SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatres Royal London"/1) | (@(roleclean,performerclean) "Theatres Royal London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Betterton's Company. This performance was probably the first day of this revival, for Matthew Prior wrote to Abraham Stanyan, 8 Jan. 1699@1700: To-morrow night Betterton acts Falstaff, and to encourage that poor house the Kit Katters have taken one side-box and the Knights of the Toast have taken the other (HMC, Bath MSS. [London, 1908], III, 394). See also 28 Jan. 1699@1700. The play was advertised in the London Gazette, No. 3601, 13-16 May 1700, and the title page states: Reviv'd, with Alterations. Written Originally by Mr Shakespear

Performances

Mainpiece Title: King Henry The Fourth; With The Humours Of Sir John Falstaff

Event Comment: Benefit Penkethman. The Boxes and Pit 2s. 6d., the Boxes being laid open to the Pit. Note, No Subscribers' Tickets to pass this Day. To begin exactly at 5 of the Clock, by reason that the Gentlemen and Ladies that come from London may have time to return home before Night. Note, The Tide happens very luckily for Mr Penkethman's Friends in London: It Ebbs to Greenwich from 10 in the Morning till 6 at Night, flows from 6 in the Evening till 11, it being Moon-light

Performances

Mainpiece Title: The Rover

Entertainment: Young Gentlewoman, as17100817; Likewise a Vaulting the Managed Horse-famous Master who never appear'd on the Publick Stage

Dance: Ladder Dance-; French Peasant-; Wooden Shoe-; Harlequin Scaramouch Cooper and Wife-

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17331025, but Bravos and Lamorce omitted; Duretete-R. Wetherilt. With a new Prologue, addressed to the Merchants of London, to be spoke by Rosco .

Afterpiece Title: The Mock Doctor: With a new Scene called The Consultation

Dance:

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: As17340406 but Cholerick-Penkehtman; Angelina-Giffard. The Prologue address'd to the Merchants of London, with Additions, spoke by Havard .

Afterpiece Title: The Lovers Opera

Dance: I: Dutch Boor by Sandham and Miss Wherrit. III: A new Dance by Delagarde and Miss Wherrit. IV: Pierrots by Vallois and Delagarde. V: Milk-Pail Dance

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Stephens, a Citizen of London, who never appeared on any stage before; Iago-Ryan; Cassio-Walker; Brabantio-Roberts; Lodovico-Hale; Montano-Ridout; Roderigo-Chapman; Desdemona-Mrs Buchanan; Emilia-Mrs Mullart .

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17350718 but Manly-a Citizen of London, the first Time of his Appearance on any Stage; Poundage-Gray; Mrs Motherly-Mrs Egerton; Mrs Trusty-Miss Jones; Myrtillo-Miss J. Jones .

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Lottery

Performance Comment: Chloe-Mrs Roberts. [These casts are from London Daily Post and General Advertiser, 26 April.]These casts are from London Daily Post and General Advertiser, 26 April.]

Dance: II: Clown-Vallois; IV: Two Pierrots-Vallois, Delagarde; V: The last new Grand Ballet-Haughton, Mlle Roland,

Song: I: French Horn Song-Miss Jones; III: Singing in Italian-Mrs Chambers

Event Comment: Towards the Raising a Fund for the Erecting a Monument to the Memory of Shakespear. Written by Shakespear. London Daily Post and General Advertiser, 11 April: On which Occasion 'twas expected there would have been a greater Audience than there appear'd to be. But the Lord Burlington was pleased, out of his Regard to the Memory of so great a Man, to give Ten Guineas for himself. [The Prologue, written by Theobald and spoken by Ryan, is in London Daily Post and General Advertiser, 12 April.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: Benefit Haughton. [The London Daily Post and General Advertiser, 3 May, is missing; this bill is from London Daily Post and General Advertiser, 30 April.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Cobler's Opera

Dance: Glover, Lalauze, Villeneuve, Mlle Roland

Performances

Mainpiece Title: Othello

Afterpiece Title: Miss Lucy in Town

Performance Comment: Lucy-Mrs Clive; Zorobabel-Macklin; Signor Cantileno-Beard; Ballad-Ray; Thomas-Neale; Lord Bawble-Cross; Goodwill-Taswell; Mrs Haycock-Mrs Macklin; Tawdry-Mrs Bennet[from edition of 1742, but listed in the order of the actors' names given in London Daily Post and General Advertiser].from edition of 1742, but listed in the order of the actors' names given in London Daily Post and General Advertiser].

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-a Citizen of London, first attempt on any stage; Gloucester-Cibber; Dumont-Giffard; Belmont-W. Giffard; Derby-Blakey; Ratcliff-Mozeen; Catesby-Dighton; Jane Shore-Mrs Giffard; Alicia-Mrs E. Giffard.

Afterpiece Title: The Devil to Pay

Cast
Role: Lettice Actor: Miss Royal

Dance: III: Welsh Buffoon, as17430107; End: Comic Ballet, as17430107

Performances

Mainpiece Title: 1 Henry Iv

Performance Comment: King Henry-Peterson; Prince-Giffard; Hotspur-W. Giffard; Falstaff-a Citizen of London.

Afterpiece Title: 1 The Lying Valet

Performances

Mainpiece Title: Love The Cause And Cure Of Grief; Or, The Innocent Murderer

Performance Comment: Prologue-Delane; Epilogue-Mrs Giffard; Weldon-Delane; Briar-Giffard; Young Freeman-Havard; Freeman-Bridges; Judge-Winstone; Servant-Woodburn; Charlotte-Mrs Giffard; Mrs Freeman-Mrs Roberts; Mrs Briar-Mrs Bennet [1st edition, but listed in order of actors given in London Daily Post and General Advertiser].1st edition, but listed in order of actors given in London Daily Post and General Advertiser].

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Funeral

Performance Comment: Lady Brumpton-Mrs Este who never appeared on any London stage before.

Afterpiece Title: Chrononhotonthologos

Song: Miss Joneswho never appear'd on any stage before

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Si Tunbelly Clumsy-Watts from Bristol, 1st appearance in London; Foppington-Woodward; Loveless-Ryan; Amanda-Mrs Pritchard; Worthy-Ridout; Berinthia-Mrs Horton; Young Fashion-Anderson; Shoemaker-Arthur; Lory-Chapman; Nurse-Mrs James; Miss Hoyden-Miss Haughton; Bull-Stoppelaer; Syringe-James; Varole-Bencraft.

Afterpiece Title: The School Boy

Performances

Mainpiece Title: Merope

Performance Comment: Eumenes-Garrick; Poliphontes-Havard; Narbas-Berry; Euricles-Lee; Erox-Bridges; Priest-Winstone; Ismene-Mrs Green; Merope-Mrs Pritchard; From London edition of 1749 but listed in the order as given for the actors in General Advertiser. London edition gives Beard as a Priest, and Dublin edition of 1749 lists Priests-Winstone, Beard.
Event Comment: Play Never acted there before. The Characters new dress'd. [See comment in London Chronicle, March 8-10, 1757, which quotes the lengthy Admonition and Exhortation of the Scots Presbytery to be read from all pulpits, against stage plays. "This Exhortation," writes the London Chronicler, "was probably occasioned by the greatness of the crowds who flocked for many successive nights to see the tragedy of Douglas acted" It had been played in Edinburgh 14 Dec. 1756.

Performances

Mainpiece Title: Douglas

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Double Disappointment

Entertainment: Between play and farce: Dish of All Sorts-Mr Shuter; will entertain the Audience. The Bill of Fare consisting of a Medley@Song-Shuter; A Dialogue upon Himself between an Old Man a North Briton and a Gentleman of Connaught-Mr Shuter; The History of Mr Shuter and the Sow-Shuter; To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020

Performance Comment: The Bill of Fare consisting of a Medley@Song-Shuter; A Dialogue upon Himself between an Old Man a North Briton and a Gentleman of Connaught-Mr Shuter; The History of Mr Shuter and the Sow-Shuter; To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020. To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020.

Dance: TThe Threshers, as17581016

Performances

Mainpiece Title: He Jovial Crew

Afterpiece Title: The Merry Counterfeit; or, Viscount a-la-Mode

Performance Comment: Colly (Alias Don Gulielmo Roderigo de Chimney Sweeperio)-Shuter; Parts-Dunstall, Bennet, Perry, Wignell, Buck, Miss Helm, Miss Cokayne; The whole to conclude with the Cries of London-.

Dance: TThe French Country Gentleman, as17611210

Entertainment: Between play and Farce:(For this night only) A Dish of All Sorts-Shuter. As17590322

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Merry Counterfeit

Performance Comment: As17620403 but concluding with Cries of London-Shuter.

Song: IV: By Desire, the Song With Horns and Hounds, in the character of Diana -Mrs Abeg (From Apollo and Daphne)

Entertainment: H$Hippisley's Drunken Man-Shuter (for the last time this Season)

Dance: TThe Pleasures of Spring, as17620212

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Elopement

Performance Comment: Principals by: Havard, Packer, Lee, Mrs Davies, Miss Haughton, Mrs Hopkins, Miss Pope. Thoughtless-Havard; Sensible-Packer; Lord Loveall-Lee; Lady Candid-Mrs Hopkins; Mrs Thoughtless-Mrs Davies; Pompone-Miss Pope; Miss Thoughtless-Miss Haughton; farce attributed to Havard, not printed (London Magazine, April 1763). farce attributed to Havard, not printed (London Magazine, April 1763).

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Archer-Gardner; Aimwell-Jones; Sir Charles Freeman-Wortley; Sullen-Price; Gibbet-Parsloe; Boniface and Scrub-Gentlemen from London [unidentified]; Dorinda-Mrs Robinson; Lady Bountiful-Mrs Weeks; Cherry-Mrs Kingham; Mrs Sullen-Mrs Jerrold.

Afterpiece Title: The Irish Widow

Dance: A Hornpipe-Gentleman [unidentified]

Song: End IV: Tally O-Mrs Kingham

Entertainment: Monologue. End: Snip's Humorous Description of the Camp-Gardner

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Fete; A Medley

Performance Comment: As17810425, but Blow high-_; Dance of Sailors-_; Beviamo tuttre-_; Italian laughing song-_; Dance of Anticks-_; Dance of Shepherds and Shepherdesses-_; How merrily we live-_; Hecate-_; SCENES I and II as SCENES I and II in A Fete, 25 Apr. SCENE III. A Storm and Shipwreck. Stand to your guns my hearts of oak-Bannister; SCENE THE LAST. An Irish Fair. Teague's Journey to London through Coventry-Moody; Dancing-the Miss Stageldoirs.

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: The Fair Quaker; Or, The Humours Of The Navy

Afterpiece Title: A Fete

Performance Comment: As17810425, but Blow high-_; Dance of Sailors-_; A Dance of Shepherds and Shepheresses-_; Hecate-_ SCENE I, as17810425; SCENE II, as17810425; SCENE III as SCENE IV on 25 Apr.; Dance of Anticks-_; SCENE IV. Teague's Journey to London through Coventry-Moody as17810507; The Butterfly, as17800921; SCENE THE LAST. How merrily we live, as17810425. The Butterfly, as17800921; SCENE THE LAST. How merrily we live, as17810425.

Afterpiece Title: Who's the Dupe

Dance: Scene IV: The Butterfly, as17800921

Song: End III: song-Miss Barnes (1st attempt on any stage); End 1st piece: the Grand Naval Review-; Rule Britannia-Gaudry, Edwards, Williams

Performances

Mainpiece Title: The West Indian

Afterpiece Title: A Fete

Performance Comment: As17810510, but Teague's Journey to London through Coventry-_; SCENE THE LAST. The Butterfly, as17800921; Hecate-Holcroft.

Afterpiece Title: The Flitch of Bacon

Dance: Scene the Last: The Butterfly, as17800921