SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "parson Burgess"/1) | (@(roleclean,performerclean) "parson Burgess")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1327 matches on Performance Comments, 80 matches on Event Comments, 14 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Kings' Company. The play was probably acted through 11 Oct. Pepys, Diary, 4 Oct.: To-morrow they told us should be acted, or the day after, a new play, called The Parson's Dreame, acted all by women

Performances

Mainpiece Title: The Parson's Wedding

Event Comment: Pepys, Diary: Luellin...tells me what a bawdy loose play this Parson's Wedding is, that is acted by nothing but women at the King's house, and I am glad of it

Performances

Mainpiece Title: The Parson's Wedding

Event Comment: Benefit for T. Smith, Parsons, Arnauld, Miss Madden, Miss Cockayne, and others. Tickets deliver'd by Wild, Mrs Hitchcock, Francis, Widow Trott, Mrs Paddick, and for the fourteenth will be taken. [The Mourning Bride and Orpheus had been planned for the 14th. See foot of playbill 13 May.] @Tickets Pit Box Gallery Value 1!2 Value@T. Smith 67 61 #16 3s. #8 1s. 6d.@ Maddan 10 30 49 #11 18s. #5 19s.@19 183 58 38 19@Cockayne 7 23 48 #10 5@Wilde 2 27 33 #7 17s. #3 18s. 6d.@Francis 4 25 31 #7 17s. #3 18s. 6d.@Arnd Fishar 14 8 #2 18s. #1 9s.@Hitchcock 31 41 14 #15 6s. #7 3s.@ Trott 16 8 4 #5 12s. #2 16s.@Paddick 16 7 #3 2s. #1 11s.@Total #118 13s. #59 6s. 6d. (Account Book).@ [No charges were listed. The house took, instead one-half value of the tickets, leaving the other half as profit to the ten beneficiaries. House also took the cash receipts.] Receipts: #27 19s. (Account Book)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Royal Chace

Song: II: A Song-Parsons

Dance: III: A Minuet-Hussey, Miss Madden; IV: Comic Dance-Arnauld, Miss Capon, as17680416

Event Comment: Benefit for Parsons. Mainpiece: Never perform'd here

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-Parsons; Sir John Melville-Bensley; Lovel-Bannister Jun.; Sterling-Wilson; Canton-Baddeley; Serjeant Flower-Usher; Traverse-Egan; Trueman-Riley; Brush-Palmer; Mrs Heidelburgh-Mrs Webb; Miss Sterling-Mrs Bates; Betty-Mrs Bulkley; Chambermaid-Miss Morris; Fanny-Miss Farren .
Cast
Role: Lord Ogleby Actor: Parsons

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Cast
Role: Shuter Actor: Parsons
Role: Squire Thomas Actor: Parsons
Role: ThomasFilbert Actor: Parsons

Afterpiece Title: The Genius of Nonsense

Song: As17840730

Monologue: 1784 08 19 Preceding mainpiece A Looking Glass for the Times; or, The Charms of Money by Parsons in the Character of a distress'd Poet

Event Comment: Benefit for Mrs Mattocks. [1st piece: Epilogue by Miles Peter Andrews.] 3rd piece [1st time; F 2, by Eliza Parsons, based on Monsieur de Pourceaugnac, by Moliere]. Morning Herald, 27 Mar.: Tickets to be had of Mrs Mattocks, No. 8, Great Russel-street, Covent Garden. Receipts: #269 11s. 6d. (174.14.0; 4.16.6; tickets: 90.1.0) (charge: #105)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Afterpiece Title: The Intrigues of a Morning; or, An Hour in Paris

Related Works
Related Work: The Intrigues of a Morning; or, An Hour in Paris Author(s): Eliza Parsons

Afterpiece Title: The Wives Revenged

Event Comment: Benefit Miss Burgess, who has so zealousy espoused the Country-Interest. Afterpiece: A Tragi-Comi-Operatic Pastoral Farce. [Presumably a variant of R. Drury's The Rival Milliners.]

Performances

Mainpiece Title: Pasquin

Performance Comment: Cast not listed, but see17360427 With a New Epilogue to be spoke by Miss Burgess .

Afterpiece Title: The Temple Rake; or, The Rival Milliners

Performance Comment: Molly Wheedle-Miss Burgess .
Cast
Role: Molly Wheedle Actor: Miss Burgess
Event Comment: Benefit the Author of the Farce, and Miss Burgess. Mainpiece: As originally written by Shakespear. Supervised, Read over, Revised, and Unalter'd. [For a puff (signed by W. Shakespear), see Daily Advertiser, 4 March.

Performances

Mainpiece Title: The Life And Death Of King John

Performance Comment: Prince Arthur-Miss Burgess; With a New Prologue- in the Characters of Shakespear's Ghost, the Squire, Mr Student, and Mr Bays; concluding with an Address to the Ladies- of the Shakespear's Club.
Cast
Role: Prince Arthur Actor: Miss Burgess

Afterpiece Title: The Rival Milliners

Event Comment: Benefit Arthur and Mrs Woodward. Tickets for Miss Burgess, Mrs LeBrun, and Miss Morrison taken

Performances

Mainpiece Title: The Amorous Widow

Performance Comment: Wanton Wife-Mrs Horton; Barnaby-Hippisley; Sir Peter-Rosco; Lovemore-Hallam; Cunningham-Gibson; Merryman-James; Clodpole-Arthur; Philadelphia-Miss Burgess; Lady Laycock-Mrs Woodward; Lady Pride-Mrs Cook; Damaris-Mrs Vincent; Prudence-Mrs Mullart.
Cast
Role: Philadelphia Actor: Miss Burgess

Afterpiece Title: The School Boy

Dance: I: Tambourine-the French Girl; II: Comic Dance-Richardson, Mrs LeBrun; III: Miss Morrison; IV: A new Serious Ballet-Villeneuve, Miss Oates; V: Grecian Sailors-Glover

Event Comment: Thomas Brown to George Moult, 12 Sept. 1699: But tho' Bartholomew-Fair is dead and buried for a twelvemonth, yet it is some consolation to us, that it revives in both the play-houses. Poetry is so little regarded there, and the audience is so taken up with show and sight, that an author will not much trouble himself about his thoughts and language, so he is but in fee with the dancing-masters, and has a few luscious songs to lard his dry composition. One would almost swear, that Smithfield had removed into Drury-lane and Lincolns-Inn-Fields, since they set so small a value on good sense, and so great a one on trifles that have no relation to the play. By the by, I am to tell you, that some of their late bills are so very monstrous, that neither we, nor our forefathers, ever knew anything like them: They are as long as the title-pages to some of Mr Prynn's works; nay, you may much sooner dispatch the Gazette, even when it is most crowded with advertisements. And as their bills are so prodigious, so are the entertainments they present us with: For, not to mention the Bohemian women, that first taught us how to dance and swim together; not the famous Mr Clinch of Barnet, with his kit and organ; nor the worthy gentlemen that condescended to dance a Cheshirerounds, at the instance of several persons of quality; nor t'other gentleman that sung like a turky-cock; nor, lastly, that prodigy of a man that mimick'd the harmony of the Essex lions; not to mention these and a hundred other notable curiosities, we have been so unmercifully over-run with an inundation of Monsieurs from Paris, that one would be almost tempted to wish that the war had still continued, if it were for no other reason but because it would have prevented the coming over of these light-heel'd gentlemen, who have been a greater plague to our theatres, than their privateers were to our merchantmen. Shortly, I suppose, we shall be entertain'd here with all sorts of sights and shows, as, jumping thro' a hoop; (for why should not that be as proper as Mr Sympson's vaulting upon the wooden-horses?) dancing upon the high ropes, leaping over eight men's heads, wrestling, boxing, cudgelling, fighting at back-sword, quarter-staff, bear-baiting, and all the other noble exercises that divert the good folk at Hockley; for when once such an infection as this has gain'd ground upon us, who can tell where it will stop? What a wretched pass is this wicked age come to, when Ben. Johnson and Shakespear won't relish without these bagatelles to recommend them, and nothing but farce and grimace will go down? For my part, I wonder they have not incorporated parson Burgess into their society; for after the auditors are stupify'd with a dull scene or so, he would make a shift to relieve them. In short, Mr Collier may save himself the trouble of writing against the theatre; for, if these lewd practices are not laid aside, and sense and wit don't come into play again, a man may easily foretell, without pretending to the gift of prophecy, that the stage will be shortliv'd, and the strong Kentish man will take possession of the two play-houses, as he has already done of that in Dorset-Garden (The Works of Thomas Brown, 4th ed. [London, 1715], I, 216-18)

Performances

Event Comment: MMr Vernon-Macheath, 1st time; Mr Parsons-Filch, Mrs Parsons-Mrs Peachum (Cross Diary). Mr William Parsons came with Mr James Love from Edinburg, and Made his first appearance on the stage in London this evening; He died of an asthma on Tues. 3 February in the severe winter of 1795, and was buried in the churchyard of Lea-Church near Blackheath in Kent; he was in his 60th year (Macmillan [Hopkins MS Notes]). Afterpiece: Not acted these 2 years. [See 19 Oct. 1759.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon, 1st appearance on the English Stage these 5 years; Beggar-Castle; Lockit-Bransby; Player-Mozeen; Lucy-Mrs Clive; Mrs Peachum-Mrs Parsons, 1st appearance; Diana Trapes-Mrs Bradshaw; Polly-Mrs Vincent; Peachum-Moody; Mat@o@Mint-Blakes; Filch-Parsons, 1st time; In Act III,Hornpipe-Miss Dawson; To conclude with a Country Dance-.

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Event Comment: 1st piece [1st time; PREL 1, by George Colman, ynger. Larpent MS 951; synopsis of plot in Diary, 16 June. This piece is stated to have been published in 1792]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be had of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. In 1st piece "Parsons was highly entertaining in affecting to speak in an under tone scarcely audible, that the feebleness of his voice might correspond with the smallness of the House, compared with the enormous [new] Theatre over the way; and his broken, unintelligible mode of announcing the Performance to the Audience as a specimen, was truly whimsical" (Morning Herald, 16 June)

Performances

Mainpiece Title: Poor Old Hay-market; Or, Two Sides Of The Gutter

Performance Comment: !! Characters by R. Palmer, Cubitt, Wrighten, Wewitzer, Bannister Jun., Parsons, Evatt, Wilson, Mrs Edwin, Mrs Powell, Mrs Gaudry, Miss Hale, Mrs Webb. Cast from European Magazine, June 1792, p. 474: Scene Carpenters-R. Palmer, Cubitt; Prompter-Wrighten; Project-Bannister Jun.; Parsons-Parsons; Mrs Edwin-Mrs Edwin; Mrs Powell-Mrs Powell; Mrs Gaudry-Mrs Gaudry; Miss Hale-Miss Hale; Mrs Webb-Mrs Webb (these last 6 in their own persons); unassigned-Wewitzer, Evatt, Wilson; Other parts listed in Larpent MS: Messenger-; Man in the Pit-; Short Lady-; Actresses-.
Cast
Role: Parsons Actor: Parsons

Afterpiece Title: The Young Quaker

Performance Comment: Old Sadboy-Barrett; Chronicle-Baddeley; Captain Ambush-Williamson; Young Sadboy-Bannister Jun.; Shadrach-Wewitzer; Spatterdash-R. Palmer; Clod-Parsons; Twig-Farley; Malachi-Burton; Lounge-Lyons; Waiter-Farley [i.e. doubled Twig]; Coachman-Ledger; Goliah-Miss Standen; Araminta-Mrs Bland; Dinah Primrose-Mrs Brooks; Pink-Miss Fontenelle (Their 1st appearance in those characters); Lady Rounceval-Mrs Webb.
Cast
Role: Clod Actor: Parsons

Afterpiece Title: The Son-in-Law

Event Comment: Afterpiece: An alteration by Cumberland from his Summer's Tale (Genest, V, 321). Theatrical Review, 14 Dec.: We confess we pitied the situation of the performers, who all exerted their utmost efforts to support it in the representation; but it is not the eminent abilities of a Vernon, a Parsons, a Hunt, or a Fitzgerald, that can render a piece worthy of notice, which has nothing interesting in it, and is absolutely devoid of merit. Paid Salary list, #501 3s. 6d.; Mr S. French 6 days #1 10s.; Mrs Abington for cloaths #2; Rec'd stopages #13 18s. 6d. (Treasurer's Book). Receipt2: #128 17s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Amelia

Performance Comment: Parts-Vernon, Parsons, Davies, J. Burton, Mrs Fitzgerald, Mrs Hunt. Henry-Vernon; Sir Anthony Withers-Parsons; Frederick-Davies; Peter-J. Burton; Patty-Mrs Fitzgerald; Amelia-Miss Hunt (MacMillan).
Event Comment: Benefit for Parsons. Tickets deliver'd by W. Palmer will be taken. Rec'd stopages #31 7s.; Paid salary list #525 2s.; Mr King's extra salary #3.; Chorus 2 nights (this incl.) #3 11s. (Treasurer's Book). Receipts: #195 11s. 6d. Charges: #74 14s. Profits to Parsons: #120 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Quaker

Performance Comment: As17740406 but Sir Charles-a young gentleman, first appearance; Binnacle-Parsons; Advocate-Mrs Millidge, restored.
Cast
Role: Binnacle Actor: Parsons

Afterpiece Title: The Irish Widow

Cast
Role: Whittle Actor: Parsons.

Dance: End I Afterpiece: The Irish Fair, as17730918

Event Comment: Mainpiece: Not acted these 20 years. [See 11 Nov. 1752.] Characters New Dressed in the Habits of the Times. This play is alter'd by Mr Colman and receiv'd with Some Applause, but it don't seem to hit the present Taste a few hisses at the End (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #630 1s. 6d.; Widow Hunter #2 2s.; King's glass bill #3 17s. 6d. (Treasurer's Book). [Mainpiece reviewed and contrasted with the original in the Westminster Magazine for Jan.: "Upon the whole we cannot esteem this a striking comedy, even with the assistance it has now received,--the fine manner in which it is got up, and the great expence which the managers have been at in habiting the whole dramatis personae in splendid and characteristic Old English dresses. All the actors except Mr King and Mr Parsons performed but indifferently. Bensley is the worst Old Man we ever saw. He presents the countenace of a sickly old woman; and the uniform goggle of his eye, by which he means to express infirmity and distress is the look of a man in anguish from the colic. Mr Palmer, Mr Brereton, and Mr Davis have a bloated vulgarity about them, which should ever deter the manager from assigning them the parts of cavaliers or men of fashion. Baddeley, as usual, overdid his part, and Mr Yates, as usual, was not very perfect in his."] Receipts: #192 11s. (Treasurer's Book)

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Performance Comment: Parts by: King, Bensley, Palmer, Parsons, Brereton, Baddeley, Davies, Yates, Mrs Hopkins, Miss Sherry, Mrs Davies, Miss Platt, Mrs Millidge, and Mrs Siddons. With a New Occasional Prologue-Palmer; Morose-Bensley; Truewit-Palmer; Sir Amorous-King; Capt. Otter-Yates; Sir John Daw-Parsons; Cutbeard-Baddeley; Dauphine-Brereton; Clerimont-Davies; Mrs Otter-Mrs Hopkins; Lady Haughty-Miss Sherry; Centaur-Mrs Davies; Mavis-Miss Platt; Trusty-Mrs Millidge; Epicoene-Mrs Siddons (Genest, V, 484).
Cast
Role: Sir John Daw Actor: Parsons

Afterpiece Title: The Jubilee

Event Comment: Mainpiece [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick. Epilogue by George Colman elder (London Chronicle, 9 May). Text 1st published (unauthorized), Dublin, 1780]: With New Scenes and Dresses. "No modern theatrical piece ever met with a fuller success, nor deserved it more... The performers deserve every sort of commendation for their spirited exertion in supporting the respective characters, especially Smith, King and the incomparable Mrs Abington" (Gazetteer, 9 May). "To my great astonishment there were more parts performed admirably in The School for Scandal than I almost ever saw in any play. Mrs Abington was equal to the first of her profession, Yates (the husband), Parsons, Miss Pope, and Palmer, all shone. It seemed a marvellous resurrection of the stage. Indeed, the play had as much merit as the actors. I have seen no comedy that comes near it since The Provoked Husband" (Walpole [13 July 1777], X, 82). Receipts: #224 10s. (215.12.0; 8.14.6; 0.3.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Principal Characters by King, Yates, Dodd, Palmer, Parsons, Baddeley, Aickin, Packer, Farren, Lamash, Gaudry, R. Palmer, Norris, Chaplin, Smith, Miss Pope,Miss P. Hopkins, Miss Sherry, Mrs Abington. [Cast from Public Advertiser, 9 May: Sir Peter Teazle-King; Sir Oliver Surface-Yates; Sir Benjamin Backbite-Dodd; Joseph Surface-Palmer; Crabtree-Parsons; Moses-Baddeley; Rowley-Aickin; Snake-Packer; Careless-Farren; Trip-Lamash; Sir Harry Bumper-Gaudry; Gentlemen-R. Palmer, Norris, Chaplin; Charles Surface-Smith; Mrs Candour-Miss Pope; Maria-Miss P. Hopkins; Lady Sneerwell-Miss Sherry; Lady Teazle-Mrs Abington; Prologue-King; Epilogue-Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Crabtree Actor: Parsons

Afterpiece Title: The Mayor of Garratt

Event Comment: Benefit for Parsons. Public Advertiser, 18 Aug.: Tickets to be had of Parsons, No. 60, Stanhope-street, Clare-Market

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Performance Comment: Lord Townly-Digges; Sir Francis Wronghead-Parsons; Manly-Aickin; Count Basset-Lamash; Squire Richard-R. Palmer; John Moody (for that night only)-Palmer; Lady Grace-Mrs Hitchcock; Lady Wronghead-Mrs Webb; Miss Jenny-A Young Lady (1st attempt upon any stage [unidentified]); Myrtilla-Miss Platt; Trusty-Mrs W.? Palmer; Mrs Motherly-Mrs Poussin; Lady Townly-Miss Farren (1st appearance in that character).

Afterpiece Title: The Quaker

Performance Comment: The Quaker-Bannister; Lubin-Brett; Easy-Painter; Solomon-Parsons; Floretta-Mrs Brett; Cicely-Mrs Love; Gillian (for that night only)-Miss Sharpe (from the Theatre Royal, Richmond).
Cast
Role: Solomon Actor: Parsons

Song: End: Hunting@song-Griffin

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Performance Comment: Principal Characters by Palmer, Parsons, Brereton, Wrighten, Mrs Davies, Miss Farren, Miss Sherry, Mrs Robinson. [Cast from Town and Country Magazine, May 1780, p.228: Mr Belvil-Palmer; Lord Macgrinnon-Parsons; Mr Camply-Brereton; John-Wrighten; Susan-Mrs Davies; Miss Loveless-Miss Farren; Mrs Arabella Loveless-Miss Sherry; Eliza Camply-Mrs Robinson; Prologue-King; Epilogue-Mrs Abington. [Thses were spoken, as here assigned, at all subsequent performances.]Thses were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Lord Macgrinnon Actor: Parsons

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: The worst House I ever saw.--This morning Mr Packer's mother died, and we were oblig'd to get Mr Parsons to do Vizard, and Mr Baddeley Smuggler.--No apology was made, and I believe nobody took any notice of the change.--Miss Street and Master Clinton, Dancers, first time, greatly applauded (Hopkins Diary--MacMillan). Receipts: #63 3s. 6d. (MacMillan)

Performances

Mainpiece Title: The Constant Couple

Performance Comment: Sir Harry Wildair-Obrien; Col. Standard-Holland; Smuggler-Parsons; Vizard-Packer; Beau Clincher-Yates; Clincher Jr-King; Tom-Clough; Lady Darling-Mrs Cross; Parly-Mrs Bennet; Angelica-Miss Bride; Lady Lurewell-Mrs Yates.
Cast
Role: Smuggler Actor: Parsons

Afterpiece Title: The Genii

Dance: II: A Comic Dance, call'd The Provancalle-Master Clinton, Miss Street , being their first appearance on this stage

Event Comment: Benefit for Parsons

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Performance Comment: Obadiah-Parsons; Abel-Larkin, first appearance on the stage; Teague (with Songs)-Moody; Col. Careless-Jefferson; Story-Wright; Day-Baddeley; Bookseller-Jacobs; Committeemen-Hartry, Castle; Coachman-Keen; Day's Servant-J. Burton; Jack-Master Cape; Ruth-Mrs Hopkins; Mrs Day-Mrs Bradshaw; Arabella-Mrs Reddish.
Cast
Role: Obadiah Actor: Parsons

Afterpiece Title: Harlequin's Invasion

Cast
Role: Snip Actor: Parsons

Entertainment: III:will introduce a Description of a Man of War and Sea Fight-Moody

Event Comment: G[arrick] This Night was advertis'd for Mr Barry's Benefit but he being ill his Benefit was deferr'd (Hopkins Diary). Garrick is removed from Southampton St. to Adelphi Terrace (Winston MS 10). This day is publish'd Theatrical Biography; or, Memoirs of the principal performers of the three Theatres Royal. Drury Lane: Garrick, Barry, Reddish, Aickin, King, Moody, Dodd, Love, Vernon, Parsons, Baddeley, Mrs Barry, Mrs Abington, Miss Younger, Miss Hayward, Mrs Baddeley, Miss Pope, Mrs Egerton, Mrs W. Barry and Mrs Jefferson. Covent Garden: Ross, Smith, Savigny, Woodward, Yates, Shuter, Bensley, Dyer, Mattocks, Clark, Mrs Yates, Mrs Mattocks, Miss Macklin, Mrs Bulkley, Mrs Green, and Mrs Thompson. Haymarket: Foote, Weston, Aikin, Didier, Davies, Mrs Gardner, Mrs Jewell, and Mrs Didier. Together with critical and impartial remarks on their respective professional merits. Printed for S. Bladon. Receipts: #265 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Performance Comment: As17711231, but Don Pedro-Parsons.
Cast
Role: Don Pedro Actor: Parsons.

Afterpiece Title: The Lyar

Performance Comment: As17720103, but Papillion-Parsons.
Cast
Role: Papillion Actor: Parsons.

Dance: V: The Sailors Revels, as17711008

Event Comment: Benefit for Mrs Bradshaw and Mrs Johnston. Paid Mr Parsons in lieu of Benefit #105. Receipts: #73 17s. Charges: #64 15s. Profits to Mrs Bradshaw and Mrs Johnston: #9 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Filch Actor: Parsons

Afterpiece Title: Bon Ton

Performance Comment: As17760419 but Davy-Parsons.
Cast
Role: Davy Actor: Parsons.

Dance: End Opera: a Favourite Dance call'd The Gardeners, as17760116

Event Comment: [In 2nd piece the playbill assigns Orlando to Kemble, but "On account of indisposition, Barrymore last night performed Orlando for Kemble" (Oracle, 4 Oct.).] 3rd piece: To conclude with the Glorious Defeat of the Spanish Armada, and a Grand Procession. "Equal to any actor I ever saw, as far as his line extends, is Mr Parsons; his conception and expression of Sir Fretful Plagiary, in Mr Sheridan's Critic, are as strong and masterly as were Garrick's in Kitely [in Every Man in his Humour]; and his 'laughing without mirth' therein equally admirable" (Jonson, ed. Waldron, 171). Receipts: #251 4s. 6d. (213.6.6; 37.0.0; 0.18.0)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Afterpiece Title: The Critic

Performance Comment: Dangle-R. Palmer; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Signor Ritornello-Hamoir; Interpreter-Baddeley; Puff-King; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Hagley, Miss DeCamp, Miss Daniels; Characters of the Tragedy: Lord Burleigh-Hollingsworth; Governor-Wrighten; Earl of Leicester-Whitfield; Sir Walter Raleigh-Burton; Sir Christopher Hatton-Waldron; Master of the Horse-Alfred; Beef@eater-Phillimore; Justice-Packer; Son-Suett; Constable-Fawcett; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Collins; Justice's Lady-Mrs Heard; Confidant-Mrs Booth; Tilburina-Miss Pope.
Cast
Role: Sir Fretful Plagiary Actor: Parsons

Song: V 2nd piece: song-Miss Hagley

Event Comment: Parsons of dl and Mr Buckley of cg purchas'd Bristol Theatre formerly the property of Mr Bransby (Winston MS 10). Receipts: #199 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: A Trip to Scotland

Cast
Role: Griskin Actor: Parsons
Event Comment: Parsons' Benefit Allowance deducted #100. Receipts: #207 15s. 6d. (183/5/0; 22/5/0; 2/5/6)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Quaker

Cast
Role: Solomon Actor: Parsons
Event Comment: Parsons being taken last night suddenly ill, the New Musical Farce of May Day is oblig'd to be deferr'd till Wednesday. Receipts: #166 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Elopement

Dance: II: The Savage Hunters, as17751020