SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Anthony Leigh"/1) | (@(roleclean,performerclean) "Anthony Leigh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 766 matches on Performance Comments, 108 matches on Event Comments, 22 matches on Performance Title, 22 matches on Author, and 7 matches on Roles/Actors.
Event Comment: Benefit Mrs Cross. N.B. By occasion or Mr Leigh's Indisposition we are obliged to change the Play; Tickets therefore deliverd out for Don Sebastian will be taken this Night. Receipts: money #46 8s.; tickets #63 1s

Performances

Mainpiece Title: Abra Mule

Afterpiece Title: Amadis

Event Comment: Benefit Widow Leigh and May

Performances

Mainpiece Title: Don John

Music: As17201019

Dance:

Event Comment: Benefit Widow Bowen and Widow Leigh

Performances

Mainpiece Title: The Jovial Crew

Dance: Thurmond Jr, Shaw, Denoye, Mrs Bullock, Miss Tenoe, Mrs Bicknell, Mrs Younger

Event Comment: Benefit Widow Bowen and Widow Leigh. With all the Original Decorations of Rising, Sinking, and Flying; and Dances proper to the Play

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Music: All the Witches Musick , both Vocal and Instrumental, by the late Mr Barret-

Event Comment: Benefit Widow Leigh. Mainpiece: As 7 Jan

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Acis and Galatea

Performances

Mainpiece Title: The Roman Maid

Performance Comment: Walker, Ogden, Leigh, Smith, Huddy, Hulett, Mrs Moffett, Mrs Morgam, Mrs Plomer, Mrs Cantrell; but edition of 1725 lists: Dioclesian-Ogden; Galerius Caesar-Walker; Carus-Hulett; Maximus-Huddy; Paulinas-Boheme; Christian Hermit-Lee; Serena-Mrs Plomer; Paulina-Mrs Moffet; Camilla-Mrs Parker; Lucilla-Mrs Butcher; Prologue-Boheme; Epilogue-Mrs Moffet.
Event Comment: Benefit Ray, Fielding, and Widow Leigh

Performances

Mainpiece Title: The Spanish Fryar

Dance: II: Harlequin-Young Rainton; V: Muzette-Young Rainton, Miss Johnson

Song: III: Hunting Song-Ray; IV: Song in The Fair Penitent , Words by Mr Congreve, Musick by Mr J. Eccles to be sung-Ray

Event Comment: UUniversal Spectator, 16 Nov.. On Thursday last one Leigh, a young Lad belonging to...Drury-Lane, was descending in a Machine, at the Rehearsal of the New Entertainment of Perseus and Andromeda, when the same was let down with such a Force, that the poor Boy broke both his Arms

Performances

Mainpiece Title: The Spanish Fryar

Event Comment: Benefit the Orphan Children of the late Mr Farquhar. Mainpiece: Written by the late Mr Farquhar. Tickets for Roberts, Mrs Moore, and Young Leigh taken

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lover's Opera

Event Comment: Benefit Wetherilt, Evans, Grey, Peploe. Tickets for Cross, Leigh, Miss Ambrose also taken

Performances

Mainpiece Title: Greenwich Park

Afterpiece Title: The Lottery

Dance: SScotch Woman-Miss Robinson; Bartholomew Fair-Tench, Miss Brett; The Masques-Essex, Thurmond, Houghton, Tench, Mrs Walter, Miss Williams, Mrs D'Lorme, Miss Mears

Song: Singing in Italian-E. Roberts

Performances

Mainpiece Title: The Alchymist

Performance Comment: As at HAY 20 Dec. 1733, but in Neighbours Jones replaces Harrington, Leigh replaces Tenoe .

Afterpiece Title: The Devil to Pay

Music: Select Pieces

Dance: Polish Dance, as17340312 Grand Dance in Momus: Les Plaisirs-Essex, Miss Robinson; Swains-Boval, S. Lally, Davenport; Nymphs-Miss Latour, Mrs Walter, Mrs Davenport; Sailor-Nivelon; Lively Lass-Miss Mann

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Colombine Courtezan

Performance Comment: As17350415 with Ridotto: Les Capricieux by Villeneuve, Mrs Walter; Fingalians by Davenport, Mrs Pelling; Hussars by Thurmond, Miss Mann; Masqueraders by Pelling, Leigh, Janno .

Dance: I: Dutchman and Frow by Le Brun and Miss Brett. II: Russian Sailor by Denoyer. III: Drunken Peasant by LeBrun. IV: Pierrots by Nivelon and Lalauze

Event Comment: Benefit Hewit, Winstone, Miss Cole. Mainpiece: Written by Ben. Johnson. [Tickets for Haydock, Leigh, Woodbourn, Master Green taken.]

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: An Old Man Taught Wisdom

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Clown by Nivelon. IV: Dutchman and his Frow by Le Brun and Miss Brett. V: Amorous Swain, as17350327

Song: I: Mock Italian-English Ballad by Roberts

Event Comment: Benefit Winstone, Hill, Miss Cole. Tickets for Leigh, Peploe, Foxall also taken

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: The Virgin Unmask'd

Dance: I: English Maggot-Villeneuve, Mrs Walter; III: Two Pierrots-Livier, Pelling; IV: Wooden Shoe Dance-Livier, Villeneuve

Music: Select Pieces-

Event Comment: Benefit Miss Oates. Mainpiece: Written by the late Mr Farquhar. 6 p.m. Tickets [for Demagny, a Widow in Distress, Leigh, Nosom, and Legard taken at this play. For another comment on the Licensing Act, see Daily Gazetteer, 15 June.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Honest Yorkshireman

Dance: I: A new Serious Dance-Master and Miss Oates; II: Irish Trot-Master and Miss Oates; V: Peasant Dance-Master and Miss Oates

Event Comment: Benefit Havard. Tickets to be had at Mr Hobson's (Stage Door-Keeper); at the King's Arms in Russel Street; at Gregg's Coffee House in York Street; and at the Bedford Coffee-House, Covent Garden. Tickets delivered out by Winstone and Leigh will be taken this day

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lying Valet

Song: As17430413

Music: As17430416

Event Comment: Notices of performances on this date had appeared since 8 Sept., as at common prices and written by the late Sir Richard Steele, yet under the unsettled circumstances Fleetwood may not have assembled the players necessary for the production. Macklin, Garrick, Mills, Pritchard, Havard, Berry, Leigh, Blakes, Woodburn, Mrs Clive, Mrs Pritchard, and Mrs Mills had withdrawn and were attempting to form a company for acting at the New Haymarket. See Drury Lane Management in the Introduction

Performances

Mainpiece Title: The Conscious Lovers

Event Comment: Benefit Morgan, Leigh, Mr and Miss Wright, Fullwood

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lying Valet

Dance: I: A New Dance-Miss Wright; II: a Comic Dance-Davenport, Miss Wright; V: Dance-Mlle Auguste

Song: IV: Morland

Event Comment: Benefit Ray, Leigh, Gray, Pritchard, Miss Minors, Miss Edgerton

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Tragedy of Tragedies

Song: I, III: Lowe

Dance: II: Sga Bettini

Event Comment: Benefit Taswell, Ray, Leigh, Miss Pitt, and Miss Royer

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Flora

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Benefit for Dignum. 3rd piece: To conclude with a Grand Representation of a Regatta. [This was included in both subsequent performances.] Public Advertiser, 7 May: Tickets to be had of Dignum, Red Lion-Square, the corner of Leigh-Street. Receipts: #243 16s. 6d. (62.9.0; 17.18.0; 0.9.6; tickets: 163.0.0) (charge: #107 9s. 3d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Le Matin, Midi, et le Soir

Afterpiece Title: The Waterman

Song: End II 1st piece: The Race Horse (composed by Dibdin)-Dignum

Event Comment: Benefit for Dignum. Diary, 17 May: Tickets to be had of Dignum, the corner of Leigh-street, Red Lyon-square. Receipts: #323 19s. (31.14.0; 8.2.6; 0.12.6; tickets: 283.10.0) (charge: #105 16s.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Piety in Pattens

Afterpiece Title: The Quaker

Song: End II: The Lass of Richmond Hill (composed by Hook)-Dignum; End IV: The Greenwich Pensioner-Dignum; End: Poor Jack-Dignum

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Pocket Magazine, Mar. 1795, pp. 190, 191)]: With new Scenes, &c. Powell, 27 Feb.: Wheel of Fortune rehearsed at 11; 28 Feb.: Wheel of Fortune rehearsed at 10. "The character of Penruddock is [Kemble's] greatest performance, and I believe it to be a perfect one. It is admirable...because the very defect which hurts his general style of acting, that studious and important preciseness, which is affectation in all his other characters, contributes to the strength, to the nature of Penruddock" (Leigh Hunt, Critical Essays on the Performers of the London Theatres, 1807, p. 8). Receipts: #255 19s. (195.10; 57.15; 2.14)

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great