SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [R$Ross this month wrote to Colman (Harvard Theatre Collection A.L.S.) inquiring about an intended new theatre at Bath, and opened his heart as follows: "My present situation is most irksome to me and must be to any gentleman or man of merit in his profession to have such an ignorant and now ill-bred fellow as Beard? presume to conduct the business of a theatre Royal, of which he is totally ignorant, and oblig'd to apply to the great Gibson, who naturally wishes to lower every man to his own standard, while the other despises every degree of merit that is not compris'd in Sol fa and wishes the theatre only to substitute as an Opera house." Ross wanted to be nominated for the manager's postition in the new theatre at Bath. N.B. He had already acted 23 times this season in his best parts.

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Performance Comment: Manuel-Shuter; Philip-Ross; Octavio-Gardner; Soto-Dunstall; Trappanti-Woodward; Lewis-Davis; Corrigidor-Wignel; Diego-Costollo; Rosara-Mrs Mattocks; Flora-Mrs Vincent; Viletta-Mrs Pitt; Hypolita-Miss Macklin.
Cast
Role: Diego Actor: Costollo

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: The Drummer Or The Haunted House

Performance Comment: Sir George-Smith; Tinsel-Dyer; Fantome-Hull; Vellum-Shuter; Butler-Costollo; Coachman-Dunstall; Gardener-Cushing; Abigail-Mrs Pitt; Lady Truman-Mrs Ward.
Cast
Role: Butler Actor: Costollo

Afterpiece Title: The Royal Chace

Dance: II: The Village Romps, as17651019; IV: The Garland, as17651003

Performances

Mainpiece Title: Julius Caesar With The Deaths Of Brutus And Cassius

Performance Comment: Brutus-Walker; Cassius-Smith; Antony-Ross; Julius Caesar-Clarke; Caska-Gibson; Cinna-Gardner; Cimber-Cushing; Lepidus-Morris; Ligarius-Holtom; Octavius-Hull; Pindarus-R. Smith; Soothsayer-Redman; Lucilius-Murden; Publius-Wignel; Voluminius-Weller; Lena-Hallam; Lucius-Mas. Besford; Antony's Servant-Perry; Trebonius-Anderson; Decius Brutus-Davis; Plebians-Barrington, Dunstall, Costollo, Lewis; Calphurnia-Mrs Vincent; Portia-Mrs Bellamy.

Afterpiece Title: The Intriguing Chambermaid

Dance: End of Play: The Village Romps, as17651019

Event Comment: Benefit Furnival. Tickets deliver'd out by Costollo will be taken

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Miss in Her Teens

Song: Brett

Dance: As17461124

Event Comment: Notice is hereby Given that the Annual Feast of the Shakespeare Society will be held on Wednesday the 10th of March next, at the Shakespeare's Head Tavern, Covent Garden, and that tickets are left with the Master of that House to be disposed of to the Gentlemen who subscrib'd for tickets for the last Feast, and who are to call for them on or before the 7th of February. Such Tickets as are not call'd for by that day will be delivered to the Steward to be otherwise disposed of; The person's name to whom a ticket is deliver'd, will be indorsed thereon, and no other person admitted thereby. E.B. Secreatary (Public Advertiser). Receitps: #170 (Cross)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: Catherine and Petruchio

Event Comment: Notice is hereby given, that the Annual Feast of the Shakespeare Society will be held on Wed. 2nd of March next, at the Shakespeare's Head Tavern in Covent Garden; and that tickets are left with the Master of that House to be disposed of to the Gentlemen who subscribed for Tickets for the last Feast, and who are to call for them at any time within thirty days from the date thereof. Such tickets as are not in that time called for will be delivered to the Stewards to be otherwise disposed of. The person's name to whom a Ticket is deliver'd will be endors'd thereon, and no other person can be admitted thereby. E. B. Secretary (Public Advertiser)

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Vizard Actor: Ridout
Role: Dicky Actor: Costollo

Afterpiece Title: Harlequin Sorcerer

Event Comment: No persons to be admitted without tickets, which will be delivered this day at the Office in the Theatre. Charges paid by, and receipts gained by Messrs Smith and Stanley. Galleries opened at half past Four. Pit and Boxes at Five. Prices 10s. 6d., 5s., 3s. 6d. Oratorio to begin at 6:30 p.m. Received (Account Book): @368 tickets at 10s. 6d. #193 4s.@410 tickets at 5s. #102 10s.@435 tickets at 3s. 6d. #76 2s. 6d.@1215 persons.@Receipts: #371 16s. 6d.@Charges: #35.

Performances

Mainpiece Title: Judas Maccabaeus

Music: Concerto on Organ-Stanley; Solo on Violin-Sg Giardini

Event Comment: The King's Opera House in the Haymarket. A new Opera...Dances and other Decorations entirely New. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be deliver'd this Day, at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, no Persons Whatever to be admitted behind the Scenes. The Gallery will be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. This Day Attendance will be given at the Opera-Office from Nine to One in order to deliver the Silver Tickets to the Subscribers. Each Subscriber is desir'd to send his printed Receipt, it being necessary for the Delivery of the Tickets [customary notice on the bills throughout the season]. BBurney, History of Music, IV, 445: A pasticcio, music mainly composed by Galuppi, now the resident composer for the Opera House. Edition lists libretto by Francesco Vanneschi

Performances

Mainpiece Title: Alexander In Persia

Event Comment: A Computation was made of what Number of Persons the chapel...would conveniently hold, and no greater number of Tickets were delivered to hear the Performance there on the First Instant. But so many Persons of Distinction coming unprovided with Tickets and pressing to pay Tickets, caused a greater number to be admitted than were expected. To prevent any disappointments, shall be performed, [again] [Deutsch, Handel, p. 690)

Performances

Mainpiece Title: The Messiah

Event Comment: Benefit for Miss Condill, Miss Sledge, and Miss Vivier [sic]. Tickets deliver'd by Miss Condill, Miss White, Viviez Jr, Miss Sledge, Mrs Jansolien, Guerin, and Mrs Paddick will be taken. Account Book: Receipts: #32 18s. 6d. [Each received half value of the tickets he or she delivered.] @Tickets Box Pit Gallery Value 1!2 Value@Miss Condill 11 80 34 #18 3s. #9 1s. 6d.@Miss White 43 41 74 #24 6s. #12 3s.@Miss Sledge 16 60 68 #19 16s. #9 18s.@Mrs Jansolien 22 61 50 #19 13s. #9 16s. 6d.@Guerin 14 29 17 #9 11s. #4 15s. 6d.@Viviez Jr 25 23 50 #14 14s. #7 7s.@Mrs Paddick 0 28 29 #7 2s. #3 11s.@Total 131 322 322 #113 5s. #56 12s. 6d.

Performances

Mainpiece Title: The Stratagem

Cast
Role: Aimwell Actor: Ridout

Afterpiece Title: Merlin Harlequin Skeleton

Dance: The Savoyards-Guerin, Mlle Capdeville; The Provincial Sailors-Guerin, Mlle Capdeville

Event Comment: Benefit for Miss Macklin. Part of Pit will be laid into the Boxes. Come as early as possible to avoid confusion. Charges #64 10s. Balance to Miss Macklin #79 18s., plus #146 from Tickets (584 Box & Pit at one price of 5s. each); Paid Mr Monk #2 12s. 6d. for mending the Owl & a new Spring (Account Book). [The bonus value of the benefit to an actor or member of the company staff may be seen when one considers that Miss Macklin's regular salary was #7 per week, or about #28 per month. On this one benefit performance she made a profit in book value equal to her previous eight month's salary. Book value because the Account Book records, for the tickets which she delivered, only the face value of 5s. each. It is probable that many a wealthy theatre-goer gave her on this occasion, by way of appreciation for the pleasure of her performances, much more than the face value of the ticket.] Receipts: #144 8s

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: IV: The Whim, as17691123; End: A Minuet-Fishar, Miss Macklin

Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Mainpiece Title: Armida

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Event Comment: [Text by P. A. Rolli. Music by G. Bononcini.] A New Opera. Four Hundred Tickets (for Pit and Boxes) will be deliver'd out, and after they are disposed of, no Person whatsoever will be admitted for Money. Neither Director nor Subscribers will be admitted on the Stage. A proper Officer will attend at each Door, to deliver Every Subscriber his Ticket, without which he will not be admitted. Pit and Boxes at a half guinea. Gallery 5s. The Doors to be open'd at Five a Clock. To Begin exactly at Six. [The Royal Family present.

Performances

Mainpiece Title: Astartus

Event Comment: [Text by P. A. Rolli. Music by G. F. Handel.] A new Opera. Pit and Boxes at a half guinea. And in Regard to the Increase of the Number of Subscribers, no more than Three Hundred and Fifty Tickets will be delivered out. No Tickets will be disposed of at the Theatre, nor any Money taken there but for the Gallery. Gallery 5s

Performances

Mainpiece Title: Floridante

Event Comment: Benefit for Increase of a Fund establish'd for the support of Decayed Musicians, or their families. Pit and boxes to be admitted without Tickets, which will be delivered this day, at the Office, at half a guinea each. First Gallery 5s. Second Gallery 3s. 6d. The Galleries will be open'd at Four o'clock, Pit and Boxes at Five. To begin at exactly Six o'clock. Tickets deliver'd out to the subscribers of this Charity will admit one person into any part of the House

Performances

Mainpiece Title: Music

Event Comment: The Subscribers to the Opera are desir'd to send their Silver Tickets on Saturday next, and the three succeeding Days of Performance, to the Opera Office, where a Half Guinea Ticket extraordinary will be delivered to each, or a proportionable Part of Money return'd as Equivalent for four representations, which the Season already too far advanced, cannot admit of being exhibited, thro' the absolute Necessity there was of postponing the proper Time of beginning the Opera. Forty-Two Representations are past

Performances

Mainpiece Title: Antigone

Event Comment: The Subscribers to the Opera are desired to take notice, that upon Saturday Morning Next, there will be a general Rehearsal of the New Opera call'd Anibale in Capua, upon the stage of the king's Theatre in the Hay Market, agreeable to the printed proposals. The Doors will be open'd at Ten, and the Rehearsal will begin at eleven precisely. No person whatever to be admitted without a subscriber's ticket. Attendance will be given this and every Day 'till the Operas begin, at the Office in the Haymarket, from ten in the Morning, till three in the Afternoon, in order to take in Subscriptions, and deliver out tickets.--General Advertiser

Performances

Event Comment: Benefit for Mr Palmer. Tickets at his lodgings, at Mr Watson's Linnen Draper, Corner Charles St., Covent Garden; and at Stage Door of Theatre. [Ray inserted a long plea for benefit support on the General Advertiser, saying that Mr William Barton, who keeps the Black Swan Tavern on Bartholomew Lane, will do his visiting and deliver his tickets for him since he, Ray, is so ill.] Receipts: #78 (Cross)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Lottery

Dance: By Desire.A Hornpipe-The Little Swiss

Event Comment: A New Opera. Pit and Boxes Half a Guinea. Gallery 5s. To begin half an hour after Six. With new Decorations. No Persons to be admitted without Tickets. By His Majesty's Command, No Person whatsoever to be admitted behind the Scenes. [These notices repeated in subsequent bills.] Attendance will be given at the said Office every Morning to deliver the Subscribers Silver Tickets, and to receive Subscriptions for this Season

Performances

Mainpiece Title: Demetrio

Dance: With new Dances

Event Comment: Benefit for Holtom, Davis, Buck, Perry. No Building on Stage. Receipts: #41 15s. 6d. plus income from tickets: Holtom #27 9s. (Box 10; Pit 89; Gallery 116); Davis #75 2s. (Box 70; Pit 300; Gallery 126); Buck #32 13s. (Box 28; Pit 115; Gallery 84); Perry #57 19s. (Box 17; Pit 202; Gallery 234). [The beneficiaries in this joint operation delivered 1,391 tickets (Account Book).] Charges: #64 6s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Flora

Dance: A Comic Dance-Granier, Mrs Granier. *uôÖcg Lady Pentweazle Scene. Lady Pentweazle-Hartry, 1st appearance on the stage; Carmine-Davis

Entertainment: EEpilogue to the Minor-Davis

Event Comment: For the Benefit and Increase of a Fund for Decayed Musicians and their families. Pit and Boxes put together at half a guinea each. N.B. The Society's Collector being dead, and the places of abode of several of the subscribers being unknown to his successor, those Ladies and Gentlemen who have not yet received their tickets are humbly requested to send for them to Mr Jesse Horwood at his house in King Street, Golden Square, who is empowered by the Society to deliver them and receive the Subscription. Tickets to subscribers will admit one person to any part of the House

Performances

Mainpiece Title: Israel In Babylon Or The Force Of Truth

Event Comment: By Command of their Majesties. A new serious Opera. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at the Office, at Half a Guinea each. Gallery 5s. By their Majesties Command no Persons whatsoever to be admitted behind the Scenes or in the Orchestra. Gallery, Pit and Boxes to be opened at Five. 6:30 p.m. [Repeated in the subsequent bills.] Messrs Crawford, Vincent, and Gordon most humbly request that the Nobility and Gentry, Subscribers to the Operas for the ensuing Season, will please send their Subssciptions to Andrew Drummond and Co., Bankers at Charing Cross; or to Crawford, at the theatre, where attendance will be given every day from Ten to Two, to receive Subscriptions, and the names of the Subscribers who are pleased to honor the Managers with their Protection to enable them to get the Tickets engraved before the Operas begin (Public Advertiser through October and November)

Performances

Mainpiece Title: Eumene

Dance: NNew Dances-

Event Comment: A Comic Opera (1st time [in London; 1st performed at Rome, 1777]); the Music entirely new, by Anfossi. With new Scenes, painted by Novosielski; new Dresses and Decorations by Sestini, both for the Opera and Dances. By their Majesties Command No Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00, and begin exactly at 7:00 [see 7 June 1785]. Subscriptions are received at Messrs Ransom, Moreland and Hammersley's, bankers, No. 57, Pall-mall; who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-House, are respectfully intreated to send for them, as, in order to prevent future mistakes, no body can be admitted without producing a Ticket

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

Event Comment: Benefit for Kemble [who had 1st acted Macbeth at Hull, 30 Oct. 1778]. Public Advertiser, 17 Mar.: Tickets to be had of Kemble, No. 2, Leicester Court, Castle-street, Leicester Fields. [In mainpiece the playbill retains R. Palmer as Malcolm, but "Preceding the play there was an apology, on its appearance evidently exciting doubt and trepidation in the audience [probably for fear that Mrs Siddons would be unable to appear]; but Palmer's fourth word broke the spell. R. Palmer was suddenly prevented attending the house:--what could the house do, but laugh?--Laugh they did;--'and Barrymore will read his part.' The house laughed again. And so Britannia was delivered" (Morning Chronicle, 1 Apr.). The name of R. Palmer's substitute in the afterpiece is not given.] Receipts: #293 3s. (175/2; 9/16; 0/5; tickets: 108/0) (charge: #115 10s. 3d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: All the Worlds a Stage

Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c