SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Burley"/1) | (@(roleclean,performerclean) "Widow Burley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 430 matches on Performance Title, 423 matches on Performance Comments, 306 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Paid for licensing The Irish Widow and The Rose, #4 4s. Receipts: #118 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin's Invasion

Dance: I: The Sailors Revels, as17720919

Event Comment: Benefit for Widow Lauder. To begin at 6 p.m

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Apprentice

Song: III: The Flowers of Edinburgh-

Dance: Hornpipe-Clark

Entertainment: End of Play: The Three Old Women Weatherwise; Description of a Storm-Wooler

Event Comment: Paid Tallow Chandler's 4th Bill #41 6s. 5d.; Spermacetti Candles, #132 18s. Mr Tomlinson for Men's cloaths #11 11s.; Mr J. French on acct #20; Miss Hopkins, 15 nights (19th Dec. incl.) #3 15s. (Treasurer's Book). [The sixth edition of Wm. Law's Absolute Unlawfulness of Stage Representations was published this year (1st. edn. 1726) This day was published the Preliminary Number of the Westminster Magazine, which, monthly, included a section called The English Theatre, which observed generally on the state of the Stage, and commented specifically on new plays. Its view of the stage in general was not as sanguine as had been that of the writer for the Town and Country Magazine (1 April 1772). "We are of opinion, that the English Theatre is now in its decline. Whether it is that the stores of Dramatic Subjects or of Dramatic Genius are exhausted, is not immediately obvious; but there is a fault somewhere....We have seen the Morning star of Wit--the Noon too is past; we have now arriv'd at its evening...There is in Arts, as in Empires, a progress which leads to Refinement; and this refinement leads to Ruin." According to the writer the meridian glory of the English stage was during the reign of Queen Anne. Reviewer damns the Irish Widow, refuses to discuss the Gamesters (revived), damns the Rose and praises the Garrick alteration of Hamlet. This year also appeard Granny's Prediction, a 53-page pamphlet attack on Mrs Barry, condemning her on moral grounds (polygamy) and on aesthetic grounds, commenting on each of her characters. By a spiteful female relative Elizabeth Franchetti.] Receipts: #142 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Event Comment: Mr Aickin, Evander well receiv'd (Hopkins Diary). Benefit for Mrs Barry. Pit and Boxes laid together. Send servants by 4 o'clock. Othello and Irish Widow deferr'd, for Barry's Illness. Paid salary list (4 days) #348 5s.; Mr Lutherberg on Acct, #80; Mr J. French's Draft on the managers, #50 (Treasurer's Book). Receipts: #281 18s. 6d. Charges: #65 19s. Profits to Mrs Barry: #215 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17720922

Event Comment: Eleventh and Last time of performing Mainpiece this season. Afterpiece: By Particular Desire. Othello and The Irish Widow, to have been performed this evening for Mr Barry's Benefit, oblig'd to be deferr'd till further notice (playbill). Mr Barry being Ill his Benefit which was to have been this Night is oblig'd to be deferr'd (Hopkins Diary). [So, according to Hopkins, the profits went to the house.] Receipts: #171 19s. 6d. To the Public Advertiser: Sir, I spent an agreeable evening lately with a Country Friend at the Primitive Puppet Show, and was not displeased at the ridicule pointed at the dull, spiritless stuff, which composes modern Sentimental Comedy. I was entertained too with the manner in which some of the Actors were taken off; But I cannot think mimicry worthy to furnish an Evening Entertainment for a Polite British Audience, or suited to the happy ridicule and pointed wit of Aristophanes. The old Roman comedy, as it was called, was designed for nobler purposes: it was directed to improve the head and mend the heart. The keen manly satire of that Comedy was pointed at Upstart, Braggart, Vice, and to expose the dangerous unfeeling craft of innocent Villainy, or to use the words of Mr Pope--Brand the bold front of shameless, guilty man. Such was, and such ought to be, the salutary Direction of Wit, and Satire by exhibiting characters in their genuine colours, when the mask, which disguises and conceals them from the eyes of the Weak the Credulous, and the Ignorant, is drawn off. The words of Horace are--Detrabere et pellam, mitidus qua quisque per ora Cederet, introrsum turpis. Yours, Dramaticus. Poetry for the Public Advertiser. Epigram on the New Tragedy Alonzo. @No wonder that each female voice@Resounds Alonzo's praise;@A sure foundation of Applause,@The crafty Author lays.@ @Against the Virtue of his Wife@A Husband, if he's wise@According to the Gallant HOME,@Should not believe his eyes.

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Wedding Ring

Event Comment: Benefit for Miss Stede, Hollingsworth and Master Jones. Tickets deliver'd by Abbot, Wilkinson, Mrs Woolley, Pilford, T. Ansell, Mrs Hitchcock, Widow Trott, Sherrat, Whately, Doe, Mrs Paddick, Claridge, and Curteen will be taken. [No charges. House took half value of tickets plus ready receipts of #20 10s.] Receipts: #20 10s. (Account Book). @Tickets Box Pit Gallery Value Half Value@Miss Stede 29 47 42 #18 10s. #9 5s.@Hollingsworth 3 6 17 #3 7s. #1 13s. 6d.@Mrs Jones - - - - -@Abbott 17 71 79 #22 16s. #11 8s.@Wilkinson 27 34 1 #11 19s. #5 19s. 6d.@Mrs Woolley 12 44 56 #15 4s. #7 12s.@Pilfold 36 249 93 #55 13s. #27 16s. 6d.@Ansell 11 58 60 #17 9s. #8 14s. 6d.@Mrs Hitchcock 37 44 24 #18 5s. #9 2s. 6d.@Mrs Trott 17 3 6 #5 6s. #2 13s.@Sharratt - 21 15 #4 13s. #2 6s. 6d.@Whatley - 9 35 #4 17s. #2 8s. 6d.@Doe 2 27 41 #8 13s. #4 6s. 6d.@Mrs Paddick 5 14 18 #5 3s. #2 11s. 6d.@Claridge 7 27 29 #8 14s. #4 7s.@Curteen 30 28 60 #17 14s. #8 17s.@Total 233 682 576 #218 3s. #109 1s. 6d.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Daphne and Amintor

Dance: End: A Hornpipe[, in the character of a Sailor (for first time)-Miss Stede. [See17650510.

Event Comment: Benefit for Mrs Woodman, lately left a widow with a large family of young children and near lying in again

Performances

Mainpiece Title: Il Dilletante

Performances

Mainpiece Title: The Fair Quaker; Or, Humours Of The Navy

Performance Comment: Commodore Flip-Moody; Capt. Mizen-Dodd; Capt. Worthy-Jefferson; Sir Charles Peasant-Brereton; Rovewell-Diamond; Cribbage-Davies; Lt. Easy-Norris; a New Sea Character-Weston; Cockswain-Ackman; Purser Indent-Griffith; Sailors-Wright, W. Palmer, Fawcett, Kear, Jacobs, Master Cape; Hatchway (with song)-Bannister; Arabelia Zeal-Mrs Greville (The gentlewoman who performed the Irish Widow); Belinda-Miss Hopkins; Jiltup-Mrs Bradshaw; Jenny Private-Miss Platt; Bar@maid-Mrs Davies; Dorcas Zeal-Miss Pope; Concluding with Grand Naval Review-; in which is introduced a Dance of Sailors-Atkins, Mrs Sutton; the favourite song Rule Britannia-Vernon, others.

Afterpiece Title: The Lyar

Event Comment: Author's 3rd Night. [See 21 Jan.] Paid Widow Hunter as usual #2 2s. Receipts: #174 3s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: The Deuce Is in Him

Event Comment: Benefit for Brereton. [Afterpiece not printed. Larpent MS lists characters: Widow Watchem, Harriet, Maria, Bluster, Swallow, Truman, Juggle (MacMillan).] This Farce was written by Mr Andrews it was receiv'd with Applause (Hopkins Diary). Paid tallow chandler's 8th Bill #37 13s. 2d.; half years Land & Window Tax to Lady Day last for St Martin's #38 4s. 4d.; Easter Offering 10s. 6d.; Chorus 2 nights (this incl.) #3 11s. (Treasurer's Book). Receipts: #216 8s. Charges: #67 6s. 6d. Profits to Brereton: #149 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Conjuror

Dance: V: The Mountaineers, as17730930

Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil to Pay; or, the Wives Metamorphosed

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

Event Comment: Benefit for Wright, Messink, and Widow Rooker. Receipts: #188 14s. Charges: #74 14s. Pbofits to Messink, Mrs Wright, Mrs Rooker: #114 (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin's Jacket

Event Comment: Benefit for Carlton Jr, Berrisford and Kaygill. Tickets delivered by Burroughs, The Widow Veal, and for King Richard III, will be taken. Receipts: #211 16s. Charges: #84. Profits to beneficiaries: #127 16s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Lying Valet

Dance: V: The Pirates, as17750422

Event Comment: Mainpiece: Not acted these 20 years. [See 11 Nov. 1752.] Characters New Dressed in the Habits of the Times. This play is alter'd by Mr Colman and receiv'd with Some Applause, but it don't seem to hit the present Taste a few hisses at the End (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #630 1s. 6d.; Widow Hunter #2 2s.; King's glass bill #3 17s. 6d. (Treasurer's Book). [Mainpiece reviewed and contrasted with the original in the Westminster Magazine for Jan.: "Upon the whole we cannot esteem this a striking comedy, even with the assistance it has now received,--the fine manner in which it is got up, and the great expence which the managers have been at in habiting the whole dramatis personae in splendid and characteristic Old English dresses. All the actors except Mr King and Mr Parsons performed but indifferently. Bensley is the worst Old Man we ever saw. He presents the countenace of a sickly old woman; and the uniform goggle of his eye, by which he means to express infirmity and distress is the look of a man in anguish from the colic. Mr Palmer, Mr Brereton, and Mr Davis have a bloated vulgarity about them, which should ever deter the manager from assigning them the parts of cavaliers or men of fashion. Baddeley, as usual, overdid his part, and Mr Yates, as usual, was not very perfect in his."] Receipts: #192 11s. (Treasurer's Book)

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Afterpiece Title: The Jubilee

Event Comment: Mainpiece: Not acted these 12 years. [See 26 April 1763.] This Comedy is reviv'd for the Queen to See Mr G. in Sir Anthony Bramble which he perfkrmed inimitably--he wrote and spoke a New Address to the Ladies in the Character of Sr. Anto. which was receiv'd with very great Applause. The Play is long and heavy (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #624 6s. 6d.; Westminster Charity Subscription #5 5s.; Griffith 3 weeks 15s.; Mrs Greville for cloaths in Irish Widow, #5 9s. Receipts: #273 1s. (Treasurer's Book)

Performances

Mainpiece Title: The Discovery

Afterpiece Title: The Lottery

Dance: II: The Gardeners, as17760116

Event Comment: Tickets deliver'd by Davis, Mrs Heard, Miss Bassan, Stoppelear, Mrs Morris, Mrs Lawr, Widow Warnuck, Rudd, Castephens, Potter, Walters, and Mas. Harrison, also those delivered for The Conscious Lovers will be taken this night

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Syrens

Song: III: (By Particular Desire) The Soldier Tir'd of War's Alarms-Master Harrison

Dance: IV: A Minuet, Allemande-Rudd, Miss Cranfield; End: A Hornpipe-Miss Bassan

Event Comment: Tickets delivered by the Widow of the late Dall, Sga Tinte, Thompson, Jones and Bates will be taken this Night. Receipts: #283 8s. 6d. (54.5.6; 1.4.6; tickets: 127.18.6)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: The Royal Chace

Dance: End: The Serenade, as17770426

Music: End II: solo on the pedal harp-Jones

Event Comment: [Extra night] Benefit for the Widow and Children of the late Hugh? Kelly. Tickets delivered for a Comedy, May 28th, will be admitted. Morning Chronicle, 10 May: Tickets to be had of Mrs Kelly, No. 3, Racquet Court, Fleet-street. Receipts: #108 -16s. (52.1; tickets: 56.15) (charge: #52 1s.)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Deuce is in Him

Song: End I: a new cantata, Diana-Mrs Farrell

Music: End Epilogue: concerto on the violin-Fisher

Event Comment: [Afterpiece in place of The Dutiful Deception, announced on playbill of 13 May.] Tickets delivered by Thompson, Cushing, Jones, Bates, Miss Green, Mrs Sharp and the Widow Emery [Account-Book adds Whittington] will be admitted this Evening. Receipts: #184 19s. (127.7; 1.13; tickets: 55.19)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece: As17771229; In: Hornpipe, as17771017

Event Comment: Benefit for J. Wood, Percey, Cameron & the Widow Robinson. Tickets delivered by Camery and Hodges will be taken. Receipts: #288 13s. (33.3; 1.6; 0.18; tickets: 253.6) [charge: #105)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Bon Ton

Dance: End: Minuet de la Cour, as17780508

Event Comment: Calypso [announced on playbill of 21 Apr.] is unavoidably postponed on account of Reinhold's Hoarseness. Tickets delivered by Miss Ambrose, Branson, Thompson, Sga Tinte and the Widow of the late Dr Arne, for Calypso, will be taken this night

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Commissary

Event Comment: By Command of Their Majesties. Every Man in his Humour and The Irish Widow [both announced on playbill of 13 May], which were to have been performed this Evening, for the Benefit of Fawcett and Sga Crespi, are obliged to be deferred till Monday next. Receipts: #216 2s. 6d. (193.7.0; 22.7.6; 0.8.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Who's the Dupe

Dance: End I afterpiece: The Coopers, as17781211

Ballet: End III: The Humours of Newmarket. As17790503 at cg Jockeys-Dagueville, Harris, Master Dagueville, Master Holland; Ladies-Miss Ross, Sga Tinte, Miss Armstrong

Event Comment: Benefit for Mrs Colles, the Widow Legg & Miss Kirby. Morning Post, 17 May: Tickets to be had of Miss Kirby, No. 70, Long-acre [others not listed]. Receipts: #225 15s. (37.9.0; 11.11.6; 1.2.6; tickets: 175.120) )charge: #105)

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Rival Candidates

Event Comment: Benefit for Dickinson, pit office-keeper, and Carleton Jun., box lobby door-keeper. [Afterpiece in place of The Irish Widow, announced on playbill of 25 May.] Morning Chronicle, 18 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, Lincoln's-Inn-Fields [Carleton not listed]. Receipts: #280 3s. 6d. (26.1.0; 6.9.0; 0.18.6; tickets: 246.5.0) (charge: #105)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: End: Hornpipe, as17790521