SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMaster Leoni's first appearance. Music by Smith. On account of Machinery and music no persons can be admitted behind Scenes or into the Orchestra. Nothing under full prices will be taken. Books of the Entertainment will be sold at the Theatre at 6d. each. The Enchanter, a new Musical Entertainment wrote by Mr Garrick, and set by Mr Smith, very well received.Master Leoni, a Jew, made his first appearance in this piece, and was received with great applause (Hopkins MS Notes)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Enchanter; or, Love and Magic

Event Comment: On Monday next at Noon there will be a general Practice on the stage of the new comic Opera call'd Il Filosofo di Campagna

Performances

Mainpiece Title: Arianna E Teseo

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Actors only: Garrick, Yates, Palmer, King, Ackman, Mrs Yates, Mrs Davies, Mrs Bradshaw, Miss Hippisley, Mrs Clive, Mrs Cibber. New Prologue-Holland; Lovemore-Garrick; Sir Bashful Constant-Yates; Sir Brilliant Fashion-Palmer; William-King; Widow Bellmour-Mrs Cibber; Mrs Lovemore-Mrs Yates; Muslin-Mrs Clive; Lady Constant-Mrs Davies; Mignionet-Mrs Bradshaw; Sideboard-Ackman; Furnish-Mrs Hippisley (Winston MS 9).
Cast
Role: New Prologue Actor: Holland
Event Comment: The two new dancers who were so long expected from Italy are arrived (Public Advertiser)

Performances

Mainpiece Title: Il Filosofo Di Campagna

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: As17610115, but New Prologue-_.

Afterpiece Title: Harlequin's Invasion

Event Comment: N.B. The two new dancers will make their first appearance this evening (Public Advertiser)

Performances

Mainpiece Title: Arianna E Teseo

Event Comment: Comedy Never Acted before. All the Characters New Dress'd. No money return'd after the Curtain is up. [By Macklin. Not printed. Plot account in Kirkman, Life of Macklin. It persisted for nine nights against continual opposition (Genest, IV, 625).] Boxes #95 17s. Macklin's fifth above house charges: #31 15s. 9d. (Account Book). [See note, 2 Feb.] Receipts: #221 19s. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: As17610117, but New Prologue-_; Epilogue-_.

Afterpiece Title: Edgar and Emmeline

Event Comment: Author's Night. The Ladies and Gentlemen who have taken Places for the Jealous Wife are desired to take notice that as the Earl of Essex will be performed on Tuesday next, the 7th night of the new Comedy will be on Thursday

Performances

Mainpiece Title: The Jealous Wife

Dance: TThe Cuckow, as17610212

Performances

Mainpiece Title: Theodora

Performance Comment: But with "new Additions and Alterations by Mr Handel since it was last presented." Valens-; Didymus-; Septimus-; Theodora-; Irene-; Chorus of Christians-; Chorus of Heathens-.

Music: As17610206

Event Comment: Music composed by Dr Arne. Pit and Boxes will be laid together at Half a Guinea, and no person to be admitted without Tickets, which may be had at Dr Arne's in the Piazza next the Church, Covent Garden, and of Varney at the Stage Door of the Theatre. First Gallery 5s. Upper Gallery 3s. 6d. [Information concerning this Oratorio appeared in the Public Advertiser, 23 Feb.. "on Saturday last the New Oratorio called Judith, composed by Dr Arne, to be at Drury Lane on Friday, was rehearsed at the House of a Lady of Quality, where was present a numerous Assembly of the First Distinction, who honoured it with the highest approbation. We are assured that in the Sacred Oratorio, Sg Tenducci has obtained Permission from his Plaintiff, to sing the part which Signora Eberhardi was so obliged as to understudy for him, in Case he could not obtain such Indulgence."

Performances

Mainpiece Title: Judith

Music: A Concerto on the Organ-

Event Comment: Benefit for Sg and Signora Paganini. A new Comic Opera. Purely Comic without any serious part in it. To begin at Six, Vivat Rex

Performances

Mainpiece Title: I Tre Gobbi Rivali

Dance: Gerhardi, Mlle Asselin, Giorgio Binety, Anna Binety, Miss Polly Capitani, Mr Tariot

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Sparks; Copper Capt.-Smith, 1st time; Don Juan-Hull; Duke-Anderson; Cacafogo-Marten; Alonzo-Perry; Sanchio-Davies; Old Woman-Shuter; Maid-Weller; Lorenzo-Holtom; 1st Lady-Mrs Copin; 2nd Lady-Mrs Ferguson; 3rd Lady-Miss Davies; Altea-Mrs Pitt; Clara-Mrs Lee; Margaretta-Mrs Vincent; Estifania-Mrs Hamilton; New Epilogue in the character of Estifania-Mrs Hamilton.

Afterpiece Title: The Contrivances

Dance: LLes Charboniers, as17601216

Event Comment: The afterpiece at the desire of several persons of quality. A New drama in 2 acts of a particular species. Part of Pit made into Amphitheatre on Stage. Benefit for Mrs Clive. [Angry dispute in the magazines between Shuter and Mrs Clive, since her benefit fell on his night at cg. The Larpent MS lists characters for the afterpiece: Iphicrates-Austin; Dromio-King; Euphrosine-Mrs Clive?; Cleanthe-; Philo-Bransby (MacMillan).

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Island of Slaves

Dance: TThe Cow@Keepers-Grimaldi, Miss Dawson

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17601201, but New Occasional Prologue-Sparks.

Afterpiece Title: Thomasand Sally

Dance: Granier, Mrs Granier

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17600924, but Lucy-Mrs Vernon, 1st time; with a New Musical Prologue-Mrs Vernon.

Afterpiece Title: Thomasand Sally

Dance: As17600924; End of Opera: The Waggoners, as17610228

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17610408 but New Musical Prologue-_.

Afterpiece Title: The Lying Valet

Dance: As17610408

Event Comment: Benefit for Sga Gambarini. At the Great Concert Room, Dean St., Soho Tickets: Pit, half a guinea. Gallery 5s. Composed by Geminiani, who being lately returned to England, has lent the aforementioned composition in favour of this Benefit. Also a new Ode The Argument Britannia rising from the waves like the morning sun, pointing out her young Monarch, and predicts? the glory and felicity of his reign. The music composed by Sga Gambarini

Performances

Mainpiece Title: The Inchanted Forest

Event Comment: Farce in two acts never performed before. Full prices. [See advertisement to Reed's 1761 edition where he accuses Foote of taking the character of Mrs Cole in the Minor from Mrs Snarewell.] A new farce wrote by one Reed, a ropemaker, brought out by Mr Foote--went off tolerable--hissed a little at the end (Hopkins MS Notes). [See advertisement for the Universal Register Office General Advertiser 18 Oct. 1750: This Office being much approv'd and encouraged especially by Ladies and Gentlemen in the Country, we have daily enquiries by those who are just come to town, and many letters from those in the country to procure houses and lodgings, both furnished and unfurnished, for single Gentlemen, Ladies, and Families for the winter; and also boarding houses as well in French Families as in English Families." Announces its books open to any who wish to register there. The afterpiece met with trouble from the Licenser. Larpent MS 189 and 196, indicate the exceptionable passages to be those using profanity, and those of Mrs Snarewell's capable of double entendre, principally about the comfort she received from Mr Watchlight who was called twice out of bed to pray-"so ernest in his ejaculations, &c."

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Register Office

Event Comment: Benefit for Tindal. No Building on Stage. Receipts: #38 12s. plus #113 18s. from tickets (Box 102; Pit 442; Gallery 221). Paid Mr Hursfall, barber, a bill for work done for Mr Sodi's New Dance #2 1s. 6d. (Account Book). [See Hungarian Gambols, 9 March.] Charges: #84 (Account Book)

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Lying Valet

Dance: TThe Waggoners, as17610228

Event Comment: On Monday next there will be a general practice of the new Comic Opera Le Pescatrici at noon on the Stage (Public Advertiser)

Performances

Mainpiece Title: La Didone Abbandonata

Event Comment: First performance in England. A new comic Opera. Music-Bertoni, author of the favourite song Ah se un Cuor Barbaro, in Demetrio. [Libretto by Goldoni (Loewenberg, Annals of Opera, p. 110.)

Performances

Mainpiece Title: La Pescatrici

Event Comment: By Particular Desire a Minuet (for the first time)-Noverre, Miss Mowatt. Benefit for Miss Mowatt. Mainpiece: Acted but once these 5 years. No Building on stage. Tickets and places to be had of Miss Mowatt, Upper End of New Bond St., and of Mr Varney at the Stage Door

Performances

Mainpiece Title: Othello

Afterpiece Title: Lethe

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: As17610325 but Old Woman-Collins; New Epilogue-_.

Afterpiece Title: The Devil to Pay

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616