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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Shield"/1) | (@(roleclean,performerclean) "Shield")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1722 results for: Keyword - Shield
We found 1587 matches on Author, 259 matches on Roles/Actors, 117 matches on Event Comments, 52 matches on Performance Comments, and 24 matches on Performance Title.

1701
03 May 1793 @ Covent Garden

Event Comment: Benefit for Munden. 2nd piece [1st time; M.INT 1, by Thomas Hurlstone, Published by J. Debrett, 1793; in 1795 acted at cg as The British Recruit; or, Who's Afraid?]: The Overture and Music (a Glee and Air excepted) entirely new, by Shield, Giordani and Dr Stevenson of Dublin. To conclude with a Representation of the Grand Fleet under Sail. Books of the Interlude to be had at the Theatre. Morning Herald, 3 May 1793: This Day, at Noon, will be published To Arms (6d.). Morning Herald, 15 Apr.: Tickets to be had of Munden at his house, No. 6, Frith-street, Soho. Receipts: #448 17s. 6d

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: To Arms; or, The British Recruit

Afterpiece Title: Two Strings to Your Bow

Dance: In 2nd piece: Byrn, Mme Rossi

Song: End 2nd piece: The Sea Storm-Incledon

Entertainment: Monologue. As17930410

1702
16 September 1793 @ Covent Garden

Event Comment: Afterpiece: The Music composed by Haydn, Sacchini and Shield. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. Upper Gallery 1s. No Money to be returned. Places for the Boxes to be taken of Brandon, at the Office, in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 11 Nov.]. Receipts: #276 14s. 6d. (269.15.0; 6.19.6)

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Afterpiece Title: Hartford Bridge; or, The Skirts of the Camp

Dance: In afterpiece: The Lucky Escape-Byrn, Holland, Mrs Watts, Mme Rossi

1703
15 November 1793 @ Covent Garden

Event Comment: Afterpiece: Being a Collection of favorite Scenes from the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, Harlequin Rambler. The Dances [composed] by Byrne. The Original Scenery, Machinery &c. painted by Lambert, Dall, Carver, Hodgins and Richards. The Music selected by Shaw from Pepuch [sic], Dr Arne, Arnold, Fisher, M.? Arne, Vincent, Didbin, Reeve, Shield. Receipts: #193 7s. (187.15; 15.12)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Chaplet

Dance: As17931020

1704
20 December 1793 @ Covent Garden

Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Related Works
Related Work: The Picture of Paris Author(s): William Shield

1705
10 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

1706
26 May 1794 @ Covent Garden

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

1707
04 March 1795 @ Haymarket Theatre

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.

1708
24 April 1795 @ Covent Garden

Performances

Mainpiece Title: Bonduca, Queen Of The Britons

Afterpiece Title: He Wou'd be a Soldier

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Performance Comment: III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon.

1709
01 May 1795 @ Covent Garden

Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

1710
16 May 1795 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: England's Glory; or, The British Tars at Spithead

Performance Comment: Scene I. The Deck of a Ship. How shall we mortals spend our hours-Incledon, Street, Bowden; O bring me wine-Bowden; There was an Irish lad (composed by Shield)-Johnstone; The Storm-Incledon; Ye Gentlemen of England-Incledon, Townsend, Linton As17950428; Scene II. A Seascape. My name's Tippy Bob-Munden; Scene III. A View of the British Fleet. Dance-Byrn, Mlle St.Amand, Mme Rossi; Sea Song-Townsend; To conclude with a Representation of the burning of the Boyne at Spithead, and Tho' Hurricanes rattle tho' Tempests appear-Incledon, Bowden.

Afterpiece Title: The Irishman in London

Song: End II: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon

1711
28 September 1795 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: Rosina

Performance Comment: Belville-Johnstone; Captain Belville (with Old Towler, composed by Shield)-Incledon; William-Townsend; Rustic-Haymes; Irish Haymaker-Macready; Phoebe-Mrs Martyr; Docas-Mrs Davenport; Rosina-Mrs Clendining.

1712
09 November 1795 @ Covent Garden

Event Comment: Afterpiece: To conclude with a Representation of the Lord Mayor's Show on the Water, and a Dance and Finale. The Overture, and the principal Part of the Music composed by Shield. [For synopsis of action see 16 Nov.] Receipts: #339 14s. 6d. (331.5.0; 8.9.6)

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayor's Day; or, A Flight from Lapland

Related Works
Related Work: Lord Mayor’s Day; or, A Flight from Lapland Author(s): William Shield

Dance: I afterpiece: The Long Minuet- taken from the Caricature Print of that title [The Long Minuet as Danced at Bath, by H. W. Bunbury; see17951116]

1713
01 April 1796 @ Covent Garden

Performances

Mainpiece Title: King Henry The Fourth, First Part

Afterpiece Title: St

Related Works
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): William Shield

Entertainment: Monologue. End: Dryden's Ode of Alexander's Feast-Holman

Song: After the monologue: My Mother had a Maid called Barbara, as17960314The Minstrel's Song, Where is that tow'ring spirit fled? as17960314Tho' Hurricanes rattle (composed by Shield)-Incledon, Bowden; Ye Gentlemen of England, as17960314

Performance Comment: as17960314Tho' Hurricanes rattle (composed by Shield)-Incledon, Bowden; Ye Gentlemen of England, as17960314 . Ye Gentlemen of England, as17960314 .

1714
10 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: As17950923, but Spado-Quick; Pedrillo-Munden; Philippo (for that night only)-A Young Gentleman (1st appearance on any stage [Philipps]); Victoria (1st and only time)-Mrs Clendining; Catalina (1st time)-Mrs Mountain; Lorenza (with an Italian Scena and several Italian Airs, adapted by Shield)-Sga Salvini (1st appearance on this stage); Don Juan-_; Vasquez-_; Calvette-_; Isabel-_.

Afterpiece Title: The Witch of the Wood; or, The Nutting Girls

Dance: In: The Spanish Fandango-Byrn, Mlle St.Amand; II afterpiece: The Humours of a Country Fair-Holland, Platt, Bayzand, Cranfield, Ratchford, Mrs Lloyd, Mrs Blurton, Miss Smyth, Mrs Watts

Song: End: Sally in our Alley-Incledon

1715
08 April 1797 @ Covent Garden

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts. 2nd piece: Not acted these 12 years [acted 13 Dec. 1788]. 3rd piece: With all original Scenery, Machinery, Dresses and Decorations. New Music composed, and ancient Scots Music selected and adapted, by Shield. The Overture by Reeve. With Harp Accompaniment by Weippert. True Briton, 27 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #519 1s. 6d. (386.10.0; 6.0.0; tickets: 126.11.6)

Performances

Mainpiece Title: The Double Gallant; Or, A Sick Lady's Cure

Afterpiece Title: Duke and No Duke; or, Trapolin's Vagaries

Afterpiece Title: Oscar and Malvina

Related Works
Related Work: Oscar and Malvina; or, The Hall of Fingal Author(s): William Shield

1716
31 May 1797 @ Covent Garden

Event Comment: Benefit for Hull and Macready. 1st piece: In Act IV a Martial Procession with the Body of Marcus. 2nd piece [1st time: M. INT 1, author unknown. Larpent MS 1173; not published]: With appropriate Scenery and Dresses. The Music selected from Boyce, Purcell, Reeve and Shield. Morning Herald, 31 May: Tickets to be had of Hull, No. 7, Duke's-court, near Dean's-yard, Westminster; of Macready, No. 22, Charles-street, Tottenham-court-road. Receipts: #314 3s. (112.9.0; 4.14.6; tickets: 196.19.6, of which Hull sold 70.12.6, and Macready 126.7.0)

Performances

Mainpiece Title: Cato

Afterpiece Title: Cambro' Britons; or, Fishguard in an Uproar

Afterpiece Title: Animal Magnetism

Song: In 2nd piece: Together let us range the fields-Incledon, Mrs Mountain; Gallant Soldiers born to Arms, Old England will be England still-Incledon; To arms! Britons strike Home!-Incledon, Bowden

1717
06 June 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood (with O bring me Wine by Shield, and There the silver'd waters roam, from The Pirates by Storace)-Sedgwick; Little John (with All in preparation, from The Haunted Tower)-Bannister Jun.; Ruttekin-Wathen; Bowman-Caulfield; Fitzherbert-Dowton; Scarlet-Trueman; Edwin-Incledon (by permission of the Proprietor of the Theatre Royal, Covent-Garden); Clorinda-Miss Leak; Annette-Mrs Bland; Angelina-Miss DeCamp (Their 1st appearance in those characters).
Related Works
Related Work: Robin Hood; or, Sherwood Forest Author(s): William Shield

Afterpiece Title: The Devil to Pay

Song: In the course of the evening: The Storm-Incledon

1718
16 December 1797 @ Covent Garden

Event Comment: Mainpiece: 7th Time [i.e. in continuation of the reckoning for the previous sesaon]. The Overture and the rest of the Music composed and selected by Shield. The Harp by Weippert. Receipts: #118 9s. 6d. (112.10.0; 5.19.6)

Performances

Mainpiece Title: The Italian Villagers; Or, The Bride Groom

Related Works
Related Work: Italian Villagers Author(s): William Shield

Afterpiece Title: The Round Tower

1719
21 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Performance Comment: Isaac-Quick; Don Jerome-Munden; Ferdinand-Johnstone; Antonio-Townsend; Father Paul-Waddy; Lopez-Farley; Carlos (with the Battle Song, composed by Shield, from The Italian Villagers)-Incledon; The Duenna-Mrs Davenport; Louisa-Mrs Martyr; Clara-Mme Mara (1st appearance in that character).

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Forecastle Fun; or, Saturday Night at Sea

Song: End 1st piece: All I wish in her obtaining-Mme Mara, Incledon; In the course of the Evening: Black Ey'd Susan, Old Towler, Young William, The Storm-Incledon

1720
28 August 1798 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Irishman in London

Performance Comment: As17980720 but added to Murtock Delany: The Irish Lad and Nun (The Musick by Shield)-Johnstone.

Song: End: Patents all the Rage-Munden; A Mock Italian Song-Fawcett; The Group of Lovers ; or, Beauty at her Levee-Munden; a new song, The British Volunteers-Johnstone; with Chorus-Trueman, D'Arcy, Linton, Waldron Jun., Abbot, Lyons

1721
13 May 1799 @ Covent Garden

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time: M. INT 1]. 3rd piece: As it was originally performed upwards of 50 nights in the Year 1789. Being a Selection of favorite Scenes form the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Druids, Friar Bacon, Harlequin Freemason, Omai, Magic Cavern, and Harlequin Rambler. The machinery of the Peacock by Sloper. With the original Scenery painted by Lambert, Dall, Carver, Hodgins and Richards. The Music selected from Dr Arne, Dr Arnold, Dr Fisher, M.? Arne, Vincent, Dibdin and Shield. Morning Chronicle, 4 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #399 19s. 6d. (205.18.0; 16.4.6; tickets: 177.17.0)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: An Egeirophadron

Afterpiece Title: Harlequin's Chaplet

Dance: II: Negro Dance-Bologna Jun., Platt, King

Song: End I: Black Ey'd Susan-Incledon

1722
29 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Strangers at Home

Performance Comment: Aldobrand-Suett; Regnalto-Caulfield; Octavio-Dignum; Montano-Trueman; Fabio-Chippendale; Firelock (with a new Song composed by Florion [recte Florio], and O Bring me Wine, composed by Shield)-Sedgwick; Lawrence-Bannister Jun.; Viola-Miss B. Menage; Laura-Miss Leak; Alice-Miss DeCamp; Rosa (with When First I began, Sir, to Ogle the Ladies)-Mrs Jordan.

Dance: In: a favorite Pas Seul-Sga Bossi DelCaro