SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal in Dorset garden"/1) | (@(roleclean,performerclean) "Theatre Royal in Dorset garden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4063 matches on Event Comments, 768 matches on Performance Title, 515 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Event Comment: The father of the runaway siren of Covent Garden [Miss Brown; see 16 Dec. 1775] apprehended the little wanton truant at her aunt's in the city, forcing her into a coach, drove off with her into the country: however, she had not been carried above five miles before her cries raised the inhabitants of a village; whom she soon worked to her purpose by declaring that the man (her father) was carrying her away by force, in order to ship her for America....The peasants released her, when she run to town across the country, and has not been re-taken since by her father (Morning Post, 5 Jan.)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Dance: End Opera: Mirth and Jollity, as17760102

Event Comment: Benefit for Sga Crespi. Tickets deliver'd by Harwood will be taken. Rec'd Stopages #14 14s. Paid half yrs. paving #19 13s. 9d.; three quarters land and Window tax (Covent Garden Parish) #12 2s. 9d.; Ditto for paving #6; Ditto for Rector's rate 13s. 4d.; Duke of Bedford's Rent half year to Lady day last #164 2s. 10d. Receipts: #25 17s. Charges: #66 18s. 6d. Deficit to Sga Crespi: #41 (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: A Peep behind the Curtain

Dance: V: A Grand Chaconne-Como, Sga Crespi

Event Comment: Afterpiece: By Desire. Benefit for Fawcett, Mr Legg, and Mr Kear. Rec'd Stopages #12 14s.; From Sinking Fund #496. Paid Building and Watch rate for Covent Garden Parish #2 11s. 8d. Receipts: #30 15s. Charges: #67 9s. 6d. Deficit to Fawcett, Legg, and Kear: #36 14s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Waterman

Dance: I: The Sailors Revels, as17751220

Event Comment: Benefit for Miss Younge. Interlude [1st time; M. INT I, by Edward Jerningham]: Interspersed with Music [by James Hook. Text 1st published in Jerningham's Poems, vol. I (J. Robson, 1786)]. Public Advertiser, 20 Feb.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #222 9s. (80.14; 18.10; 1.19; tickets: 121.6) (charge: #65 17s.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Margaret of Anjou

Afterpiece Title: The Deserter

Dance: End V: The Irish Fair, as17761031

Event Comment: Benefit for Macklin. Public Advertiser, 8 Mar.: Tickets to be had of Macklin, James-street, Covent Garden. Receipts: #273 16s. (charge: #64 10s.). [Of this amount #177 17s. was "Money," i.e. tickets sold at the door. The remainder, #95 19s., was "Tickets," disposed of by Macklin: 305 in the boxes, 104 in the pit, 41 in the gallery.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End III: Pastoral Dance, as17761123; End IV: Mirth and Jollity, as17761015

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. Public Advertiser, 8 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #280 19s. (114.8; 7.9; 0.16; tickets: 158.6) (charge: #74 14s.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: [A Favourite Scene from the end of Act II of] The Register Office [and see17770422]

Afterpiece Title: Harlequin's Invasion

Dance: As17761128

Event Comment: Benefit for Lewis. Mainpiece: Not acted these 7 years. 3rd piece [1st time; F 3, author unknown. Not in Larpent MS; not published]: Taken from Dryden's Spanish Fryar. Public Advertiser, 20 Mar.: Tickets to be had of Lewis, Bow-street, Covent Garden. Receipts: #246 18s. (164.3; tickets: 82.15) (charge: #66 10s.)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: True-Blue

Afterpiece Title: The Jealous Husband

Dance: As17761223

Event Comment: Benefit for Clarke. Public Advertiser, 18 Mar.: Tickets to be had of Clarke, Great Russel-street, Covent Garden. Receipts: #220 17s. 6d. (103.2.6; tickets: 117.15.0) (charge: #69 5s.)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: True-Blue

Afterpiece Title: Midas

Dance: As17761223

Event Comment: Benefit for Mrs Robinson. Public Advertiser, 28 Mar.: Tickets to be had of Mrs Robinson, No. 19, Southampton-street, Covent Garden. Receipts: #189 10s. (77.5; 21.19; 0.0; tickets: 90.6) (charge: none listed)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: A ChristmasTale

Event Comment: Benefit for Bransby & Burton. Public Advertiser, 19 Apr.: Tickets to be had of Bransby, No. 10, New Pye-street, Westminster; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #196 1s. 6d. (61.11.0; 24.17.6; 0.0.0; tickets: 109.13.0) (charge: #64 9s.)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Bon Ton

Dance: End I afterpiece: the Louvre Minuet, Allemande-the Miss Stageldoirs

Event Comment: Benefit for Waldron & Mrs Greville. Public Advertiser, 19 Apr.: Tickets to be had of Waldron, No. 16, Glanville-street, Rathbone Place; of Mrs Greville at the Orange Warehouse, the Corner of King-street, Covent Garden. Receipts: #178 15s. (69.0; 15.1; 0.0; tickets: 94.14) (charge: #74 14s.)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin's Invasion

Dance: As17761128

Event Comment: Benefit for Wild, prompter, and Mahon. Gazetteer, 26 Apr.: Tickets to be had of Wild, No. 20, Martlet-court, Bow-street, Covent-garden; of Mahon, No. 6, Paradise-street, Marybone. Mainpiece: With the Triumphal Entry of Alexander into Babylon. Afterpiece [1st time; CO 2, by-Richards]: The Music entirely new, composed by William? Bates. Receipts: #256 13s. 6d. (126.0.6; tickets: 130.13.0) (charge: #72 15s. 6d.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Device; or, The Marriage-Office

Dance: End: The Humours of New@Market with the Pony Races, as17770428

Song: End I: A Welcome to the Spring (composed by Dr Arne)-Mrs Farrell

Event Comment: Benefit for Whitefield and Wewitzer. Mainpiece: Written by the late Hugh Kelly, Esq., Never acted there. Public Advertiser, 26 Apr.: Tickets to be had of Whitefield, Crown-court, Bow-street; of Wewitzer. Great Hart-street, Covent Garden. Receipts: #137 4s. 6d. (55.14.6; tickets: 81.10.0) (charge: #85 12s. 6d.)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: True-Blue

Afterpiece Title: Three Weeks after Marriage

Dance: End III: As17761123; In interlude: Langrish

Song: End I: a favourite air (composed by Dr Arne)-Mrs Farrell

Event Comment: Benefit for Dumay, Harris & Holloway. Public Advertiser, 16 May: Tickets to be had of Dumay at Sandhill, behind the Foundling Hospital; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden; of Holloway, Great Maddox-street, Hanover-square. Receipts: #263 15s. (69.2; tickets: 194.13) (charge: #105)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Harlequin's Frolicks

Dance: End III: Minuet de la Cour, Allemande-Mr and Mrs Holloway; End IV: The Shepherd's Wedding, as17770215; End: a Minuet-Dumay, Sga Tinte; Afterpiece: Rural Dance, as17770121

Event Comment: Benefit for Henderson. Public Advertiser, 19 Aug.: Tickets to be had of Henderson, No. 21, Maiden-lane, Covent Garden. [Henderson's 1st appearance as Bayes was at Bath, 28 Nov. 1772.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Fairy Tale

Event Comment: Benefit for Mrs Barry. Mainpiece [1st time; T 5, as altered by Thomas Hull]. Translated from [Iphigenie en aulide, by] Racine by Boyer. Part of the Pit will be laid into the Boxes. Ladies are desired to send their Servants by Four o'Clock. Public Advertiser, 18 Mar.: Tickets to be had of Mrs Barry, No. 26, Henrietta-street, Covent Garden. Receipts: #273 19s. 6d. (157.18.6; tickets: 116.1.0) (charge: #70 17s. 6d.)

Performances

Mainpiece Title: Iphigenia; Or, The Victim

Afterpiece Title: Poor Vulcan

Dance: As17771222

Song: V: will be introduced a Sacrifice-;, with new Music by Fisher-; the vocal parts and chorus-Miss Brown, others

Event Comment: Benefit for Henderson. Public Advertiser, 7 Mar.: Tickets to be had of Henderson, No. 21 Maiden Lane, Covent Garden. [Henderson, under his stage name of Courtney, had 1st acted Macbeth at Bath, 12 Nov. 1772.] Receipts: #275 18s. [156.2; 9.1; 0.0; tickets: 110.15) (charge: #105)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Quaker

Dance: As17780324

Song: In: the original Music, as17780105, but _Edwards, Philimore, Mrs +Gaudry, Mrs +Wrighten

Event Comment: Benefit for Vernon. Public Advertiser, 17 Mar.: Tickets to be had of Vernon at Mahon's, the corner of Bow-street, Covent Garden. Receipts: #222 19s. (108.19.0; 18.17.6; 0.6.6; tickets: 94.16.0) (charge: #65 1s.). Account-Book totals the charge as follows: Ord[inary] Charge #64 4s.; Sup[ernumeraries] 3s.; K[ettle] D[rum] 5s.; 6 Ext[ra] Carp[enter]s 9s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Belphegor

Event Comment: Benefit for Clarke. Public Advertiser, 17 Mar.: Tickets to be had of Clarke, Russel-street, Covent Garden. Receipts: #219 4s. (124.0; tickets: 95.4) (charge: #66 9s.)

Performances

Mainpiece Title: Douglas

Afterpiece Title: True-Blue

Afterpiece Title: Three Weeks after Marriage

Event Comment: Benefit for Aickin. Public Advertiser, 20 Mar.: Tickets to be had of Aickin at his house in Bow-street, Covent Garden. Receipts: #128 5s. (91.8; tickets: 36.17) (charge: #67 7s. 6d.)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Poor Vulcan

Dance: As17780121

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. Mainpiece: Not acted these 8 years. Public Advertiser, 21 Mar.: Tickets to be had of Miss Pope, at Pope's, Little Russel-street, Covent Garden. Receipts: #265 5s. (94.8; 17.7; 0.8; tickets: 153.2) (charge: #69 1s. 6d.)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Selima and Azor

Dance: End II: Slingsby's grand ballet The Savage Hunters, as17780324but Fitzgerald

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for Freeman [who, as Chamont, is identified in Public Advertiser, 7 Apr.]. Tickets to be had of Freeman, Vine-street, Piccadilly; of Massey, at Marshall's, Bedford-court, Covent Garden. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Irish Widow

Entertainment: Monologue. End I afterpiece: an Epilogue-Master Benson

Event Comment: Benefit for Mattocks. Public Advertiser, 30 Mar.: Tickets to be had of Mattocks at his house in Covent Garden. Receipts: #146 17s. 6d. (112.3.6; tickets: 34.14.0) (charge: #69 18s. 6d.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: True-Blue

Afterpiece Title: Poor Vulcan

Event Comment: Benefit for Bannister. Public Advertiser, 23 Apr.: Tickets to be had of Bannister at Starzaker's, the Upper End of Bow-street, Covent Garden. Receipts: #246 12s. 6d. [77.0.0; 13.1.6; 0.10.0; tickets: 156.1.0) (charge: #65 17s.)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Quaker

Dance: End II: The Sailors' Revels-Blurton