SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "two youngest Princesses"/1) | (@(roleclean,performerclean) "two youngest Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3447 matches on Performance Comments, 2160 matches on Event Comments, 1677 matches on Performance Title, 750 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted this season. Tomorrow will be Reviv'd the second part of King Henry the 4th, New Dress'd in the Habits of the Times (playbill). [In a letter 14 Nov. 1762, T. H. suggested to Garrick a scenic device for the last scene of Act II, of the Wonder, a device he had noted in the Portuguese theatres in Lisbon, to give a view of a number of gallants passing before the window of a lady": two large windows to be made in the scene, cover'd with gauze to give a transparancy and the effect of glass, the windows to be barrel likewise in imitation of a casement (Harvard, D. Garrick, Original MSS (1930) No. 6. TS 1116.256.3).

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Afterpiece Title: Fortunatus

Dance: I: The Bavarian Shoemakers, as17621009

Event Comment: Tomorrow, Never acted there, The Two Gentlemen of Verona, from Shakespear

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: The Witches

Event Comment: The good sense of the audience condemned this piece to oblivion, after, we think, two representations (Biographia Dramatica). [Contrived by Guerini (Nicoll, Eighteenth Century Drama, p. 355). Victor says Guerini played Pantaloon (History of Theatre, III, 48.] Sunday 2 January, Mr Pritchard Died (Cross Diary)

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: The Magician of the Mountain

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Male Coquette

Event Comment: [This month the periodical, The Beauties of All Magazines Selected (London, 1763) quoted from the Theatrical Review Remarks on that Part of Dramatical Entertainments called Singing," A garrulous article concluding: The millions must be pleased-if audiences were only to be entertained with sensible exhibitions, or if only sensible people composed those audiences, whew! in what a sickly and consumptive state would be two thirds of the first rate salaries in every theatre!' (p. 76). This month publish'd An Appeal to the Publick in behalf of the Manager. Price 1s. Printed for Wilson. Hear all; and then let Justice hold the Scale. Shakespeare. A rather full description of the Fitzpatrick half-price riots, exonerating Garrick and the players. This month (probably) was published Theatrical Disquisitions; or, a Review of the late Riot at Drury Lane Theatre, 25, 26 January 1763, By a Lady (32 pp.). A calm defense of the acting profession, and a scourge of Fitzpatrick as a coward and a great nuisance. She prefers seeing plays to reading them. Holds Garrick blameless for reviving the Chances after failure of Eastward Ho. Comments at length on brilliance of contemporary stage costume in comparison with that earlier in the century.

Performances

Mainpiece Title: Elvira

Afterpiece Title: Polly Honeycomb

Event Comment: The Characters New Dressed. Play never acted before. [See Three Original Letters to a Friend in the Country on the Cause and Manner of the late Riot at the Theatre Royal in Drury Lane. See also two letters in The Theatrical Review; or, Annals of the Drama, 1 March 1763. This number includes (pp. 117-25) a critique on the Discovery. Critic found it a piece of much merit particularly in the perusal," but on stage frequently tedious and heavy owing to a scarcity of incident and an uncommon lengthening of the acts."

Performances

Mainpiece Title: The Discovery

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Daily Advertiser: Lost: a leather Pocket Book...containing 4 Box Tickets for Shuter's Benefit...As the Numbers are known, care is taken to have them stopped by the Box, Pit and Gallery Keepers. [The Daily Advertiser also lists as thefts at the theatres: 1 violin, 4 pocket books (two stolen in the 2s. gallery), 4 gold watches (one with baronial arms), 1 woman's coat, 1 diamond ring. At Drury Lane thieves has stolen 4 pockets books, 1 silver watch, 4 gold watches, 1 woman's coat, and 1 sable muff.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: Miss in Her Teens

Dance: TThe Jealous Woodcutter, as17621023

Entertainment: New Comic Lectural Exhibition in his Old Taste-Shuter

Event Comment: Only two acts of mainpiece will be performed. Benefit for Gallini. To begin at 7 p.m. (Daily Advertiser)

Performances

Mainpiece Title: La Calamita Di Cuori

Afterpiece Title: La Serva Padrona

Dance: MMinuet-Gallini, Signora DeAmicis by Desire

Performances

Mainpiece Title: Morning Lectures

Performance Comment: Lectures on English Oratory-Mr Foote; On which Occasion, together with several new Subjects, will be produced two Specimens of Bar Oratory: First the Trial of Fanny Phanton-; for Scratching and Fluttering. The other, of Mr Foote for libelling Peter Paragraph-, lately imported from another Kingdom.
Event Comment: Send Servants by 3 o'clock.N.B. The two new Comedies are oblig'd to be deferr'd on account of the Sudden indisposition of Miss Elliot

Performances

Mainpiece Title: Artaxerxes

Dance: I: Venus Reveng'd, as17631222; II: The Calabrian Peasants, as17631222

Event Comment: [On Monday the two New Comedies advertised 31 Dec. 1763.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Dance: III: Venus Reveng'd, as17631222; End: The Calabrian Peasants, as17631222

Event Comment: There will not be any Tickets sold at the Office for this Night. Those disappointed from not being able to get in to the performance on Saturday last shall be admitted this evening at Siroe or on Saturday next when Leucippo will be performed again; but in case any Lady or Gentleman should choose rather to have their money, it will be paid at the treasurer's office at the theatre this morning, from ten to three O'clock, on returning the tickets. As every precaution was taken to facilitate the entrance of the company by obtaining an additional guard, besides two magistrates who were so kind as to attend with an additional number of constables; nevertheless the weight was so great from the throng that the centinels and the peace officers were forced from their posts, the doors burst open and broke to pieces, to the very great prejudice of the manager. Mr Giardini humbly hopes that those...who had not the opportunity of paying when they were carried in by the torrent, will be so good as to send their money to Mr Spilsbury. Picked up at the Opera House Last Saturday Night a black satin cloak lined with White and a black lace round it. Recovery may be had of Major Spinnage for the cost of the advertising

Performances

Mainpiece Title: Siroe

Dance: I: Duberval; II: Le Matellot Provencalle, as17640110; III: A New Dance, The Encampment-

Event Comment: Mainpiece: Not acted these two years. [See 13 May 1762.

Performances

Mainpiece Title: The City Wives Confederacy

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: Mainpiece: Not acted these two years. [See 21 May 1762.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: Mainpiece: Not acted these two years. [See 17 Oct. 1761.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: Mainpiece: Not acted these two years. [See 3 Feb. 1762.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: MMr Lee play'd Majr Belford. Mr Packer being ill (very bad) (Hopkins). Very bad indeed (Hopkins Diary-MacMillan). Mainpiece: Not acted in two years. [See 5 May 1762.] The Mistake oblig'd to be deferr'd on account of the indisposition of a Principal Performer. Receipts: #123 10s. (MacMillan)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Deuce Is in Him

Dance: End: The Provancalle, as17631014

Event Comment: Mainpiece: Acted but once these two years

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Perseus and Andromeda

Event Comment: IImogen for the first time by Mrs Yates. This Farce was the Comedy of Gilblas. Cut into Two Acts (Hopkins). Benefit for Mr Yates. No building on Stage. Receipts: #217 (MacMillan); charges: #64 4s. [Profit: #152 16s.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Counterfeits

Dance: III: The Provancalle, as17631014; End I Farce: The Irish Lilt, as17630922

Event Comment: Benefit for Mrs Vincent. No building on the Stage. Mr Havard sent word that his Wife dy'd this morning. Mr Lee read his part. Imogen by Mrs Palmer (Hopkins). Charges: #64 4s. (MacMillan). Mrs Havard died this morning, on which account Mr Lee read Bellarius, and introduc'd two long speeches that were never spoke before. Miss Bride, being with child, cou'd (not) go into breeches, Mrs Palmer-Imogen (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Contrivances

Song: III: The song of Sweet Bird-Mrs Vincent; accompanied on the Violin-Mr Pinto

Dance: The Provancalle, as17631014

Event Comment: Benefit for Gallini. Two rows of Pit will be railed into the Boxes

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Upholsterer

Dance: II: By Particular Desire a Minuet-Gallini, Sga Manesiere; III: A Dance The Judgment of Paris-Gallini, Miss Wilford, Miss Pitt, Miss Valois, Mas. Rogers; End: A Dance Love Triumphant-Gallini, Sga Manesiere, Mas. Rogers

Event Comment: A new Opera composed by Giardini. With two entire new sets of Scenes at the Managers Expense. New dresses. New Dances

Performances

Mainpiece Title: Enea E Lavinia

Dance: I: Le Mariage du Village, as17640414 II: A New Dance-Fischer, Miss Auretti, Berardi, Miss Tetley

Ballet: III: Le Masquerade. As17640331

Event Comment: [I$Isaac Reed, with two friends, attended this performance and named the dancers (Gerhardi, Clinton, Miss Street, Miss Valois).

Performances

Mainpiece Title: The Patron

Afterpiece Title: The Mayor of Garratt

Dance: As17640626, but order reversed%

Event Comment: Mainpiece: Not acted these Two Years. [See 8 April 1763.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Deuce is in Him

Event Comment: [This year was published The Companion to the Playhouse; or, An historical account of all the Dramatic Writers, and their works that have appeared in Great Britain and Ireland to the year 1764. Composed in the form of a Dictionary. for the more readily turning to any particular author or performance. Two vols. Dedicated to Garrick. (Who receives eleven and one-half columns of comment, more than any other dramatist.) This is the beginning of the Biographia Dramatica. This year was published Essays on Important Subjects intended to establish the Doctrine of Salvation by Grace, by John Witherspoon (President of Princeton). Vol. II, contained a Serious Enquiry into the nature and effects of the Stage," being an attempt to show that contributing to the support of a Public Theatre is inconsistent with the character of a Christian (112 pp).

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Queen Mab

Dance: III: The Medley, as17641120