SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cross jun"/1) | (@(roleclean,performerclean) "Cross jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2851 matches on Event Comments, 2708 matches on Performance Comments, 328 matches on Performance Title, 110 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Fairies

Performance Comment: See17550203*d1755 2 10 dl See17550203*c1755 2 10 dl Benefit for the Composer (Cross). Receipts: #170 (Cross).
Event Comment: Mainpiece: By Particular Desire. The greatest crowd I ever saw since the Delevals play'd. This (tis said) was Mr Garrick's Benefit (Cross). Receipts: #220 (Cross)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for ye Composer--tho' not in ye Bills (Cross). Receipts: #160 (Cross)

Performances

Mainpiece Title: The Fairies

Dance: See17550203

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Song: II: The Cantata of Cimon and Iphigenia-Beard

Event Comment: Benefit for Mrs Clive (Cross). Music of Afterpiece by DeFesch. Tickets at her lodgings at the Wheatsheaf in Henrietta St., and at the Stage Door. Afterpiece: Never performed but twice. Part of Pit to be laid into the boxes. Receipts: #210 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The London Prentice

Dance: T$Three Sabatinis As17550203

Event Comment: Benefit for Mrs Cibber (Cross). Tickets delivered for the 11th will be taken (playbill). Receipts: #280 (Cross)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Lethe

Song: I: Beard

Related Works
Related Work: The Genoese Pirate; or, Black-Beard Author(s): John Cartwright Cross
Event Comment: Farce never performed before, taken from second part of ye Busy Body (Cross). For the benefit of Woodward. Garrick had Woodward act Polonius seriously (Genest, IV, 408). Receipts: #300 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Marplot in Lisbon

Event Comment: Benefit for Miss Macklin (Cross). Receipts: #180 (Cross). Ladies to send for tickets for the places they taken at Miss Macklin's, Russel St. next door to Tom's Coffee House. Part of Pit laid into Boxes and Amphitheatre on stage. Afterpiece: By Particular Desire. Last time of Performing till the Holidays. On seeing Miss Macklin in the character of the Mourning Bride: @Should Death (for Oh! what power can save Our tragic heroine from the grave)@At Cibber aim his dart:@Tears should forever speak my moan,@For oh! 'tis she, and she alone@Can melt the feeling heart.@Britannia spake, when Lo! a Voice@Britain be happy, and rejoice,@That, when your Cibber dies@The Gods have yet in store for thee,@A Macklin; and in her you'll see@Another Cibber rise.--Public Adveriser@

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Englishman in Paris

Dance: As17550203

Event Comment: Benefit for Mr Havard (Cross). Last time of performing the Mainpiece this season. Tickets of Havard at his house in Broad Court, Bow St., Covent Garden, and at the Bedford Coffee House and the Stage Door. [The Public Advertiser lists Old Knowell this night as Berry.] Receipts: #190 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Englishman in Paris

Dance: III: New Comic Dance-Three Sabatinis, as17550203

Song: B$Beard particularly at the End: Rule Britannia, as17550402 Britons Strike Home in character and accompanied with a Chorus, as17550402 Concluding with: a Hornpipe-Mathews

Event Comment: Benefit for Mlle Auretti--she sick in bed (Cross). Receipts: #190 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Englishman in Paris

Dance: A Hornpipe-Mathews

Event Comment: Benefit for Miss Haughton--masters share (Cross). Full Prices. That there may be no Obstruction in the Machinery, there will be no building on the stage. Tickets of Miss Haughton, in Chandois St., and at Stage Door. Receipts: #100 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Proteus

Event Comment: Tickets deliver'd for the Busy Body will be taken. Receipts: #100 (Cross)

Performances

Afterpiece Title: Proteus

Event Comment: Benefit for Mr Raftor and Miss Young (Cross). [Miss Young is referred to as "The Queen of the Fairies " on the Huntington advance Bill.] Tickets to be had of Miss Young, at Mr Driscol's, Peruke Maker, in Broad Court, Bow Street Covent Garden, and at Stage Door. There will be no building on the Stage. Receipts: #80 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Bayes in Petticoats

Song: Between the acts: Miss Young

Event Comment: Benefit for Mathews and Miss Minors. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Mrs Sealand Actor: Mrs Cross

Afterpiece Title: The Lying Valet

Song: Beard

Related Works
Related Work: The Genoese Pirate; or, Black-Beard Author(s): John Cartwright Cross

Dance: A Hornpipe-Mathews

Event Comment: Benefit for Burton and Philips. Tickets of Philips at Martlet Court in Bow St., Covent Garden, and at the stage door (Playbill). [Advertised as not acted in 10 years, but see 29 Oct. 1748.] Receipts: #220 (Cross)

Performances

Mainpiece Title: The Man Of Mode

Cast
Role: Pert Actor: Mrs Cross

Afterpiece Title: The Tragedy of Tragedies; or, Life and Death of Tom Thumb, the Great

Song: I: By Particular Desire, Hooly and Fairly-Beard

Dance: HHornpipe-Harrison

Event Comment: Benefit for Jefferson, Phebe, Dennison, and Morris (Cross); for Jefferson, Dennison, Mrs Toogood, Miss Hippisley (Public Advertiser). [Cross's Phebe seems to refer to Miss Hippisley who played the part in As You Like It.] Receipts: #104 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Miss in Her Teens

Song: I: Hooly and Fairly-Beard; IV: Miss Thomas

Dance: II: A Hornpipe-the Little Swiss; V: Louvre, Minuet-Dennison, Mrs Addison

Event Comment: Some Tickets to ye Wid Boucher &c. (Cross). Tickets deliver'd out for Provok'd Wife will be taken. Receipts: #209 (Cross)

Performances

Mainpiece Title: Zara

Afterpiece Title: Proteus

Event Comment: Benefit for Mrs Gibbons, Watson, and Master Moore. Tickets deliver'd out by Mr Walker, Dancing Master, and Marr will be taken. Tickets for the Revenge will be taken. Receipts: #120 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Mrs Sealand Actor: Mrs Cross

Afterpiece Title: Miss in Her Teens

Song: II: Beard; IV: Mas. Moore

Dance: III: A Hornpipe-Walker; V: The Running Footmen-Morris, Walker, as17550424

Event Comment: [Masque] words by Mallet and Music by Arne and a Prologue by Mr Garrick (Cross). Books of the Masque will be sold at the theatre. Receipts: #120 (Cross)

Performances

Mainpiece Title: Zara

Afterpiece Title: Britannia

Event Comment: MMr Garrick made a Speech and so Ended the Season (Cross). Books of the Masque sold at the Theatre. Receipts: #200 (Cross)

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: Britannia

Event Comment: DDrury Lane Theatre open'd Sat: Sept 13th. The House new Gilt, Painted & ornamented wth Festoons &c. Mr Mossop left us. Mr Wilder discharg'd. Mrs Mills is gone to end her Days in Wales, wth an Allowance of #20 per An: from the Managers (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money returned after the Curtain is up. No Persons to be admitted behind the Scenes. Places for Boxes to be had of Mr Varney at the Stage Door. [Notice customarily repeated and will not be further noted.] Receipts: #109 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Event Comment: MMr Murphy from Covent Garden did Osmyn. Indiff-tho' great applause (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Devil to Pay

Event Comment: Went off pretty well (Cross). Comedy reviv'd. Not acted these 30 years. Characters new Dress'd. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The King and the Miller

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Garrick; Macduff-Havard; Banquo-Ross; Donalbaine-Master Simson; Lady Macduff-Mrs Cowper; Lady Macbeth-Mrs Pritchard; Witches-Burton, Blakes, Yates; Duncan-Berry; Ross-Davies; Malcolm-Usher; Angus-Simson; Lenox-Scrase; Sayward-Bransby; Hecate-Beard; the Vocal Parts-Beard, Champness, others; With Proper Decorations, particularly a Dance of the Furies-.*a1755 10 10 dl The Lying Valet. As17550916*c1755 10 10 dl [Mainpiece] Written by Shakespear. This day ye News paper (thro some carelessness of the Servants put in Mr Mossop's Name instead of Mr Garrick's for Macbeth, the Master printer disocver'd it about eight in the Morning, & had the paper reprinted & sent & changed it all over the Town-it was all he cou'd do, but I believe it hurt the House (Cross). Receipts: #150 (Cross).
Event Comment: OOroonoko by a young Gentleman (Mr Holland) being his first attempt he perform'd very well, & had great Applause in stabbing the Governor (Mr Burton) in the last Scene, he struck him on the Cheek, & upon hearing him cry, O God! was so shock'd that he did not die so well as was expected-Burton was taken off, & dress'd by Mr Bromfield, was accidentally behind the Scenes (Cross). Receipts: #180 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Anatomist