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We found 4551 matches on Event Comments, 828 matches on Performance Title, 705 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Mainpiece [1st time; C 5, based on Le Dissipateur, by Philippe Nericault, dit Destouches. Authors of Prologue and Epilogue, and speaker of Epilogue, unknown]: Written by the late Samuel Foote Esq. [The attribution to Foote is dubious.] Afterpiece [1st time in London; MF-2. See CG, 28 Mar. 1778]: Now acting in Dublin with applause; written by [i.e. altered from, by T. A. Lloyd] the author of Love in a Village, &c. &c

Performances

Mainpiece Title: The Spendthrift Or The Female Conspiracy

Performance Comment: Principal Characters by Reilly, Dutton, Moss, Horwell, Lloyd, Mendez, Swords; Miss Villiers, Miss Blaney, Miss Wood, Miss Carne, Mrs Read, Mrs Hyam. [Text, in The Comic Theatre, Vol. I (Dryden Leach, 1762), lists the parts: Cleon, Moneylove, The Baron, Count Raveline, The Marquis, Justice Florid, Picquet, Pasquin; Julia, Belinda, Arsinoe, Araminta, Belisa, Finesse.] Occasional Prologue spoken by Davis and a Lady in the character of Taste. New Epilogue .

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

Event Comment: [Cooper, who was from the Stockport theatre, is identified in Genest, VII, 263.] Afterpiece: 1st Time at this Theatre [1st acted at cg, 23 Apr. 1783]. "We do not think Cooper's caution, on approaching the platform [in I. iv], either natural or characteristic...Of course he would not peep about, as if appalled at his own shadow...It has been usual with performers in this scene to walk to and fro, on the stage, and certainly the effect is improved by it" (Monthly Mirror, Dec. 1795, p. 48). Receipts: #221 9s. 6d. (220.14.6; 0.15.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Ghost

Song: In V: a Dirge- [set to Music by Shield. The Words from Shakespeare [see17931009]; Vocal Parts-Mrs Martyr, Mrs Clendining, Miss Stuart, Mrs Watts, Mrs Lloyd, Mrs Blurton, Miss Walcup, Mrs Masters, Mrs Norton, Mrs Follett, Mrs Castelle, Miss Ives, Miss Leserve, Haymes, Street, Linton

Performance Comment: The Words from Shakespeare [see17931009]; Vocal Parts-Mrs Martyr, Mrs Clendining, Miss Stuart, Mrs Watts, Mrs Lloyd, Mrs Blurton, Miss Walcup, Mrs Masters, Mrs Norton, Mrs Follett, Mrs Castelle, Miss Ives, Miss Leserve, Haymes, Street, Linton.
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Event Comment: Benefit Delane. Mainpiece: As written by Shakespear. Tickets deliver'd for Monday the 9th will be taken. Tickets to be had of Delane at his lodgings at the Unicorn in New Exchange Row in the Strand. Places of Hobson at the stage door. There is now in rehearsal at the Theatre Royal [dl] and speedily will be acted, a new Petit Piece in imitation of that species of writing on the French Theatre call'd The Suspicious Husband Criticiz'd; or the Plague of Envy (General Advertiser). [A Folger edition of 1750 entitled Chorus for Shakespear's Tragedy of King John lists songs by Sullivan, Mrs Lampe, Mrs Storer, and Mrs Mozeen; the play had no other performance at a London theatre in the interim between 1747 and 1750.

Performances

Mainpiece Title: King John

Afterpiece Title: The Dragon of Wantley

Dance: As17470314

Event Comment: [For the King (Cross). With New Music, Scenes, Machines, Habits, and other Decorations. Compos'd by Mr Noverre. All our Dancers appear. A good deal of hissing & Clapping & some Cries of No french Dancers; a great clapping too-the Dance is fine-(Mr Delaistre is a good Dancer) (Cross). [See for details of preparation, importation of dancers, especially of M Delaistre, The Chevalier Noverre, Father of Modern Ballet, Deryck Lynham (London, 1950), pp. 26-40. See also advertisement in Public Advertiser: 'Mr Noverre, whose entertainments of Dancing have been celebrated in almost all the courts of Europe, exhibits this evening his Chinese Festival at the Theatre Royal in Drury Lane, in pursuance of a contract made above a year ago with the managers of the said theatre: The Insinuation that at this time, an extraordinary number of French dancers are engaged, is groundless, there being at Drury Lane at present as few of that nation, as any other theatre now has, or perhaps ever had. Mr Noverre and his brothers are Swiss, of a protestant family in the Canton of Berne, his wife and her sisters Germans; there are above sixty performers concerned in the entertainment; more than forty of which are English, assisted only be a few French (five men and four women) to complete the Ballet as usual. As the intention of the Managers on this occasion is to give Variety to Entertainments of the town, it is not doubted it will meet with public approbation.'] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: New Grand EntertainmentThe Chinese Festival

Event Comment: By His Majesty's Company. At the Theatre Royal in the Haymarket [repeated in all bills] will be performed, by particular Desire, a Comedy...Places to be taken of Mr Jewel, at the Theatre. 7 p.m. [Repeated in the bills.] The house has been altered, as there was formerly but one gallery. [Miss Ogilvie was the young gentlewoman.] Went at 5:30 (before ye doors were open) to Foote's new Theatre in ye Haymarket which was open for ye first time tonight, and is very neatly fitted up. Got a good place in ye Pit...a very humorous Prologue in Prose by J. Palmer as Snarl a writer of Political Letters for the newspapers. Weston as Laconic a newspaper poet--Foote as Manager and Scaffold ye Builder (ye real one of ye house as some said)...in Smirk (Foote) took off Langford to a hair, not forgetting his son's affair with Dr Chauncey. Shift and ye Epilogue as Dr Squintum by Bannister, who took off Holland, Dodd, Moody, and Champneys surprisingly well...The house pretty full. York there awhile (Neville MS Diary)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick-Johnstone; Fitzroy-Bannister; Dermot-Incledon (from the Theatre Royal, Bath; 1st appearance on this stage); Father Luke-Rock; Bagatelle (with a song in character)-Marshall (from the Theatre, Birmingham; 1st appearance at this theatre); Darby-Ryder; Kathlane-Mrs Martyr; Norah-Mrs Mountain.
Event Comment: Advance broadside of 7 Apr.: The performance of Plays, in this Theatre, is unavoidably postponed on account of the extent of the Preparations for compleating the Scenery and Machinery in a Style suitable to the Theatre. But at the Request of Numbers of Ladies and Gentlemen, who have hitherto been disappointed of Places, there will be this Week Four Performances of Grand Selections of Music and Oratorios . . . After Saturday the Theatre will close till Compleat for Dramatic Representations. Receipts: #525 12s. 6d. (515/12/6; tickets: 2/2/0; 7/18/0)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

Event Comment: [Mainpiece in place of The Earl of Essex, advertised on playbill of 23 Dec.] Afterpiece [1st time; P 1]: Composed, prepared and directed by Mark? Lonsdale. With new Music, Scenery, Machinery, Dresses and Decorations. The Dances by Byrn. The Music partly composed new by Shield [the printed score (Preston and Son [1794]) contains rest of new music, by Aylward , Atterbury, Spofforth, Howard, with overture by Gretry (from Evenements Imprevus)]; the rest selected by Goodwin from the works of Haydn, Aylward, Baumgarten, Boccherini, Pleyel, Gluck, Reeve, Dr Arne, Ware, Leffler Jun. & Spofforth. The Scenery (with very few exceptions) expressly designed and executed by Richards, Walmsley, Phillips, Lupino Jun. and Hodgins; assisted by Byrne, Holland, Thorne, Hollogan and others. The Dresses under the direction of Dick. Books of the Songs to be had at the Theatre. Receipts: #286 1s. (270.8; 15.13)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Mago and Dago or Harlequin the Hero

Performance Comment: Vocal Characters-Bernard, Gray, Street, Linton, Mrs Martyr; Harlequin-Byrn; Clown-Follett; Dago-Farley; Mago-Richardson; Father to Columbine-Hawtin; Zany-Simmons; Columbine-Mme Rossi; Seraphil-Mrs Martyr; I. The Cave of Magov. The Meeting of Fantastic Spirits-the Arrival of Mago-his Address to Seraphil-Richardson; II. Dago's Cavernv. The Magic Concerto-the Phantom of Harlequin-the escape of Columbine. III. A Mountainous Snow Scenev. The Drift of Snow-the Preservation of Columbine, and the Re-animation of the frozen Harlequin. Song by Seraphil-Mrs Martyr; IV. A Romantic Summer Viewv. It blows Hot and Cold-a Storm-an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard; XI. The Trap-Ball Groundv. The Humours of the Whirligig-one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street; XVII. A Sketch from Naturev, which changes to A Flemish Fetev, from Teniers. A Throw with the dice-Seven's the Main-Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Cast
Role: Vocal Characters Actor: Bernard, Gray, Street, Linton, Mrs Martyr
Role: The Trap Actor: Ball Groundv. The Humours of the Whirligig-one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: The Humours of the Whirligig Actor: one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: one below sees all Actor: the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: the ups Actor: and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: and Actor: downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: Harlequin in the dumps Actor: Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: and Ram's Actor: horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: Milliners' Work Actor: Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: The Knight of the Band Actor: box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: box overcome Actor: Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: Harlequin's jump thro' a Cloak Actor: and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: The Transformation of the Band Actor: boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: boxes Actor: the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: Columbine turned Fidler Actor: Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: Every one their Hobby Actor: Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: The Tinker's Glee Actor: Gray, Linton, Street
Role: A Throw with the dice Actor: Seven's the Main-Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Seven's the Main Actor: Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Dago's Triumph Actor: Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Friends are faithless Actor: The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: A new Game of Gards Actor: the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: the odd Trick Actor: Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Fortune's a Jilt Actor: a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: with a Song in Character Actor: XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: A Puzzle for the Pursuers Actor: Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Jack in the Green Actor: Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Mirth in full Measure Actor: the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: the Cream of the Jest Actor: the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Not at Home Actor: the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: the Clown in the Pig Actor: stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: stye Actor: Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Miss in the Dumps Actor: Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Papa in a Passion Actor: all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Event Comment: Benefit for Lewis. 1st piece: By Permission of the Author and positively for that Night only [see 27 Apr.]. 2nd piece [1st time; M. INT 1, by John Cartwright Cross]: The Music composed by Reeve. The Scenery and Machinery by Phillips, Lupino, &c. Books of the Songs to be had at the Theatre, & of Mr Barker, Vinegar-Yard. Morning Herald, 3 May 1798: This day is published The Raft (1s.). Times, 22 Mar.: Tickets to be had of Lewis, No. 6, Bow-street. Receipts: #412 6s. 6d. (273.16.0; 2.17.0; tickets: 135.13.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft or Both Sides of the Water

Performance Comment: Principal Characters by Johnstone, Townsend, Waddy, Farley, Simmons, Wilde, Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Martyr. Cast from text (J. Barker, 1798): O'Bowling-Johnstone; Rivers-Townsend; Chip-Waddy; Drunken French Gaoler-Farley; Busy-Simmons; Monsieur Machine-Wilde; Countrymen, French and English Soldiers, Sailors-Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Noble; Countrywomen-Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Iliff; Fanny-Mrs Martyr.

Afterpiece Title: Lovers Quarrels

Song: In III 1st piece: a song-Incledon

Event Comment: Rich's Company. Post Boy, 27-29 April 1699: Her Royal Highness is this day pleased to see the Opera, call'd The Island Princess, Performed at the Theatre Royal by her own Command

Performances

Mainpiece Title: The Island Princess

Event Comment: Written by Sir John VanBrugh. Last night their Royal Highnesses the Prince and Princess of Wales, Prince George and Prince Edward were at the Theatre Royal in Covent Garden to see the Comedy of Aesop and the Rape of Proserpine.-London Daily Post and General Advertiser

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit Arne. Tickets to be had of Arne next door to the Crown in Great Queen St., by Lincoln's Inn Fields; at St. James's Coffee House; at Nando's Coffee House, Temple Bar; and at Mr Simpson's Music Shop in Sweeting's Alley near the Royal Exchange, and places taken of Hobson at the Stage Door where tickets may also be had. -General Advertiser. Last night, at the Theatre Royal in Drury Lane was perform'd King Pepin's Campaign, with great applause. The Music is said to be inimitable in its way. -Daily Advertiser, 17 April

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: King Pepins Campaign

Song: I: Gentle Shepherd-Mrs Arne

Dance: II: Muilment

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Lee; Johnson-Young Gentleman, first appearance on any stage; Smith-Casey; Prince Volscius-Keasberry, from the Theatre Royal in Bath; Prince Prettyman-Loveman; Gentleman Usher-Vandermere; Physician-Graham; Drawcansir-Hamilton; Tom Thimble-Brownsmith; Chloris-Mrs Graham; also a Grand Battle-Mr Bayes new rais'd Regiment of Horse.

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Philips, from Theatre Royal, Edinburgh, his first appearance upon this Stage (a Scholar of Dr Arne's); Thomas-DuBellamy; Dorcas-Saunders; Sally-Mrs Jewell.

Dance: TThe Cowkeeper-Master West, Miss West

Event Comment: Between the Play and the Afterpiece an Interlude of Singing and Dancing not performed these thirty years. [For comment on this revival, see Town and Country Magazine (from Theatre No XXII) p. 593.

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: True Blue or The Press Gang

Afterpiece Title: Harlequin Skeleton

Performance Comment: Harlequin-Lewes; Chasseur Royal-Barnshaw; Merlin-Legg; Diana-Mrs Baker; Doctor-Banks; Colombine-Mrs Dyer; Pierrot-Morris.
Cast
Role: Chasseur Royal Actor: Barnshaw
Event Comment: Mainpiece: Not Acted these 2 Years. [See 6 May 1771.] Paid Mrs Yates, the Balance of the Author's 3 Nights of Zobeide #237 19s. Paid one year's Rector's Rate for theatre due Xmas last #8 15s.; and Watch rate #17 10s. Paid one year's Rector's rate for House in Bow Passage 6s. 3d.; and watch for same 12s. 6d. Paid Mrs Keys for a gold and silver sack coat #14 14s. (Account Book). Receipts: #148 19s. 6d. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Skeleton

Performance Comment: As17720131, but Chasseur Royal-Reinhold; Mercury-Baker.
Cast
Role: Chasseur Royal Actor: Reinhold
Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Performances

Mainpiece Title: Jack Of Newbury

Performance Comment: Characters by Palmer, Kelly, Dignum, Suett, R. Palmer, Bannister Jun., Master Welsh, Phillimore, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. [Cast from Songs (C. Lowndes, 1795), and Larpent MS: Jack of Newbury-Palmer; Sir Murdock O'Connel-Kelly; Edgar-Dignum; Flaw-Suett; Crafts-R. Palmer; Knap-Bannister Jun.; Page-Master Welsh; Rowland-Phillimore; Dame Eleanor-Mrs Crouch; Emma-Sga Storace; Blanche-Miss Leak; Kathlane-Mrs Bland. [To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .

Afterpiece Title: The Triumph of Hymen

Afterpiece Title: Tit for Tat

Event Comment: Afterpiece [1st time; BALL. P 1, by James Byrne. MS of Songs only: Larpent MS 919; synopsis of action in Universal Magazine, Oct. 1791, p. 308]: Taken from Ossian. With new Music, Airs, Chorusses, new Scenery, Dresses, and Decorations. The Ballet composed by Byrne. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. The Scenery by Richards, Hodgins, Pugh, &c. &c. The Dresses by Dick. Books of the Songs, &c. to be had at the Theatre. [For Harp and Pipes see 24 Oct.] Account-Book, 22 Nov.: Paid Byrne for Oscar & Malvina #50; 8 Dec.: Paid Mad. St.Amand expenses from Paris to London #14 6s. 8d. Receipts: #182 16s. 6d. (177.13.6; 5.3.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Oscar and Malvina or The Hall of Fingal

Performance Comment: Characters in the Ballet-Byrne, Mlle St.Amand (from the Opera House, Paris; 1st appearance on this stage), and the rest of the Performers. Musical Characters by Munden, Darley, Marshall, Cubitt, Gray, Williamson, Linton, Tett, Kenrick, Little, Street, Mrs Mountain, Miss Broadhurst, Mrs Harlowe, Miss Stuart, Miss Barnett, Mrs Arnold, Miss Leserve, Mrs Martyr. Cast from Songs (T. Cadell, 1791): Oscar-Byrne; Carrol-Follett; Morven-Farley; Draco-Cranfield; Fingal-Blurton; Dermoth-King; Malvina-Mlle St.Amand; Pedlar-Munden; Farmer-Cubitt; Bards, Peasantry-Darley, Marshall, Gray, Williamson, Mrs Mountain, Miss Broadhurst, Miss Stuart, Mrs Martyr; Linton, Tett, Kenrick, Little, Street, Mrs Harlowe, Miss Barnett, Mrs Arnold, Miss Leserve. Linton, Tett, Kenrick, Little, Street, Mrs Harlowe, Miss Barnett, Mrs Arnold, Miss Leserve.

Song: II: song-Incledon

Event Comment: Mainpiece [1st time; CO 3, by Henry Bate]: With new Music, Scenes [by Richards, Hodgins, Walmsley (Morning Herald, 24 Feb.)] and Dresses. The Music composed by Shield. The Dances by Byrn. Books of the Songs to be had at the Theatre. Morning Chronicle, 20 Mar. 1794: This Day is published THE TRAVELLERS IN SWITZERLAND (1s. 6d.) The Doors will be opened at 5: 30, and the Performances begin at 6: 30, for the remainder of the Season. Receipts: #292 2s. 6d. (288/9/6; 3/13/0)

Performances

Mainpiece Title: The Travellers In Switzerland

Performance Comment: Principal Characters by Quick, Johnstone, Munden, Blanchard, Fawcett, Townsend, Richardson, Rock, Thompson, Linton, Street, Rees, Abbot, Incledon//Mrs Mattocks, Mrs Martyr, Miss Poole, Miss Hopkins, Mrs Henley, Mrs Castelle, Mrs Clcndining. [Cast from text Q. Debrett, 1794): Daniel-Quick; Dorimond-Johnstone; Mr Sidney-Munden; Robin-Blanchard; Count Friponi-Fawcett; Fisherman-Townsend; Serjeant-Richardson; Sir Leinster M'Loghlin-Rock; Swiss Burgher-Thompson; Landlord-Linton; Miss Somerville's Servant-Street [in text: Blurton]; Freebooters-Rees, Abbot; Dalton-Incledon//Lady Philippa Sidney-Mrs Mattocks; Nerinda-Mrs Martyr; Miss Somerville-Miss Poole; Shepherdess-Miss Hopkins; Margery-Mrs Henley; Lady's Maid-Mrs Castelle [in text: Mrs Blurton]; Julia-Mrs Clendining.] hathi. hathi.

Afterpiece Title: THE DEAF LOVER

Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood or Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Event Comment: 2nd piece [1st time; MF 2, by Prince Hoare]: The Music principally composed by Shield [and selected from Paisiello]. The Overture by W. Parke. Books of the Songs to be had at the Theatre. 3rd piece: Representation of the Indian Manner, &c., as 26 Oct. 1795. Account-Book, 22 Feb.: Paid Hoare in full for Lock & Key #210. Receipts: #197 10s. (195.6; 2.4)

Performances

Mainpiece Title: The Days Of Yore

Afterpiece Title: Lock and Key

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Knight, Linton, Street, Gray, Mrs Serres, Mrs Castelle, Mrs Norton, Miss Kirton, Mrs Martyr. Cast from text (T. N. Longman, 1796), and playbill of 16 Sept. 1796: Cheerly-Incledon; Brummagem-Munden; Ralph-Fawcett; Capt. Vain-Knight; Servants and Sailors-Linton, Street, Gray; Laura-Mrs Serres; Selina-Mrs Castelle [in text: Mrs Platt]; Dolly-Mrs Norton; Fanny-Mrs Martyr; unassigned-Miss Kirton.

Afterpiece Title: The Shipwreck

Dance: As17951031

Event Comment: Mainpiece [1st time: CO 3, by Joseph George Holman. Text: George Cawthorn, 1796]: The new Music composed by Shield. The Selections from Gretry, Giornovichi, Jackson, and Mahon. The new Scenery painted by Richards. Books of the Songs to be had in the Theatre. Oracle, 7 Dec. 1796: Tomorrow will be published Abroad and at Home (2s.). Receipts: #220 9s. (219.2; 1.7)

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: Principal Characters by Quick, Incledon, Johnstone, Munden, Fawcett, Murray, Bowden, Knight, Waddy, Davenport, Lee, Claremont, Simmons, Linton, Gray, Street, Mrs Martyr, Mrs Knight, Mrs Second. Cast from Airs (T. N. Longman, 1796): Sir Simmon Flourish-Quick; Harcourt-Incledon; Captain O'Neil-Johnstone; Old Testy-Munden; Young Flourish-Fawcett; Monsieur Grand Pas-Murray; Bluff-Bowden; Young Testy-Knight; Snare-Waddy; Folio-Davenport; Mahogany-Lee; Gamester-Claremont; Dicky-Simmons; Bailiffs-Linton, Gray, Street; Keeper-Thompson; Follower-Blurton; Sir Simon's Servant-Curties; Servant-Abbot; Kitty-Mrs Martyr; Lady Flourish-Mrs Knight; Miss Hartley-Mrs Second.
Cast
Role: Bailiffs Actor: Linton, Gray, Street

Afterpiece Title: The Deaf Lover

Performance Comment: Meadow-Munden; Old Wrongward-Powel; Young Wrongward-Macready; Canteen-Claremont; Groom-Simmons; John-Thompson; Sternhold-Street; James-Farley; William-Abbot; Bob-Lee; Cook-Follett; Sophia-Miss Chapman; Maid-Mrs Watts; Betsey Blossom-Mrs Martyr.
Cast
Role: Sternhold Actor: Street
Event Comment: 2nd piece [1st time; M. ENT 1, but printed in 2, by George Nugent Reynolds]: With new and appropriate Scenery by Phillips, &c. The new Music by Reeve. Books of the Songs and Chorusses to be had in the Theatre. [This piece is based on the attempt of the French navy to make a landing in Bantry Bay on 24 Dec. 1796.] Receipts: #293 5s. 6d. (284.5.6; 9.0.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Cast
Role: Waiters Actor: Simmons, Street

Afterpiece Title: Bantry Bay

Performance Comment: Principal Characters-Johnstone, Murray, Townsend, Haymes, Claremont, Gray, Linton, Street, Mrs Clendining. [Cast from text (Richard White, 1797). and Monthly Visitor, Feb. 1797, p. 165: O'Laughlin-Johnstone; Justice-Murray [in text: Hull]; Lieut. Hamilton-Townsend; Capt. Broadside-Haymes [in text: Incledon]; Patrick-Claremont; Nelly-Mrs Clendining; [The text adds Shaneen O'Shee-Waddy; M'Huckaback-Powel; La Jeunesse-Farley; Louisa-Mrs Mountain; Principal Characters-Gray, Linton, Street; Irish Peasants-Delpini, Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, Kenrick, J. Linton, Thomas, Oddwell, Cooke, Everett, Philipps, Cranfield, Rayner, Wilde, [J.] Lee, Mrs Gilbert, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mlle St.Amand.J.] Lee, Mrs Gilbert, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mlle St.Amand.

Afterpiece Title: The Ghost

Event Comment: Mainpiece [1st time; CO 3, by Prince Hoare. Larpent MS 1159; not published; synopsis of plot in Universal Magazine, May 1797, p. 364]: Overture and rest of Music composed and selected by Shield. Harp by Weippert. The new Scenery by Richards. Books of the Songs to be had in the Theatre. Receipts: #172 10s. 6d. (169.6.6; 3.4.0)

Performances

Mainpiece Title: Italian Villagers

Performance Comment: Principal Characters-Quick, Incledon, Munden, Fawcett, Murray, Knight, Hull, Farley, Simmons, Abbot, Gray, Mrs Mountain, Mrs Clendining, Mrs Henley, Mrs Castelle, Mrs Martyr. Cast from Airs (T. Rickaby, 1797): Saveall-Quick; Lorenzo-Incledon; Jeremy Maythorn-Munden; Valentine-Fawcett; Duke of Urbino-Murray; Hilary-Knight; Octavio-Hull; Marco-Farley; Premiss-Simmons; Moro-Abbot; Lawyer's Clerks-Gray, Street, Linton; Isabel-Mrs Mountain; Lucilla-Mrs Clendining; Rodriga-Mrs Henley; Flora-Mrs Castelle; Annetta-Mrs Martyr; Chorusses-Gray, Linton, Street, Thomas, Oddwell, J. Linton, Everett, Lee, Curties, Blurton, Mrs Gilbert, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Norton, Mrs Blurton, Mrs Masters, Mrs Lloyd, Miss Walcup, Miss Burnett, Miss Owen, Miss Gray.

Afterpiece Title: The Farm House