SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal in Dorset garden"/1) | (@(roleclean,performerclean) "Theatre Royal in Dorset garden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4063 matches on Event Comments, 768 matches on Performance Title, 515 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Miss Chapman. Tickets delivered for The Toy will be admitted. 3rd piece [1st time; D 1, author unknown. Larpent MS 950; not published. Songs by John Collins and Charles Dibdin (MacMillan, Larpent Catalogue, 157-58)]. Morning Herald, 14 May: Tickets to be had of Miss Chapman, No. 16, Henrietta-street, Covent-Garden. Receipts: #244 18s. (122.10; 13.5; tickets: 109.3) (charge: #105)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: A Cure for a Coxcomb; or, The Beau Bedevil'd

Song: In 3rd piece: will be introduced the following Favorite songs: When virtue forms-Mrs Davis; The Bottle-Davies; The Pleasures of the Chace-Incledon; Farewell each Tonish Life-Munden; Bucket of Water, 'Tis a mighty fine thing-Johnstone; Kitty Grogan, Tho' I'm no dancing master-Johnstone; Anna's Love-Incledon; The Pig, You all must have heard-Fawcett; To-morrow, In the downhill of life-Darley; You are aw nodding-Mrs Harlowe; Coach box, You may feast your ears-Cubitt

Event Comment: Benefit for Whitfield. Mainpiece: In Act V a Masquerade. Morning Herald, 30 Apr.: Tickets to be had of Whitfield, No. 19, Piazza, Covent Garden. Receipts: #416 13s. (80.1; 34.8; 7.2; tickets: 295.2) (charge: #157 18s.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Citizen

Dance: Conclude: with a Country Dance-the Characters

Event Comment: Benefit for Hull. Morning Herald, 14 May: Tickets to be had of Hull, No. 31, Bow-street, Covent Garden. Receipts: #235 11s. 6d. (143.1.6; 6.1.0; tickets: 86.9.0) (charge: #105)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Intrigues of a Morning

Dance: As17920420

Song: End I afterpiece: Wine cannot cure the Pain I endure, as17920412

Event Comment: Benefit for Marshall and Mrs Harlowe. Mainpiece: In Act V a Grand Battle between the Britons and Romans. Morning Herald, 17 May: Tickets to be had of Marshall, No. 17, Crown-court, Bow-street, Covent-Garden; of Mrs Harlowe, No. 54, Drury-lane. Receipts: #256 7s. (104.2; 1.10; tickets: 150.15) (charge: #105)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: A Divertisement

Dance: End III: A Divertisement, as17920410; In afterpiece: the Dances-Byrne, Mlle St.Amand

Song: II: Masquerade, in which Hark! the Lark at Heaven's Gate sings-Incledon, Marshall, Gray, Linton, Darley, Mrs Mountain, Mrs Martyr; End II: (for that night only) The Lucky Escape; or, The Ploughboy's return from the Sea (composed by Dibdin)-Mrs Harlowe in Character

Entertainment: MonologueEnd: Jeu D'Esprit, as17920516; Little Pig lays without any Straw, as17920516

Event Comment: Benefit for Mrs Ward. Morning Herald, 3 May: Tickets to be had of Mrs Ward, No. 6, York-street, Covent-garden. Receipts: #479 15s. 6d. (106.9.0; 48.1.0; 5.15.0; tickets: 319.10.6) (charge: #158 6s. 3d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Spoil'd Child

Dance: End: a Dance-

Event Comment: Benefit for Johnstone. Morning Herald, 8 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Who's the Dupe

Song: In course of Entertainment: his favourite Planxty [descriptive of Ireland-Johnstone (in the character of Murtough Delany) [see The Irishman in London, cg, 21 Apr.]

Event Comment: Benefit for Mrs Mattocks. [Epilogue by Miles Peter Andrews.] 3rd piece: Not acted these 20 years [acted 15 Feb. 1779]. Morning Herald, 19 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #318 5s. 6d

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Afterpiece Title: The Reprisal; or, The Tars of Old England

Song: In the course of 3rd piece: The Mid Watch, Rule Britannia-Incledon; and to conclude with God save the King in Full Chorus-

Event Comment: Benefit for Mrs Goodall and Mrs Bland. [In mainpiece the playbill retains Kemble as Beverley , but "Kemble being ill, Whitfield played Beverley" (Thespian Magazine, June 1793, P. 3).] Morning Herald, 4 May: Tickets to be had of Mrs Goodall, No. 13, Russel-street, Covent-Garden; of Mrs Bland, No. 12, St. Albans-street, Pall-Mall. Receipts: #432 4s. (74.19.0; 40.1.6; 7.8.0; tickets: 309.15.6) (charge: #169 10s. 8d.)

Performances

Mainpiece Title: At King's All In The Wrong

Afterpiece Title: No Song No Supper

Event Comment: Benefit for Incledon. 2nd piece [1st time; M. INT 1. For indication of scenes see 24 May]. Morning Herald, 25 Apr.: Tickets to be had of Incledon, No. 12, Bow-street, Covent-Garden. Receipts: #469 16s

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Sailor's Festival; or, All Alive at Portsmouth

Afterpiece Title: Catherine and Petruchio

Dance: III: Hornpipe, as17920920

Song: End I: Black Eyed Susan-Incledon

Event Comment: Benefit for Mrs Clendining. The Poetry of the additional Songs [in 1st piece] by Peter Pindar, Esq. [pseud. for John Wolcot]. Morning Herald, 27 Apr.: Tickets to be had of Mrs Clendining, No. 19, Martlett-court, Bow-street, Covent-garden. "Mrs Clendining's endeavours to entertain were successful, and Fitzroy by Incledon gave a rich feast to the musical amateur. The air beginning, 'Dear Tom, this brown jug,' had a fine effect by the music being omitted" (Diary, 18 May). Receipts: #273 17s

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Soldier's Festival

Afterpiece Title: The Poor Soldier

Music: End: a concerto of his own composition, on the Grand Piano Forte-King (1st appearance in public)

Event Comment: Benefit for Miss Chapman. Morning Herald, 3 May: Tickets to be had of Miss Chapman, No. 16, Henrietta-street, Covent-Garden. Receipts: #263 5s

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: A Divertisement

Music: End I 3rd piece: a sonata from Op. 2, by Clementi, on one of Longman and Broderip's newly invented Grand Piano Forte Harpsichords, by the celebrated-Master Field a Child of Nine Years Old

Entertainment: Monologue. As17930410

Event Comment: Benefit for Whitfield and Mrs Ward. Afterpiece [1st time; F 2, by-Fernside, for whose authorship see Kemble Mem., based partly on Love's Cure; or, The Martial Maid, probably by Philip Massinger. Incidental music by Richard Suett]. Public Advertiser, 15 May: Tickets to be had of Whitfield, under the Great Piazza; of Mrs Ward; No. 6, York-street, Covent-Garden. Morning Herald, 12 June 1793: This day is published The Female Duellist (1s.). Receipts: #469 13s. 6d. (51.4.0; 33.9.0; 8.4.0; tickets: 376.16.6) (charge: #158 17s. 2d.)

Performances

Mainpiece Title: At King's A Trip To Scarborough

Afterpiece Title: The Female Duellist

Song: End: As on the pleasant banks of Tweed-Master Welsh

Event Comment: Benefit for Dignum and Mrs Powell. [Afterpiece in place of The Devil to Pay, advertised on playbill of 23 May.] Morning Herald, 23 May: Tickets to be had of Dignum, No. 25, New North-street; of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #510 1s. (54.13.6; 26.7.6; 3.17.0; tickets: 425.3.0) (charge: #160 5s. 10d.)

Performances

Mainpiece Title: At King's Twelfth Night

Afterpiece Title: The Mariners

Song: End II: The Lucky Escape-Dignum; End IV: Primroses deck the banks (composed by Linley? Sen.)-Master Welsh; End: Fair Rosale-Master Welsh

Event Comment: Benefit for Marshall and Mrs Harlowe. Tickets delivered for the 5th of June will be admitted. Morning Herald, 1 June: Tickets to be had of Marshall [for 5 June], No. 17, Crown-court, Bow-street, Covent-Garden; of Mrs Harlowe, No. 54, Drury-Lane. Receipts: #378 13s. 6d

Performances

Mainpiece Title: Columbus

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck

Song: End of 1st piece: Dibdin's song; The Lucky Escape; or, The Ploughboy's Return from Sea in character-Mrs Harlowe; End of 2nd piece: Sally in our Alley-Marshall; In 3rd piece: Farewell to old England dear Mary adieu-Incledon; Rule Britannia-Marshall, full Chorus; In the course of the Evening: Black eyed Susan-Incledon

Event Comment: Benefit for Mrs Goodall. Morning Herald, 26 July: Tickets to be had of Mrs Goodall, No. 3, Great Russel-street, Covent-garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Citizen

Event Comment: Benefit for Johnstone. Morning Herald, 22 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Agreeable Surprise

Song: In: As17930720 End: The Row-Johnstone; End II: The Land of Potatoes-Johnstone

Event Comment: Benefit for Benson. Morning Herald, 14 Mar.: Tickets to be had of Benson, No. 7, Brydges-street, Covent Garden

Performances

Mainpiece Title: Rosina

Afterpiece Title: MY GRANDMOTHER

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: Benefit for Miss Poole. 3rd piece: Not acted these 6 years [acted 5 May 1790). Morning Chronicle, 7 Apr.: Tickets to be had of Miss Poole, No. 18, Charles-street, Covent Garden. Receipts: #206 12s. (102/8/0; 4/17/6; tickets: 99/6/6)

Performances

Mainpiece Title: Everyone Has His Fault

Afterpiece Title: THE SAILOR'S FESTIVAL

Cast
Role: Gardener Actor: Milburne

Afterpiece Title: THE TWO MISERS

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

Event Comment: Benefit for Johnstone. 1st piece [1st time; M. INT 1, by John Cartwright Cross. Text Q. Roach, 1794). For music see 1 May]. 2nd piece: For that night only, by Permission of George Colman, Esq. Jun.; Never (previously] performed here. 3rd piece: For this night only, by Permission of George Colman, Esq. Jun. [holder of copyright of both pieces]. Morning Chronicle, 7 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #333 8s. 6d. (146/2/0; 5/17/6; tickets: 181/9/0)

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship; Or, An Escape From France

Afterpiece Title: THE LONDON HERMIT; or, Rambles in Dorsetshire

Afterpiece Title: THE SON-IN-LAW

Event Comment: Benefit for Mrs Mattocks. By Desire of his Excellency the Ambassador [Yussuf Adijah Effendi] from the Sublime Porte. Morning Chronicle, 19 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russel-street, Covent Garden. Receipts: #362 15s. (226/13; 13/1 3; tickets: 122/9)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: THE SOLDIER'S FESTIVAL; or, The Night before the Battle

Performance Comment: To open with a Favorite Overture. The Royalist's March (composed by James Worgan). General Wolfe's favorite song, How stands the Glass around, by Incledon. The Siege of Troy by Johnstone. How merrily we live that Soldiers be by Incledon, Richardson, Johnstone. Hark! the Drum beats to Arms!, a new song, by Incledon, and Glee, with a Full Chorus (composed by James Worgan). To Arms and Britons strike home (composed by Purcell) by Incledon, Richardson, Follett, Blurton, Linton, Rees. To conclude with an exact Representation of the Siege of Quebec, and the Death of General Wolfe. General Wolfe-Cranfield .

Afterpiece Title: THE SPRIGS OF LAUREL

Event Comment: Benefit for Bernard. 1st piece [1st time; M. PREL 1]: With the Storming of the Fort, and a View of the Fleet and Harbour. In which will be introduced the Grand Ceremony of the Enemy's Surrendering the Colours, and Marching out before the British Troops. The whole (including Dances) got up entirely under the direction of Byrn. Morning Herald, 13 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton Garden. Receipts: #249 8s. 6d. (83/9/6; 7/19/6; tickets: 157/19/6)

Performances

Mainpiece Title: The Fall Of Martinico; Or, Britannia Triumphant

Afterpiece Title: THE BELLE'S STRATAGEM

Afterpiece Title: THE HIGHLAND REEL

Dance: In Act IV of 2nd piece a Masquerade, in which a Minuet by Mrs Pope and Byrn

Song: In Masquerade Old Towler by Incledon; End of 2nd piece A Catalogue of Plays and Farces; or, a Love Letter from Dick Ranter to Kitty Sprightly, to an old Tune, by Bernard; After which Sally in our Alley by Incledon

Event Comment: Benefit for Mrs Clendining. At the Special Desire of his Excellency the Turkish Ambassador [see 7 May]. 3rd piece: Engagement, etc. as 26 May, but Moving Figures not specified. Morning Herald, 26 May: Tickets to be had of Mrs Clendining, No. 5, Bow-street, Covent Garden. Receipts: #301 10s. (136/3; 6/12; tickets: 158/15)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: ROSINA

Afterpiece Title: THE SHIPWRECK

Cast
Role: Gardener Actor: Hawtin
Event Comment: Benefit for Powel, Thompson, Rock & Mrs Henley. [3rd piece in place of THE SHIPWRECK, advertised on playbill of 10 June.) Morning Herald, 11 June: Tickets to be had of Rock, No. 4, Martlett-court, Bow-street, Covent Garden [other recipients not listed). Receipts: #295 13s. 6d. (54/10/6; 10/19/0; tickets: 230/4/0)

Performances

Mainpiece Title: Columbus

Afterpiece Title: BRITISH FORTITUDE AND HIBERNIAN FRIENDSHIP

Cast
Role: Gardener Actor: Milburne

Afterpiece Title: THE WATERMAN

Music: End of 1st piece several favorite pieces of music on the Union Pipes by Courtney, accompanied on the Harp by Weippert

Song: 3rd piece: To conclude with Rule Britannia by Incledon

Event Comment: Afterpiece: End of Act I an exact Representation of the Engagement between the British and French Fleets on the First of June [1794]. The whole to conclude with a Grand Fire-Work, in honour of Earl Howe. Ladies and Gentlemen are respectfully requested to give peremptory orders to their servants to set down with their Horses Heads towards Drury-Lane, and to take up with the Horses Heads towards Covent-Garden. No Carriage can be permitted to stop the way after proper Notice given to the Company. Powell: Glorious First of June rehearsed at 11. Miss DeCamp came 10 minutes beyond the Time, Dignum 15 minutes, Miss Leak 20 minutes. Receipts: #328 13s. 6d. (271.11.6; 56.2.6; 0.19.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Glorious First of June

Song: In afterpiece: Choruses-Cooke, Danby, Lyons, Maddocks, Welsh, Mrs Bramwell, Miss Granger, Miss Chatterley

Event Comment: Principal Instrumental Performers-C. Ashley, Bridgtower, Archer, Harvey, Sarjant, Mahon, Boyce, Cantelo, Parkinson, Taylor, J. Sharp, Lavenu, Napier, Simpson, the Flacks, Purney, Seutze, Gwilliam, Monro, Wood, Warren, Woodham, Francis, M. Sharp, &c. Organ by J. Ashley. Double Drums by R. Ashley. The Chorusses will be numerous and compleat, and the Orchestra will consist of upwards of Two Hundred Performers. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places to be taken, and Tickets for the Boxes may be had of Brandon at the Office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. [This performance was originally advertised to take place at the Pantheon, Oxford-street, but "The routed Host of Harmonists, driven from their new works in Oxford-road, hastily encamped last night [at Covent Garden]. Their performance...went off as might be expected from a scanty band, thus collected, without any previous rehearsal" (Morning Herald, 21 Feb.). The Pantheon had been destroyed by fire in January 1792. Work on its reconstruction had only recently been begun, and Was still not completed. It was reopened with a masquerade on 9 April 1795, the "usual licenses being now fully renewed and established" (Morning Herald, 9 Apr.).

Performances

Mainpiece Title: A Grand Selection 0 Main Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3