SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "ye King"/1) | (@(roleclean,performerclean) "ye King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2738 matches on Performance Comments, 2724 matches on Performance Title, 1942 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Dumay, Hussey, King and Merrifield

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Two Misers

Dance: II: A New Dance call'd The Nosegay-Rudd (2nd appearance), Miss Matthews [See dl 27 April 1767]; IV: Minuets, Allemandes, Cotillions-Dumay, Hussey, King, Merrifield, Miss Matthews, Miss Brown, Miss Ross, Mas. Holland, Miss Armstrong, a young Lady[, scholar to Dumay [See17740518]; End: The Enchantress, as17750201

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: Places for the Boxes to be taken of Fosbrook at the Stage-door. No Money to be taken at the Stage-door, nor any Money returned after the Curtain is drawn up. The Doors will be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Monologue [1st time, probably by Thomas King. MS: Larpent 602; synopsis in London Magazine, Sept. 1782, 437]. Receipts: #200 4s. (170/14/0; 29/7/6; 0/2/6)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King ; Sterling-Parsons; Sir John Melvil-Bensley; Lovewell-Brereton ; Serieant Flower-Wrighten ; Traverse-Phillimore; Trueman-Norris ; Canton-Baddeley ; Brush-Palmer If Miss Sterling-Miss Pope ; Fanny-Mrs Brereton ; Chambermaid-Miss Collett ; Betty-Mrs Love ; Mrs Heidelberg-Mrs Hopkins .
Cast
Role: Lord Ogleby Actor: King

Afterpiece Title: Who's the Dupe

Dance: End of Act I of afterpiece The Minuet de la Cour by the Miss Stageldoirs

Monologue: 1782 09 17 End of Act I of mainpiece a Dramatic Oglio by King

Event Comment: Afterpiece [1st time; P 2 (?), by Thomas King. MS not in Larpent; not published; synopsis of action in Public Advertiser, 27 Dec.]: With Variety of new Scenes, Dresses and Decorations. With a Grand View of the Cumberland Fleet sailing for the Cup, and a Song and Chorus in Honour of the Institution. To conclude with a Pageant Rural and Pantomimical. [These were included in all subsequent performances.] The Music partly new and partly compiled [by Thomas Linley Sen.] from the best Masters. The Paintings by Greenwood and other eminent Artists. Nothing under Full Price will be taken. Account-Book, 17 Feb. 1783: Paid King in full for Harlequin's Wedding #47 1s. Receipts: #231 (225/10; 5/10)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Triumph of Mirth; or, Harlequin's Wedding

Related Works
Related Work: The Triumph of Mirth; or, Harlequin's Wedding Author(s): Thomas King
Event Comment: [Kemble's 1st appearance as Osman was in Dublin (Genest, VI, 295).] Afterpiece [1st time; P 2 (?), by James Cobb and Thomas King]: Partly formed on the Plan of the Italian Comedy, and embellished with Music and Machinery. The paintings by Greenwood. The Music compiled and composed by Linley [Sen.]. Nothing under Full Price will be taken. Books of the Songs [which assign no parts], Introduction, &c. to be had at the Theatre. [Synopsis of action in Universal Magazine, Dec. 1785, p. 335.] Account-Book, 31 Jan. 1786: Paid King for Hurly-Burly #165. Receipts: #181 2s. (174/17; 6/5)

Performances

Mainpiece Title: Zara

Afterpiece Title: Hurly-Burly; or, The Fairy of the Well

Related Works
Related Work: Hurly-Burly; or, The Fairy of the Well Author(s): Thomas King

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]

Event Comment: Benefit for Miss George. Afterpiece: Not acted these 2 years [not acted since 3 Aug. 1784]. Public Advertiser, 4 Aug.: Tickets to be had of Miss George, No. 23, King-street, Soho

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Midas

Song: End I: a new song by Master King In vain do idle vi'lets blow (Public Advertiser 14 Aug.)-Miss George; End: Mad Bess (for that night only)-Miss George

Event Comment: Benefit for Mrs Mattocks. Tickets delivered for the 24th of April will be taken. Public Advertiser, 16 Apr.: Tickets [for 24 Apr.] to be had of Mrs Mattocks, No. 7, King-street, Covent Garden. Mainpiece: Written by Richard Steele. 3rd piece [1st time; ENT I, author unknown. Larpent MS 830; not published]. Receipts: #253 17s. 6d. (159.12.0; 8.9.6; tickets: 85.16.0)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Annette and Lubin

Afterpiece Title: Saint George's Day; or, Britons Rejoice

Song: End 3rd piece: God save the King-; with Grand Accompaniment [on the organ]-Greatorex [, as performed at the Oratorios see17890320

Event Comment: Ballet: 1st Time [at this theatre. The two Miss Simonets were from the king's.]. With new Scenes and Dresses. Receipts: #119 9s. 6d. (113.6.6; 6.3.0)

Performances

Mainpiece Title: Marcella

Afterpiece Title: The Citizen

Dance: End afterpiece: A Grand Ballet of Action, as performed at the King's Opera House in the Hay-market [most recently in season of 1787-88] The Deserter[. Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre])

Event Comment: [As mainpiece the playbill announces The School for Scandal, but "The Public is most respectfully informed that, in consequence of the sudden indisposition of King, The School for Scandal is unavoidably postponed. This Evening [will be acted] The Heiress" (printed slip attached to BM playbill (Burney 937.c.II)). Thespian Magazine, Feb. 1793, p. 193, also notes this change.] Receipts: #131 15s. (82.15; 45.8; 3.12)

Performances

Mainpiece Title: At King's The Heiress

Afterpiece Title: Richard Coeur de Lion

Song: Probably as17921016

Event Comment: Benefit for Suett and Barrymore. [In mainpiece the playbill assigns Valentine to Barrymore and Scandal to Bensley, but "previous to the play an apology was made for the appearance of Whitfield in Valentine, as Barrymore had undertaken Scandal, in consequence of Bensley's being afflicted with a violent hoarseness" (Thespian Magazine, June 1793, p. 2).] Morning Herald, 25 Apr.: Tickets to be had of Suett, No. 21, King-street, Bloomsbury; of Barrymore, No. 11, Bedford-street, Bedford-row. Receipts: #447 10s. (95.19; 43.16; 6.1; tickets: 301.14). (charge: #159 0s. 4d.)

Performances

Mainpiece Title: At King's Love For Love

Afterpiece Title: The Devil to Pay

Event Comment: The original Music [of the TE DEUM] is in two Scores, MS., one of them in the possession of the King of Naples, and the other in that of his Royal Highness the Prince of Wales, by whose gracious condescension the use of this Score will be allowed for that night. The new Organ, built by Green (organ-builder to his Majesty) for the new Subscription Room, will be played upon this occasion by Greatorex. Boxes to be taken of Rice. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Doors to be opened at 7:00. To begin at 8:00

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Afterpiece Title: THE GRAND TE DEUM, composed by Paisiello, upon the return of his Majesty the King of the Two Sicilies, from Vienna to Naples, in the summer of 1791

Event Comment: Tickets delivered for King Richard the Third [Account-Book: by Brandon, Arnold, Little, Brice, Blurton, Bonsor, Hay, Haseler, Lloyd, Berecloth, Savory, Noble, Linton, Castelle, Atkins] will be admitted. Receipts: #484 14s. 6d. (51.0.6; 3.14.0; tickets: 430.0.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Comus

Dance: End: The Wapping Landlady-Blurton, King, Mrs Watts

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Song: Vocal Parts, as17950309but Mrs _Blurton; In afterpiece: Sweet Echo-Mrs Mountain; accompanied on the hautboy-W. Parke

Event Comment: Last Night of the Company's performing this Season. Account-Book: Tickets delivered by Mrs Shotter, Wyatt, Waller, Gawdrey, Ratchford, the Band, Coombes, Page, Wilkins, Robson (door-keeper), Warwhick, Dosel, Paskin, Wells, Ansell, King will be admitted. Receipts: #467 13s. 6d. (67.10.0; 3.14.0; tickets: 396.9.6)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Sailor

Cast
Role: King Edward III Actor: Farren

Dance: Afterpiece: With a Treble Hornpipe-Ratchford, King, Mrs Ratchford

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: The Last Night of the Company's performing this Season. [Account-Book: Tickets delivered by Mrs Lloyd, W. Bayzand, Timkins (box-keeper), Street, Barnes, Morris, Rye, Dosel, Wells, King, Timkins (carpenter), Thompson (near Stage), Coates, Roberts, Thompson, (gallery door-keeper) will be admitted.] Receipts: #419 1s. (38.16; after-money: not listed; tickets: 380.5)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Irish Mimick

Dance: End: a Scotch Reel-Bayzand, King, Mlle St.Amand

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for a Gentlewoman. Mainpiece: Not acted these 7 years. [Author of Prologue unknown.] Afterpiece: Written by Thomas King, Esq. The Doors to be opened at 5:00. To begin at 6:30. The Public may be assured that the principal Performers in the above play and farce are Persons accustomed to the Stage, and that the utmost Attention will be paid to the credit of Performance. Tickets delivered by Mrs Lefevre and Blackburn will be admitted

Performances

Mainpiece Title: The Modish Wife

Afterpiece Title: Wit's Last Stake

Related Works
Related Work: Wit's Last Stake Author(s): Thomas King

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

Event Comment: Benefit for Mr and Mrs Bernard. Afterpiece [1st time; CO 2, author unknown. Larpent MS 909; not published]: With proper Scenery, Dresses, and Decorations. The Music entirely new, composed by M. P. King. Morning Chronicle, 20 May: Tickets to be had of Bernard, No. 35, Bow-street. Receipts: #299 2s. 6d. (120.10.6; 11.8.0; tickets: 167.4.0)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: Primrose Green; or, Love in the Country

Related Works
Related Work: Primrose Green; or, Love in the Country Author(s): Matthew Peter King

Dance: After Monologue: The Jockies, as17910507

Song: End II: Black Eyed Susan-Incledon

Entertainment: Monologue. End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard

Event Comment: Written by Shakespear. Garrick to Peter Garrick (Dec. 1741): You perhaps would be glad to know what parts I have play'd, King Richd-+Jack Smatter in Pamela-Clody fop's fortune-Lothario fair Penitent-Chamont Orphan-Ghost Hamlet-& Shall soon be ready in Bays in ye Rehearsal-and in ye part of Othello-Both of which I believe will do Me and Giffard great Service-I have had great Success in all, & 'tis not yet determin'd whether I play Trajedy or Comedy best-$Old Cibber has spoke with ye Greatest Commendation of my Acting, as to playing a Harlequin 'tis quite false-Yates last Season was taken very ill & was not able to begin ye Entertainment so I put on ye Dress & did 2 or three Scenes for him, but Nobody knew it but him & Giffard; I know it has been Said I play'd Harlequin at Covent Garden but it is quite false.-Little, Pineapples, pp. 28-29

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Ghost-Garrick, Being the first Time of his Appearing in that Character; Hamlet-Giffard; King-Paget; Polonius-Julian; Laertes-Marshall; Horatio-W. Giffard; Osrick-Peterson; Rosencrans-Vaughan; Guildenstern-Naylor; Marcellus-Blakes; Queen-Mrs Steel; Ophelia-Miss Hippisley; Gravediggers-Yates, Dunstall.
Cast
Role: King Actor: Paget

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.
Event Comment: Paid salary list #435 19s. (Treasurer's Book). Read the 2 remaining Acts of Rule a Wife...About 15 minutes past 4 went into ye Pit, and contrary to my expectation got a seat almost in ye middle of ye 3rd row, which I prefer to any other. Garrick played Leon. By having seen him in the character before, and having read the play, I enjoyed the excellency of his acting more than I ever did. King played the Copper Captain for ye first time, and did it very well. Pritchard is excellent in Estifania, Love and Baddeley were good in Cacafago and the Old Woman (Neville MS Diary). Receipts: #202 10s. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife

Performance Comment: As17670307 but Copper Capt.-King, 1st time.
Cast
Role: Copper Capt. Actor: King, 1st time.

Afterpiece Title: Miss in Her Teens

Music: End: Concerto on Harpsichord-Burney Jun

Event Comment: Benefit for King. House charges #67 2s. (Treasurer's Book). N.B. Dido is oblig'd to be deferr'd a few days (playbill). Paid Blandford (tallow chandler) #29 18s. 6d.; Paid Mr Pinto for 3 sets of symphonies #1 11s. 6d. B. Jonson's Head #1 19s. 1d.; Mrs Pritchard's gratuity #10 10s. (Treasurer's Book). Put on my old clothes and at 5 went to Drury Lane, found the Pit and 2s. gallery quite full, at last had myself squeezed into the Pit, where I was most woefully pressed, but saw very well and got a seat ere the farce began. The play was Cymbeline, with The Deuce is in Him. This play pleases me. The dresses were tolerably proper, ye scenes (particularly that of Imogen's chamber and the Cave) pretty and ye performance of ye principal characters good, but having never read the play, lost a great deal of the effect. Imogen, Mrs Yates, she is very hoarse. In Act II a Masquerade Dance, with singing by Mrs Vincent. After Act III the Vintage. After the play, King in the character of Linco, with Dorcas and others of his neighbors, asking him questions, partly spoke and partly sang, for this night only,-a new very humorous little piece called Linco's Travels, particularly in England. Glad I did not go to the other House, tho I wished to see Macklin, who played there this night only for his daughter's benefit. When the Farce began, the Gods (as those in the Upper Gallery are called) called for the Prologue, on which Packer came on and said, Mr King has not spoke the Prologue this winter, and is now dressing to play in the Farce and hopes the Audience will excuse him." Miss Pope and Miss Plym coming on again were hissed off, and after we had waited some minutes longer, King spoke the Prologue, which was lucky for me who had never heard him speak it. The gods called for it on Monday last, but desisted on the above excuse being made. Almost eleven ere all was over. I now know all the entrances into the Pit and Gallery at Drury Lane (Neville MS Diary)

Performances

Mainpiece Title: Cymbeline

Cast
Role: Cloten Actor: King

Afterpiece Title: The Deuce Is in Him

Cast
Role: Prattle Actor: King, 1st this season

Dance: III: The Vintage, as17661011

Entertainment: End: Linco's Travels. Particularly in England, a New Humorous Little Piece, that night only,-King; Dorcas-Mrs Bradshaw

Performance Comment: Particularly in England, a New Humorous Little Piece, that night only,-King; Dorcas-Mrs Bradshaw.
Cast
Role: that night only, Actor: King
Event Comment: By Command of their Majesties. Paid printer's bill #9 6s (Treasurer's Book). The New Tragedy of Dido, for Benefit of the author, is oblig'd to be deferr'd till Thursday next. Receipts: #229 9s. 6d. (Treasurer's Book). Had no intention of going to the play, but seeing Garrick was to play Lord Chalkstone, I (after hearing Mr Romaine's Lecture on the chapter which contains ye Destruction of Sodom) went before 9 to ye right-side door of ye Pit. The doorkeepers said, --No Room. Saw that ye Canopy, Yeomen, &c. would prevent my seeing. They desired me if I could not get in at ye other door to come back. Found a number of people waiting there and at ye door of the First Gallery; so went back, entered and stood in ye same disagreeable situation I did last night. But I saw the inimitable Garrick very well. [Comments on excellence of whole cast.] Scarcely cool now past eleven o'clock. Ye King and Queen, Princess of Brunswick, Louisa, and all that Tribe were at dl tonight (Neville MS Diary)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Lethe

Dance: End: The Lilliputian Camp, as17670227

Event Comment: Listed only in Colman's Opera Register: No Opera performed since ye 23 July, ye Rebellion of ye Tories and Papists being ye cause--ye King and Court not liking to go into such Crowds these troublesome times

Performances

Mainpiece Title: Hydaspes

Event Comment: Benefit for King. [The MS of the Specialty is Larpent MS 175.

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17591116, but Scrub-King, 1st time.
Cast
Role: Scrub Actor: King, 1st time.

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-King, 1st time; Grumio-Yates; Catharine-Mrs Clive.
Cast
Role: Petruchio Actor: King, 1st time

Dance: IV: The Cow Keepers, as17600313

Entertainment: S+Speciality. For one night only, will present the Town with a Picture of a Playhouse; or, Bucks Have at Ye All-King

Performance Comment: For one night only, will present the Town with a Picture of a Playhouse; or, Bucks Have at Ye All-King.
Cast
Role: Bucks Have at Ye All Actor: King.
Event Comment: Roger Boyle, Earl of Orrery, to Edward, Viscount Conway, 17 July 1666: If we meet at London you will see a Play Acted, wh I writt by ye King s Command; I call it, Edward ye Black Prince; And if ever I writt anythinge fit for ye Theatre this Play is it (Calendar of State Papers, Ireland, 1666-1669, p. 158; in The Dramatic Works of Roger Boyle, 1, 43)

Performances

Event Comment: Benefit Mrs Robinson. By Command. With the Original Mad-Scenev. Admission as 2 April. Colman's Opera Register: Ye House & ye stage full ye King, Prince, &c. present

Performances

Mainpiece Title: Ernelinda