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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Norwich"/1) | (@(roleclean,performerclean) "Theatre Royal Norwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4324 results for: Keyword - Theatre Royal, Norwich
We found 3360 matches on Event Comments, 728 matches on Performance Title, 475 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3101
31 January 1754 @ Haymarket Theatre

Event Comment: Words as wrote by Congreve; musick-Philidor. Pit and Boxes 5s. Gallery 3s. The Theatre will be kept warm until the Company comes. To begin at 6:00 p.m

Performances

Mainpiece Title: The Power Of Harmony

3102
12 February 1754 @ Covent Garden

Event Comment: Benefit for Cibber. Mainpiece: Reviv'd. Tickets at the Stage Door of the Theatre

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: The Mock Doctor

Dance: Granier, Mlle Camargo

3103
01 March 1754 @ Covent Garden

Event Comment: Box and Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. 6d. Pit and Boxes will be put together and no persons to be admitted without tickets, which will be delivered this day at the Office in the Theatre. Galleries opened at half an hour after Four. Pit and Boxes at Five. To begin at Half past Six

Performances

Mainpiece Title: Alexander Balus

3104
28 March 1754 @ Haymarket Theatre

Event Comment: Benefit Decay'd and Antient Masons. The Brothers are desir'd to meet at the Day of Performance at the Five Bells Tavern in the Strand, at 4 p.m. Tickets to be had of Mr Lauder at the Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

3105
02 April 1754 @ King's Theatre

Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Performances

Mainpiece Title: Didone

3106
06 May 1754 @ Covent Garden

Event Comment: Benefit for White, Treasurer. No building on stage. Particular care will be taken to prevent any tickets sold at the doors of the theatre being admitted

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Contrivances

Dance: AA Peasant Dance-Cooke, Miss Hilliard; The Italian Peasants, as17531120

3107
15 May 1754 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Performances

Mainpiece Title: The Messiah

Performance Comment: [Deutsch, Handel, pp. 750-52, lists 33 musicians, 18 singers, five servants, plus a number of organ blowers, porters, and constables who put on this performance. Among the singers the following from the theatres and the opera performed: Beard, Giulia Frasi, Sga Galli, Christina Passerini, Wass, Baildon, and Baildon Jr Champness, Wilder, Dupre, Walz, Cox, and Legg.]

3108
04 July 1754 @ Haymarket Theatre

Event Comment: The Dances, Music, Dresses, Scenes and other Decorations entirely new. The House to be illuminated with Wax candles, and particular care taken to keep it cool. The Performance by Particular Desire. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 7:00 p.m. Places for Boxes will be taken at the Theatre. [Prices, places, and opening time repeated.

Performances

Mainpiece Title: The British Roratory; Or, Mrs Midnight's New Carnival Concert

Music: Will be introduced a NewConcerto for the Tambour de Basque-; accompanied with the Original Jews@Harp-; the Hurdy Gurdy-

Dance: DDancing-Banbaregines, Rerriminonies (just arived from +Piemons); End Concert: a New British Dance, The Cassey-a company of Lilliputians; to which will be added a new Entertainment of Music and Dancing-a company of Lilliputians just arrived, being their first time of performing in +England

3109
08 August 1754 @ Haymarket Theatre

Event Comment: By Particular Desire. The Dirge will be presented and given gratis at the Theatre

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert

Dance: As17540806; in which will be introduced a solemn Procession to the Monument of the Lunns-; Prologue-Carpentier. [All dancing reduced to this one.

3110
14 September 1754 @ Drury Lane Theatre

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage Door of the Theatre. No persons to be admitted behind the scenes, nor any money to be returned after the Curtain is drawn up. [Notice repeated throughout the season.] Receipts: #100 (Cross)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and the Miller of Mansfield

Song: III: The School of Anacreon-Beard

3111
16 September 1754 @ Covent Garden

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin exactly at Six o'clock. Places for the Boxes to be taken of Mr Crudge at the Stage Door of the theatre. [Customary notice for succeeding bills.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

3112
20 September 1754 @ Covent Garden

Event Comment: [The Public Advertiser includes this day a 78-line poem in octasyllabic couplets on J. Lewis's portrait of Mrs Woffington: @Her Shape, her Features, and her Dress@As far as colour can express@Friend Lewis' pencil has design'd:@Poet 'Tis yours to paint her mind...@ And the versifier proceeds to describe her as she affects audiences in the theatre.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Contrivances

3113
21 September 1754 @ Southwark Fair

Performances

Mainpiece Title: The Miser Outwitted; Or, Phelim In The Suds

Performance Comment: A company of comedians from the Theatre in Bath.

Dance: A Grand Dance in the British Manner-

3114
11 October 1754 @ Covent Garden

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-Shuter; Frederick-Gibson; Clerimont-Ridout; James-Collins; Decoy-Marten; Ramilie-Dyer; Mariana-Mrs Barrington; Harriet-Mrs Vincent; Mrs Wisely-Mrs Bambridge; Wheedle-Miss Ferguson; Lappet-Mrs Green (from the theatre in Dublin) in which character will be introduced the song of The Life of a Beau.

Afterpiece Title: The Lottery

3115
04 November 1754 @ Drury Lane Theatre

Event Comment: SSg and Sga Sabatini have prepared a New Dance in Comic characters, call'd Pandours, which will be performed at Drury Lane tomorrow. The Comedy call'd the Chances will be performed at the same theatre this week. The characters will all be New-Dress'd after the old Italian and Spanish manner. Receipts: #150 (Cross)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Queen Mab

Song: IV: The Original Song, O' Gentle Sleep (New Set)-Beard

3116
04 November 1754 @ Covent Garden

Event Comment: In a fews days will be reviv'd at Covent Garden, the Tragedy of Phaedra and Hippolytus, in which Mr Sheridan will perform the part of Theseus, and Mrs Woffington that of Phaedra. Sg Francel and Sga Rossina Balbi, two Italian Dancers, arrived on Friday last from the Court of Bareith in Germany, and are engaged to perform at the same theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Schoolboy

3117
09 November 1754 @ Covent Garden

Event Comment: Both pieces by His Majesty's command. [John Pringle wrote to Blayney Townley on 14 Nov.: Great are the disputes at present between the rival theatres, vieing with each other in different characters which afford unusual entertainment to all frequenting the stage. His Majesty on Saturday night paid his first visit to Covent Garden in perference to the opera at Drury Lane, when Lady Townley by Pegg Woffington gave him great pleasure, with the addition of unusual huzzas in a part of the Miller of Mansfield." -Historical MS Commission, 10th Report, Appendix, Part IV (London 1887), p. 257.

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The King and Miller

3118
18 November 1754 @ Covent Garden

Event Comment: Play a New Italian Burletta. The first performance in England. Libertto by Goldoni; Music by Galuppi (Loewenberg, Annals of Opera, p. 107). Books of the Opera will be sold at the theatre. Ladies send servants by half past three. Nothing but full prices will be taken during the performance

Performances

Mainpiece Title: L'arcadia In Brenta

3119
04 December 1754 @ Drury Lane Theatre

Event Comment: MMiss Haughton did second Constantia-Mrs Cibber gave it up-some days ago ($Cross). [Early in the next year was published The Devil upon Crutches in England; or, Night Scenes in London. By a Gentleman of Oxford. Chapter V gives a Short View of the Theatres including sharp criticism of 'the most barefaced bawdry Farce...that ever disgraced the stage, in which the Manager, who has caused it to be reviv'd, is to perform the principal part. The Play, Sir, is call'd the Chances...and this is the tenth night of its representation to crowded houses...Your fair country women...are fond of the most fulsome obscenity on the stage."] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Chances

Song: II: (By desire) The School of Anacreon-Beard

Dance: IV: The Shepherd's Holiday, as17541008

3120
23 December 1754 @ Haymarket Theatre

Event Comment: The contest finally determined between that Gentleman [the Inquisitor], Dr R-, and Tiddy Doll, and as it is presumed the election will fall upon Frontinbras, his investiture with the Inquisitorial dignity will be triumphantly executed, after the manner of a St Giles's Oration. [Macklin had dropped the contest, this night lecturing on the Constitution of the French and British Theatres, &c.

Performances

Mainpiece Title: Writ Of Inquiry

3121
27 January 1755 @ Southwark

Event Comment: At the New Theatre, Bowling Green, Southwark

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Harlequin Restored

Music: [Unspecified.

3122
29 January 1755 @ Haymarket Theatre

Event Comment: Compos'd by Sg Pergolesi. Benefit of the Managers of the Italian Company who played the Burlettas at Covent Garden Theatre this Season. Boxes 5s. Pit 3s. Gallery 2s. To begin at 7 p.m. Will be presented the Second Concert of Vocal and Instrumental Musick...Between the first and second part of the Concert will be given, gratis, an Italian Interlude, called, La Serva Padrona

Performances

Mainpiece Title: La Serva Padrona

Music: First violin-Marella; The rest-the best hands in town

3123
14 February 1755 @ Covent Garden

Event Comment: Pit and Boxes put together, and no persons to be admitted without tickets, which will be deliver'd this day at the Office in the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after four o'clock. Pit and Boxes at Five. To begin at exactly half an hour after Six

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Choice of Hercules

3124
12 March 1755 @ Covent Garden

Event Comment: This day publish'd at 3s. The Actor; or, A Treatise on the Art of Playing. A New Work written by the Author of the former [See dl 30 Oct. 1753]; and adapted to the present state of the Theatres. Containing impartial Observations on the Performance, Manner, Perfections, and Defects of: Garrick, Barry, Woodward, Foote, Havard, Palmer, Ryan, Berry, Mrs Cibber, Mrs Pritchard, Mrs Woffington, Mrs Gregory, Mrs Clive, Mrs Green, Miss Nossiter, Mrs Bellamy, &c., &c., in their capital parts. Printed for R. Griffiths

Performances

Mainpiece Title: Judas Macchabaeus

3125
14 March 1755 @ Drury Lane Theatre

Event Comment: The Oratorio is publish'd this evening and will be sold at the theatre. We can assure the Public, that Mrs Cibber is very much recovered from her late indisposition; and will certainly appear tomorrow night in the character of Belvidera in Venice Preserved for the benefit of Mossop. This day publish'd at 4s. Songs in the New English Opera call'd The Fairies. Composed by Mr Smith. Printed for J. Walsh

Performances

Mainpiece Title: Abel

Music: I: Concerto on the Violin-Degiardini; II: An Organ Concerto by Arne-Mr Arne Jun