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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sga Cremonini"/1) | (@(roleclean,performerclean) "Sga Cremonini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1525 results for: Keyword - Sga Cremonini
We found 909 matches on Performance Comments, 647 matches on Performance Title, 220 matches on Event Comments, 1 matches on Roles/Actors, and 0 matches on Author.

1501
02 October 1775 @ Drury Lane Theatre

Event Comment: [The Westminster Magazine for October gave a paragraph to a general discussion of the new performers whom Garrick introduced this month. Firske (actually Grist) the young man who played Othello on the seventeenth, Mrs King, Bensley, Yates, and the dancer Sga Paccini.

Performances

Mainpiece Title: None

1502
13 February 1776 @ King's Theatre

Performances

Mainpiece Title: Il Bacio

Cast
Role: Parts Actor: Sga _Cardarelli.

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End of Opera: La Generosite de Scipion-N. N., Fierville, Helm, Sga Tinti, Mlle Sophie, Mlle Baccelli

Performance Comment: N., Fierville, Helm, Sga Tinti, Mlle Sophie, Mlle Baccelli.

1503
01 June 1776 @ Drury Lane Theatre

Event Comment: House (Hopkins Diary). Garrick's last time of performing Ranger (playbill). Rec'd Sga Paccini's Debt in full #75; Condell's 3rd payment: Fruit Office #20. Paid Blandford, Chandler's bill (after deduction) in full #14 12s. 2d.; Balance of Mad. Paccini and Martini's acct. in full #6 10s.; Bensley in full; Everard's debt and costs #5 15s. 6d. (Treasurer's Book). [Publish'd this month, Garrick's Looking Glass; or, the Art of Rising on the Stage. Price 2s. 6d. Printed for T. Evans By S. J. Pratt. Informative on most stage fundamentals. A poem in three cantos. Publish'd in July, A Lecture on Mimicry, as it was deliver'd with great applause at the Theatres in Covent Garden and the Haymarket, and the Great Room in Panton St. In the course of which were introduced a great variety of theatrical Imitations, to which is added Jerry Sneak 's return from the regatta and a Lecture upon Lectures. By G. S. Carey. Price 1s. @"I'll...on myself depend.@Inever yet found manager my friend.@By you supported boldly I'll oppose@My mimic powers against a host of foes.' Foote, Barry, and toothless Macklin, singers and dancers.] Receipts: #226 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: I: The Savage Hunters, as17751118

1504
09 January 1777 @ Drury Lane Theatre

Event Comment: [For the dance the playbill lists The Savage Hunters, but "Last night Sga Ricci being suddenly taken ill...Gallet and Mlle Dupre undertook at a short notice to dance The Triumph of Love" (Morning Post, 10 Jan.).] Receipts: #217 10s. 6d. (190.14.0; 25.7.0; 1.9.6)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin's Invasion

Dance: As17761212

1505
03 May 1777 @ Covent Garden

Event Comment: Tickets delivered by the Widow of the late Dall, Sga Tinte, Thompson, Jones and Bates will be taken this Night. Receipts: #283 8s. 6d. (54.5.6; 1.4.6; tickets: 127.18.6)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: The Royal Chace

Dance: End: The Serenade, as17770426

Music: End II: solo on the pedal harp-Jones

1506
07 May 1778 @ Covent Garden

Event Comment: Tickets delivered by Miss Ambrose, Sga Tinte and Branson will be admitted this Evening. Receipts: #201 11s. (127.6.6; 2.9.6; tickets: 71.15.0)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Commissary

Dance: End: The Poney Races, as17780421

1507
23 October 1778 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Apprentice

Dance: End: La Soiree a la Mode-Dagueville, Mast. Holland, Harris, Sga Tinte

Performance Comment: Holland, Harris, Sga Tinte.

1508
22 April 1779 @ Covent Garden

Event Comment: Calypso [announced on playbill of 21 Apr.] is unavoidably postponed on account of Reinhold's Hoarseness. Tickets delivered by Miss Ambrose, Branson, Thompson, Sga Tinte and the Widow of the late Dr Arne, for Calypso, will be taken this night

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Commissary

1509
18 December 1781 @ King's Theatre

Event Comment: Prudom and Sga Allegranti continuing very much indisposed, and Pacchicrotti positively refusing to perform without a First Woman, the Public are respectfully informed that there can be no Opera this Evening

Performances

Mainpiece Title:

1510
15 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: As17820110, but added: Sga Salpietro .

Dance: As17820110 throughout

1511
02 February 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Cast
Role: Isabella Actor: Sga Lorenzini
Role: Lauretta Actor: Sga Salpietro
Role: Bettina Actor: Sga Allegranti.

Dance: End of Act I Pastoral Dance [see17811117] by Henry, Bournonville, Raymond, with a Pas Seul by Mlle Simonet, and to conclude with the Dances introduced in the Masquerade [held at this theatre, 24 Jan.: The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110

Performance Comment: : The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110.

1512
09 May 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Cast
Role: Ulania Actor: Sga Lorenzini
Role: Lisinga Actor: Sga Prudom.

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

Performance Comment: ), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411.

1513
12 November 1782 @ King's Theatre

Event Comment: Opera this Evening. The new Serious Opera of Medonte, intended for King's representation this Evening, is deferred till Thursday the 14th instant, on account of Sga Morigi's not being quite recovered from a very severe indisposition

Performances

Mainpiece Title:

1514
12 December 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Cast
Role: Zelinda Actor: Sga Gherardi
Role: Selene Actor: Sga Morigi.

Dance: End of Act I New Divertisement, as17821130; End of Opera a new grand Ballet, composed by Lepicq, Il Ratto delle Sabine; or, The Rape of the Sabines, by Lepicq, Henry, Zuchelli, Degville Sen., Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.]

Performance Comment: , Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.] hathi. hathi.

1515
29 January 1785 @ King's Theatre

Performances

Mainpiece Title: Demetrio

Performance Comment: As17850108, but omitted: Sga Rachele Dorta .

Dance: As17850111 throughout

1516
12 March 1785 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Midas

Performance Comment: As17841213. imitations. End of mainpiece the celebrated Musical Child (from the Pantheon) will perform a Musical Oglio, consisting of various Theatrical and Vocal Imitations [of Miss George, Mrs Bannister, Sga Sestini, Mrs Martyr, Mrs Wells, Edwin (Morning Chronicle, 16 Mar., which also states, without further indentification, that the performer was a young girl)] .

1517
21 March 1786 @ King's Theatre

Performances

Mainpiece Title: Perseo

Performance Comment: Principal Characters by Babbini, Tasca, Bartolini, Schinotti, Simonetti (1st appearance); Sga Catenacci, Mme Mara. [Libretto (T. Cadell, 1774) lists the parts: Perseo, Barsene, Cefeo, Anfrisio; Andromeda, Tomiri.] hathi.

Dance: End of Act I Divertissement Villageois, as17860218; End of Act II Dance incidental to the Opera by Henry, Duquesney Qun.], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi

1518
25 April 1788 @ Covent Garden

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

Performance Comment: [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).]

1519
27 February 1789 @ Covent Garden

Performances

Mainpiece Title: The Coronation Anthem, God Save The King

Afterpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Harrison, Pearson (Principal Alto at the Concert of Ancient Music), Griffiths, Champness, Sale (Principal Basses at the Concert of Ancient Music), Miss Cantelo, Sga Storace; Among the Instrumental Performers-Richards (Leader of the Band), Ashley, Ashley's Sons, Sperati, Patria, Sarjant, Gariboldi, Boyce, Knyvett (Organ).

Music: End Part I Oratorio: concerto on the violin [by Viotti (World, 28 Feb.)]-Mme Gautherot (from Paris; 2nd public performance in this Kingdom)

1520
15 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

Performance Comment: In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells.

1521
28 March 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers as17940319eader as17940312ARTS I, II. As17940319ART III. As17940319but I know that my Redeemer liveth by Sga Storace .

Music: End of Part I concerto on the oboe by W. Parke; End of Part II concerto on the violin by Giornovichi, in which the favourite air of Lullaby

1522
29 March 1794 @ Haymarket Theatre

Performances

Mainpiece Title: Rosina

Afterpiece Title: MY GRANDMOTHER

Performance Comment: Characters by Bannister Jun., Suett, Bland, Benson, Maddocks, Caulfield//Mrs Bland, Sga Storace. [And see17931216.] hathi.

Afterpiece Title: THE CHILDREN IN THE WOOD

1523
15 March 1796 @ King's Theatre

Performances

Mainpiece Title: I Due Gobbi

Performance Comment: Principal Characters-Viganoni (1st appearance at this theatre), Morelli, Sga Fabrizzi. [Larpent MS 118 lists the parts: Rosignolo, Pandolfo, Lucindo, Trastullo, Costanza, Rosaura, Lisetta.]Larpent MS 118 lists the parts: Rosignolo, Pandolfo, Lucindo, Trastullo, Costanza, Rosaura, Lisetta.]

Dance: End I: Divertissement-[, as17960310 End Opera: Le Bouquet- [see17960305

1524
22 February 1797 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 4 years. With Additions from Dryden; the Musick by Purcell and Dr Arne, and the new Airs and Chorusses by the late Mr Linley Jun. [Afterpiece in place of A Friend in Need, advertised on playbill of 21 Feb.] The Publick is respectfully informed that on Account of the sudden Indisposition of Sga Bossi DelCaro, The Scotch Ghost [advertised on playbill of 21 Feb.] cannot be performed this Evening (printed slip attached to Kemble playbill). Receipts: #212 2s. 6d. (145.1.0; 61.0.0; 6.1.6)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Afterpiece Title: My Grandmother

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Caulfield, Cooke, Master Welsh, Miss Leak, Miss D'Evelyn

Monologue: V: The Masque of Neptune and Amphitrite. Neptune-Sedgwick; Amphitrite-Miss D'Evelyn

1525
31 January 1798 @ King's Theatre

Event Comment: [The playbill announces La Scola dei Maritati, but "The indisposition of Sga Angelelli made an alteration in the opera, and the audience were gratified with Mme Mara (recte Banti) in Nina" (Morning Chronicle, 1 Feb.).

Performances

Mainpiece Title: Nina

Dance: As17971230