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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bates"/1) | (@(roleclean,performerclean) "Bates")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1765 results for: Keyword - Bates
We found 1564 matches on Roles/Actors, 464 matches on Author, 429 matches on Performance Comments, 56 matches on Event Comments, and 2 matches on Performance Title.

1726
24 January 1787 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man

Cast
Role: Elvira Actor: Mrs Bates

Afterpiece Title: The Enchanted Castle

1727
03 February 1787 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Cast
Role: Mrs Page Actor: Mrs Bates

Afterpiece Title: Love in a Camp

1728
17 February 1787 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Country Wife

Cast
Role: Alithea Actor: Mrs Bates

Dance: End: a new Dance, The Indian's Ransom-Byrn, others

1729
13 April 1787 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Cast
Role: Mrs Page Actor: Mrs Bates

Afterpiece Title: Love and War

1730
03 May 1787 @ Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Cast
Role: Mrs Tempest Actor: Mrs Bates

Afterpiece Title: Artaxerxes

Afterpiece Title: The Intriguing Chambermaid

1731
01 February 1780 @ Covent Garden

Performances

Mainpiece Title: The Widow Of Delphi; Or, The Descent Of The Dieties

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Lee Lewes, Fearon, Booth, Baker, Wordsworth, Bates, Mattocks, Miss Brown, Mrs Wilson, Miss Green, Mrs Kennedy, Mrs Hartley. Cast from London Chronicle, 2 Feb.: Phormio-Lewis; Megadorus-Quick; Mercurius-Edwin; Pertinax-Wilson; Tranio-Lee Lewes; Apollo-Mattocks; Venus-Miss Brown; Lucretia-Mrs Wilson; Philaenis-Mrs Kennedy; Agapea-Mrs Hartley; Fearon, Booth, Baker, Wordsworth, Bates, Miss Green. Fearon, Booth, Baker, Wordsworth, Bates, Miss Green.

Afterpiece Title: The Upholsterer

1732
17 May 1769 @ Covent Garden

Event Comment: Benefit for Bates, Dumay, Curtat, Redman, Mrs Naylor. Tickets deliver'd for The Albion Queens will be taken. Charges #64 5s. Deficit #31 11s., covered by income from tickets: Bates #21 14s. (Box 8; Pit 66; Gallery 98); Dumay #49 13s. (Box 90; Pit 125; Gallery 84); Curtat #42 13s. (Box 61; Pit 90; Gallery 139); Redman #57 17s. (Box 35; Pit 180; Gallery 221); Mrs Naylor #33 9s. (Box 36; Pit 103; Gallery 90) (Account Book). Receipts: #32 14s. (Account Book). Stoppelaer and Sarjant paid up their deficiencies for 11th and 15th Inst

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Miss in Her Teens

Dance: II: A Minuet-Dumay, Miss Madden; End: A Pantomime Dance-Fishar, Miss Capon

1733
02 December 1769 @ Covent Garden

Performances

Mainpiece Title: The Brothers

Performance Comment: Parts by Woodward, Smith, Yates, Clarke, Dyer, Bensley, Hull, Dunstall, Perry, Quick, Fox, Wignell, Bates, Holtom, Mrs Bulkley, Mrs Mattocks, Mrs Green, Miss Ward, Miss Valois, Mrs Yates. With Prologue and Epilogue. Captain Ironsides-Woodward; Belfield Jun-Smith; Sir Benjamin Dove-Yates; Belfield Sen-Clarke; Paterson-Dyer; Philip-Bensley; Old Goodwin-Hull; Jonathan-Dunstall; Francis-Perry; Skiff-Quick; Lady Dove-Mrs Green; Violetta-Mrs Bulkley; Lucy Waters-Mrs Mattocks; Fanny Goodwin-Miss Ward; Kitty-Miss Valois; Sophia-Mrs Yates (playbill matched with Edition of 1770); Playbill also lists Fox, Wignell, Bates, Holtom (presumably as sailors.); With Prologue-Smith; Epilogue-Mrs Yates (playbill and 1770 Edn.). See Bill for 25 Jan. 1770.

Afterpiece Title: The Contrivances

1734
15 March 1760 @ Covent Garden

Event Comment: Receipts: #82 15s. Paid Kemp #6 8s.; Paid Rich on Acct #500; Paid Mrs Margaret Lambe 6 months interest due 8th inst. #7 10s.; Paid Bates for writing Music #11 12s. 6d

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Fair

1735
30 March 1761 @ Drury Lane Theatre

Event Comment: Benefit for Havard. By Particular Desire. Ode written by Havard, and set to music by Mr Bates. Tickets to be had at Mr Havard's in Broad Court, Bow-Street; at Tom's and the Bedford Coffee Houses; and of Mr Varney at the Stage Door, where places for the Boxes may be taken. Ode deliver'd Gratis

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Polly Honeycombe

Entertainment: End: will be perform'd a New Coronation Ode by Havard; Vocal parts-Lowe, Champness, Mrs Vincent, Miss Young

1736
15 February 1765 @ Drury Lane Theatre

Event Comment: Book of the opera to be had at the Theatre. A serious English Opera with music by Mr Bates. [These notes appear on all bills this season.] Well received but neglected (Victor, History of the Theatres, III, 63). [Altered from the Italian by Thomas Hull.] We hear a patent will be made out, in favor of an eminent English actor, who intends to establish a Playhouse at New York (Winston MS 9)

Performances

Mainpiece Title: Pharnaces

Related Works
Related Work: Pharnaces Author(s): William Bates

Dance: I: A Dance call'd The Coopers-Aldridge, Miss Baker; II: A New Comic Dance-Berardi, Sg Giorgi, Sga Giorgi, Miss Baker, Grimaldi

1737
26 April 1765 @ Drury Lane Theatre

Event Comment: Benefit for Lee and Miss Slack. Comedy never performed, Alteration of Wycherley's play into two acts by Lee (Genest, V, 69). Tickets and places to be had of Lee at LaGrange's Medicinal Warehouse, in New St., Covent Garden; of Miss Slack, at Mr Bates', Charles St., Covent Garden; and at Stage door

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Country Wife

Dance: End: New Tambourine, as17640929

1738
23 November 1768 @ Drury Lane Theatre

Event Comment: [This evening] a cause came on to be tried in the Court of Common Pleas at Westminster, in which Mr William Bates, Music Master, was Plaintiff and Spranger Barry, Esq the celebrated tragedian, defendent, upon a demand made by the plaintiff for a large sum of money due to him from the Defendent, for the performance of Miss Slack, the Plaintiff's apprentice, at the Theatre in Cork...After a short hearing a verdict was given in favour of the Plaintiff (Lloyd's Evening Post, 25-28 Nov.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Queen Mab

Dance: I: A New Pantomime Dance, as17681116

1739
19 March 1770 @ Covent Garden

Event Comment: Paid Miss Lawrence for walking 24 nights in Harlequin's Jubilee #3; Paid Mrs Bates for walking 12 nights in Man and Wife #4 10s. (Account Book). Receipts: #203 3s. 6d

Performances

Mainpiece Title: Timanthes

Afterpiece Title: The Apprentice

Entertainment: As17700224

1740
22 March 1770 @ Covent Garden

Event Comment: Benefit for Mrs Yates. Pit and Boxes laid together where servants will be allowed to keep places. Those Ladies and Gentlemen who have taken places in the Pit, are humbly desired to come as early as posible, for their own conveniency, and to prevent trouble in getting to their seats. Charges #66 5s. Balance to Mrs Yates #39 18s., plus income from 713 Box & Pit seats (laid together for price purposes) #178 5s. Paid Miss Atkinson and Miss Pope for walking 12 nights in Man & Wife; 26 Nights in Harlequin's Jubilee; 12 Nights in Timanthes #6 5s. each. Paid Mrs Warwell for walking 12 nights in Man & Wife #1 10s.; Paid Miss Lawrence and Mrs Bates 5s. each for walking 2 nights in Harlequin's Jubilee (Account Book). Receipts: #106 3s

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Edgar and Emmeline

Dance: End: The Tartars, as17691207

Entertainment: End: By Particular Desire, The Epilogue[Spoken Last Year;-Mrs Yates [as17690313, the New Epilogue for Mrs Yates's Benefit, after Orestes]

1741
23 March 1770 @ Covent Garden

Event Comment: Oratorio performed but once. [Usual note about servants and sale of books of performance.] Receiv'd deficiencies for last season from Morris #13 9s. 3d.; Mrs Pitt #12 6s. 6d.; Curtat #6 6s. 2 1!2d.; Bates #6 6s. 2 1!2d.; Fox #6 5s. 5d. (Account Book). Charges: #35

Performances

Mainpiece Title: The Resurrection

Music: As17700302

1742
07 May 1770 @ Drury Lane Theatre

Event Comment: Benefit for Miss Radley. Afterpiece: 2 acts new taken from The Jovial Crew, With additional Chorusses and Air. Music by Bates

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Ladies' Frolick

Dance: II: As17700428

1743
21 May 1771 @ Covent Garden

Event Comment: Benefit for Holtom, Hamilton, Bates, and Mrs Dyer

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Harlequin Dr Faustus

1744
22 June 1771 @ Grotto Gardens, St. George's Fields

Event Comment: A new Entertainment of Music by Bates. 6:30 p.m. 2s. Which will be performed on Tuesdays, Thursdays and Saturdays. At the Grotto Gardens, St George's Fields. [This is a concert formula.

Performances

Mainpiece Title: The Gamester

Song: Miss Dowson, Miss Cantrell, Master Suett

1745
30 August 1771 @ Grotto Gardens, St. George's Fields

Performances

Mainpiece Title: The Gamester

Entertainment: I: An Overture-; A favourite Song from Pharnaces, Swift Wing'd Vengeance Nerve my Arm-A. Smith (set by Bates); A Favourite Scots air (words and Music by A. Smith)-Miss Dowson; An Overture-Abel; A Celebrated song from Anacreon (set by Starling Goodwin)-A. Smith; II: Soldier Tir'd-Miss Dowson; A New Song-Barnshaw; An Overture from Otho- (Handel); Sweet Echo-a young Gentleman from Italy; Trumpet Concerto-Mas. Green, pupil of Jones; A Celebrated song British Wives-A. Smith; Concerto on Violin-Smart; After the Gamester: Russel's Triumph-A. Smith; in the character of a mid-shipman with a Hornpipe-Rawlins (from the opera house in the Haymarket) in the character of a Sailor

Performance Comment: Smith (set by Bates); A Favourite Scots air (words and Music by A. Smith)-Miss Dowson; An Overture-Abel; A Celebrated song from Anacreon (set by Starling Goodwin)-A. Smith; II: Soldier Tir'd-Miss Dowson; A New Song-Barnshaw; An Overture from Otho- (Handel); Sweet Echo-a young Gentleman from Italy; Trumpet Concerto-Mas. Green, pupil of Jones; A Celebrated song British Wives-A. Smith; Concerto on Violin-Smart; After the Gamester: Russel's Triumph-A. Smith; in the character of a mid-shipman with a Hornpipe-Rawlins (from the opera house in the Haymarket) in the character of a Sailor.

1746
25 May 1772 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Benefit for Wild, Holtom, Bates and Hamilton. Tickets deliver'd for Every Man in His Humour will be taken, as will Tickets deliver'd by Mr Flight. Charges #66 4s. Deficit to each beneficiary #4 9s. 10d., cover'd by income from tickets (Account Book). @Tickets Box Pit Gallery Value@Wild 9 56 133 #23 19s.@Holtom 23 122 94 #33 9s.@Hamilton 32 102 111 #34 8s.@Bates 42 67 48 #25 7s.@Flight [gratis] .. 62 152 #24 10s.@#141 13s.@ Receipts: #48 4s. 6d. (Account Book)

Performances

Mainpiece Title: Cato

Afterpiece Title: The Englishman in Paris

Song: End: Ailen Aroon-Mrs Woodman, as17720429

Dance: End: The Old ground Young, as17711030

1747
21 March 1774 @ Covent Garden

Event Comment: Benefit for Clarke. Mainpiece: By Particular Desire. Charges #76 6d. Profit to Clarke #40 19s. 6d., plus #110 2s. from tickets (Box 228; Pit 276; Gallery 117). Paid Hewetson & Lonsdale (lacemen) #45 8s., Hughes (linnen draper) #18 14s.; and Hughes & Bates (linnen drapers) #20 3s. Receipts: #117. (Account Book)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Apprentice

Dance: End: The Irish Lilt, as17731005

1748
13 April 1774 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17731208; After which: New Poetical Interlude, Henry and Emma: Parts-Smith, Hull, Miss Brown, Mrs Hartley; To conclude with: a New Air and Chorus by Dr Arne-

Related Works
Related Work: Pharnaces Author(s): William Bates

1749
06 May 1774 @ Covent Garden

Event Comment: Benefit for Mrs Pitt and Stoppelaer. Charges #67 15s. Deficit to each #4 6s. 9d., cover'd by income from tickets: Mrs Pitt #53 7s. (Box 48; Pit 185; Gallery 136); Stopplear, #86 5s. (Box 112; Pit 271; Gallery 176). Paid Bates for performing 4 nights in the Sorcerer to 11 Oct. last 10s., 5 nights in Henry VIII to 14 Feb. last #1 5s., and 5 nights in the Fair to 13 Nov. last 5s. Paid half year's Poor's rate for the theatre due Lady day last, #24 15s. 10d., and ditto for House in Bow Passage 17s. 9d. Receipts: #59 1s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Dragon of Wantly

Dance: End: The Frolick, as17740416

1750
02 February 1775 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Bradney; Justice Woodcock-Merryfield, first appearance on any stage; Hawthorne-Massey; Sir William-Lewis; Eustace-Trotter; Hodge-Winton; Madge-Mrs Nost; Debora-Mrs Cokayne; Lucinda-Mrs Simmons; Rosetta (with a new introductory song composed by Bates)-Mrs Woodman; Servants at the Statute-Williams, Hayes, Baldwin, King.

Afterpiece Title: The Devil to Pay; or, the Wives Metamorphosed

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman