SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Duke of Cumberland"/1) | (@(roleclean,performerclean) "Duke of Cumberland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1168 matches on Performance Comments, 1114 matches on Event Comments, 1015 matches on Author, 332 matches on Performance Title, and 2 matches on Roles/Actors.
Event Comment: Benefit for Smith. No building on stage. Tickets sold at the doors will not be admitted. Ladies send servants by Three. Tickets to be had and places to be taken of Smith in Duke St., York Buildings, and of Crudge at the Stage Door

Performances

Mainpiece Title: Hamlet

Afterpiece Title: A Duke and no Duke

Dance: As17561217

Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: The Duke Of Guise Or The Massacre Of Paris

Performance Comment: Admiral-Mills; King-Walker; Duke-Ryan; Cardinal-Quin; Marguerite-Mrs Horton.
Cast
Role: Duke Actor: Ryan

Song: Turner, Mrs Bowman; The Genius-Turner

Performances

Mainpiece Title: Frederick Duke Of Brunswick Lunenberg

Performance Comment: Principal Parts-Walker, Rayn, Quin Milward, Chapman, Mrs Buchanan, Mrs Berriman; but edition of 1729 lists: Frederick-Walker; Duke of Wirtemberg-Ryan; Anspach-Milward; Anhalt-Berryman; Count Waldec-Quin; Baden-Pitts; Ridolpho-Chapman; Anna-Mrs Buchanan; Adelaid-Mrs Berryman; Sophia-Mrs Morgan; Prologue-; Epilogue-.
Cast
Role: Duke of Wirtemberg Actor: Ryan

Performances

Mainpiece Title: Henry IV Part I

Afterpiece Title: The Toy Shop

Dance: Pierrots by Delagarde and Dukes. Grecian Sailors (from orestes) by Glover, Le Sac, S. Lally, Delagarde, Dukes. Ball Dance and Minuet by Glover and Miss Rogers. Grand Ballet of The Faithful Shepherd (from Pastor Fido) by Glover, Le Sac, Dukes, Delagarde, Dupre, Miss Rogers, Mrs Ogden, Mrs Delorme, Miss Baston, Mrs Villepierre. Scot's Dance by Glover, Miss Rogers

Performance Comment: Grecian Sailors (from orestes) by Glover, Le Sac, S. Lally, Delagarde, Dukes. Ball Dance and Minuet by Glover and Miss Rogers. Grand Ballet of The Faithful Shepherd (from Pastor Fido) by Glover, Le Sac, Dukes, Delagarde, Dupre, Miss Rogers, Mrs Ogden, Mrs Delorme, Miss Baston, Mrs Villepierre. Scot's Dance by Glover, Miss Rogers .

Performances

Mainpiece Title: The Devil Of A Duke Or The Conjurors Bastard With The Comical Humours Of Captain Tipple

Performance Comment: Conjuror's Bastard-Chapman; Duke Lavinio-Winstone; Mago-Cross; Prince Brunetto-Ware; Barberino-Bembridge; Alberto-Richards; Captain-Spackman; Clout-Gray; Flout-Clough; Isabella-Mrs Cross; Prudentia-Miss Ferguson; Flametta-Miss Dodson; 1st Widow-Mrs Taylor; 2d Widow-Mrs Powel; Miss Sol@Fa-Mrs Booth; Drunken Captain-Hippisley.
Cast
Role: Duke Lavinio Actor: Winstone

Afterpiece Title: The Matrimonial Squabble or A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

Event Comment: The Duke's Company. Pepys, Diary: Then with Mr Shepley to the Theatre and saw Rollo ill acted

Performances

Mainpiece Title: Rollo Duke Of Normandy

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, 1s., and to the play of the Duke of Lerma, 2s. 6d., and oranges, 1s

Performances

Mainpiece Title: The Great Favourite Or The Duke Of Lerma

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and saw Rollo, Duke of Normandy, which, for old acquaintance, pleased me pretty well

Performances

Mainpiece Title: Rollo Duke Of Normandy

Event Comment: The United Company. That the King saw a play on this evening is indicated by the Newdigate newsletters, but the reference to the play is not by title. The play which most closely fits the brief description is The Duke of Guise. Newdigate newsletters, 24 May 1684: [In] the Evening his Matye is Entertained with Mr Dryden s new play the subject of which is the last new Plott (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Duke Of Guise

Event Comment: Benefit Dukes and Mrs Freeman. Tickets for Mrs Freeman at the Rainbow Coffee House in Fuller's Rents. Tickets and places for the Boxes to be taken at the Stage Door of the Theater. Tickets that are bought out Side of the Door will not be admitted

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Dance: II: The Welch Buffoons-two Masters Granier; IV: A Grand Ballet-Carney, Mrs Roland; V: A Minuet, a Louvre-Mr Dukes, Mrs Freeman

Event Comment: No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.]*c1765 11 01 cg No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Dance: II: The Garland?-as17651003

Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Event Comment: By Command of His Royal Highness the Duke. Benefit a Gentleman's Family in Distress. Receipts: money #71 0s. 6d.; tickets #51 15s. [Duke of Cumberland present.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Dance: TTwo Pierrots-Poitier, Nivelon; Fingalian-Newhouse, Mrs Ogden; Tambourine-Miss Rogers; French Sailor-Salle, Mrs Laguerre

Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Performances

Mainpiece Title: Richard Iii

Cast
Role: Duke of York Actor: Miss Macklin

Afterpiece Title: The Anatomist

Event Comment: [Scheduled for performance, but theatres closed on account of the death of the Duke of Cumberland.

Performances

Mainpiece Title: Venice Preserved

Cast
Role: Duke Actor: Bransby

Afterpiece Title: Daphne and Amintor

Event Comment: Paid Bibb (sword cutler) #5 5s. Paid Barratt (wax chandler) as per Bill #156; Gave Duke of York's Footmen #2 2s. Duke of Cumberland's Footmen #2 2s. (Account Book). Receipts: #118 18s. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Jane Shore oblig'd to be deferr'd. Gave Duke of Cumberland's Footmen by Cummins #1 1s., and Duke of Gloucester's Footmen by Bryan #2 2s. (Account Book). Receipts: #111 11s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Sorcerer

Dance: IV: A Double Hornpipe-Mas Blurton, Miss Besford

Event Comment: Gave King's Footmen by Heron #2 2s., and Chairmen by Jupp, #2 2s.; Queen's Footmen by Burton 2s., and chairmen by Jones #2 2s.; Duke of Gloucester's footmen by Scalkavy #2 2s., and Duke of Cumberland's by Malme 2s. (Account Book). Receipts: #135 18s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Englishman in Paris

Dance: End: A Dance, as17731014

Event Comment: Mainpiece [1st time; T 5, by Joseph Berington, altered from the same, by Gotthold Ephraim Lessing. MS: Larpent MS 1041; not published; synopsis of plot in Morning Herald, 30 Oct. It has hitherto been assumed that this play was altered by Benjamin Thompson, but "This Tragedy was translated from the German by the Rev. Jos. Berrington [sic]" (Kemble Mem.). Dr. Berington's authorship is also referred to in London Chronicle, 30 Oct. 1794. Thompson's translation was published by Vernor and Hood in 1800. Prologue by Richard Cumberland. Epilogue by George Colman, ynger (London Chronicle, 29 Oct.)]: The Dresses, Scenes and Decorations are entirely new. The Scenery in the four first Acts is the work of Signor Barzago and of his Brother; and in the fifth of Greenwood, by whom also a new Frontispiece is designed and executed. [Miss Miller, who had appeared the previous season as a chorus singer, is identified in European Magazine, Nov. 1794, p. 363.] The Doors to be opened at 5:15. To begin at 6:15 [see 20 Apr. 1795]. Powell: Emilia Galotti rehearsed at 10. The New Frontispiece and Stage doors were exhibited for the first Time this Evening. Receipts: #317 19s. 6d. (270.8.6; 46.5.0; 1.6.0)

Performances

Mainpiece Title: Emilia Galotti

Performance Comment: [Characters by Kemble, Palmer, C. Kemble, Aickin, Wroughton, Barrymore, Caulfield, Maddocks, Phillimore, Mrs Siddons, Mrs Powell, A Young Lady (who has never appeared on any stage Miss Miller]). [Cast from European Magazine, Nov. 1794, p. 363, and Genest, VII, 180: Duke of Guastalla-Kemble; Marquis Marinelli-Palmer; Count Appiani-C. Kemble; Camilla Rota-Aickin; Odoarto Galotti-Wroughton; Battista-Barrymore; Giuseppe-Caulfield; Pirro-Maddocks; Angelo-Phillimore; Countess Orsina-Mrs Siddons; Claudia Galotti-Mrs Powell; Emilia Galotti-Miss Miller; Prologue-Whitfield; Epilogue-Mrs Siddons.
Cast
Role: Duke of Guastalla Actor: Kemble

Afterpiece Title: The Prize

Event Comment: Benefit Denoyer. By Command of His Royal Highness. [Prince, Duke of Cumberland, three eldest Princesses, and Princess Mary present.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Jovial Crew

Dance: II: Le Chasseur Royal-Denoyer, Mrs Booth, others; III: Comic Dance-Denoyer, Mrs Walter; IV: Minuet-Denoyer, Mrs Booth; V: Serious Dance-Denoyer

Event Comment: A Musical Drama, in Two Parts...with Dances and other Decorations Entirely new. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the Opera Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. The Gallery to be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. A New Opera [composed by Gluck; text by F. Vanneschi]. The Subscribers to the Opera are desired to make the last Payment of their Subscription Money to the Treasurer, at the Opera Office in the Haymarket, where Attendance will be given this and every Day, from Ten till Two, to receive the same, and deliver out the Silver Tickets. [Repeated until 28 Jan.] The new Musical Italian Drama; entitled La Caduta de Giganti, or the Fall of the Giants, writ on Occasion of the expulsion of the Rebels, was perform'd last Night at King's Theatre in the Haymarket. The performance was received and carried on with great Attention, Tranquility, and Applause: and not a little enliven'd by the Presence of his Royal Highness the Duke of Cumberland.--Daily Advertiser, 8 Jan

Performances

Mainpiece Title: La Caduta De Giganti Or The Fall Of The Giants

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Vocal Parts-Sga Sybilla, Miss Young, Waltz, Hague, Messing Jr; Act I: The overture in Otho-; A Concerto of Geminiani-; A Solo on the German Flute-Balicourt; Powerful Guardians, Come ever Smiling Liberty by Handel-Sga Sybilla; Concerto on the Bassoon-Miller; Solo on the Violincello-Jones; First Trumpet-Snow; A Grand Concerto with Trumpets French Horns, and four Kettle Drums-John Mitchell Axt; who has had the honour to perform before several Sovereigns and English General Officers with great applause. Between the Acts: Preamble on Kettle Drums-Axe; a piece of music-six of the best French Horns; in England, never attempted before. Act II: The Music on the Thanksgiving Day-; compos'd by John Frederick Lampe, as it was perform'd on Thursday the 9th day of October 1746, in the Savoy. The words oy Christian Benjamin Schlaiblin, dedicated to the Duke of Cumberland. Concluding with the Water Music of Handel-;accompanied with four kettle drummers-.
Event Comment: Mainpiece: By Desire. His Royal Highness the Duke of Cumberland was at the Theatre Royal in Drury Lane, to see the tragedy of The Orphan; being the first time of his Royal Highness's being at either of the Theatres since his indisposition (General Advertiser, 4 Jan.). Receipts: #180 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin Ranger

Event Comment: Program By Command of their Majesties. Present their Majesties, the Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Paid Yeoman of the Guard #2 2s. Paid Messrs Tomkyn and Robinson a bill for wine, &c. 4s. 3d. (Account Book). Receipts: #243 7s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Rural Love-Fishar, Sga Manesiere, Miss Wilford, Arnauld, Dumai, Miss Twist, Miss Pitt.[See17641212.