SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "a Young Gentleman"/1) | (@(roleclean,performerclean) "a Young Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3825 matches on Performance Comments, 1343 matches on Event Comments, 1139 matches on Author, 848 matches on Performance Title, and 308 matches on Roles/Actors.

Performances

Mainpiece Title: The Lyar

Performance Comment: Foote, Castle, Davis, Mrs Brown, Weston, Pierce, Mrs Parsons, a young Gentlewoman.

Afterpiece Title: The Mayor of Garratt

Dance: I: As17640727 End: A new comic Dance called The Shepherdess and the Faux Aveugle-Gherardi jun, Master Clinton, Miss Street

Event Comment: Benefit for the Widow and the Distressed Family of Mr Lambe, who was unfortunately killed at the late Fire, near Wardour St., Soho. The widow Lambe having a large family of children, the youngest of which being but 5 months old, humbly hopes those charitably disposed persons who intend to honor her by their appearance on this occasion, will excuse her application in person. Boxes 10s. 6d. Pit 5s. Gallery 3s. To begin at 6:30 p.m

Performances

Mainpiece Title: Acis And Galatea

Music: Between the acts: Solo on Violincello-Chiri; Concerto on Bassoon-Baumgarten; Concerto on Hautboy-Simpson; Solo on Violin-Hay who will lead the performance; To conclude with the Coronation Anthem-

Event Comment: Benefit for Miss Polly Young

Performances

Mainpiece Title: Demofoonte

Dance: As17650105

Event Comment: Benefit for Younger. Tickets deliver'd by Miss Helme, Mrs Stephens, White, and Gardner will be taken. Tickets sold at the Doors will not be admitted. Tickets and places to be had of Sarjant at the stage door. None admitted behind the Scenes

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Oracle

Dance: IV: The Sicilian Peasants, as17641001; End: a Hornpipe-Miss Pitt

Event Comment: DDaphne and Amintor deferred, Miss Young Ill

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: Lecture On Heads

Performance Comment: Delivered by a Young Lady who never appeared in Public.
Event Comment: Mainpiece: By Desire. Mr Packer being hoarse, Mr Aickin played Young Belmont (Hopkins Diary)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Hermit

Performances

Mainpiece Title: Heroic Love; Or, The Cruel Separation

Afterpiece Title: The Choice

Performance Comment: Parts-Love, Havard, Packer, Mrs Love, Mrs Yates; Epilogue-; Sir Wm. Loveworth?-Yates; Young Loveworth?-Havard; Woodvil?-Packer; Clarissa?-Mrs Yates; Mrs Woodvil?-Mrs Love; Epilogue-Mrs Yates. See17650323.
Cast
Role: Young Loveworth? Actor: Havard
Event Comment: CCymon deferred on account of Mrs Arne's hoarseness. Neville MS Diary: Saw the Provok'd Wife, Young Brute inimitably played by Garrick...The heat was very great. The tendency of the Provok'd Wife is very immoral, as it presents an intention to commit adultery in too agreeable a light. Receipts: #247 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Devil to Pay

Event Comment: By Command of their Majesties. With the latest improvement by Mr Handel. Pit and boxes to be put together. Tickets will be deliver'd that day, at the Office in the theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an Hour past Four. Pit and Boxes at Five. To Begin at Half an Hour after Six (Public Advertiser, 4 March). [N.B. This is an Advance notice. No notice occurs on this day, but the following: This Day publish'd Esther: An Oratorio, with the last improvements by Mr Handel. To be performed, by Their Majesties Command at the Theatre Royal in Covent Garden. Price 1s.] Went into the First Gallery at Covent Garden to hear the Oraortio, Esther, composed by Handel. The Stage was formed into an orchestra, like one side of an amphitheatre divided by an organ, atop of which was a head of Handel in a radiated frame. In the front sat the vocal performers, Champney, Vernon, Mrs Arne, Mrs Pinto, Miss Young, and Mrs Frasi. Stanley played on the Organ but retired after the 1st or 2nd act. The house was not much crowded, tho the King and Queen, those idols of fools, were there (Neville MS Diary). Charges: #35 (Account Book)

Performances

Mainpiece Title: Esther

Music: CConcerto on Organ-Stanley

Event Comment: NNeville MS Diary: At 6 took my place in ye Pit. I expected ye Taylors would have been damned; but with certain alterations and additions it went off better than it did last night. It is a sort of burlesque tragedy. If there is any wit in it, it is very low and unlike that in Mr Foote's other pieces. The Prologue, spoken by him, is more diverting than any part of ye play. Some Masters and leading Journeymen are taken off. [Cast listed.] The Citizen was vilely performed, except Old Philpot by Weston. Palmer is not equal to ye young one. They went off without concluding it. We had ye Builders Prologue before ye farce, by ye same means we had it last night. Foote wished for ye Builder, as ye person who supplied his place did his part vilely

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Citizen

Event Comment: NNeville MS Diary: Read ye parts of Varanes and Athenais before I went into ye Pit to see ye Play of Theodosius. Barry and Mrs Dancer are excellent in Varanes and Athenais. Young Barry did Theodosius, and Sowdon Marcian, who, tho' ugly, has a pretty good person and is a tolerably good player. Liontine by Bannister

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Miss in Her Teens

Dance: III: A Serious Dance-; End: A comic dance-Miss Froment, a little girl (Neville)

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

Event Comment: At 5 went into the Pit at Covent Garden to see Mrs Yates do Lady Townly. Yates is an excellent Sir Francis, but Powell does not shine in Lord Townly....The Entertainment was the new comedy in two acts called the Oxonian in Town, with a prologue by Woodward in the character of a student....It being suspected that a number of sharpers whose characters and practices are laid open in this piece, would attempt to damn it tonight (the 3rd of its being Performed) under pretence of its casting odium on the Irish, bills were dispersed in the House during the play vindicating it from any such intention. Woodward was allowed to speak the prologue, but as soon as the curtain drew up catcalls began. When the performers retired, Powell spoke several times, but was not heard. I was told that the author (Mr Colman) desires to know whom he has offended. The Pros were a very great majority, and at last after a contest of better than 1!2 an hour, the victory was over and the piece was performed. I think it contains many good sentiments, and excellent instruction to young men and is not unworthy of Mr Colman. If vice must not be exposed to hatred and contempt, the usefulness of our theatres is at an end. Only I think the Covent Garden pleasures are represented in too favourable a light. When all was over Powell came on the stage and thanked the audience for their generous protection (Neville MS Diary). Receipts: #212 12s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Oxonian in Town

Dance: II: New Comic Dance, as17671106; End: The Merry Sailors, as17671009

Event Comment: Paid Mr Younger a Bill for Writing parts #3 8s. (Account Book). Receipts: #200 13s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Oxonian in Town

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: Paid Younger a Bill for writing parts etc. #7 19s. 1d. (Account Book). [Sylvas Neville attended in the pit, but made no comment.] Receipts: #188 12s. 6d. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Royal Chace

Event Comment: Paid Younger for the License of Lionel and Clarissa #2 2s. (Account Book). Receipts: #225 2s. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Upholsterer

Event Comment: By Command of their Majesties. Published Animadversions on Mr Colman's True State etc., with some remarks on his little serious piece, The Oxonian in Town (20 pp.). [Criticizes the play as having a bad influence on the young, with its characters of whores, bawds and pickpockets. Did our author flatter himself that he could wipe out these rooted impressions with a cold moral sentence uttered by the mouth of a woman of pleasure, and perhaps never reaching the ears of one half of the audience from the variety of noises which accompany the finishing speech of every play?" Concludes: "The reputation of our Universities is a national concern of the highest and most sacred importance....I blush when I see academical characters brought upon the stage, but I burn when I see them lampooned."] House Charges: #35 (Account Book)

Performances

Mainpiece Title: Samson

Music: As17680219

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Love a-la-Mode

Dance: End: The Irish Lilt, as17670921

Event Comment: Mainpiece: A New Tragedy [by John Hoole] never perform'd. Paid Younger for a license for Cyrus & the New Occasional Prologue, #3 3s. (Account Book). [Account of the plot of the mainpiece, but without observational comment appeared in Lloyd's Evening Post, 2-5 Dec.] Receipts: #229 4s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Country Wife

Event Comment: Paid Younger a Bill for writing Parts #6 14s. 6d. (Account Book). Receipts: #75 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: Not performed these 2 years. [see 21 May 1767.] Paid Younger for a license for Tom Jones #2 2s. (Account Book). Receipts: #132 16s. (Account Book)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Midas

Event Comment: Afterpiece [Harlequin Skeleton] now advertised under its original title, but the New Scene with additions continued (playbill). Paid Younger for a license for ye 2 Sisters #2 2s. (Account Book). [See 18 Feb.] Receipts: #244 11s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Event Comment: Benefit for Garton (treasurer) Died this night at Kensington Gravel Pits where she went for the recovery of her health, Miss Morris, the young lady who appeared this season with so much applause at Covent Garden (Public Advertiser). Charges #67 15s. Balance to Garton #20 11s. plus #98 from tickets (Box 186; Pit 258; Gallery 128) (Account Book). Receipts: #88 6s. 6d. (Account Book)

Performances

Mainpiece Title: King Lear

Cast
Role: Gentleman Usher Actor: Cushing

Afterpiece Title: Harlequin Dr Faustus

Entertainment: IV: THE CRIES OF LONDON-Shuter; End: Post Haste OBSERVATIONS on a Journey to Paris-Shuter

Performances

Mainpiece Title: A New Way To Pay Old Debts

Performance Comment: Parts by Love, Burton, Waldron, Palmer, Cautherly, J. Aickin, Moody, Hartry, W. Palmer, Keen, Clough, Wheeler, Miss Young, Mrs Bradshaw, Mrs Hopkins. Greedy-Love; Allworth-Cautherly; Marall-Waldron; Lovell-J. Aickin; Tapwell-Moody; Servants-Hartry, W. Palmer, Keen, Clough, Wheeler; Margaret-Miss Younge; Froth-Mrs Bradshaw; Lady Allworth-Mrs Hopkins (Genest, V, 257).
Cast
Role: Margaret Actor: Miss Younge

Afterpiece Title: The Jubilee