SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Guidi"/1) | (@(roleclean,performerclean) "Signora Guidi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 317 matches on Performance Comments, 202 matches on Performance Title, 128 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Mrs Midnight's Concert And Oratory

Performance Comment: Bombasto, Signora Tambourina, Miss Karver, Miss Gaudry, a young Gentleman (1st appearance on the stage); Orations-Mrs Midnight; Instrumentals-the best performers With a band of originals, viz. Mynheer Broomsticado; Solo-Sg Twangdillo; and a Rhapsody on the Death of a late Noble Commander-Mrs Midnight.

Afterpiece Title: The Contest of Love and Glory

Event Comment: Benefit for Signora Mattei. The Poetry of the Cantata sets forth the glories of the British nation both in war and peace, shewing that Great Britain, in the present, as well as in former ages, doth vie with ancient Rome in its highest grandeur

Performances

Mainpiece Title: La Clemenza Di Tito

Afterpiece Title: La Gran Brettagna Emula Della Antica Roma

Event Comment: Benefit for Signora Frasi. The Managers of the Opera having fixed upon Thursday for the remaining part of the Season, as one of the Season, as one of the nights of performance, Sga Frasi is obliged to take this for her night when tickets delivered out for the 10th and 17th will be admitted

Performances

Mainpiece Title: The Messiah

Music: CConcerto on Organ-Stanley; Solo on Violin-Giardini

Event Comment: Benefit for Signora Calori

Performances

Mainpiece Title: Antigona

Song: Four new songs composed by Giardini

Event Comment: Music composed by Dr Arne. Pit and Boxes will be laid together at Half a Guinea, and no person to be admitted without Tickets, which may be had at Dr Arne's in the Piazza next the Church, Covent Garden, and of Varney at the Stage Door of the Theatre. First Gallery 5s. Upper Gallery 3s. 6d. [Information concerning this Oratorio appeared in the Public Advertiser, 23 Feb.. "on Saturday last the New Oratorio called Judith, composed by Dr Arne, to be at Drury Lane on Friday, was rehearsed at the House of a Lady of Quality, where was present a numerous Assembly of the First Distinction, who honoured it with the highest approbation. We are assured that in the Sacred Oratorio, Sg Tenducci has obtained Permission from his Plaintiff, to sing the part which Signora Eberhardi was so obliged as to understudy for him, in Case he could not obtain such Indulgence."

Performances

Mainpiece Title: Judith

Music: A Concerto on the Organ-

Event Comment: Benefit for Sg and Signora Paganini. A new Comic Opera. Purely Comic without any serious part in it. To begin at Six, Vivat Rex

Performances

Mainpiece Title: I Tre Gobbi Rivali

Dance: Gerhardi, Mlle Asselin, Giorgio Binety, Anna Binety, Miss Polly Capitani, Mr Tariot

Event Comment: To begin at half past six. [A note on Sat. 31 Oct. in The Public Advertiser indicates that Signora Mattei was having trouble getting enough subscriptions.

Performances

Mainpiece Title: Il Filosofo Di Campagna

Event Comment: Benefit for Signora Frasi. At the Great Room, Dean St. Tickets half a Guinea; Gallery 5s. Tickets delivered for 25 March will be taken. To begin at 6:30 p.m

Performances

Mainpiece Title: Judas Maccabaeus

Music: CConcerto on Organ-Stanley

Event Comment: A new Comic Opera, music by several celebrated Composers. With new Cloaths, new Decorations, and new Dances. Pit and Boxes put together, and no Persons to be admitted without Tickets, which will be delivered that Day, at half a Guinea each. Gallery 5s. By Their Majesties Command no Persons whatsoever to be admitted behind the Scenes, nor into the Orchestra. Gallery, Pit and Boxes will be opened at Five; To begin at 6:30. [Prices, terms of admission, and time repeated in subsequent bills.] Subscription Money to be paid to Andrew Drummond and Co. Bankers, or to Mr Crawford, Treasurer, for Silver t ickets. Signor Giardini the principal serious singer has arrived, and serious opera will begin as soon as possible (Public Advertiser). [Signora Mattei was again the promoter of Operas this season; Crawford the Treasurer.

Performances

Mainpiece Title: Il Tutore E La Pupilla

Event Comment: A new Opera, The Music entirely new, excepting in the three favorite Airs of Signora Mingotti

Performances

Mainpiece Title: Siroe

Dance: I: A Dance called The Turkish Coffee House-; II: A Tyrolese Wedding-; III: A New Dance-for Mr Duberval

Event Comment: Benefit for Signora Scotti

Performances

Mainpiece Title: Ezio

Song: New airs-Manzoli, Mrs Scotti

Event Comment: [Deferred from Saturday because of Indisposition of Signora Spagnolla.

Performances

Mainpiece Title: La Clemenza Di Tito

Event Comment: Benefit Signora Anna Zamperini, Prima Buffa

Performances

Mainpiece Title: L'innamorate Del Cicisbeo

Event Comment: Benefit Signora Radicati

Performances

Mainpiece Title: Gli Stravaganti

Dance: newly invented dance called% Il Cosacco-

Event Comment: Sga Campolini and Sg Guglielmi are extremely sorry that the New Dances intended to be performed this night are prevented on account of the indisposition of Sga Radicatti. The Poetry, taken from an old Book, is altered and adapted to the present Taste by Bottarelli; Music by Piccini. Benefit for Signora Campolini and Guglielmi. Scene Painters and Machinists-Bigari and Conti

Performances

Mainpiece Title: Sesostri

Performances

Mainpiece Title: Ezio

Performance Comment: As17700113 Signora Guglielmi the sixth time.
Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: Benefit for Signora Sirmen

Performances

Mainpiece Title: A Concert

Music: Concerto on Oboe-Fischer; Concerto on Violincello-Cirri; Concerto on French Horn-Ponta; Concerto on German Flute-Tacet; Solo-Sga Sirmen

Event Comment: Benefit Sig & Signora Guglielmi. Music by Guglielmi

Performances

Mainpiece Title: Le Pazzie D'orlando

Event Comment: Benefit for Lovattini. Signora Guglielmi not being ready with her part in La Buona Figliuola as proposed for the evening Lovattini is oblig'd to have Le Pazzie which he humbly hopes will be acceptable

Performances

Mainpiece Title: Le Pazzie D'orlando

Dance: I: Turkish Dance-Mlle Heinel, other principals; End Last Act: Admete and Alceste, as17720310

Event Comment: Mr G very fine-Voice clear to the last great Applause. House (Hopkins Diary). Ladies and Gentlemen requested to come early to prevent confusion. Rec'd Stopages #6 5s. 6d.; from Mr Clutterbuck #100; Paid salary list #494 18s. 6d.; Mrs Abington's cloaths acct #2; Mr S. French #1 10s.; Signora Vidini, 1 day in full of this season 16s. 8d. Receipts: #268 8s. 6d. (Treasurer#s Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Miss in Her Teens

Event Comment: Paid Watson and Mortimer (Boxkeepers) for the use of that office #10 and #15 respectively [this amount duly returned to the treasury on 11 June 1776]; J. Stevens (porter) 18s.; Mr Garrick's draft in favor of Signora Paccini #25 (Treasurer's Book). [J. Stevens, the porter's salary was a constant of 18s. per week for the season, ammounting to #33 6s. in all. No further mention of this item will be made.] Receipts: #243 16s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Note of Hand

Dance: I: The Schoolmaster-Como, Sga Crespi

Event Comment: A New Comic Opera. Music By Gazaniga, a Neopolitan Master. Benefit for Signora Sestini

Performances

Mainpiece Title: Alcina

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral-S. Vallouy, Mme Vallouy, Helm, Mlle Sophie; Pigmalion, as17760307

Event Comment: Benefit for Signora Davies Inglesina. Public Advertiser, 25 Feb.: Tickets to be had of Sga Davies at her House, No. 1, St. Alban's street, Pall-mall

Performances

Mainpiece Title: L'ali D'amore

Dance: As17770313throughout.

Song: In III: 'Sventurata in van mi lagno-Sga Davies; with the flute accompaniment-, from Antigono

Event Comment: Mainpiece: Not acted these 6 years [not acted since 28 Apr. 1773]. With new Scenes [by French and Carver (text)] and Dresses. [In the Vocal Parts the playbill lists Sga Prudom, but "at the end of the second act, Smith came forward and apologized for the absence of Signora Prudom, and begged that Mrs Wrighten might be permitted to take her part . . . Mrs Wrighten was received with applause" (London Chronicle, 20 Oct.). Sga Romanzini was from the Royal Circus.] Receipts: #123 8s. 6d. (92/15/0; 29/11/0; 1/2/6)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Afterpiece Title: Who's the Dupe

Dance: In mainpiece by Zuchelli, Henry, Miss Armstrong, Miss M. Stageldoir. [This was the same, as here assigned, in all subsequent performances, but beginning with 11 Dec. Henry is omitted.]

Song: In mainpiece the Vocal Parts by Du-Bellamy, Williams, Fawcett, Chaplin, Phillimore, &c.; Miss Phillips, Miss Collett, Miss Wright, Miss Stageldoir, Mrs Wrighten