SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the younger Hilligsberg"/1) | (@(roleclean,performerclean) "the younger Hilligsberg")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3165 matches on Performance Comments, 768 matches on Performance Title, 750 matches on Author, 566 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 10, St. Alban's-street

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: Between Acts: a new Dance in the Scotch style, Little Peggy's Love (1st time)-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [the Pantomime and Principal Steps by Didelot [with music by Bossi]; End Opera: L'Amant Statue (1st time, by Onorati) [with music by Bossi]-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [dl playbill of 25 May adds: Mme Vidi]

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 9, Haymarket. Both dances composed by Didelot; the music by Bossi. With new Scenery, Machinery and Decorations [by Liparotti]. [Synopsis of action of 1st ballet in Cyril W. Beaumont, Complete Book of Ballets, 1941, pp. 19-21, where it is stated that "Flore et Zephire is noted for being the first ballet in which wires were used to enable the dancers to simulate aerial flight." This is not stricdly accurate; see note under L'Amour Vange, 2 June.

Performances

Mainpiece Title: Antigona

Dance: End I: a new Ballet in one act, Flore et Zephire-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel [Cast from Beaumont (see below): Cleonise-Mme Hilligsberg; +Flore-Mme Rose; +Bergeres-Mlle Parisot, Mme Bossi; +Zephire-Didelot; +L'Amour-Master Menage; +Un Petit Amour-Miss Hill.]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel

Performance Comment: ]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel.
Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 36, Great Pulteney-street, Golden-square

Performances

Mainpiece Title: Nina

Dance: End I: Le Rendez@vous (1st time; composed by Gallet)-Mme Hilligsberg [will perform in Man's Cloaths]

Ballet: End Opera: Sapho et Phaon. As17970406

Cast
Role: Damophile Actor: Mme Hilligsberg
Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 43, Gerrard-street, Soho. 1st ballet: 1st time; composed by D'Egville; music by Bossi. 2nd ballet: 1st time at this theatre; composed by D'Auberval, and under the direction of D'Egville. [In all subsequent performances billed as La Fille Mal Gardee.

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: Hylas et Temire-; End: Honi Soit qui mal y Pense; ou, La Fille Mal Gardee=-[see dl, 8 May]; Minuet of Four-Mme Rose, Didelot, Laborie, Mme Hilligsberg

Event Comment: A new Comic Opera; the music by Cimarosa, under the direction of Federici. The music of both dances by Miller. With entirely new Dresses, Scenes and Decorations, both in the Theatre itself, and in the Representations. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Subscribers are respectfully entreated to observe that they are to produce their Tickets at the doors. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season, except on 15 May). The Ladies at the Head of the Boxes arc respectfully reminded that such Boxes as shall not be paid for at the opening of the Theatre become then vacant, and may be claimed by any of the old Subscribers. No one to be admitted behind the scenes. For the greater Safety of the Company in coming and going out of the Theatre Mr Townsend has taken charge of the Peace Officers, and will himself attend every night of Performance. [Morning Herald, 12 Jan., notes than the original gallery is now divided into two, a lower and an upper, and that the chief colors used in the repainting of the auditorium are blue, white and gold. Ibid, 13 Jan.: The scenes [in the opera], which were entirely new, have never been exceeded in splendour of general effect...One, representing the hall of an Italian villa, shews a ceiling designed like that of the theatre itself [which the same newspaper, 4 Jan., describes as being Apollo and the Muses, in a cove enriched with allegorical figures, flowers, and medals, in chiaroscuro].]

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Performance Comment: L. Hilligsberg Sen .
Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Murray (1st appearance in that character); Harcourt-Barrymore (of dl); Belville-Toms; Countryman-Wilde; Sparkish-Knight; Alithea-Miss Chapman; Lucy-Mrs Fawcett; The Country Girl-Mrs Jordan (of dl).
Cast
Role: Alithea Actor: Miss Chapman
Role: The Country Girl Actor: Mrs Jordan

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Performance Comment: Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg.

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Performance Comment: Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years).recte 7] years).
Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

Performances

Mainpiece Title: Concert

Music: Vocals by Miss Cecilia Young, Miss Isabella Young, Miss Esther Young. First Violin by Festing. Concerto on French Horn by Charles. Solo on German Flute by Balicourt. Handel's Water Piece. Preamble on Kettle Drums by Benjamin Baker

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Guardian

Song: I: Johnny and Kate-Beard, Miss Young; III: A Cantata-Miss Young; IV: Miss Young

Event Comment: Benefit for Younger and Miss Polly Young. No Building on Stage

Performances

Mainpiece Title: Loves Last Shift

Performance Comment: As17630326 but Flareit-Mrs Younger, 1st time; Amanda-Mrs Lessingham, 1st time.
Cast
Role: Flareit Actor: Mrs Younger, 1st time

Afterpiece Title: The Dragon of Wantly

Cast
Role: Dragon Actor: the Giant

Song: II: Ah se un Cor Barbaro-Miss Young; III: Nymphs and Shepherds set by Dr Arne,-Miss Young

Dance: TThe Sicilian Peasants, as17621125

Event Comment: Benefit Shepard and Young Rainton. Written by the late Mr Wycherly

Performances

Mainpiece Title: The Plain Dealer

Dance: End II: The Muzette-Young Rainton, Miss Robinson; III: Dutch Skipper-Thurmond, Mrs Tenoe; IV: Country Dance-Young Rainton, Miss Robinson; V: Harlequin-Rainton

Performances

Mainpiece Title: Concert

Music: Vocal by Miss Cecilia Young and Miss Isabella Young. Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums

Performance Comment: Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums .
Event Comment: Benefit for Mr Raftor and Miss Young (Cross). [Miss Young is referred to as "The Queen of the Fairies " on the Huntington advance Bill.] Tickets to be had of Miss Young, at Mr Driscol's, Peruke Maker, in Broad Court, Bow Street Covent Garden, and at Stage Door. There will be no building on the Stage. Receipts: #80 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Bayes in Petticoats

Performance Comment: The principal parts-Woodward, Beard, Blakes, Miss Minors, Miss Thomas, Mrs Clive. (See17531031).
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Song: Between the acts: Miss Young

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Englishman Returnd from Paris

Cast
Role: McRuthen Actor: Shuter

Dance: III: The Drunken Peasant-Miles; Clown-Bennet; After: The Country Wedding-; The Milkmaid's Holiday, as17590421

Song: IV: A Favourite Ballad, call'd The Goldfinch's Address to Chloe-Miss Young; V: The Country Wedding, as17590423 but-Lowe, Miss Young

Event Comment: Benefit for Bransby and Miss Young. British Chronicle, 16 April 1760: Died the celebrated Charlotte Charke in the Haymarket, daughter of Colley Cibber, Esq, poet laureate-a gentlewoman remarkable for her adventures and misfortunes

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Song: I: By Particular Desire, My Fond Shepherds-Miss Young; III: The Ode to Echo (Dr Hayes)-Miss Young

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Englishman in Paris

Song: II: A Duet-Champness, Miss Young; IV: A Cantata-Miss Young; End: Song in Character of a Sailor-Champness

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Song: II: The Happy Bride-Miss Polly Young; III: A Cantata call'd The Kind Appointment-Miss Brent; IV: Vain is Beauty's gaudy Flower-Miss Polly Young

Dance: TThe Judgment of Paris, as17640503

Performances

Mainpiece Title: The Provoked Husband

Cast
Role: Mrs Motherly Actor: Mrs Cross

Afterpiece Title: The Enchanter

Song: II: An Air by Dr Arne-Miss Polly Young; IV: An Air by Sg Vento-Polly Young

Dance: III: The Irish Lilt, as17651004

Event Comment: Mainpiece: Not acted these 3 years. Tickets delivered by the young D'Egvilles, Jones, Newbold, Shaw, Dale, Purser Sen., Smith, Aberdein, Mills, Miss Tidswell, Mrs Heard, Miss Dancer, Miss Bradshaw, Mrs Haskey, will be admitted. Receipts: #241 8s. 6d. (23.4.0; 15.3.6; 0.15.0; tickets: 202.6.0)

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: The Plain Dealer-Bensley; Lord Plausible-Suett; Major Old Fox-Moody; Freeman-Barrymore; Varnish-Packer; Jerry Blackacre-Dodd; Councellor Quillet-Phillimore; Oakam-Bates; Country Boy-Miss Heard; Novel-Palmer; Widow Blackacre-Mrs Hopkins; Olivia-Miss Pope; Eliza-Miss Tidswell; Lettice-Mrs Heard; Fidelia-Mrs Wilson.
Cast
Role: The Plain Dealer Actor: Bensley

Afterpiece Title: The Deserter

Dance: End III: The Capricious Lovers-the two young D'Egvilles, Miss Blanchet (1st appearance), Miss DeCamp; End: The Scheming Jockey and Fortune@Teller-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Tickets delivered for this Evening [Account-Book: by Brady, Dale, the D'Egvilles, Jones, Lyons, Powell, Sherratt, Smith, Whittow, Mrs Heard, Mrs Haskey, Mrs Mills, Miss Palmer, Mrs Shaw] will be admitted. [Miss Davies's 1st appearance, billed as "A Young Lady," was at the hay, 28 July 1786.] Receipts: #279 12s. 6d. (16.1.0; 10.8.6; 0.6.0; tickets: 252.17.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: All the Worlds a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

Event Comment: Benefit for the young D'Egvilles, Johnston & Dale. Receipts: #233 1s. 6d. (24.12.0; 15.15.6; 0.16.0; tickets: 191.18.0) (charge: #108 7s. 11d.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Dance: End: L'Amour au Rende'vous; or, The Conflict of Love, in which will be displayed the Customs of the American Indians, to conclude with the War Dance,-the young D'Egvilles, Miss Blanchet, Miss D'Egville, Miss DeCamp; End I afterpiece: A Highland Reel-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 16-18 April 1700, suggests that the first production came before Easter, March 31. A song, Delia tired Strephon with her flame, with music by John Eccles and sung by Bowman, is in Wit and Mirth, 1706

Performances

Mainpiece Title: The Beau Defeated Or The Lucky Younger Brother

Performance Comment: Edition ca. 1700: Prologue-Mr Bowman; Epilogue-a Boy; Sir John Roverhead-Bowman; Elder Clerimont-Trout; Younger Clerimont-Verbruggen; Belvoir-Thurmond; Lady Landsworth-Mrs Bracegirdle; Mrs Rich-Mrs Barry; Mrs Clerimont-Mrs Bowman; Lady la Basset-Mrs Prince; Mrs Fidget-Mrs Willis.
Cast
Role: Younger Clerimont Actor: Verbruggen

Performances

Mainpiece Title: Farewell Folly Or The Younger The Wiser

Event Comment: Steele's Censorium. For other accounts, see Loftis, pp. 108-9, and Blanchard, pp. 69, 108, 120

Performances

Mainpiece Title: Entertainments

Entertainment: It consisted of Pyramids-; of all manner of Sweetmeats, the most generous Wines, Burgundy, Champaign, and was usher'd in by a Prologue-Mrs Younger; written by Mr Tickel, under Secretary to Mr Addison, and concluded by an Epilogue-Mr Wilks; written by himself; which was very merry and free with his own Character; after which, a large Table that was in th Area of the Consort-House, was taken away to make Room for the Company to Dance Country-Dances...We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June)

Performance Comment: ..We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June).
Event Comment: Benefit for Miles, Mrs Baker, Miss Young. Receipts: #47 0s. 6d. Charges: #63. Deficiency of #5 6s. 6d. apiece covered by income from tickets: Miles #51 3s. (boxes 79; pit 161; gallery 71); Mrs Baker, #36 16s. (boxes 60; pit 99; gallery 62); Miss Younger, #28 19s. (boxes 17; pit 112; gallery 79). Rec'd #16 8s. 3d. being overcharge for Taxes, &c. (Account Book)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Harlequin Statue

Dance: II: Hornpipe-Miles; IV: Drunken Peasant with Peasant-Miles; Clown-Bennet

Song: III: A new song composed by Arne, Miss Young