her face, which she could not endure should be so contorted as is necessary to sound well, before her gallants, or at least her envious sex. There was so much of admirable musick in that opera, that it's no wonder it's lost; for the English have no care of what's good, and therefore deserve it not (Roger North on Music, ed. John Wilson [London, 1959], p. 217-18)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

303
04 February 1707 @ Queen's Theatre

Event Comment: [By Colley Cibber.] Never Acted before. By Subscription. The Boxes to be open'd to the Pit, and none to be admitted but by the Subscribers' Tickets. [In the preface to The Double Gallant Cibber states that in Marriage a la Mode he joined "the Comical Episodes of the Maiden Queen, and Marriage alamode...the Alteration cost me but six days trouble; and not calling it a new Play, we found the Town very favourable to it."

Performances

Mainpiece Title: Marriage A La Mode; Or, The Comical Lovers

304
03 June 1717 @ Lincoln's Inn Fields

Event Comment: Benefit Hall (Wardrobe Keeper), Mines, Gallant, Giles, Oder. Receipts: money #8 3s. 6d.; tickets #110 5s

Performances

Mainpiece Title: The Island Princess

Dance: As17170510

305
22 May 1718 @ Drury Lane Theatre

Event Comment: Benefit Ray and Topham. Tickets for The Double Gallant taken

Performances

Mainpiece Title: The Northern Lass

Dance: Wade, Shaw, Topham, Mrs Santlow, Mrs Bicknell, Miss Younger

306
29 May 1719 @ Lincoln's Inn Fields

Event Comment: Benefit Randal, Rowland, and Gallant, Pit Doorkeepers. Tickets for The Traytor taken

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Hob

Song: As17181103

Dance: Mimic Song And Dance-Mrs Willis; Newhouse, Sandham, Pelling, Cook, delaGarde's Two Sons

307
30 May 1720 @ Lincoln's Inn Fields

Event Comment: Benefit Randal, Rowland, Gallant, Pit Doorkeepers

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Dance: Topham Jr, Pelling, Newhouse, Miss Bullock, Sandham's Son, Miss Francis

308
26 May 1721 @ Lincoln's Inn Fields

Event Comment: Benefit Randal and Gallant, Pit Door Keepers. Receipts: money #3 17s.; tickets #80 7s

Performances

Mainpiece Title: The Indian Emperor

Dance:

309
22 May 1722 @ Lincoln's Inn Fields

Event Comment: Benefit Gallant and Mines. Receipts: money #5 19s. 6d.; tickets #111 1s

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Walking Statue

Dance:

310
21 May 1723 @ Lincoln's Inn Fields

Event Comment: Benefit Gallant and Maine. Written by Shakespear. Receipts: money #10 18s. 6d.; tickets #104

Performances

Mainpiece Title: King Henry The Fourth; Part I

Dance:

311
27 May 1724 @ Lincoln's Inn Fields

Event Comment: Benefit Gallant and Rowland, Pit Doorkeepers. Receipts: money #16 7s.; tickets #105 19s

Performances

Mainpiece Title: The Squire Of Alsatia

Music: Three Pieces-; End I: particularly a Piece with French Horns-

Dance: End II: Louvre-Mrs Wall; III: French Peasant-Lanyon, Mrs Ogden; IV: Saraband-Glover, Mrs Wall; V: Dutch Boor-Newhouse, Mrs Ogden

312
20 May 1725 @ Lincoln's Inn Fields

Event Comment: Benefit Gallant and Rowland, Pit Doorkeepers. Receipts: money #7 3s.; tickets #125 16s

Performances

Mainpiece Title: The Busy Body

Music: Concerto-Mrs Woodbridge

Dance: DDutch Burgomaster-Newhouse, Mrs Ogden; Scots Dance-Mrs Bullock; Pastoral-Lally, Mrs Wall

313
24 May 1726 @ Lincoln's Inn Fields

Event Comment: Benefit Gallant and Rowland, Pit Doorkeepers. Receipts: money #11 19s.; tickets #99 4s

Performances

Mainpiece Title: The Rover

Dance: SScotish Dance-Mrs Bullock; Shepherd and Shepherdess-LeSac, Miss LaTour; Fingalian-Newhouse, Mrs Ogden

314
15 March 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: All For Love

Afterpiece Title: Perseus and Andromeda: With The Devil Upon Two Sticks

Performance Comment: Don Cleophas Leandro (Spanish Gallant)-Cibber Jr; Scaramouch (a Magician)-Thurmond; Asmodeo (Devil upon Two Sticks)-Miss Brett; Pierot (Servant to the Magician)-Roger; Harlequin (Servant to Cleophas)-Surel; Donna Clara (in love with Cleophas)-Mrs Walter.

315
20 May 1729 @ Lincoln's Inn Fields

Event Comment: Benefit Gallant, Rowland, Mrs Shaftoe, Jones. Afterpiece: Written by the late Sir John Vanbrugh. Receipts: money #10 12s. 6d.; tickets #103 15s

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: The Country House

Dance: SScotch Dance-Mrs Bullock; Fingalian-Newhouse, Mrs Ogden; Pierrots-Salle, Pelling; French Peasant-Moreau, Mrs Bullock

316
25 May 1730 @ Lincoln's Inn Fields

Event Comment: Benefit Bewley, Gallant, Mrs Keene, Mrs Atkins. Receipts: money #11 12s.; tickets #140 11s

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Flora

Song: I: As Down in a Meadow-Miss Sukey Rogers; II: A song by Pepusch-Baker; IV: Polwart on the Green-Miss Sukey Rogers

Dance: III: Chacone-Miss Betty Rogers

317
21 May 1731 @ Lincoln's Inn Fields

Event Comment: Benefit Gallant, Naylor, Tyfer. Receipts: money #5 13s., tickets #144 4s

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Flora

Dance: PPeasant-Nivelon; Scottish Dance-Mrs Bullock; Fingalian-Newhouse, Mrs Ogden; Highlander and his Mistress-Salle, Mrs Laguerre

318
12 May 1732 @ Lincoln's Inn Fields

Event Comment: Benefit Gallant, Gibbs, Mrs Atkins, Mrs Redfern. Receipts: money #15 8s. 6d.; tickets #146 6s

Performances

Mainpiece Title: Macbeth

Music: As17310927

Dance: As17310927

319
23 May 1733 @ Covent Garden

Event Comment: Benefit Miss Bincks, Mines, Gallant, &c. Written by Mr Wycherley. Receipts: money #19 12s. 6d.; tickets #128 1s

Performances

Mainpiece Title: The Plain Dealer

Dance: TTambourine-Miss Rogers; Peasant-Nivelon; Scottish Dance, as17330521

320
17 May 1734 @ Covent Garden

Event Comment: Benefit Mines, Gallant, Nayler

Performances

Mainpiece Title: The Mourning Bride

Dance: Tambourine, as17340504. Scottish Dal Karl by Delagarde and Mrs Ogden. Le Marie, with a Minuet, by Glover and Miss Rogers

321
01 July 1735 @ Drury Lane Theatre

Event Comment: At the Desire of several Eminent Citizens. Mainpiece: Written by Mr Lillo. Afterpiece: Taken from the French of Moliere, by H. Fielding, Esq. At Common Prices. 6:30 P.M. [Tickets for Grey, Peploe, Mrs Moor taken. The Doorkeepers are ordered not to take tickets sold by Orange Women.] London Daily Post and General Advertiser, 3 July: The Play of George Barnwell, and the Farce of the Mock Doctor . . . was perform'd to a Crowded Audience, with Great Applause . . . The Revival of the above-mentioned Play seems welltim'd, when so many fine Ladies of Pleasure make their Appearance, with unusual Equipages, and their Gallants run the most extraordinary Lengths, to their own Ruin, and Grief of their Friends

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Mock Doctor

Music: Select Pieces. II: A Concerto for two Hautboys performed by Woodbridge and Neale

Dance: I:Jenny come tie me; or, The Neu, Way of Wooing by Davenport and Miss Brett. III: Drunken Peasant by Le Brun. V: Pierot by Davenport and Cox. End Afterpiece: A new Comic Dance by Le Brun and Mrs Anderson

Song: IV: As17350603

322
25 May 1736 @ Covent Garden

Event Comment: Benefit Mines, Gallant, Mrs Atkins. Mainpiece: Written by Sir J. Vanbrugh. Receipts: money #6 15s.; tickets #125 17s

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Devil to Pay

Dance: Tambourine by Miss Rogers. Polonese by Mlle De L'Isle. Two Pierrots by Lalauze and Nivelon

323
08 May 1738 @ Covent Garden

Event Comment: Benefit Mines, Gallant, Verhuyck, Naylor. Mainpiece: Written by C. Cibber, Esq; Poet-Laureat

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Mock Lawyer

Dance: SSerious Dance-Villeneuve, Miss Oates; A new Pantomime Dance-Nivelon, Mrs LeBrun; Comic Dance-Richardson, Miss Cantrel

324
28 May 1739 @ Covent Garden

Event Comment: Benefit Mines, Verhuyck, Gallant, Naylor

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: The Lucky Discovery

Dance: PPierots-Lalauze, Desse; Hornpipe-J. Thomson; Ballet-Desse, Miss Oates; Glover's Grecian Sailors-

325
20 November 1740 @ Covent Garden

Event Comment: By Command of His Royal Highness the Prince of Wales. For the Benefit of the Brave and Unfortunate Capt John Peddie, of the Prince of Orange, who, after defending his Ship, and saving her by the most Gallant Behaviour, against a Spanish Privateer, had the Misfortune to lose her, and all he had on Board, in the late Storm. Mainpiece: Written by the late Mr Addison. Pit and Boxes 5s. Galleries 2s. and 1s. Receipts: money #52 1s.; tickets #295 (Account Book); #350 (Rylands MS.)

Performances

Mainpiece Title: Cato

Afterpiece Title: Nancy

Dance: CComic Ballet-Villeneuve, Miss Oates; Wooden Shoe-Mechel