Event Comment: great Nreat Noise--before the Entertainm[en]t began Mr Garrick went on & said--Gent: as we find the new Scene, tho' it pleases some, offends others & as we wou'd please all, we shall omit it after this Night--but I hope when the other House is merry with us, we may be merry with them--the Song was printed & thrown down from ye Slips--great Noise--great applause--some blows in the pit--some Gents insisted upon its being given out again, wch Mr Lacy did--the Inspector very Impudent to-day (14th) about Woodward for saying I thank you to Fitzpatrick who threw an Apple at him from ye Stage Box on Fryday last--the fool against us to-day (Cross). [Cross omits receipts this night.

Event Comment: Mainpiece: By Desire. A great Noise, the whole House against us-When Garrick appear'd one from the Slips cry'd out Monsieur, & great Numbers Hiss'd-the play went on-wch done, the Mutiny began, amazing noise-no plating, except one Apple; ye pit to ye Boxes cry'd-now draw yr Swords, wch makes us think, the Riot was occasion'd by the Box people being so busy & turning some out of the pit & Gall: before. Some benches were pull'd up, & Mr Lacy gave up the Dance to appease 'em-being Sat: our friends were at ye Opera, & the common people had leisure to do Mischief (Cross). [Lynham in The Chevalier Noverre, quotes from the Journal Etranger of 25 Nov. 1775: 'The blackguards...tore up the benches and threw them into the Pit on the opposing party; they broke all the mirrors, the chandeliers, &c., and tried to climb onto the stage to masacre everybody; but, as there is a magnificent organization in this theatre, in three minutes all the decor had been removed, all the traps were ready to come into play to swallow up those who might venture up, all the wings were filled with men armed with sticks, swords, halberds, &c., and behind the scenes the great reservoir was ready to be opened to drown those who might fall on the stage itself."Cross lists no Receipts.

Event Comment: Benefit for Decayed Actors formerly belonging to the theatres royal. Last Night. Original articles between Garrick and Lacy expired (Winston MS 9)

Event Comment: By Command of their Majesties. Mr Garrick played Lusignan and Lord Chalkstone. It is almost impossible to express how finely he played both characters. The Prologue was called for. Mr Garrick went on directly to speak it--as soon as he appeared a general clap and a loud huzza,--and there was such a noise from the House being so crowded, very few heard anything of the prologue.--As soon as the play began there was a great disturbance in the Gallery, and some called out, Guards Guards! that they could not go on.--Mr Lacy went on the Stage, and looked up to the gallery, and came off again without saying anything.--They soon grew quiet, and the play went on.--Monsr Rousseau sat in Mr Garrick's box (Hopkins Diary). [Account in the Public Advertiser of the original story upon which VanBrugh founded some circumstance in his Provok'd Wife, signed Heartfree. The Gentleman's Magazine, January, in the Historical Chronicle section noted that Jean Jacques Rousseau arrived in England on 13 Jan. and "was at the play on the 23rd, and presented himself in the upper Box fronting his Majesty."

Event Comment: Rec'd stopages #3 4s. 6d.; Paid salary list #441 4s. (Treasurer's Book). Receipts: #171 18s. (Treasurer's Book). Pay List 24 Jan. 1767 at #73 10s. 8d. per diem, #441 4s. per week (Winston MS 9), at close of season 1766-67. @Men Daily Weekly@James Lacy #2 15s. 6d. #16 13s.@David Garrick #2 15s. 6d. #16 13s.@#2 18s. 4d. #17 10s.@Yates & Wife #3 6s. 8d. #20@Holland #2 #12@Powell #2 #12@Palmer & Wife #2 #12@King & Wife #2 #12@Dance & Wife #1 1s. 8d. #6 10s.@Hopkins & Wife 18s. 4d. #5 10s.@Havard 16s. 8d. #5@Dodd 16s. 8d. #5@Baddeley & Wife 13s. 4d. #4@Bransby 11s. 8d. #3 10s.@Burton 10s #3@Moody 10s. #3@Rooker 10s. #3@Packer 8s. 4d. #2 10s.@Parsons 8s. 4d. #2 10s.@Aickin 8s. 4d. #2 10s.@Hurst 6s. 8d. #2@Ackman 6s. 8d. #2@Hartry 6s. 8d. #2@Weston 6s. 8d. #2@Clough 5s. #1 10s.@Raftor 5s. #1 10s.@J. Johnston 5s. #1 10s.@J. Palmer 5s. #1 10s.@Castle 4s. 2d. #1 5s.@Strange 4s. 2d. #1 5s.@Fox 4s. 2d. #1 5s.@Marr 3s. 4d. #1@Mas. Burton 3s. 4d. #1@Philips 3s. 4d. #1@Keen 3s. 4d. #1@Watkins 2s. 6d. 15s.@Mortimer 2s. 12s.@West 2s. 12s.@ Women Daily Weekly@Pritchard #2 6s. 8d. #14@Clive #1 15s. #10 10s.@Abington 16s. 8d. #5@Pope 16s. 8d. #5@Barry 10s. #3@Reynolds 8s. 4d. #2 10s.@Bennett 8s. 4d. #2 10s.@Bradshaw 6s. 8d. #2@Lee 6s. 8d. #2@Plym 6s. 8d. #2@Cross 5s. #1 10s.@Simpson 4s. 2d. #1 5s.@Smith@Speres@Miss Simson@Mills@Pearce@Mathews 3s. 4d. each #1@ Singers@Arne #1 10s. #9@Vernon #1 #6@Vincent 16s. 8d. #5@Scott 13s. 4d. #4@Champness 13s. 4d. #4@Dorman 5s. #1 10s.@Fawcett 5s. #1 10s.@Kear 3s. 4d. #1@The Band #7 14s. 8d. 46s. 8d.@ Dancers@Guidetti 17s. 6d. #5 5s.@Grimaldi & Wife 16s. 8d. #5@Giorgi & Wife 16s. 8d. #5@Duquesney 10s. #3@Tassoni 6s. 8d. #2@Granier@Mathews@Roullet@Luchi@Tetley 5s. each #1 10s.@Walker 4s. 2d. #1 5s.@Hurst@Pope@Mas. Lelly@Eagan@Heath 3s. 4d. each #1@Heyward@Reinhold@Wallis@Brawn 2s. 6d. each 15s.@Office Keepers 2 at #1@3 at 15s.@1 at 12s.@Box Keepers 15 Doorkeepers (Palmer included) 9s.@Men Dressers 1 at 12s.@11 at 9s.@Women Dressers 16 at 9s.@Treasurer: Victor 8s. 4d. #2 10s.@Sub. Treas.: 5s. #1@Wardrobe: Heath & Wife 6s. 8d. #2@Wardrobe: Slaughter 5s. #1 10s.@Wardrobe: Johnston 3s. 4d. #1@Properties: Berkely Jr 3s. 4d. #1@Properties: D Jr 1s. 9d. 10s. 16d.@Numberer: Fosbrook 2s. 6d. 15s.@Housekeepers: Johnson 8s. 10d. #2 13s.@Hulett 2s. 6d. 15s.@Sceneman 1s. 8d. 6s. 4d.@Soldiers 14s. #4 4s.@Sweepers 11s. 6d. #3 9s.@Barber 4s. #1 4s.@Constable 2s. 12s.@Candlewoman 2s. 12s.@Pensioner: Waldgrave 1s. 9d. 10s. 6d.@Sinking Fund 1s. 15d. 10s. 10d.@Salary Fund 1s. 15d. 10s. 10d.

Event Comment: Benefit for Westminster New Lying in Hospital, near Westminster Bridge. N.B. Those Ladies and Gentlemen who have taken tickets, are desired to secure places immediately, of Mr Johnston at the Stage Door. [The Theatrical Monitor, No IX, asked this day for a public declaration of receipts and salary expenditures for the 1766-67 season from Garrick and Lacy. Not receiving it the war breaking out in January came to absorb his interest, and the estimate never appeared.] Receipts: #261 4s. 6d. (Winston MS 10)

Event Comment: Mainpiece: Not acted these 5 years. [See 21 March 1768.] Paid Mr Davies's note to Dennis #6 6s.; ditto to Lacy, #3 6s. 3d.; Rec'd Mr Condill for Fruit Office (1st payment) #20. (Treasurer's Book). Receipts: #197 5s. 6d. (Treasurer's Book)

Event Comment: This farce was wrote by Mr Cumberland & receiv'd with Applause (Hopkins Diary). [Larpent MS 365, suggests Sapling was written for Weston.] Paid Mr Lacy Frederick for sattin #15 10s. 6d. (Treasurer's Book). Receipts: #205 10s. (Treasurer's Book)

Event Comment: Mr Lacy much the Same as first time (Hopkins Diary). Receipts: #178 7s. 6d. (Treasurer's Book)

Event Comment: Mr Lacy appear'd for the 1st time in Oroonoko very tolerable he met with applause (Hopkins Diary). Rec'd of Mr Reddish on Acct #100. Receipts: #164 13s. (Treasurer's Book)

Event Comment: By Command of Their Majesties. Mrs Davies Miss Tittup--La! La! King sent a letter to $Sheridan desiring to be off his Engagement--all made up at night. Mattocks came and told me that Lacy had sold Half his Share of the Patent to Mr Langford (The Auctioneer) and Captain Thomson (Authour of the Syrens &c.). I acquainted Sheridan of it--he had not heard it before (Hopkins Diary). Receipts: #267 6s

Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King and Queene & a Box for ye Maydes of Honor at the Opera. See also Nicoll, Restoration Drama, p. 350, and 1 Jan. 1684@5. The opera was certainly given on 3 June, probably on 10 June, and probably on 13 June, the day that the news of the Duke of Monmouth's landing reached London; as Downes states that it was acted six times, there were three additional performances between 3 and 13 June 1685. Downes (Roscius Anglicanus, p. 40): In Anno 1685. The Opera of Albion and Albanius was perform'd; wrote by Mr Dryden, and Compos'd by Monsieur Grabue: This being perform'd on a very Unlucky Day, being the Day the Duke of Monmouth, Landed in the West: The Nation being in a great Consternation, it was perform'd but Six times, which not Answering half the Charge they were at, Involv'd the Company very much in Debt. Roger North: The first full opera that was made and prepared for the stage, was the Albanio of Mr Grabue, in English, but of a French genius. It is printed in full score, but proved the ruin of the poor man, for the King's death supplanted all his hopes, and so it dyed (Roger North on Music, ed. John Wilson [London, 1959], p. 311). The Prologue and Epilogue, published separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 244-46. The score and the libretto were published in 1687 (licensing date of 15 March 1686@7): Albion and Albanius; An Opera; Or, Representation in Musick. Set by Lewis Grabu, Esq; Master of His late Majesty's Musick

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. This play was also reprinted in 1686. Memoirs of the Life of William Wycherley, Esq; With a Character of his Writings [by George, Lord Lansdowne, but part possibly by Charles Gildon (1718)], pp. 7-8: [After the death of Wycherley's wife, he was committed to Newgate for debt.] From hence he remov'd himself by a Habeas Corpus to the Fleet, where he continued seven Years in a close Imprisonment, almost forgot by his old Friends, till in the Reign of King James the Second, some of them bespeaking the Plain-Dealer, got the King to the Play, who declaring his Approbation of the Poet's Performance, they improv'd his liking so far as to get him to deliver him from his long Confinement. But here the Modesty of the Man did him a considerable Prejudice, for instead of giving in a full List of his Debts, he only mention'd those, the discharge of which wou'd set him at Liberty, which was done with this additional Bounty, that the same King allow'd him Two hundred Pounds a Years as long as he Reign'd; and this was the reason that made Mr Wycherley always a Jacobite

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Event Comment: Written by the most Ingenious William Wycherly Esq. And for the Reputation of the most Judicious Author, care is taken to have each part performed to the best advantage

Event Comment: For the Entertainment of the Lords Spiritual & Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Event Comment: For the Entertainment of the Lords Spiritual and Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Event Comment: At the Desire of Isaac Bickerstaffe, Esq.; for the Benefit of his cousin John Bickerstaffe

Event Comment: Written by the late famous Poet Laureat John Dryden, Esq. Note, The Subscribers' Tickets Pass every Night there is Acting at Greenwich, tho' it be on a Benefit Night

Event Comment: [By Nicholas Rowe.] Never Acted before. The Medley, 22 April: Whereas Nicodemus Somebody, Esq; alias The Merry Mr Pack, belonging to the Play-house in Lincolns-Inn-Fields, was on Wednesday Night last very noisy and troublesome in the first Gallery of Theatre-Royal in Drury-lane, he's desir'd hereby, when out of his own House, to behave himself with a little more Manners and Discretion, and not distinguish himself again by his ill-natur'd Gestures and frequent Hissings

Event Comment: Written by Mr Rowe, Esq. Receipts: #50 15s. 6d

Event Comment: Weekly Journal or Saturday's Post, 18 Nov.: We hear that the Theatre in the Hay-Market, where lately the French Strollers us'd to perform, will be opened in a little time, for the Diversion of the City and Liberty of Westminster. The Actors, as well as the Plays, they say, will be entirely new, and the whole to be under the Management and Direction of that noted Projector, $Aaron Hill, Esq.