SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Two American Princes"/1) | (@(roleclean,performerclean) "Two American Princes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1796 matches on Event Comments, 1383 matches on Performance Title, 976 matches on Performance Comments, 418 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Colombine Courtezan

Dance: Phillips, J. Granier, J. Granier's Sister, others; particularly (by desire) a Minuet-LaLauze, two of LaLauze's scholars

Performance Comment: Granier, J. Granier's Sister, others; particularly (by desire) a Minuet-LaLauze, two of LaLauze's scholars.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17501001, but with a new Epilogue upon the two Occasional Prologues-Mrs Clive.

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Havard; Elder Brother-Sowdon; Younger Brother-Mozeen; First Spirit-Gentleman who perform'd Barnwell [Griffith]; Second Spirit-Master Mattocks; Bacchanal-Beard; Euphrosyne-Mrs Clive; Sabrina-Miss Norris (with the song of Sweet Eccho); Lady-Mrs Pritchard; The Dances-Mathews, Mad Cupis Camargo; With a New Epilogue upon the Two Occasional Prologues-Mrs Clive.

Afterpiece Title: A Duke and no Duke

Performances

Mainpiece Title: As You Like It

Performance Comment: Duke Senior-Blakes; Duke Frederick-Winstone; Jaques-Berry; Orlando-Palmer; Amiens (with proper Songs)-Beard; Adam-Havard; Silvius-Mozeen; Corin-Shuter; LeBeau-Scrase; Charles-Vaughan; Touchstone-Woodward; Jaques de Bois-Simson; William-Vaughan; Phoebe-Mrs Bennet; Audrey-Mrs James; Celia-Mrs Clive; Rosalind-Mrs Pritchard; Epilogue upon Two Prologues-Mrs Clive.

Afterpiece Title: The Lying Valet

Dance: I: Hornpipe-Mathews, the Little Swiss

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Strictland-Berry; Frankly-Havard; Bellamy-Blakes; Meggot-Woodward; Tester-Vaughan; Buckle-Mozeen; Valet-Shuter; Simon-Marr; Landlady-Mrs Yates; Jacintha-Mrs Willoughby; Milliner-Miss Minors; Mrs Strictland-Mrs Ward; Lucetta-Mrs Green; Clarinda-Mrs Pritchard; To conclude witha Country Dance-the characters of the play; Epilogue upon two Prologues-Mrs Clive.

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Orphan

Performance Comment: Polydore-a gentleman; Serina, Monimia-two gentlewomen who never appeared on any Stage.
Event Comment: Receipts: #40 (Cross). [The Epilogue Occasioned by the Two Occasional Prologues published in the General Advertiser. Fifty-one lines ending: @"No more shall either rack his brains to teaze ye@But let the Contest be who most shall please ye." [In the form of a story, mocking Garrick and Berry]: "Once on a time two boys were throwing dirt@A gentle youth was one, and one was somewhat pert.@Each to his Master with his tale retreated,@Who gravely heard their different parts repeated,@How Tom was rude, and Jack poor lad ill treated."

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Lethe

Dance: III: New Running Footmen's Dance, as17501020; IV: Hornpipe-Mathews, the Little Swiss

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello, By Gentlemen

Event Comment: Benefit for Palmer and Shuter. Last time of acting mainpiece this season. Tickets of Hobson at the stage Door. At Sadler's Wells near Islington will this day be opened a Concert of Vocal and Instrumental Music, divided into two parts; the vocal parts to be perform'd by Hemskirk, Bell, Mrs Yates, and Mrs Hooper. Between the two parts of the concert will be introduced several curious Performances, among which will be a fine representation of the Italian Shadows, which have not been performed in England these 30 years. The whole to conclude with a Grand piece of Fireworks, decorated with machinery and paintings entirely new, Each person to be admitted for a pint of Wine. To begin at 5 o'clock (General Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: Mathews, Mad Camargo, the Little Swiss

Event Comment: MMr Barry is greatly improv'd since last year in the character of Hastings , as he is indeed in every part in which I have seen him this winter. Mrs Cibber performed as she always does, to the admiration of her audience, and in my opinion she shewed a particular and new exertion of her art and abilities on those two nights. Great as I had declared my expectations for Miss Macklin, she surpassed them; particularly on the second night. On the former, indeed, in the first and in part of the second act, her embarrassment was insuperable, and I cannot sufficiently admire and applaud the Candour of the Audience on that distressed Occasion! In my judgment, never were two parts better adapted to the persons and powers of the performers, than those of Alicia and Jane Shore to Mrs Cibber and Miss Macklin (Inspector No 207, in Daily Advertiser and Literary Gazette, 30 Oct.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Lottery

Dance: As17511021

Performances

Mainpiece Title: The Old Woman's Oratory 1

Performance Comment: Occasional Prologue-a Gentleman; 1. A grandpiece, with Kettle Drums and Trumpets-; first Violoncello-Cupid; 2. The Inauguration Speech-Mrs Midnight; 3. Concerto for two Clarinettes-; 4. Mr Handel's Water@Piece-; with a Preamble on the Kettle@Drums-.

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Event Comment: The seventh and last time that these orations will be delivered at the Castle Tavern, Paternoster Row, new matter being provided for the next night. The Ladies are desired to come early, that they may be accommodated with the best Seats, and not be crowded as they were the last two nights. [Advice repeated in subsequent bills.

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520321 but Concerto, Solo on Cymballo-Noell; Two new Orations-Mrs Midnight; the humourous performances of Bombasto; Bambaseno; Solo in new Taste-Sig Piantafugo; The Declamatory Piece on the Jew's Harp-a Casuist; the Oration on a Salt Box-a Rationalist; Solo of Humour on French Horn-Mrs Midnight's Daughter; New Prologue-Mr Toe.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520421 but a Duet on two Beesomatoes-; with a Song-.

Performances

Mainpiece Title: The Old Woman's Oratory Concert

Performance Comment: Principal parts-Mrs Midnight, her Daughter Dorothy, Sig Bombasto just arrived from Padua, Sig Bombazeeno also arrived from Italy, Signora Spoonatissima dug out of the ruins of Herculaneum, Sig Ambrosiano alias Sig Salt-Box, Sig Twangdilo the Casuist, Sig Piantafugocalo, Sig Gapatoono first Cousin to Farinelli, Mynheer Puffupandyke, Mlle Rompereau, Mme Hophye, the two Mlle Broileau, Miss Merit an English Lady of an ancient Family, almost extinct.

Dance: Dancing in the old British Taste-; Hornpipe-Timbertoe

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Oracle

Performance Comment: See17530324 but Occasional Prologue-Miss Bellamy; Oberon-Master Simson; Cynthia-Miss Simson; Statue-The Little Swiss; To conclude with a Minuet-the two principal characters of the Farce.

Dance: DDance of Furies-Devisse, others

Song: A Song-Wilder

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Oracle

Performance Comment: Oberon-Mas. Simson; Cynthia-Miss Simson; the Statue-Granier; With an Occasional Prologue-Mas. Simson; The whole to conclude with a Minuet-the two principal characters of the Farce.

Song: I: Mary Scot (by particular desire)-Beard; III: A Scots Cantata-Beard; IV: Hooly and Fairly-Beard

Dance: CCountry Amusements, as17540416

Performances

Mainpiece Title: La Comediante Fatta Cantatrice

Performance Comment: La Comediante-Sga Nicolina called Spiletta, her first appearance on the stage in two years.

Dance: [But unspecified.

Performances

Mainpiece Title: Lecture

Performance Comment: A New Dissertation on Various Theatrical Subjects-; in which will be Shakespear's Charge to Momus-; an Examen of the two Lears-; with the prefatory address to the Anti@Gallicans and the trading of the Nation-.
Cast
Role: an Examen of the two Lears Actor:

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Address-Cibber; Rural Dance Blind Man's Buff-Master Settree, Miss Twist; Hooley and Fairley-Lauder; Two Comic Lectures-Cibber, Company; the Tailors-Mas. Settree, Miss Twist; Grand Concerto for French horns-; When all the Attic Fire was fledfrom Eliza-Miss Gaudry; Auction-Cibber; Italian air-Mimicotti, accompanied by Myn Heer Von@Poop Broomsticato; As17570728 New Cantata by Mr Shuman-Mr Sadler 1st appearance on any stage; Minuet-Mas. Settree, Miss Twist; Italian Peasants-Joly, Mlle Dulisse; Marine Boys Marching to Portsmouth-; Handel's Water Music-; with Preamble on Kettle Drums-Mother Midnight; Comic Epilogue-Miss Midnight (riding on an Ass).

Afterpiece Title: Harlequin's Frolic

Dance: End: As17570819

Event Comment: Receipts: #57 2s. 6d. [As against the estimated charges for a night (#35 19s. 8d.), the first night's bill for fixed charges came to #36 7s. 1d., but included two days' bills, two days' billstickers, and six advertisements. In addition, paid Lambert (scene painter) three months' salary due 16 Aug. last, #25 (Account Book).

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Sir Wilful-Shuter; Mirabel-Ryan; Fainall-Ridout; Witwou'd-Dyer; Petulant-Cushing; Waitwell-Arthur; Marwood-Mrs Elmy; Lady Wishfort-Mrs Pitt; Mrs Fainall-Mrs Barrington; Fioble-Mrs Green; Millamant-Mrs Hamilton.
Cast
Role: Witwou'd Actor: Dyer

Afterpiece Title: The Lottery

Event Comment: At The Chapel of the Foundling Hospital. [Deutsch, Handel, pp. 799-801, notes the performance and lists the "Orchestra Bill," for this performance: twelve violins-Brown, Collet, Freeks, Frowd, Claudio, Wood, Wood Jr, Denner, Abbington, Grosman, Jackson, Nicholson, the first three at 15s. and the rest at 10s. each; three "tenners" [violas]-Rash, Warner, Stockton at 8s. each: four hautbois-Eyferd, Teede, Vincent, Weichsel, the first three at 10s. 6d. and the fourth at 8s.; four bassoons-Miller, Baumgarden, Goodman, Owen, the first two at 10s. 6d. and the rest at 8s. each; three violoncellos-Gillier, Haron, Hebden at 10s. 6d. each; two double basses-Dietrich at 15s. and Sworms at 10s.; horns and drums by Adcock and Willis at 10s. 6d. each; trumpets and kettle drums-Trowa, Miller, and Fr Smith at 10s. 6d. for a total of #17 15s. He also lists the bill for the singers: Sga Frasi, #6 6s.; Miss Frederick, #4 4s.; Miss Young, #3 3s.; Beard with services gratis; Champness, #1, 11s. 6d.; Waas, Bailden, and Barrow at #1 1s. each; six boys, totalling #4 14s. 6d.; a second Champness, Ladd, Cox, Munck, Reinhold, Walz, Courtney, and Kurz, at 10s. 6d. each, for a total of #27 16s. 6d. Servants and music porters added #4 14s. 6d. What with #5 5s. 6d. for Smith brought the total bill to #55 11s. 6d. The Constable in addition cost #3 3s.

Performances

Mainpiece Title: The Messiah

Event Comment: Farce hiss'd (Cross). The Confederacy is oblig'd to be deferr'd a few days (playbill). [Goldsmith in The Bee (Vol. 1759, p. 154) comments on the farce: "Too narrow a plan...The poor affecting the manners of the rich might be carried on through one character or two, at the most, with great propriety; but to have almost every personage on the scene almost of the same character, was unartful in the poet to the last degree." He laments the barrenness of incident, but admits one or two scenes are "fine satire and sufficiently humorous...Whatever defects there might be in the composition, there were none in the action; in this the performers shewed more humour than I had fancied them capable of."] Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: High Life Below Stairs

Performances

Mainpiece Title: The Universal Prayer

Performance Comment: In Two Parts with a Solo on the Violin-Hollendulla; Concerto on the Harpsichord and Hautbois by Barbandt-; Concerto upon the Tenor by Herschell-; And a Aacred Ode by Redmond, the Music by Barbandt-; To conclude with a grand Concerto on Clarinets and French Horns composed by Barbandt-.
Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313