SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Lord Chamberlain"/1) | (@(roleclean,performerclean) "the Lord Chamberlain")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1683 matches on Performance Comments, 580 matches on Event Comments, 145 matches on Roles/Actors, 108 matches on Performance Title, and 101 matches on Author.
Event Comment: Benefit for Smith. Mr Lacy play'd Cyrus. Spoke too Low and wanted Spirit. Was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Tickets delivered for Siege of Damascus, for that night, will be taken. The Bill For establishing a Fund for Decayed Actors of dl Theatre has passed the House of Lords (Winston MS 11). Receipts: #134 19s. Charges: #67 7s. 6d. Profits to Smith: #67 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Sir Macaroni Virtue-Dodd; Wilson-Palmer; Mervin-Lamash; Sir Toby Fuz-Bransby; Carpenter-Moody; Orpheus-Vernon; Rhodope-Mrs Wrighten; Miss Fuz-Mrs Davies; Lady Fuz-Mrs Hopkins; Others-Packer, Norris, Wright, Cubitt, Legg, Fawcett, Kear, Griffiths, Carpenter, Blanchard, Mrs Love, Mrs Bradshaw.

Entertainment: End: (for the last time) Comic Paraphrase on Shakespeare's Seven Ages-King

Dance: End Entertainment: The Irish Fair, as17751003

Event Comment: By Permission of the Lord Chamberlin. Benefit for Mrs Fisher. Deferr'd from 11 April

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: Catherine and Petruchio

Performance Comment: Catherine-Mrs Fisher; Petruchio-Gentleman (who performs Biron ); Humorous Epilogue on Everybody-Somebody, in the character of No Body - Master Fisher.
Event Comment: This being the Last time of Mr G. performing he generously gave the Profits of the Night to the Theatrical Fund, he spoke the Usual prologue & after the play he went forward & address'd the Audience in so pathetic a Manner as draw Tears from the Audience & himself & took his leave of them forever (Hopkins Diary). [Accounts of the farewell address in the Morning Post and in Davies; Life of Garrick.] So Ends the Season 67 different Play 32 different Farce 189 Nights in all (Hopkins Diary). N.B. The profits of this night appropriated to the benefit of the Theatrical Fund: Cash #309 2s.; After Money #2 10s. 6d. Received #311 12s. 6d. Paid #36 5s. 9d. viz: @Renters #8@Supernumeraries & Kettle Drum #2 11s.@Soldiers 14s.@Extra Constables #1 10s. 6d.@Candles, Oyl & Lampmen #3 18s. 6d.@Carpenters Extras #2 1s.@Music Band #7 18s. 9d.@Messrs. Legg, Lauchery, Larivere, Garland & Langlois Salary #1 13s. 4d.@Sundry Doorkeepers & Servants #7 18s. 8d. @#36 5s. 9d.@Rec'd #311 12s. 6d.@Paid #36 5s. 9d.@Remains #275 6s. 9d.@Brought Fd #62 3s. 7d. from 10th May@Total #337 10s. 4d.@ N.B. The above sum of the two Nights for Theatrical Fund-order'd by Mr Garrick this 25th day of June 1776 to be paid into the hands of Mr Hatsell (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book): 11 June: Rec'd Box office keeper's cash #25; Candles, Oil &c. the 2nd Fund night #7 17s.; From Mr Dodd in Full #21. 24 June: From Sinking Fund (3rd) in full #963 10s.; From Grimaldi on acct #70; From Mrs Smith (singer) in full #31 10s. 2 July: From Public Advertiser for this season #50; Gazetteer ditto #50. 4 July: Their Majesties Acct this season #76; from Mr Harrison one yrs. rent Land tax deducted #37 5s. 5 July: From Mr Parsonage 1 yr. & one quarter rent to Midsummer (tax deducted) #53 15s. 15 July: From Mr Pope 1 yr. & one quarter rent to Mids. Last (taxes deducted) #35 12s. 6d.; Mr Heath 1 yr. and 1!2 Rent to Mids last #15. 19 July: From Mrs Johnston 1 yr. & one quarter rent to Mids. last #7 10s.; Mrs Groath 1!2 year to ditto #1 10s. Mr Percy three quarters Rent to ditto #7 10s.; Mr Waterer five quarters rent to ditto (land tax deducted) #51 7s. 25 July: Sundry forfeits taken up by Evans #38 5s. AFTER SEASON EXPENDITURES (Treasurer's Book): 11 June: Five days salary to sundries at #88 2s. 10d. per diem #440 14s. 2d.; George Garrick in full of #400 #5 13s. 4d.; Slingsby in full of #350 #1 3s. 4d.; Everard on note #10 10s.; Davis on note #21; Mr King to make up #500 in full #32 10s.; Lauchery on note #15 15s.; Mr Page in full of #25 #1 12s. 6d. 28 June: To Lord Walpole for one year's acting season #315; Mr Highly in Full of his building acct #85 19s.; Ditto for 3 yrs. ground rent to the 24th inst. #42. [For explanation of Walpole payment, see Boaden, Garrick Correspondence, II, 155 an involved agreement re an annuity dating from October 1761, now being collected because of new taxes on Carriages, and because Lady Walpole was footsore and would walk nowhere.] 20 June: Adelphi Tavern Bill & Waiters #20 10s. 6d.; Mr Park, chorus 4 nights in full #1 10s.; Mr R. Johnston's property Bills in full #33 1s. 6d. 24 June: Mr D. Garrick in full of #1,300 #235 13s. 2d.; Mr R. Harwood's gratuity #5 5s. 2 July: One yrs. subscription for St George's Hospital for both the managers #10 10s. 5 July: Three quarter's rent pd for Miss Abrahams at Gardners #37 10s. 9 July: Blakes (hatter) #11 15s.; Mrs Chitty (coals) #94 17s.; Hadley & Co., Engine, #12 12s.; Thomson (smith) #6 15s.; Barrow & Co., Oil, #108 13s. 6d.; Ireland (upholsterer) #17 2s. 6d.; Stevens (mason) #42 7s. 6d.; Hewetson (laceman) #9 2s.; Racket (taylor) #16 9s.; Barret (wax chandler) #14 5s.; Waller (hosier) #11 5s. 11 July: Machin, Chorus singer, #6, Bibb (sword cutler) #2 5s.; Gardner (shoemaker) #3 2s.; Marshall (plumber) #4 13s.; Stacey (colourman) #4 17s. 15 July: Daley (sadler) #5 5s.; Scott (copperlace) #25 14s. 6d.; Norfolk (glazier) #3 7s.; Carpue (silk Dyer) #18 13s.; Mrs Carter (scowerer) #1 14s. 6d.; Chettle (timber) #4 6s. 7d.; Pope, for Wiggs, #12 12s.; ditto for 81 extra nights dressing #8 2s.; Mr Preston 69 nights dressing Mr Garrick #5 3s. 6d.; Hatsell (mercer) #47 3s. 16 July: Powney (stationer) #2 10s.; Jennings (glover) #25 17s. 6d.; Prior (turner) #9 5s. 6d; Hopkin's Prompter's bill #13 18s.; Palmer for Sperma. Candles #7 14s.; Kirkman (harpsicord maker) #13 17s. 6d.; Hele (surveyor) #26 10s. 19 July: Mrs Garwood (laundress) #2 12s. 8d.; a Green coat for Mr Garrick #3 3s.; Mr Woods, chorus, 63 nights in full, #15 15s.; Mr French's bills in full #235 3s. 6d. 22 July: Mr Waterer, Black Lyon dinner Bills #56 8s. 6d. 25 July: Mrs Vaughan (haberdasher) #3 18s. 6d.; Cubit (tinman) #2 15s.; Kirk (housekeeper) three quarter's salary to Midummer #30; Victor's gratuity and two weeks salary #35; Evans in lieu of Benefit #42 and 2 weeks salary #3; Mr Westley 2 weeks salary #1 10s. AFTER SEASON COMPUTATION: DRURY LANE 1775-1776: Books closed 25 July 1776. @Total income #37,917 3s. 10d.@Total Expense #33,453 18s. 4d.@Profit #4,463 5s. 6d. divided as follows:@Mr Clutterbuck #1,000@Managers #3,240@ In Victor's hands #223 5s. 6d. [presumably for summer expenses and opening the next season. The Treasurer's Book also mentions a sum of #575 18s. 8d. at Mr Clutterbucks, without indication of its source or contemplated use.

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Event Comment: Oratorio [1st time in public. It had 1st been performed at Oxford, 8 July 1773, as part of the ceremony of the installation of Lord North as Chancellor.

Performances

Mainpiece Title: The Prodigal Son; Judas Maccabaeus

Performance Comment: As17770214, but Principal Vocal Parts-Mrs Farrell (1st appearance in the Oratorios).

Song: With additional airs-

Music: End Part I: solo on the German flute-DeCamp; End Part II: concerto on the violin, as17770214

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: Jehu

Performance Comment: Principal Characters-Farren, Lamash, R. Palmer, Miss Sherry, Miss Farren; Town and Country Magazine, Feb. 1779, p. 62, assigns Lord Jehu-King; Larpent MS 467 lists this part, as well as the other parts: Whiffle, Fenton, Groom, Mrs Gules, Lucy. Prologue , not listed on playbill, printed in Public Advertiser, 24 Feb., written by the author, and spoken by-King.
Cast
Role: assigns Lord Jehu Actor: King
Event Comment: Miss Farren still continuing ill, The Lord of the Manor [announced on playbill of 2 Jan.] is obliged to be deferred till further notice. [As afterpiece the playbill announces Catherine and Petruchio, but it was not acted. Its substitute is listed in the Account-Book.] Receipts: #86 18s. (55.5.0; 30.3.6; 1.9.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Invasion

Dance: As17800923

Performances

Mainpiece Title: Seventeen Hundred And Eighty One; Or, The Cartel At Philadelphia

Afterpiece Title: Sir Courtly Nice; or, It Cannot Be

Performance Comment: Sir Courtly Nice-Lewis; Hothead-Quick; Testimony-Edwin; Belguard-Peile; Farewell-Davies; Surly-Fearon; Waytwell-W. Bates; Crack-Wilson; Violante-Mrs Inchbald; Aunt-Mrs Pitt; Maid-Miss Stewart; Leonora-Mrs Mattocks.
Cast
Role: Hothead Actor: Quick

Afterpiece Title: Who'd have Thought It

Performance Comment: Characters-Wilson, Whitfield, Wewitzer, Cubitt, Thompson, Booth, Lee Lewes, Mrs Wilson, Mrs Lewis, Mrs Webb; [Partial cast adjusted from hay playbill of 7 July 1781: Strap-Wilson; Ishmael-Wewitzer; Broadhem-Mrs Wilson; Caroline-Mrs Lewis; Mrs Strap-Mrs Webb; Larpent MS lists the other parts: Hawser, Spangle, Lord George Willmore, Clinker, Clod, Box, Frank, Pillage.] Prologue-Lee Lewes.
Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Performances

Mainpiece Title: L'omaggio

Performance Comment: Principal Parts-Roncaglia, Trebbi, Gherardi, Sampieri, Micheli, Rauzzini, Sga Sestini, Sga Lorenzini, Sga Pollone, Sga Romanzini, Sga Prudom. [Libretto (E. Cox, 1781) lists the parts: Giannino, Berto, Il Conte, Fabrizio, Fileno, Nice, Silvio, Damone, Lisetta, Contessa, Corilla, Giannina, Rosalba. Larpent MS 561 lists the same, and adds: Farnace, Oronte, Mitridate, Fabio, Almira, Irene.]Libretto (E. Cox, 1781) lists the parts: Giannino, Berto, Il Conte, Fabrizio, Fileno, Nice, Silvio, Damone, Lisetta, Contessa, Corilla, Giannina, Rosalba. Larpent MS 561 lists the same, and adds: Farnace, Oronte, Mitridate, Fabio, Almira, Irene.]

Dance: Incident to the piece: Ballets by Vestris Sen.-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong

Event Comment: The Lord of the Manor [announced on playbill of 11 Feb.] is unavoidably deferred. [Afterpiece in place of The Citizen, announced on playbill of 11 Feb.] Receipts: #102 12s. 6d. (81/14/0; 20/11/0; 0/7/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Robinson Crusoe

Dance: In Act IV of mainpiece a Dance by Henry, Miss Armstrong, &c

Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger
Event Comment: [Afterpiece in place of Lord Mayor's Day, announced on playbill of 31 Dec. 1782.] Receipts: #201 8s. (199/0/6; 2/7/6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Rosina

Cast
Role: Another Irishman Actor: Mahon
Event Comment: The Lord of the Manor [announced on playbill of 7 Nov.] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece: In which will be introduced an Air Balloon. [This was included in all subsequent performances.] Receipts: #154 4s. (108/3/0; 45/8/6; 0/12/6)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Fortunatus

Performance Comment: Harlequin-Wright; Clown-Grimaldi; Colombine-Miss M. Stageldoir. The other Characters by Chaplin, Burton, Spencer, Wrighten, Phillimore, Wilson, Williamson, Kenny, Newbold; Miss Tidswell, Miss Stageldoir . Miss Tidswell, Miss Stageldoir .

Dance: Afterpiece to conclude with a Dance by Second, Ferrere and the Miss Stageldoirs. [This was included, as here assigned, in all subsequent performances.]

Event Comment: "Particular Commendation is to be given to the death of Arthur; it is very bold, and well disposed of. The jump is the highest we ever saw" (Public Advertiser, 15 Dec). Afterpiece: Not acted these 8 years. Receipts: #257 4s. (230/7; 26/7; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: King John

Cast
Role: The Bastard Actor: Smith

Afterpiece Title: The Lottery

Performance Comment: Jack Stocks (alias Lord Lace)-Bannister Jun.; Mr Stocks-Suett; Lovemore-Barrymore; Whisk-Burton; Irishman-Phillimore; Coachman-Wilson; Jenny-Miss Barnes; Chloe (alias Lady Lace)-Mrs Wilson .

Dance: End of mainpiece, as17831204

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally; words to some of the songs by Edward Lysaght]: With new Music, Scenes and Dresses. The Music composed by Shield [with selections from Sacchini, Bertoni, Lord Mornington, &c. (Public Advertiser, 19 Apr.); overture by Baumgarten, being the same as that used by him in William and Nanny at CG, 12 Nov. 1779 (Town and Country Magazine, Apr. 1784, p. 171)]. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Oct. 1784: This Day is published by J. Almon Robin Hood [listing cast for season of 1784-85] (1s. 6d.). [In the season of 1789-90 this was reduced to an afterpiece of 2 acts.] Receipts: #206 4s. (204/3; 2/1)

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Afterpiece Title: Harlequin Rambler

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Parsons; Malvolio-Bensley; Viola-Mrs Bulkley; Maria-Mrs Brereton; Olivia (with songs)-Miss Phillips (1st appearance in that character) .

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .
Cast
Role: Lord Hartwell Actor: Barrymore

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .
Cast
Role: Captain of the Guards Actor: Alfred
Event Comment: By Command of Their Majesties. [1st and 2nd pieces in place of Lord Russel, the Manager in Distress and The Son-in-Law, all three announced on playbill of 31 May.]

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Dance: End of 1st piece Divertissement by Byrne, Master Giorgi, Miss Byrne, the two Miss Simonets

Event Comment: [Lawrence is identified in European Magazine, Dec. 1785, p. 467, which notes that he "formerly performed in Dr Stratford's Lord Russell [at DL, 20 Aug. 1784]."] Receipts: #137 11s. (89/13/0; 43/17/6; 4/0/6)

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-A Young Gentleman [Lawrence]; King-Packer; Pharamond-Barry more; Dion-Fawcett; Cleremont-Phillimore; Thrasaline-Chaplin; Captain of the Mob-Waldron; Countryman-Burton; Woodmen-Alfred, Jones; Arethusa-Miss Collins; Megra-Mrs Ward; Galatea-Miss Tidswell; Lady-Miss Palmer; Beltario-Mrs Jordan. [Acting version (John Bell, 1791) adds: Messengers-Spencer, Lyons.] hathi. hathi.
Cast
Role: Captain of the Mob Actor: Waldron
Related Works
Related Work: Philaster Author(s): George Colman, the elder

Afterpiece Title: The Romp

Performances

Mainpiece Title: Redemption

Performance Comment: Vocal Parts and Violin as17860310elections as17860322but Where is this stupendous stranger? [i. e. Verdi prati] by Master Pring; He masbrought as a lamb [i. e. Nel riposo] by Bellamy; Holy Lord God Almighty [i. e. Dove sei] by Miss George; added: When the earth was without form by Arrowsmith; Master Pring as soloist in In sweetest harmony .

Music: End of Part I concerto on the violoncello by Mason

Event Comment: Benefit for Mrs Chambers and Mrs Clarke. Mainpiece: Written by Mrs Cowley, and performed at the Theatre-Royal, Covent-Garden with universal Applause. Never Acted there

Performances

Mainpiece Title: A Bold Stroke For A Husband

Performance Comment: Don Julio-Benson; Don Caesar-Waldron; Don Vincentio-Wilson; Don Garcia-Hill; Gaspar-Sadler; Vasquez-Watts; Pedro-Price; Don Carlos-Gibbons (who performed JafHer [on 5 July] and Lord Gayville [on 10 July]); Victoria-Mrs Chambers; Minette-Mrs Clarke; Marcella-Miss Phillips; Inis-Mrs Johnston; Laura-Miss Williams; Donna Olivia-Miss Fenton (who performed Belvidera [on 5 July] and Lady Emily [on 10 July]) .on 5 July] and Lady Emily [on 10 July]) .

Afterpiece Title: All the World's a Stage

Song: Between the Acts and after the mainpiece, by Price, Miss Phillips, Mrs Clarke

Event Comment: Mainpiece: Some Airs compiled from best Masters. Rest of Music, the Overture, Accompaniments, &c. by Linley? Sen. Afterpiece: With a Sea-Fightv and Processionv. [These were included in both subsequent performances.] Receipts: #201 16s. (154.15; 45.18; 1.3)

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Puff-King; Sneer-Palmer; Dangle-Dodd; Interpreter-Baddeley; Sir Fretful Plagiary-Parsons; Mrs Dangle-Mrs Hopkins; Principal Tragedians-R. Palmer, Fawcett, Waldron, Suett, Wright, Wilson, Chaplin, Phillimore, Bannister Jun., Miss Pope. [Cast of Tragedians adjusted from playbill of 12 Oct. 1781: Earl of Leicester -R. Palmer; Justice -Fawcett; Sir Christopher Hatton -Waldron; Sir Walter Raleigh -Suett; Beefeater -Wright; Constable -Wilson; Lord Burleigh -Chaplin; Governor -Phillimore; Don Ferolo Whiskerandos -Bannister Jun.; Tilburina -Miss Pope.]
Cast
Role: Lord Burleigh Actor: Chaplin
Event Comment: Tickets to be had, and Places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre. Books of the Performance to be had at the Theatre. Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Redemption 0 (selected From The Great And Favoprite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv, And At The pantheon [on 26 And 27 May 1784])

Afterpiece Title: Redemption 1

Performance Comment: Public Advertiser, 11 Feb., notes that Pious orgies [Judas Maccabaeus]-Mme Mara; Angels ever bright and fair [Theodora]-Mme Mara; Lord what is man? [Semele]-Mrs Crouch; Verdi prati [Alcina]-Mrs Crouch; Oh had I Jubal's lyre [Joshua]-Miss George; The sword that's drawn [Occasional Oratorio]-Reinhold.
Cast
Role: Theodora] Actor: Mme Mara

Music: End II: a new concerto on the hautboy-Parke

Event Comment: Charge [for rental of theatre) #50

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March-(Scipio); Tyrants would in impious throngs-Chorus (Athalia); Oft on a plat of rising ground-Harrison (L'Allegro); The many rend the skies-Chorus (Alexander's Feast); Tune your harps-Miss Mahon (Esther); From Harmony-Harrison, Chorus (Dryden's Ode); Ye Sacred Priests, Farewell ye limpid Springs-Sga Storace (Jephtha); From the censer-Chorus (Solomon).

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Let me wander not unseen-Miss Mahon; And young and old-Chorus (L'Allegro); Music spread thy voice around-Harrison, Chorus (Solomon); O magnify the Lord-Miss Cantelo (Chandos? Athems); May no rash intruder, [the] Nightingale Chorus-(Solomon); Gentle Airs-Harrison (Athalia); O God who in thy heavenly band-Chorus (Joseph); The Prince unable to conceal his Pain-Sga Storace (Alexander's Feast); The King shall rejoice-.

Afterpiece Title: Grand Selection 3

Performance Comment: Overture-(Ariadne); From wave to wave-Sale; Thy right hand O Lord-Chorus (Israel in Egypt); Pleasure my former ways resigning-Harrison; Happy if still we reign-Chorus (Time and Truth); Pious Orgies-Miss Cantelo [Judas Maccabaeus]; But bright Cecilia-Sga Storace; As from the power of sacre lays-Chorus (Dryden's Ode); God save Great George our King-Greatorex.

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex

Cast
Role: ] Actor: Mme Gautherot
Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. Text (no publisher, 1790)]: Being a Collection of favorite Scenes from the Following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, and Harlequin Rambler. With new Dresses and Decorations. The Original Scenery, Machinery, &c. painted by Lambert, Dall [both deceased], Carver, Hodgins and Richards-and now all repaired and repainted. The Music selected by Shaw from Pepuch [sic], Dr Arne, Dr Arnold, Dr Fisher, ?M.? Arne, Vincent, Dibdin and Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Dec.: Paid Wild for his Attention to the Pantomime #30; Boyce for Ditto #15; Shaw for Ditto #10. Receipts: #233 5s. 6d. (204.8.6; 28.17.0)

Performances

Mainpiece Title: Werter

Afterpiece Title: Harlequin's Chaplet

Dance: In afterpiece: Byrne, the two Miss Simonets

Song: In III: Epithalamium. Vocal Parts-Darley, Cubitt, Mrs Mountain, Mrs Martyr

Performances

Mainpiece Title: A Grand Selection [of Sacred Music 0; Messiah

Performance Comment: [From the Performances in Westminster Abbey [on 26 May 1784.] As17900219, but Principal Singers-_Griffiths, _Champness, _Gore, _Webb, _Reynoldson, _Choristers.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Shall I in Mamre's Fertile plain-Sale; For all these Mercies-Chorus (Joshua); This new Creation-; Vain your Triumph-Miss Poole (Israel in Egypt); When his loud Voice-Chorus (Jephtha); Total Eclipse-Harrison; O first created beam-Chorus (Samson); Where e'er you walk-Miss Poole (Semele); He gave them Hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Praise the Lord-Miss Dall (Esther); In sweetest Harmony-Miss Cantelo; O fatal Day-Chorus; O filial Piety, No cruel Father-Saville (Saul); Tyrants would-Miss Mahon, Chorus (Athalia); Every Day will I give thanks-Harrison (Chandos Anthems); The mighty Power-Chorus (Athalia); O worse than Death, Angels ever bright and fair-Miss Cantelo (Theodora); Gird on thy Sword-Chorus (Saul).
Cast
Role: Praise the Lord Actor: Miss Dall
Role: No cruel Father Actor: Saville
Role: The mighty Power Actor: Chorus

Afterpiece Title: Grand Selection 3

Performance Comment: Ye Sons of Israel-Chorus (Joshua); Thou shalt bring them in-Saville (Israel in Egypt); O God@like Youth-Miss Dall; Sinfonia on Carrillons-; Welcome welcome mighty King-Chorus (Saul); Rendi il sereno al ciglio-Harrison (Sosarme); From the censer-Chorus (Solomon); O had I Jubal's lyre-Miss Mahon (Joshua); Ye sacred Priests, Farewell ye limpid springs-Miss Cantelo (Jephtha); The Horse and his Rider-Double Chorus (Israel in Egypt).

Music: End II: concerto on the Piano Forte-Clementi

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Wave from Wave-Sale; He rebuked the Red Sea He led them through the deep-Chorus (Israel in Egypt); Justly these Evils Why does the God of Israel sleep?-Harrison (Samson); Cease thy Anguish-Miss Mahon, Saville (Athalia); O God! who in thy heavenly Hand-Chorus (Joseph); The smiling Dawn of happy Days-Miss Cantelo (Jephtha); How excellent thy Name-Chorus (Saul).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Funeral Anthem-Miss Cantelo, Saville, Harrison, Sale; Come ever smiling Liberty-Miss Dall (Judas Maccabaeus); Gentle Airs-Harrison (Athalia); Then round about-Chorus (Samson); Sweet Bird-Miss Mahon (L'Allegro); Search round the World-Harrison; May no rash Intruder-Chorus (Solomon); How blest the Maid-Miss Poole (Hercules); He was Eyes unto the Blind-Miss Cantelo (Siroe); Immortal Lord!-Double Chorus (Deborah).

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Hautboy Concerto-; For joys so vast-Miss Poole (Jephtha); Sweep sweep the Strings Music spread thy Voice-; Now a different Measure try-; Rouse us next to martial Deeds-Saville, Chorus (Solomon); Great Jehovah's awful Word-Miss Cantelo (Israel in Egypt); Righteous Heaven-Chorus (Susanna); Pleasure my former ways resigning-Harrison (Time and Truth); Gloria Patri (Jubilate)-.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March (Scipio)-; What though I trace-Miss Poole (Solomon); Happy if still they reign in pleasure-Chorus (Time and Truth); He layeth the beams of his chambers-Sale [Ezio]; He smote all the first@born of Israel-Chorus (Israel in Egypt); Come ye smiling hours-Miss Poole (Nabal); Softly rise-Harrison; Ye southern breezes-Chorus (Solomon by Boyce); Let the bright Seraphim-Miss Cantelo; Let their celestial concerts all unite-Chorus (Samson).

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Hark! 'tis the Linnet-Miss Dall (Joshua); Hence loath'd melancholy!, Come come thou Goddess-Saville (L'Allegro); What Passion cannot Music raise?-Miss Mahon (Dryden's Ode); No more to Ammon's God and King-Chorus; Virtue my soul shall still embrace-Harrison (Jephtha); Hear Jacob's God-Chorus (Samson); O magnify the Lord-Miss Cantelo (Chandos? Anthems); Kings shall be thy nursing fathers-Grand Chorus (Coronation? Anthems).

Afterpiece Title: Grand Selection 3

Performance Comment: From harmony-Harrison, Chorus (Dryden's Ode); Hush ye pretty warbling choir-Miss Mahon (Acis and Galatea); Like a bright Cherub-Miss Cantelo, Saville, Harrison (Gideon); With thee the unsheltered moor-Miss Cantelo (Solomon); No more ye infidels, Behold ye nations-Saville; Lord of Eternity, O Baal-Chorus (Deborah); Chastity thou cherub bright-Harrison (Susanna); Haste thee Nymph-Saville, Chorus (L'Allegro); God save the King (Coronation Anthems)-.

Music: End II: As17900219; End I: Miserere Mei Deus-, composed by Sg Gregorio Allegri, in the Year 1650, from an authentic Copy brought from Italy by Greatorex. A Translation of this Work (the 51st Psalm in English) will be printed in the Books of the Night

Performance Comment: A Translation of this Work (the 51st Psalm in English) will be printed in the Books of the Night.