SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the late Mr Penkethman"/1) | (@(roleclean,performerclean) "the late Mr Penkethman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5184 matches on Event Comments, 2005 matches on Performance Comments, 586 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: We hear that the Tragedy of Coriolanus, wrote by the late Mr Thompson, has been rehearsed at the Theatre Royal Covent Garden, and will be perform'd there on Friday next

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Royal Chace

Event Comment: Note in General Advertiser: For the Benefit of the Author's Sisters, Box and Pit Tickets for Coriolanus, a Tragedy written by the late Mr Thomson, and now acting at Covent Garden Theatre, are to be had of A. Millar, opposite to Catherine Street in the Strand; J. Davidson in the Poultry; and R. Dodsley in Pall Mall

Performances

Mainpiece Title: Coriolanus

Event Comment: Benefit for Miss Copen, Miss Haughton, Mrs Gondou, and Madem Contair. Tickets deliver'd out for the support of the two orphan children of the late Mr Mullart will be taken

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald

Dance: Villeneuve, Madem. Contair, her 1st appearance on the English Stage

Performance Comment: Contair, her 1st appearance on the English Stage.
Event Comment: Mainpiece: Acted but thrice these six years. [See 13 April 1748.] Written by Shakespear. Music composed by the late Mr Lampe. Afterpiece: A Mock Opera not performed these five years

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Pyramus and Thisbe

Event Comment: Benefit for the Widow of the Late Mr Lampe, and Miss Young. Afterpiece: By Particular Desire of several Ladies of Quality. Being Postiively the last time of acting it this season. Tickets deliver'd out for Macbeth will be taken

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Oracle

Dance: GGrand Comic Ballet, as17511216

Event Comment: Mainpiece: Not acted these 10 years. Written by the late Mr Farquhar

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Madam Camargo

Event Comment: Benefit for Howard. Afterpiece: Not acted these 2 years. [See 9 Dec. 1751.] Music composed by the late Mr Lampe

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Pyramus and Thisbe

Dance: DDutch Dance, as17531018

Song: BBacchanalian Song, words by Dr Boyce-Howard

Event Comment: Mainpiece: Written by the late Mr Farquhar

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Afterpiece Title: The Schoolboy

Event Comment: Benefit for Howard and Mrs Lampe. Afterpiece: A Burlesque Opera not performed these 10 years [see 30 April 1742], being the sequel to the Dragon of Wantley. Music composed by the late Mr Lampe

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lady Moore or the Dragoness

Dance: CComic Dance-Poitier Jr, Mlle Capdeville

Event Comment: Benefit for Bencraft and Mrs Lampe. Afterpiece: Perform'd but once these ten years [see 8 May 1755], a Burlesque Opera being a Sequel to the Dragon of Wantly, Music composed by the late Mr Lampe

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Lady Moore or The Dragoness

Dance: The Villagers, as17560315 Italian Peasants, as17551126

Event Comment: Benefit for the daughter of the late Mr Farquhar, now under Misfortunes

Performances

Mainpiece Title: A Concert With Other Entertainments

Event Comment: Mainpiece: Written by the late Mr Farquhar. Receipts: #79 19s. (Account Book). [At this point Account Book, Egerton 2270, showed a deficit of #27 19s. 7d., which was wiped out by bringing over a balance of #290 5s. 6d., form the Journal, &c. No 21, Folio 186, a record which seems not now to be extant. This transfer of funds allowed Rich to meet the payroll of #251 17s. the following day.

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Afterpiece Title: Merlin Harlequin Skeleton

Event Comment: A Free Benefit for Ryan. Mainpiece: Not acted these 4 years. [See 3 April 1756.] Written by the late Mr Hughes. [For Afterpiece, see note.] Receipts: Door, #87 7s. Tickets #121 17s. (boxes 267; pit 286; gallery 122). (Account Book). [Ryan had advertised his benefit on 15 March to be The Siege of Damascus and a new Dramatic Satire called The Anniversary, being a Sequel to Lethe. On 16 March the following letter appeared in the Public Advertiser: "Upon reading Ryan's advertisement of a New Dramatic Satire, I was extremely pleas'd with a Description of the motive that occasioned it. He being last week at dinner with a set of particular friends, they inquired what Play and Farce he had chose this year for his Benefit. He inform'd them the Siege of Damascus and Lethe. Lethe, replied a Gentleman is very pleasing, but your friends have seen it, and you must fall into the fashion of having a new additional Scene; for a little bit of novelty may give assistance to its merit, and prove to your advantage. Why, then, said a facetious Gentleman, who sat very near him, Pray sir, do you write him one; 'twill cost you little trouble, and, you know, you are very capable. No more capable than yourself, Good Sir, answered the other; but to show I am full as willing, if you'll attempt to please his friends with one, upon my word I'll use my best endeavor to do the same, in writing of another. We need not fear Severity, for none will blame a friendly inclination to serve a man, who, I believe everyone wishes well. "Twas agreed, but Ryan judiciously observed, 'twould be a shame that two Gentlemen, each capable of writing to give an audience satisfaction, should condescend to make mere Lacqueys of their pens, and send them forth to hold the tail of Lethe; therefore if they should once begin, let them each write only one Hour longer, and they might raise a Structure of their own. They kindly undertook it, and in a Week sent him the piece he has now advertised."

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Anniversary Being a Sequel to Lethe

Dance: SSicilian Peasants, as17571217; Fingalian Dance, by Desire, as17571013

Event Comment: Benefit for Barrington and Mrs Lampe. No building on stage. Receipts: by income from tickets: Barrington #90 16s. (boxes 142; pit 286; gallery 12); Mrs Lampe, #53 2s. (boxes 52; pit 180; gallery 131) (Account Book). [The original title of afterpiece, a burlesque opera by Henry Carey, was Margery; or, A Worse Plague than the Dragon a sequel to the Dragon of Wantley. The music was advertised as by the late Mr Lampe.

Performances

Mainpiece Title: King Henry V

Performance Comment: As17571124, but Henry-Barry; Catherine-Mrs Dyer; Nym-Costollo.
Cast
Role: Catherine Actor: Mrs Dyer

Afterpiece Title: Lady Moore or The Dragoness

Ballet: JJudgment of Paris. As17580407 but only Paris-Gallinni; Venus-Mlle Capdeville

Dance: SSavoyards, as17580408 Tambourine, as17580330

Event Comment: Tickets deliver'd by a Daughter of the late Mr Farquhar will be taken. The Farce of The Rout is deferr'd on account of the indisposition of a principal performer. Receipts: #150 (Cross); #133 10s. (Winston MS 8)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Queen Mab

Ballet: III: The Prussian Camp. As17581214

Event Comment: Benefit for Shuter. Mainpiece: Not acted these 4 years. [See 15 May 1760.] Afterpiece: A Tragi-comi-Pastoral-Farce by the late Mr Gay. Not acted these seven years. [See 15 May 1759.

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Performance Comment: Sir Courtly-Woodward; Lord Belguard-Walker; Farewell-Clarke; Hothead-Dunstall; Testimonly-Gibson; Crack-Shuter; Surly-Sparks; Violante-Mrs Vincent; Aunt-Mrs Pitt; Leonora-Miss Macklin.
Cast
Role: Hothead Actor: Dunstall

Afterpiece Title: The What Dye Call It

Performance Comment: Timothy Peascod-Woodward; Sir Roger-Marten; Justice Statute-Redman; Corporal-R. Smith; Sir Humphrey-Wignel; Peter Nettle-Bennet; Soldier-Holtom; ThomasFilbert-Shuter; Steward-Anderson; Stave-Costollo; Dorcas-Miss Helm; Constable-Lewis; Aunt-Mrs Copin; Joyce-Master Besford; Kitty Carrot-Miss Elliot; first time, with the song 'Twas when the seas were roaring-.

Dance: II: Hornpipe-Miss Pitt; End: New Grand Ballet, as17640320

Song: III: Will be a Duette-Mattocks, Miss Polly Young

Entertainment: End: The Cries of London-Shuter

Event Comment: For the Benefit and Increase of a Fund for Decayed Musicians and their families. Pit and Boxes put together at half a guinea each. N.B. The Society's Collector being dead, and the places of abode of several of the subscribers being unknown to his successor, those Ladies and Gentlemen who have not yet received their tickets are humbly requested to send for them to Mr Jesse Horwood at his house in King Street, Golden Square, who is empowered by the Society to deliver them and receive the Subscription. Tickets to subscribers will admit one person to any part of the House

Performances

Mainpiece Title: Israel In Babylon Or The Force Of Truth

Performance Comment: The music selected from the works of the late Handel on purpose for this occasion. After Act I, Concerto Violincello-Paston; Act II, Concerto Violin-Pinto.
Event Comment: Benefit for Increase of a Fund established for the support of Decayed musicians and their families. An Oratorio from the Works of the Late Mr Handel, performed but once. The Governors of the Fund spent #628 18s. 6d. last year. Pit and Boxes Half a Guinea. First Gallery 5s. Upper Gallery 3s. 6d. Galleries open at 4, Pit and Boxes at 5. To begin at 6:30 p.m

Performances

Mainpiece Title: Israel In Babylon

Entertainment: I: Solo on the Violincello-Parton; II: Solo on Violin by permission of Lord Tyrawley, -Fisher

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Daphne and Amintor

Performance Comment: As17660930, but Daphne-Mrs Arne (late Miss Wright).

Dance: II: The Italian Bakers, as17661011

Event Comment: Oratorio written by the late Mr Brown. Benefit for and Increase of a Fund established for the Support of decay'd Musicians and their Families. Pit and Boxes half a guinea. First Gallery 5s. Upper gallery 3s. 6d

Performances

Mainpiece Title: The Cure Of Saul

Music: I: Concerto on Hautboy-Giustinelli; II: Solo on Violin-Pinto (first violin)

Event Comment: Afterpiece: With Alterations and Additions. Not acted these 7 years. [See 23 May 1763.] With New Music, Dresses, Scenes, and Decorations. The First Scene painted by the Late Mr Lambert, the last by Servandoni (playbill). [See 6 Nov. for specification of Scenes.] Receipts: #240 4s. 6d

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Bensley, first time; Bajazet-Smith; Axalla-Perry; Dervise-Hull; Moneses-Wroughton; Omar-Morris; Stratocles-Gardner; Hali-Davis; Prince of Tanais-R. Smith; Selima-Mrs Mattocks; Arpasia-Mrs Bellamy; With the Usual Prologue-Wroughton; and the Original Song To Thee O Gentle Sleep!-Mrs Baker.

Afterpiece Title: The Rape of Proserpine With The Birth and Adventures of Harlequin

Performance Comment: Pluto-Reinhold; Mercury-Baker; Proserpine-Mrs Baker; Ceres-Mrs Thompson; Harlequin-Lewes; Colombine-Mrs Dyer; Yeoman-Morris; Clown-Miles; Other characters-C. Smith, Mrs Pitt, Barnshaw, Banks, Reyner, Holtom; The Dances-Fishar, Sga Manesiere, Arnauld, Miss Valois, Dumay, Hussey, Petro, Merrifield, the Miss Twists, Miss Madan, Miss Garman.
Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: The Afterpiece a New Pantomime [by Henry Woodward, satirizing Garrick's Jubilee] with New Music by Fisher. New Scenes painted by Messrs Dahl and Richards. Nothing under Full Prices will be taken. [Full Prices notice throughout the run of the pantomime this season. Town and Country Magazine (from Theatre No XIII) comments: "In the Pageant scene several of the characters that walk at Drury Lane are highly ridiculed, particularly Mark Antony and Cleopatra, who dance off with their black retinue to the playing of casquets." The scene closes with the descent of the statue of the late Mr Rich under the name of Lun, and the Harlequins all pay him honour.] Receipts: #250 6s

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequins Jubilee

Performance Comment: The Characters-Woodward, Miles, King, Morris, Cushing, Wignell, Quick, Saunders, Holtom, Barnshaw, Hamilton, Mrs Pitt, Miss Helme, Mrs Dyer, Miss D. Twist; The Vocal parts-DuBellamy, Master Leoni, Mrs Baker; [The Dances-Fishar, Sga Manesiere. [See Bill for 1 Oct. 1770 for first listing of parts.]See Bill for 1 Oct. 1770 for first listing of parts.]
Event Comment: Mainpiece: Not acted these 3 years. The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. [Gazetteer, 9 Nov., notes that the music for the Chorus of Spirits was composed by Purcell, for Ariel's song by Dr Arne, for the storm scene by Linley Jun.] Receipts: #162 11s. (126/10/0; 35/19/6; 0/1/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Performance Comment: ; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.] hathi.
Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Three Weeks after Marriage

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle (with songs)-Johnstone; Sir Christopher Curry-Quick; Campley-Davies; Medium-Powel; Mate (with The Wand'ring Sailor)-Bannister; Planters-Rock, Thompson, Evatt; Sailor-Ledger; Waiter-Farley; Trudge (for that night only)-A Young Gentleman (1st appearance on any stage [Parys]); Wowski-Mrs Martyr; Narcissa-Mrs Mountain; Patty-Mrs Rock; Yarico-Miss Chapman.
Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: The Minor

Performance Comment: Shift, Smirk (with a variety of Imitations)-Rees (1st appearance in those characters); The Minor-Macready; Sir William Wealthy-Wilson; Mr Wealthy-Thompson; Loader-Cubitt; Dick-Blanchard; Lucy-Miss Chapman; Mrs Cole-Mr Bannister.
Cast
Role: The Minor Actor: Macready

Dance: End II: Negro Dance-

Song: End: some of the most favourite Catches and Glees-Bannister, Incledon, Blanchard, Davies, Williamson, Johnstone [for specific songs probably sung, see17910517]

Entertainment: Monologue. After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin)-the Young Gentleman who performs Trudge

Performance Comment: After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin)-the Young Gentleman who performs Trudge.