SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7165 matches on Event Comments, 1877 matches on Performance Comments, 585 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: TThe Jovial Crew deferred because of Indisposition of Miss Brent. Receipts: #135 16s. Paid Kemp for Lamps #6 8s. Dall returned to salary list at #1 10s. Paid John Rich #500

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Fair

Event Comment: Benefit for Sparks. By Desire. Tickets for Romeo and Juliet will be taken. Receipts: #69 in cash, plus #203 15s. from tickets (Boxes 380; Pit 563; Gallery 243). Total #272 15s. Charges #64 5s. Paid Kemp #6 8s.; Paid Meares 8s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Englishman Returned from Paris

Song: Miss Brent

Dance: II: A Comic Dance-Granier, Miss Hilliard; End: The Lamp Lighters, as17600318

Event Comment: Benefit for Lowe. Ladies send servants by 3 o'clock. Receipts: #103 1s., in cash, plus #162 19s. from tickets (Boxes 259; Pit 546; Gallery 163). Total income #266.Charges #64 5s. Paid Martin (wardrobe keeper) on a acct of his salary #5; Paid Whitefield 3 months salary #7 10s

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17600221, but Macheath-Lowe, 1st time this season.

Afterpiece Title: Catherine and Petruchio

Dance: CCountry Dance-characters of the play; Hornpipe-Miss Dawson; I: Fingalian Dance-Miss Hilliard; II: Dutch Skipper-Poitier

Event Comment: Benefit for Miles, Mrs Baker, Miss Young. Tickets delivered out by Miss Ferguson will be taken. Receipts: #7 15s. 4d. covered by income from tickets. @Tickets Miles Box 15@Pit 178@Gallery 62@Value #36 13s.@Tickets Mrs Baker Box 86@Pit 124@Gallery 67@Value #46 16s.@Tickets Miss Young Box 18@Pit 75@Gallery 80@Value #23 15s.@Tickets Miss Ferguson Box 9@Pit 57@Gallery 39@Value #14 14s.@Total Box 128@Pit 434@Gallery 248@Value #121 12s.@ Paid Rich on account #21. Paid Meares 3s. [The house is now running a deficit of #371.

Performances

Mainpiece Title: Wit Without Money

Performance Comment: As17600109, but Lucy-Miss Young; Isabella-Mrs Baker.

Afterpiece Title: Harlequin Statue

Performance Comment: As17600423, but Concluding with a Country Dance%.

Song: II, IV: A Song-Miss Brent

Dance: III: The Drunken Peasant-Miles, with Clown - Bennet

Event Comment: Benefit for Vaughan, Condell, Green (boxkeepers). Receipts: #18 18s. in cash. Charges #64 5s. Deficit to each #17 0s. 8d. covered by tickets: Condell #74 12s. (Boxes 132; Pit 212; Gallery 98); Vaughan #71 2s. (Boxes 151; Pit 147; Gallery 113); Green #73 13s. (Boxes 206; Pit 119; Gallery 456). Total income #238 9s. Paid Kemp #8 6s.; Paid Pattinson (Tallow chandler) 6 bills to 8 May #100 14s. 6d.; Advanced to Barrington #21. [The house is now, according to the books, showing a deficit of #634 14s. 6d.

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: The Devil to Pay

Dance: II: The Fingalian Dance, as17591102; End: The Knife Sharpeners, as17600417

Event Comment: Benefit for Author. Receipts #137 4s., but no separate account of moneys from Boxes. Paid for a license for Macklin's Play #2 2s. Paid Pattinson, tallow chandler #19 1s. (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: The Married Libertine

Event Comment: Afterpiece: By Desire. Boxes #62 10s. 6d. Macklin's fifth above charges came to #25 2s. 11d. Paid for sundry clothes from Voelcher #30 10s. Paid Blackmore a Bill for Rich #29 10s. and a Bill for the Theatre from 19 April last: #84 (Account Book). [On 1 Feb. one H. F. of the Middle Temple wrote to Macklin suggesting two things to insure the success of the Married Libertine. The first was practical, "bring in a claque of friends to counteract the noise of the Scots Lords who are opposing it." The second was revisional: "The play is too long,--shorten it and give the house notice that you have so done. The scenes wherein Lady Belville is solemn, grave, complaining and moral may be much abbreviated; this will...take away that heavy, lazy and sleepy (however just) part which makes your friends languish and grow cold, and gives your enemies an opportunity to improve their rancor and malignity. This observation may be applied to every recital, narrative or description which is not absolutely necessary or descriptive,--I mean necessarily connected with the frame, contexture & execution of the drama, or something designed or painted with uncommon poetic fire and enthusiasm. Pray consider whether that serious, moral and sentimental part in the character of Angelica might not be curtailed, or entirely omitted. I would have your young captain fully employed in action without ever standing still to moralize or harangue, however sensibly and poignantly he may do it. After all this there will remain a rich and uninterrupted vein of true comic humour and lively representation in short, a well connected series and succession of business which I am convinced would keep the audience so attentive and so entirely possessed that there would be no room for languor or malice to produce any effect to your detriment." (Memoirs of Macklin [Harvard Theatre Collection, extra-illustrated edition, I, part 2, p. 414.] Receipts: #188 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a la Mode

Dance: Poitier Jr, Mlle Capdeville

Event Comment: This day Publish'd Price 1s. Samson an Oratorio, as it is performed at the Theatre Royal in Covent Garden. Altered and adapted to the stage from the Samson Agonistes of Milton. @171 tickets at 10s. 6d. #89 15s. 6d.@232 tickets at 5s. #58@320 tickets at 3s. 6d. #56@723 present.@Receipts: #203 15s. 6d.@ Paid renters #10. Paid Younger a Bill for writing parts #2 12s. 11d. (Account Book). Charges: #35 (Account Book)

Performances

Mainpiece Title: Samson

Music: As17610206

Event Comment: Mainpiece: By Desire. Paid salary list 3 days at #71 2s. 5d. per diem #213 7s. 3d.; Paid Billstickers #4 1s.; Handbills 8s.; Candlemen #1 13s.; Mantua Maker #3 17s.; Page 18s.; Chorus singers 1 night #2 5s. 6d. (Drury Lane Treasurer's Book) [The first five items were constants (weekly) during the season amounting to a total outlay as follows. No further itemization of them will be made]: @Item Weekly Average Season Total@Billstickers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Candlemen #4 #148@Mantua Maker #2 #78@Page 18s. #33 6s.@ Receipts: #142 9s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Hermit

Event Comment: [Comedy taken from Wycherly by Garrick, cleaned up to fit the times. Garrick took many pains in teaching Miss Reynolds, who was approved by the public in the character.] Paid salary list #434 15s.; Chorus singers, 2 nights #4 6s.; Rec'd stopages #3 7s.; Paid Atkins (figure dancer) not on list #1 7s. 6d. (Treasurer's Book). Receipts: #178 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Lying Valet

Event Comment: TThe Country Girl published at 1s. 6d. Paid B. Johnsons Head a bill #1 3s. 9d.; Paid Lawrence and Keel paper bill #7 2s. 6d. (Treasuerer's Book). Receipts: #134 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17661025, but in Act III, will be introduc'd a New Song-.

Afterpiece Title: Queen Mab

Dance: II: A Pamtomime Dance The Italian Bakers, as17661011

Event Comment: Mainpiece: By Desire. Paid Scavanger's rate for 3 quarters due 14 Sept. last for St Martin's #7 11s. 6d.; Paid balance of author's Night for Country Girl #50 7s. and after money to ditto #3 7s. (Treasurer's Book). Receipts: #154 10s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Queen Mab

Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #4 1s.; Paid salary list #435 5s.; Paid George Garrick for use of the managers #50 (Treasurer's Book). Receipts: #238 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17661016, but Lothario (by desire)-Garrick.

Afterpiece Title: The Old Maid

Event Comment: Program By Command of their Majesties. Present their Majesties, the Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Paid Yeoman of the Guard #2 2s. Paid Messrs Tomkyn and Robinson a bill for wine, &c. 4s. 3d. (Account Book). Receipts: #243 7s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Rural Love-Fishar, Sga Manesiere, Miss Wilford, Arnauld, Dumai, Miss Twist, Miss Pitt.[See17641212.

Event Comment: Mainpiece: By Particular Desire. Paid Ben Johnson's Head a bill #4 11s. 9d.; Paid Rollett on his note #10. (Treasurer's Book). Receipts: #242 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Neck or Nothing

Event Comment: By Command of their Majesties. Present their Majesties and the Princess Brunswick and Lady Louisa. Paid Yeomen of the guard #2 2s. Paid Joseph Stevens, Music porter, #1 16s. (Account Book). Receipts: #220 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Accomplishd Maid

Dance: I: The Happy Villagers, as17661215; II: Rural Love, as17661120; End Opera: The Female Archer, as17661215

Event Comment: By Particular Desire of the Right Honorable and Honorable The Governors (Being the Last Time of performing till the Holidays). Not acted this season. For the Benefit of the General Lying-In Hospital, Quebec Street, Oxford Road. Charges #85 5s., Balance to Hospital #5 6d. Hospital also receiv'd #156 10s. from tickets (Box 544, Pit 116, Gallery 31). Paid for 1 year's watch for theatre due at Xmas #12 10s. and for the House in Bow Passage 12s. 6d. Paid Dunstall the balance due for the theatrical Fund #136 17s. (Account Book). Receipts: #90 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Citizen

Dance: III: A Hornpipe-Miss Pitt; End: The Village Romps, as17661008

Event Comment: Sixth Day. For the Author. Charges #85 5s. Balance due to author #41 14s. (Account Book). [This balance was paid to Thomas Hull on 9 Feb.] Receipts: #126 19s. (Account Book)

Performances

Mainpiece Title: The Perplexities

Performance Comment: As17670205, but Prologue-; New Epilogue-_.

Dance: End: The Gallant Peasants, as17670113

Event Comment: The Eight Day. For the Author of the Masque. Being the last time of performing it [the afterpiece]. Charges #85 15s. Balance to Hull #51 9s. (Account Book). [This balance was paid him the next night.] Receipts: #137 4s. (Account Book)

Performances

Mainpiece Title: The Perplexities

Dance: End: The Gallant Peasants, as17670113

Event Comment: Author's Night. House Charges #64 4s. [Profit to Colman #92 18s. 6d.] Paid supernumeraries 2 nights in Lilliputian Camp #9 1s. (Treasurer's Book). [Reckoning pay per night for supernumeraries at somewhat over 2s., this bill indicates the presence of about 40 such in this interlude.] Paid Cole (turner) #10 12s. 6d. (Treasurer's Book). Receipts: #157 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Dance: III: New Pantomime Dance, as17670225; After Interlude: A New Pantomime Dance call'd The Lilliputian Camp-

Music: NNew Concerto on Harpsichord, as17670212

Event Comment: TThe Maid of the Mill oblig'd to be deferr'd on account of the Indisposition of a principal performer. Paid 1!2 year's poor rate for the theatre due at Lady Day #15 12s. 6d., and for the House in Bow Passage 15s. 7 1!2d. Paid Mas. Lindley for his performance in the Fairy Favour #20 (Account Book). Receipts: #157 17s. (Account Book)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Benefit for Fishar, Ballet Master and Sga Manesiere. Entertainments by Children for that night only. Charges #64 5s. [Profit to each #21 11s. 9d. plus income from tickets: Fishar #38 14s. (Box 57; Pit 107; Gallery 84); Sga Manesiere, #29 13s. (Box 60; Pit 55; Gallery 64).] Paid Barratt (wax chandler) #201 5s.; Paid Buxtons and Co., (oyl men) #135 16s. (Account Book). Receipts: #107 8s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17661113, but Lavinia-Mrs Vincent; Calista-Mrs Bellamy.

Afterpiece Title: The Chaplet

Dance: I: A New Tambourine Dance-Master Blurton (apprentice to Fishar, eleven years old, 1st appearance any stage); End I: Rural Love, as17661120; II: A Serious Dance-Miss Capon (Apprentice to Fishar, sixteen years old, 1st appearance any stage); III: A New Pantomime Ballet-Mas. Blurton, Miss Besford (Apprentice to Fishar, ten years old, 1st appearance any stage as a dancer); IV: A Minuet-Fishar, Miss Capon; Double Hornpipe-Fishar, Sga Manesiere

Ballet: End: A New Grand Ballet call'd The Wapping Landlady. Jack (in Distress)-Fishar; the other Sailors-Petro, Hussey, Martin, Reynald, Curtat, King; Landlady-Miles; Milk Woman-Sga Manesiere; other women-Miss D. Twist, Miss S. Twist, Miss Barrowby, Miss Hilliard, Miss Daw, Mrs Viviez

Event Comment: Benefit for Squibb. Mainpiece: By Particular Desire. Charges #65 2s. [Profit to Squibb #13 10s. plus #85 10s. from tickets (Box 137; Pit 205; Gallery 205).] Paid half year's land tax for theatre #37 10s., and for House in Bow Passage #2 1s. 8d.; Paid half year's window lights tax for theatre #6 10s., for House in Bow Passage 15s.; half year's Scavanger's rate for theatre #2 1s. 8d., for House, 2s. 1d. (Account Book). Receipts: #78 12s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17670407 but Macheath-Squibb; Polly-Mrs Pinto; Hornpipe-Miss Twist; Player-Gardner.

Afterpiece Title: The Upholsterer

Performance Comment: As17670331 but Barber-Squibb, 1st time.

Dance: II: The Female Archer, as17661215

Song: End: two favourite songs in the Italian Manner-Squibb

Event Comment: Benefit for Perry and Holtom. Charges #64 14s. [Perry paid 2@3 the charges and received against that #2 3s. of the ready money. His deficit was #5 11s. 4d. Holtom paid 1!3 the charges and was credited with 1!3 the ready money. His deficit was #2 15s. 8d. The deficits were covered by income from tickets: Perry #93 9s. (Box 24; Pit 333; Gallery 375); Holtom #33 14s. (Box 11; Pit 159; Gallery 71).] (Account Book). Receipts: #56 7s. (Account Book)

Performances

Mainpiece Title: King Lear

Performance Comment: As17670119, but Bastard-Perry; Gentleman Usher-Holtom; Cornwall-Gardner; Cordelia-Mrs Bellamy.

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17670124, but Taylor-Weller.

Dance: I: A Hornpipe-by Desire, Mas. Harris; IV: The Female Archer, as17661215; End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: RRomeo and Juliet oblig'd to be deferr'd on account of Indisposition of Powell. Paid Jos. Besford for performing the Lyon two nights in Perseus 5s.; Paid Wm Gard for performing on the Horse and in the Lyon two nights in Perseus 7s. (Account Book). [See Perseus and Andromeda 19 and 25 Sept.] Receipts: #103 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Apprentice

Dance: II: Pantomime Dance, as17670926