SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Tonson"/1) | (@(roleclean,performerclean) "Tonson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 21 matches on Event Comments, 5 matches on Performance Title, 4 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Hob in the Well

Afterpiece Title: Britain's Glory; or, A Trip to Portsmouth

Song: In 3rd piece: Within a mile of Edinburgh-Mrs Bland; Rule Britannia-

Dance: Piece to conclude: Dance of Sailors-

Entertainment: Monologue End: (by permission of the Author [John Taylor]) Monsieur Tonson-Palmer; [Imitations End II: a Variety of Imitations-Caulfield

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Auld Robin Gray

Song: End: Mock Italian Song from The Irish Mimic; or, Blunders at Brighton-Fawcett

Entertainment: MonologueIn evening: Monsieur Tonson-Fawcett

Performances

Mainpiece Title: Douglas

Afterpiece Title: Love and Money; or, The Fair Caledonian

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue End 2nd piece: Monsieur Tonson-Fawcett

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Netley Abbey

Dance: In I: Grand Masquerade-; with the Minuet de la Cour and Allemande, as17950921

Song: End IV: Elegy-; Solemn Dirge-; Vocal Parts, as17950921, but Miss _Stuart, Miss _Kirton; After entertainment: Black@ey'd Susan-Incledon; My Mother had a Maid called Barbara, as17960314but _Bowden; Old Towler-Incledon

Entertainment: End: Monsieur Tonson, as17960426; After which Recitation and Music, as performed last Season with universal Applause at Freemason's Hall, in which Errors of the Press-Holman; Dryden's Ode of Alexander's Feast-Middleton; The Story of the Dog (written by Whitehead)-Pope

Cast
Role: Monsieur Tonson Actor: Fawcett.

Performances

Mainpiece Title: Katharine And Petruchio

Afterpiece Title: The Prize

Afterpiece Title: The Irish Widow

Entertainment: MonologueEnd 2nd piece: Monsieur Tonson-Caulfield

Event Comment: John Dryden to Jacob Tonson, ca. August 1684: I desire to know whether the Dukes house are makeing cloaths & putting things in a readiness for the singing opera [The Tempest?], to be playd immediately after Michaelmasse: for the Actors in the two plays, which are to be acted of mine, this winter [All for Love and The Conquest of Granada], I had spoken with Mr Betterton by chance at the Coffee house the afternoon before I came away: & I believe that the persons were all agreed on, to be just the same you mentioned. Only Octavia was to be Mrs Buttler, in case Mrs Cooke were not on the Stage. And I know not whether Mrs Percivall who is a Comedian, will do so well for Benzayda (Letters of John Dryden, ed. Ward, pp. 23-24)

Performances

Event Comment: Betterton's Company. The date of the premiere is not known. The Dedication to the play, written in Rome, is dated 20 Aug. 1695 N.S., and advertisement of the play in the London Gazette, No 3200, 9-13 July 1696, represent the limits on its production. In a letter, dated (probably) November 1695, Dryden refers to the forthcoming appearance of his son's play, and on 26 May 1696 he negotiates with Tonson for its publication (Letters of John Dryden, pp. 79, 82). Probably the play appeared early in 1696, and certainly not much later than April 1696. John Barnard, The Dates of Six Dryden Letters, Philological Quarterly, XLII (1963), 400-401, believes that Dryden's letter was written ca. 26 May 1695 and that the play was probably acted in late 1695

Performances

Mainpiece Title: The Husband His Own Cuckold

Event Comment: John Dryden to Jacob Tonson: I have broken off my Studies from The Conquest of China (Letters of John Dryden, p. 97)

Performances

Event Comment: A Brief Relation, IV, 379, 12 May 1698: The justice of Middlesex did not only present the playhouses, but also Mr Congreve, for writing the Double Dealer; Durfey, for Don Quixot; and Tonson and Brisco, booksellers, for printing them: and that women frequenting the playhouses in masks tended much to debauchery and immorality

Performances

Event Comment: John Vanbrugh to Jacob Tonson (Vanbrugh, Works, IV, 125): The Opera will begin about the 10th of March under the Academy of Musick. It will be a very good one this year, and a better the next. They having engag'd the best Singers in Italy, at a great Price. Such as I believe will bring the Expences to about twice as much as the Receipts. But the fund Subscribed being about #20000, may probably Support it, till Musick takes such root, as to Subsist with less aid. The King gives a #1000 a year to it

Performances

Event Comment: On Monday will be publish'd The Suspicious Husband, a Comedy as it is acted at Covent Garden. Written by Dr Hoadly. Published for J. and R. Tonson, and S. Draper in the Strand.--General Advertiser. Receipts: #114 12s. 6d

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: Phebe; or, The Beggar's Wedding

Event Comment: [No record of the cast exists, but Deutsch, Handel, p. 658, speculates on a probable one.] This day Publish'd Samson an Oratorio at 1s. as it is performed at Covent Garden. The words taken from Samson Agonistes of Milton. The Music by Handel. Printed for J. and R. Tonson, and S. Draper in the Strand

Performances

Mainpiece Title: Samson

Afterpiece Title: Concerto

Event Comment: Benefit for Mr and Mrs Bridges. Tickets to be had of Mr Bridges at Mr Courteen's in Bow St., Covent Garden; and of Hobson at the stage door. Publish'd this day at 1s. Miss in Her Teens; or, the Medley of Lovers, a Farce in Two Acts, as it is performed at Drury Lane. Written by Mr Garrick. Printed for J. and R. Tonson. Receipts: #140 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Lethe and Jumpedo

Event Comment: [For the New Epilogue] Great applause (Cross). This day is Publish'd, Price 6d. Romeo and Juliet, written by Shakespear, with alterations, and an additional Scene; as it is performing at the Theatre Royal in Drury Lane. Printed for J. and R. Tonson, and S. Draper in the Strand. Receipts: #120 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: This day is publish'd Every Man in His Humour, a Comedy written by Ben Johnson, with Alterations and Additions (as it was performed at Drury Lane). Printed for J. and R. Tonson in the Strand. Receipts: #200 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Chaplet

Event Comment: Benefit for ye Author (Cross). Tickets to be had of Messrs Tonson and Draper, Booksellers in the Strand, and at the Stage Door. Receipts: #200 (Cross)

Performances

Mainpiece Title: Virginia

Event Comment: Benefit for the Author (Cross). Tickets at Tonson and Draper, Booksellers in the Strand, and at the Stage Door. Receipts: #140 (Cross)

Performances

Mainpiece Title: Virginia

Event Comment: Afterpiece: By desire. This day publish'd Virginia, a Tragedy as it is acted at Drury Lane. Printed for J. and R. Tonson. Receipts: #140 (Cross)

Performances

Mainpiece Title: Virginia

Afterpiece Title: A Duke and no Duke

Dance: II: Comic Dance-Devisse, Mlle Auretti; End: Gipsey Tambourine, as17531012

Event Comment: In a Few Days will be publish'd at 1s. (as it is perform'd at Drury Lane) The Winter's Tale: A Dramatic Pastoral in three acts, from Shakespeare. With proper Music, Songs,Dances, and Decoration. Printed for J. and R. Tonson. This Day publish'd The Winter's Tale, a Play alter'd form Shakespeare, by C. Marsh: @Think'st thou, the Swan of Avon spreads her Wings,@Her brooding wings, for thee alone, to plume@And nestle there, O Garrick? Thou deserv'st@Indeed much cherishing; thy Melody@Charms every ear. But sure it ill beseems@One Cygnet thus to stretch its little pinions,@Ambitiously intent, to fill that nest,@Whose roomy limits well may shelter numbers.@ Printed for C. Marsh, at Cicero's Head, in Round Court in the Strand. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Catherine and Petruchio

Event Comment: This day is publish'd Isabella, or the Fatal Marriage, a Play, alter'd from Southern, as it is Performed at Drury Lane, printed for J. R. Tonson in the Strand. Price 1s. (Public Advertiser). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin Ranger

Dance: I: The Market, as17571126

Event Comment: Tomorrow Mariamne. This day publish'd at 6d. The Prophetess; or, The History of Dioclesian, a Dramatic Opera as it is performed at Covent Garden. Printed for J. and R. Tonson in the Strand. Receipts: #160 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Prophetess

Event Comment: With new Additions and Alterations. Today is Publish'd Susanna, an Oratorio, with New Alterations and Additions; as it is perform'd at the Theatre Royal in Covent Garden. J. & R. Tonson, in the Strand

Performances

Mainpiece Title: Susanna

Event Comment: Today is Publish'd Price 1s. Samson: An oratorio, as it is perform'd at the Theatre Royal in Covent Garden. Printed for J. & R. Tonson in the Strand

Performances

Mainpiece Title: Samson

Event Comment: This day publish'd Semele set to Music by Mr Handel. Price 1s. As it is performed this evening at the Theatre Royal in Covent Garden. Printed for J & R. Tonson in the Strand

Performances

Mainpiece Title: Semele

Music: As17620226

Event Comment: By Command of their Majesties, an Occasional Oratorio "selected from the most celebrated compositions of the late George Frederick Handel." Pit and Boxes to be put together. No person to be admitted without Tickets which will be deliver'd this day at the Office in the Theatre at half a guinea each. First Gallery 5s. Upper Gallery 3s. 6d. Galleries to be opened at half past Four. Pit and Boxes at Five. To begin at half after Six. This day Publish'd Price 1s. An Occasional Oratorio, as it is to be performed at Covent Garden...J. and R. Tonson. [The most provocative commentary on Oratorios may be found in [Robert Maddison's] An Examination of the Oratorios performed This Season at Covent Garden, (London, 1763) 63 pages, wherein he seeks to define the genre, then judge the performances in terms of his definition.

Performances

Mainpiece Title: Occasional Oratorio

Music: CConcertos on Organ-Stanley; on Violin-Hay