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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charlotte Lane"/1) | (@(roleclean,performerclean) "Charlotte Lane")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1449 results for: Keyword - Charlotte Lane
We found 752 matches on Event Comments, 711 matches on Performance Comments, 13 matches on Performance Title, 11 matches on Author, and 0 matches on Roles/Actors.

726
09 February 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: King Edward (for that night only)-A Gentleman [Litchfield]; Earl of Warwick-Faulkner (who performed Orestes at Drury-Lane Theatre [on 21 Dec. 1796]); Lady Eliz. Gray (for that night only)-A Lady [Mrs Litchfield]; Margaret of Anjou-Mrs Yates.
Cast
Role: who performed Orestes at Drury Actor: Lane Theatre

Afterpiece Title: The Spoil'd Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

727
11 June 1798 @ Covent Garden

Performances

Mainpiece Title: The Farmer

Afterpiece Title: The Child of Nature

Performance Comment: Alberto (by permission of the Drury Lane Proprietors)-Aickin; Marquis Almanza-Wilkinson (1st appearance on this stage); Count Valentia-Clarke; Seville-Hull; Granada-Evans; Peasant-Thompson; Servant-Abbot; Duke Murcia-Meredith (1st appearance on this stage); Amanthis-Mrs Jordan (of Drury Lane, who has liberally consented to come forward in behalf of the Charity; by the kind Permission of the Proprietor of that Theatre); Marchioness Merida-Mrs Litchfield.

Dance: End 1st piece: Peggy's Love- in which, by permission of the Proprietor of the Opera House, who has generously allowed Principal Dancers and Whole Corps de Ballet to appear, the following Ladies and Gentlemen will exert their well known Abilities:Laborie, Didelot, Mme Laborie, Mme Hilligsberg; End 2nd piece: La Vengeance d'Amour, in which the Pas de Quatre de Panurge-Laborie, Didelot, Mme Laborie, Mme Hilligsberg

728
26 December 1798 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: Principal Characters-Morelli, Rovedino, Viganoni, Mrs Bland, who, in absence of the 1st Comic Woman, and with the permission of the Proprietors of Drury-lane Theatre, has most readily and cheerfully undertaken the part, relying confidently upon the known indulgence of a British Audience. [Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]
Cast
Role: Principal Characters Actor: Morelli, Rovedino, Viganoni, Mrs Bland, who, in absence of the 1st Comic Woman, and with the permission of the Proprietors of Drury-lane Theatre, has most readily and cheerfully undertaken the part, relying confidently upon the known indulgence of a British Audience.
Role: and with the permission of the Proprietors of D Actor: lane Theatre, has most readily and cheerfully undertaken the part, relying confidently upon the known indulgence of a British Audience.

Dance: End I: [a new Divertisement Ballet, composed by Barre with music by Bossi], Le Marchand de Smyrne-; End Opera: Elisa-

729
30 April 1799 @ Covent Garden

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Performance Comment: Bowkit (By Permission of the Proprietors of Drury-Lane Theatre)-Bannister Jun. (1st appearance on this stage); Cranky-Munden; Vinegar-Emery; Orator Mum-Knight (Their 1st apappearance in those characters); Bouquet-Hill; Idle-Farley; Signor Arionelli-Incledon; Cecilia-Mrs Atkins.
Cast
Role: By Permission of the Proprietors of Drury Actor: Lane Theatre-Bannister Jun.

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

730
13 May 1799 @ Covent Garden

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time: M. INT 1]. 3rd piece: As it was originally performed upwards of 50 nights in the Year 1789. Being a Selection of favorite Scenes form the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Druids, Friar Bacon, Harlequin Freemason, Omai, Magic Cavern, and Harlequin Rambler. The machinery of the Peacock by Sloper. With the original Scenery painted by Lambert, Dall, Carver, Hodgins and Richards. The Music selected from Dr Arne, Dr Arnold, Dr Fisher, M.? Arne, Vincent, Dibdin and Shield. Morning Chronicle, 4 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #399 19s. 6d. (205.18.0; 16.4.6; tickets: 177.17.0)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: An Egeirophadron

Cast
Role: By Permission of the Proprietors of Drury Actor: Lane Theatre-Bannister Jun.

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Bologna Jun.; Lover-Simmons; Pantaloon-Hawtin; Farmer (with a song in character)-Street; Shepherd and Shepherdess (with duet, Cast my Love thine eyes around)-Mrs Martyr, Mrs Atkins; Bricklayers-Thompson, Jones; Carpenter-Lee; Sportsmen-Klanert, Claremont; Gardner-Wilkins; Serjeant-Whitmore; Recruits-Abbot, Findlay; Woodcutter-Dyke; Mandarine-Wilde; Lover's Servant-Rees; Monkey-Rayner; Clown-Farley; Principal Witches-Linton, Street [i.e. doubled Farmer]; Miss Mitchell, Mrs Chapman; Columbine-Mrs Wybrow.
Cast
Role: Sportsmen Actor: Klanert, Claremont

Dance: II: Negro Dance-Bologna Jun., Platt, King

Song: End I: Black Ey'd Susan-Incledon

731
15 June 1799 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; D 3, by Henry Neuman, based on Der Opfertod, by August Friedrich Ferdinand von Kotzebue. Text (R. Phillips, 1799) assigns no parts]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. The Theatre, since the last Season, has been newly Decorated. [Beginning with 19 June the playbill: Printed by T. Woodfall, Drury Lane; on 4 Sept.: No. 104, Drury Lane.] Morning Chronicle, 27 June 1799: This Day is published Family Distress (2s.). Gentleman's Magazine, May 1800, pp. 406-8, prints a letter from "J. B." in which strong exception is taken to Kotzebue in general, and this play in particular. "Theatrical entertainments have an extensive influence upon the manners of Society. When well regulated, and the pieces for representation well selected both as to matter and manner, they may be esteemed friendly to morality, and improvers of public taste. But what shall we say when both these ends are disregarded; when moral virtue is banished from the scene, and purity of taste is destroyed by affected language and pantomimical decorations? Improvements in almost every art and science have been within a few years, rapid and important. But that is not the case with the stage; nor can it be, while Kotzebue and his friends usurp the venerable boards of Shakespeare." The writer then, in sarcastic terms, outlines the plot of Family Distress. [Pope and Miss Chapman were both from cg.

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: Family Distress

Afterpiece Title: The Village Lawyer

732
13 June 1800 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Performance Comment: Isaac Mendoza-Quick; Ferdinand-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Don Jerome-Baynes (1st appearance on this stage); Antonio-Hill; Father Paul-Thompson; Lopez-Wilde; Don Carlos-A Lady (1st appearance [Mrs Baster]); The Duenna-Mrs Whitmore; Louisa-Mrs Martyr; Clara-Mrs Atkins (1st appearance in that character).
Cast
Role: Drury Actor: Lane

Afterpiece Title: The Sultan

Performance Comment: Solyman-Barrymore; Osman-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Ismene-Miss Wheatley; (with a) song-Miss Wheatley; accompanied on the Harp-Weippert; Elmira-Mrs Follett; Roxalana (with The Blue Bell of Scotland)-Mrs Jordan [of dl].of dl].
Cast
Role: Drury Actor: Lane

Dance: End I: Hornpipe-Miss Rogers (2nd appearance on any stage see18000611); In course Evening: by Permission of the Proprietors of the Royal Circus, a new Anacreontic Pantomimical Ballet, composed by Byrne, The Animated Statue Principal Characters-Byrne, Mrs Byrne, Platt, Mrs Watts, the three Miss Adams', Master Byrne

Song: End: Laughing Song-Dighton

Entertainment: After Singing: Imitations-Rees (positively his last appearance on any stage)

733
04 May 1737 @ Haymarket Theatre

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.

734
22 February 1750 @ Haymarket Theatre

Event Comment: Benefit for Mrs Charlotte Lennox, a Concert of Musick, after which [the play] will be presented gratis

Performances

Mainpiece Title: The Mourning Bride

Entertainment:

735
28 September 1759 @ Haymarket Theatre

Event Comment: By Authority. Benefit for Mrs Charlotte Charke. (As I am entirely dependent on chance for a subsistence...I humbly hope the Town will favor me.) Boxes 5s. Pid 3s. Gallery 2s. The Seventh Night of performing here

Performances

Mainpiece Title: The Busy Body

Song:

Dance:

736
16 April 1760 @ Drury Lane Theatre

Event Comment: Benefit for Bransby and Miss Young. British Chronicle, 16 April 1760: Died the celebrated Charlotte Charke in the Haymarket, daughter of Colley Cibber, Esq, poet laureate-a gentlewoman remarkable for her adventures and misfortunes

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Song: I: By Particular Desire, My Fond Shepherds-Miss Young; III: The Ode to Echo (Dr Hayes)-Miss Young

737
16 October 1760 @ Covent Garden

Event Comment: Boxes: #25 (Account Book). Mr Hook and I went to the Revels & see the best part of Harlequin Skeleton. Dives was there with Charlotte Hayes (Hailey, Brietzcke Diary, N & Q, Vol. 199. p. 261). Receipts: #108 16s. (Account Book)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Harlequin Skeleton

Dance: As17601013

738
23 December 1760 @ Drury Lane Theatre

Event Comment: By Command of His Majesty. The King is gone to the Play, which is King John; he has hardly ever bespoke any other than Shakespeare's historical plays, all which they say he has ordered to be revived, and takes great pleasure in (Charlotte Fermor to Countess of Pomfret.--Hist. MSS Com. Appendix to 7th report [London, 1879], p. 513)

Performances

Mainpiece Title: King John

739
30 March 1767 @ Covent Garden

Event Comment: Benefit for Mrs Pinto. Tickets to be had of her in Charlotte Street, Rathbone Place; and of Mr Sarjant, at the stage-door (playbill). Charges #65 15s. [Profit to Mrs Pinto #103 8s. 6d., plus #78 11s. from tickets (Box 229; Pit 110; Gallery 48)] (Account Book). Receipts: #169 3s. 6d. (Account Book)

Performances

Mainpiece Title: Comus

Afterpiece Title: The Citizen

740
26 April 1770 @ Covent Garden

Event Comment: Benefit for Hull. Mainpiece: Not acted this season. Charges #65 17s. Deficit to Hull #17, covered by #121 3s. from tickets (Box 233; Pit 280; Gallery 209). Paid Hull for The Garland, The Spanish Lady and Altering the Comedy of Errors #50. Paid Miss Mary Twist and Miss Charlotte Twist for walking 12 nights in Man and Wife #1 10s. apiece (Account Book). Receipts: #48 17s

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Spanish Lady

Song: II: The Blackbirds, a Cantata-Miss Potts

Dance: End: The Reel, as17700329

741
26 February 1774 @ Covent Garden

Event Comment: Mainpiece: Not acted these years. [See 17 March 1772. Gentlewoman identified by Hopkins Manuscript Notes and by Winston MS 10. The Westminster Magazine for March (p. 111) gives out that "she was very lately a boarder with the celebrated Charlotte Hayes; a circumstance which will inform our readers that her figure is pleasing and also that she is young and hadsome. It is but justice, however, to add that she possesses the internal as well as external requisites of a good actress; for she discovers great feeling and sensibility; and indeed promises to be an ornament to the theatre."] Receipts: #192 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Midas

742
14 October 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Performance Comment: Stockwell-Usher, first time; Fulmer-Baddeley; Belcour-King; Major O'Flaherty-Moody; Capt. Dudley-Packer; Charles Dudley-Cautherly; Varland-Parsons; Lady Rusport-Mrs Hopkins; Housekeeper-Mrs Bradshaw; Lucy-Mrs Love; Mrs Fulmer-Miss Sherry; Louisa Dudley-Mrs Baddeley; Charlotte, with original Epilogue-Mrs Abington.

Afterpiece Title: The Genii

743
01 April 1777 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Public Advertiser, 8 Mar.: Tickets to be had of Bensley, Charlotte-street, Bloomsbury. Receipts: #174 14s. (106.11; 16.4; 1.7; tickets: 50.12) (charge: #74 14s.)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Election

Afterpiece Title: A ChristmasTale

Dance: As17770102

744
18 April 1777 @ Covent Garden

Event Comment: Benefit for Reinhold. Public Advertiser, 25 Mar.: Tickets to be had of Reinhold, No. 46, Charlotte-street, Rathbone Place. Receipts: #237 7s. (110.12; tickets: 126.15) (charge: #68 7s.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Three Weeks after Marriage

Dance: As17770218

745
23 April 1777 @ Covent Garden

Event Comment: Benefit for Lee Lewes. Afterpiece: In [it] will be introduced the Stockwell Scenes, with a Prologue [by Richard Brinsley Sheridan (Boaden, Mrs Siddons, I, 107)], in the Character of Harlequin, spoken by Lee Lewes; to conclude with the Escape through the Tub, as in Mother Shipton. [The Stockwell Scenes were included in all subsequent performances. The Prologue and Escape were included in the first 3 performances only (see 3 May).] Public Advertiser, 8 Apr.: Tickets to be had of Lee Lewes, No. 40, Charlotte-street, Rathbone Place. Receipts: #282 18s. (119.15; tickets: 163.3) (charge: #69 17s. 6d.)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

746
20 April 1778 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Afterpiece [1st time; F 2, by Samuel Jackson Pratt. Not in Larpent MS; not published. Prologue printed in Westminster Magazine, Apr. 1778, p.218; author unknown]. Public Advertiser, 2 Apr.: Tickets to be had of Bensley, Charlotte-street, Bloomsbury. Receipts: #230 16s. 6d. (131.6.0; 25.4.0; 0.7.6; tickets: 73.19.0) (charge: #66 9s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Joseph Andrews

Dance: As17780109

747
29 April 1778 @ Covent Garden

Event Comment: Benefit for Lee Lewes. Public Advertiser, 23 Apr.: Tickets to be had of Lee Lewes, Charlotte-street, Rathbone Place. Receipts: #205 6s. (82.16; tickets: 122.10) (charge: #66 9s. 6d.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Mother Shipton

Entertainment: Monologue.As17780427

748
06 April 1779 @ Drury Lane Theatre

Event Comment: Benefit for Webster. Public Advertiser, 9 Mar.: Tickets to be had of Webster, No. 35, Upper Charlotte-street, Rathbone-place. Receipts: #203 7s. (73.12; 15.13; 1.15; tickets: 112.7) (charge: #105)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Comus

Dance: III: Hornpipe, as17790129

Song: Sweet Echo-Mrs Kennedy, Leoni [i.e. formerly Mrs Farrell]

749
12 April 1779 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Mainpiece: With the grand Triumphal Entryv. Public Advertiser, 27 Mar.: Tickets to be had of Bensley, Charlotte-street, Bloomsbury. Receipts: #215 2s. 6d. (135.6.0; 21.4.0; 5.13.6; tickets: 52.19.0) (charge: #82 5s. 3d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: The Camp

750
17 April 1779 @ Covent Garden

Event Comment: Benefit for Reinhold. Tickets delivered for The Comedy of Errors will be admitted. Books of the Catches and Glees to be had at the Theatre. Public Advertiser, 8 Apr.: Tickets to be had of Reinhold, No. 90, Charlotte-street, Rathbone-place

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Touchstone

Song: End II: several of the newest and most approved Catches and Glees (selected from the invaluable Collection of the Noblemen's and Gentlemen's Catch-Club)-Reinhold, Vernon, Champness, R.? Smith, Webb, Reynoldson, Simpkinson, Leoni, assisted by several other of the most eminent Performers