SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theodore Smith"/1) | (@(roleclean,performerclean) "Theodore Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2015 matches on Performance Comments, 360 matches on Event Comments, 264 matches on Performance Title, 13 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Oratorio by Benjamin Stillingfleet, words adapted from Milton, set to Music by John Christopher Smith (Biographia Dramatica)

Performances

Mainpiece Title: Paradise Lost

Music: As17740218

Event Comment: Benefit for Champnes. Afterpiece: By Particular Desire. Mr Champnes quits the Stage at the End of this Season therefore Mr Gar: plays for his Benefit (Hopkins Diary). Part of Pit laid into Boxes. Rec'd Messrs Stanley & Smith 11 Oratorio Nights at #24 per night (candles oyl &c.) #304 6s. Paid to Renters #88 from 11 Oratorio nights. Receipts: #233 1s. 6d. Charges: #74 14s. Profit to Champnes: #58 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Note of Hand

Event Comment: [The Gentleman who played Hamlet identified by Winston MS 11 (from O. Smith) as Lewis Hallam, from America, brother to Mrs Mattocks.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Druids

Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil to Pay; or, the Wives Metamorphosed

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Event Comment: Mainpiece: A Tragedy [by Edmund Smith] not acted these 20 years. [See 1 Nov. 1756.] The Characters New Dress'd. [The Barrys had revived it at dl the year before.

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: The Upholsterer

Dance: End Tragedy: Rural Merriment, as17741209

Event Comment: Paid Mrs Lowe@and@Co. (glaziers) #17 11s. 6d.; Hatsell, (mercer) #142 3s.; Scott (copper laceman) #16 11s.; Marshall & Co., (plumbers) #27 8s.; Ireland (upholsterer) #43 4s.; Stacy (colourman) #18 16s.; Gardner (shoemaker) #36 11s.; Barrow & Co. (oil) #103, 13s.; Thomson (smith) #27 8s.; Cubitt (tinman) #24 15s. Receipts: #143 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jacket

Dance: II: Grand Provencalle Dance, as17750202

Event Comment: House (Hopkins Diary). Last time of performing the Mainpiece this season. Mrs Smith's Benefit notice (see 22 April) changed to Love in a Village and the Deserter, with a note that tickets deliver'd for Cymbeline would be taken. Receipts: #137 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Elopement

Event Comment: Opera, music by Sacchini &c. [not performed, according to Public Advertiser, 8 Nov., because of illness of two singers, one being Sga Sestini. A Letter by William Lee in The Public Advertiser (7 Nov.) notes that beginning in 1772 he had served refreshments in a room which served also as a passage to the boxes; alterations made to enclose the passage were made in 1773; Lee was charged #60 a year for the room (with the fire and light at his own expense). Then Elizabeth Smith, who had had charge of concessions died. In 1774 Lee was charged #160 plus #80 for coals and light. Hence Lee lost #130 and was saved only by a benefit by the graciousness of the Nobility and Gentry.

Performances

Mainpiece Title: Didone

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

Event Comment: Mainpiece: By Desire. Rec'd stopages #11 13s. Paid Mr Norfolk (glazier) #48 9s.; Thompson (smith) #10 7s.; Hopkins prompter's bill #23 9s. 6d.; Ray, linen draper's bill #115 19s. 6d.; Barrow and Co., oil #99; Cubitt (tinman) #8; Vaughan (haberdasher) #4 3s. 6d. Receipts: #219 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Jubilee

Event Comment: House Pacini's Night Bought by the Managers (Hopkins Diary). The last time of performing till Easter. Paid salary #416 4s. 4d.; Mr Smith for Abrams [sic] the Jew #21; Miss Abrahams [sic] #10 10s. Receipts: #262 8s. 6d

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Event Comment: House (Hopkins Diary). The new Comedy of The Runaway is unavoidably oblig'd to be deferred till Saturday. Rec'd Mr Stanley's Oratorio Account, 11 nights, #327 5s. Paid Lawrence (paper hanger) #13 7s.; Renters (for 11 Oratorio nights) #88; Cubit (tinman) #7 14s. 6d.; Gardner (shoemaker) #25; Chettle (timber merchant) #22 14s. 6d.; Mist andCo. (brazier) #10 8s.; Thomson (smith) #5 16s. 6d. Barrow andCo. (oil) #106 5s.; Tallow Chandler's 8th Bill #26 12s.; Palmer's Bill of Bath for Spermacetti Candles #162 10s. (Treasurer's Book). [MacMillan quotes from Kemble's note on the playbill, a Garrick interpolation in Drugger 's last speech (IV, vii): "Abel: Did you never see me play the Fool? Face: Yes. Abel: But the wise ones say I have played the Fool long enough; So I am going to leave it off and grow melancholy." [This note does not appear in the Hopkins Diary in the Folger Library.] Receipts: #265 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Spleen

Dance: V: The Irish Fair, as17751003

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Event Comment: Braganza [announced on playbill of 15 Apr.] is oblig'd to be deferr'd on Account of Smith's Indisposition. Receipts: #121 14s. (94.12; 25.18; 1.4)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: All the World's a Stage

Event Comment: [The play was not allowed to conclude, nor was the afterpiece, All the World's a Stage, performed. "Yesterday evening, during the representation of...A Bold Stroke for a Wife, at China Hall, Rotherhithe, a party of the inhabitants, who had laid an information against the performers, rushed into the theatre, behind the scenes, and seized Mr Russell (who played the character of Colonel Feignwell), and carried him, in his stage dress, before Justice Smith, at the Rotation-Office, St Bennet's-hill, who committed him to the House of Correction, for further examination this morning" (Morning Chronicle, 24 July). What happened to Russell is not known, but because of this occurrence the theatre did not re-open until the following season, on 25 May 1778. See my article on the history of this unlucky playhouse, Theatre Notebook, VIII, 76-80.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Event Comment: Paid Smith 1 night extra playing at Covent Garden [on 21 Sept.] #2 12s. 6d.; Lampmen #4 10s.; Supernumeraries #5 5s. [Afterpiece in place of The Padlock, announced on playbill of 24 Sept.] Receipts: #148 2s. 6d. (111.6.0; 36.12.0; 0.4.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Comus

Dance: End I: comic dance, The Cow@keeper-Master Mills, Miss Grimaldi

Song: Afterpiece: As17780917; V: song-Miss Abrams

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: Cymbeline

Performance Comment: Posthumus-Brereton [of dl]; Cloten-Lee Lewes; Cymbeline-L'Estrange; Pisanio-Hull; Bellarius-Clarke; Guiderius-Wroughton; Arviragus-Whitfield; Caius Lucius-Fearon; Philario-Booth; Iachimo-[W.] Smith (of dl); Queen-Mrs Jackson; Imogen-Mrs Crawford [late Mrs Barry] (1st appearance in that character [at this theatre]).late Mrs Barry] (1st appearance in that character [at this theatre]).

Afterpiece Title: The Dutiful Deception

Dance: End III: As17780921

Song: II: Masquerade Scene, with Singing-Mrs Morton

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois

Event Comment: Benefit for Mrs Colles, Miss Abrams & Miss Kirby. Public Advertiser, 4 May: Tickets to be had of Mrs Colles at Smith's No. 10, Bow-street, the corner of Martlet Court, Covent Garden; of Miss Abrams, Little Bridges Street, Covent Garden; of Miss Kirby at Andrews's, No. 70, Long Acre. Receipts: #203 7s. (28.1; 14.16; 1.11; tickets: 158.19) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Quaker

Event Comment: Tickets delivered by Messink, Cushing, Wewitzer, Jones, Brunsdon, Smith, Ledger, Guard and Miss Green will be admitted. Receipts: #191 9s. 6d. (30.4.0; 2.7.6; tickets: 158.18.0)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Norwood Gypsies

Dance: Dancing, as17800510

Event Comment: [In mainpiece the playbill assigns Hastings to Smith, but on the Kemble playbill his name is deleted and a MS annotation substitutes Brereton's.] Receipts: #225 15s. 6d. (187.5.0; 37.11.6; 0.19.0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Critic

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Lord Townly Actor: Smith

Afterpiece Title: The Gentle Shepherd

Performance Comment: As17811029, but Holcroft in place of Suett; Mrs Smith in place of Mrs Booth .
Event Comment: Paid Smith for Canvas #32 7s. 6d. Receipts: #148 8s. (116/9/0; 31/16/6:0/2/6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Lun's Ghost

Dance: End of Act II of mainpiece, as17820223; In Act III a Hornpipe by Blurton; In afterpiece, by the Miss Stageldoirs, &c

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robinson Crusoe

Dance: In Act I of mainpiece a Minuet by Lemercier and Miss Stageldoir. With a Masquerade Dance

Song: Mainpiece: With the Funeral Procession. Vocal Parts by Williames, Chaplin, Fawcett, Phillimore, Helme; Miss Collett, Miss Wright, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c

Performance Comment: Vocal Parts by Williames, Chaplin, Fawcett, Phillimore, Helme; Miss Collett, Miss Wright, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c .
Event Comment: [In mainpiece the playbill assigns Young Bevil to Smith, but on the Kemble playbill his name is deleted and a MS annotation substitutes Brereton's.] Receipts: #141 9s. 6d. (106/19/0; 34/6/6; 0/4/0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: As17820917

Song: In Act II of mainpiece song by Miss Field

Monologue: 1782 09 19 As 17 Sept

Performances

Mainpiece Title: Imitation; Or, The Female Fortune-hunters

Afterpiece Title: The Ladies' Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Waldron; Hilliard-Williames; Vincent-Staunton; Scentwell-Burton; Beggars-Chapman, Fawcett, Wright, Phillimore, Chaplin, Alfred, Spencer, Kenny; Mrs Love, Mrs Smith, Mrs Booth, Mrs Granger, Miss Simson, Miss Hale, Miss Barnes, Miss Tidswell; Meriel-Miss Field; Rachel-Miss Phillips .

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)