SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sg "/1) | (@(roleclean,performerclean) "Sg ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 824 matches on Roles/Actors, 175 matches on Performance Title, 95 matches on Performance Comments, 58 matches on Event Comments, and 0 matches on Author.
Event Comment: CClandestine Marriage deferred, King Ill

Performances

Mainpiece Title: The Orphan

Performance Comment: As17660204.

Afterpiece Title: The Hermit

Performance Comment: As17660205.

Performances

Mainpiece Title: The Distressed Mother

Performance Comment: As17651115, but Pylades-Aickin.

Afterpiece Title: The Hermit

Performance Comment: As17660205.
Event Comment: MMrs Clive taken extremely ill, The Clandestine Marriage deferred (Winston MS 9). [The St James Chronicle; or, British Evening Post, this day contained four epigrams on Foote's accident.

Performances

Mainpiece Title: Mahomet

Performance Comment: As17651125.

Afterpiece Title: The Hermit

Performance Comment: As17660205.
Event Comment: Benefit for Hopkins, prompter and Mrs Hopkins. Afterpiece: A Ballad Pastoral in two acts (by Allan Ramsay) with original Scotch music. Never Performed there. Tickets deliver'd by Phillips will be taken

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17660205, but Pissanio-Packer.

Afterpiece Title: The Gentle Shepherd

Performance Comment: Patie-Vernon; Sir William Worthy-Packer; Roger-Moody; Symon-Parsons; Bauldy-Love; Glaud-Bransby; Jenny-Mrs Hopkins; Mause-Mrs Love; Madge-Johnston; Elspa-Mrs Bradshaw; Peggy (With Thro the Wood Laddie)-Miss Wright.

Entertainment: RRalph Ramble, or O Rare London-King, at End of Play By Particular Desire, followed by

Dance: %New Tambourine, as17660123

Event Comment: Benefit for Ackman and Mrs Bradshaw. Tickets for This Night will be taken. Mainpiece for the last time this season

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17660422 but Imogen-Miss Plym; Claudio-Ackman.

Afterpiece Title: High Life below Stairs

Performance Comment: As17650921, but Kitty-Miss Pope (first time); Robert-Ackman; Cook-Mrs Bradshaw.

Entertainment: End: The Cries of London, Tombs of Westminster-Vernon

Dance: V: The Irish Lilt, as17651004

Event Comment: Mainpiece: By Desire. Paid Scavanger's rate for 3 quarters due 14 Sept. last for St Martin's #7 11s. 6d.; Paid balance of author's Night for Country Girl #50 7s. and after money to ditto #3 7s. (Treasurer's Book). Receipts: #154 10s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17661021.

Afterpiece Title: Queen Mab

Performance Comment: As17661029.
Event Comment: Paid Mr Duquesney 3 weeks not on list #9; Paid salary list #437 14s.; Rec'd stopages #4 11s. 6d. (Treasurer's Book). Receipts: #115 16s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17661021.

Afterpiece Title: Neck or Nothing

Performance Comment: As17661118.
Event Comment: Mainpiece: By particular Desire. The Cunning Man oblig'd to be deferr'd on account of Mrs Arne's indisposition. Paid Printer's Bill #9 6s. (Treasurer's Book). Receipts: #141 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17661021.

Afterpiece Title: Queen Mab

Performance Comment: As17661029.
Event Comment: Rec'd stopages #3 4s. 6d.; Paid salary list #441 4s. (Treasurer's Book). Receipts: #171 18s. (Treasurer's Book). Pay List 24 Jan. 1767 at #73 10s. 8d. per diem, #441 4s. per week (Winston MS 9), at close of season 1766-67. @Men Daily Weekly@James Lacy #2 15s. 6d. #16 13s.@David Garrick #2 15s. 6d. #16 13s.@#2 18s. 4d. #17 10s.@Yates & Wife #3 6s. 8d. #20@Holland #2 #12@Powell #2 #12@Palmer & Wife #2 #12@King & Wife #2 #12@Dance & Wife #1 1s. 8d. #6 10s.@Hopkins & Wife 18s. 4d. #5 10s.@Havard 16s. 8d. #5@Dodd 16s. 8d. #5@Baddeley & Wife 13s. 4d. #4@Bransby 11s. 8d. #3 10s.@Burton 10s #3@Moody 10s. #3@Rooker 10s. #3@Packer 8s. 4d. #2 10s.@Parsons 8s. 4d. #2 10s.@Aickin 8s. 4d. #2 10s.@Hurst 6s. 8d. #2@Ackman 6s. 8d. #2@Hartry 6s. 8d. #2@Weston 6s. 8d. #2@Clough 5s. #1 10s.@Raftor 5s. #1 10s.@J. Johnston 5s. #1 10s.@J. Palmer 5s. #1 10s.@Castle 4s. 2d. #1 5s.@Strange 4s. 2d. #1 5s.@Fox 4s. 2d. #1 5s.@Marr 3s. 4d. #1@Mas. Burton 3s. 4d. #1@Philips 3s. 4d. #1@Keen 3s. 4d. #1@Watkins 2s. 6d. 15s.@Mortimer 2s. 12s.@West 2s. 12s.@ Women Daily Weekly@Pritchard #2 6s. 8d. #14@Clive #1 15s. #10 10s.@Abington 16s. 8d. #5@Pope 16s. 8d. #5@Barry 10s. #3@Reynolds 8s. 4d. #2 10s.@Bennett 8s. 4d. #2 10s.@Bradshaw 6s. 8d. #2@Lee 6s. 8d. #2@Plym 6s. 8d. #2@Cross 5s. #1 10s.@Simpson 4s. 2d. #1 5s.@Smith@Speres@Miss Simson@Mills@Pearce@Mathews 3s. 4d. each #1@ Singers@Arne #1 10s. #9@Vernon #1 #6@Vincent 16s. 8d. #5@Scott 13s. 4d. #4@Champness 13s. 4d. #4@Dorman 5s. #1 10s.@Fawcett 5s. #1 10s.@Kear 3s. 4d. #1@The Band #7 14s. 8d. 46s. 8d.@ Dancers@Guidetti 17s. 6d. #5 5s.@Grimaldi & Wife 16s. 8d. #5@Giorgi & Wife 16s. 8d. #5@Duquesney 10s. #3@Tassoni 6s. 8d. #2@Granier@Mathews@Roullet@Luchi@Tetley 5s. each #1 10s.@Walker 4s. 2d. #1 5s.@Hurst@Pope@Mas. Lelly@Eagan@Heath 3s. 4d. each #1@Heyward@Reinhold@Wallis@Brawn 2s. 6d. each 15s.@Office Keepers 2 at #1@3 at 15s.@1 at 12s.@Box Keepers 15 Doorkeepers (Palmer included) 9s.@Men Dressers 1 at 12s.@11 at 9s.@Women Dressers 16 at 9s.@Treasurer: Victor 8s. 4d. #2 10s.@Sub. Treas.: 5s. #1@Wardrobe: Heath & Wife 6s. 8d. #2@Wardrobe: Slaughter 5s. #1 10s.@Wardrobe: Johnston 3s. 4d. #1@Properties: Berkely Jr 3s. 4d. #1@Properties: D Jr 1s. 9d. 10s. 16d.@Numberer: Fosbrook 2s. 6d. 15s.@Housekeepers: Johnson 8s. 10d. #2 13s.@Hulett 2s. 6d. 15s.@Sceneman 1s. 8d. 6s. 4d.@Soldiers 14s. #4 4s.@Sweepers 11s. 6d. #3 9s.@Barber 4s. #1 4s.@Constable 2s. 12s.@Candlewoman 2s. 12s.@Pensioner: Waldgrave 1s. 9d. 10s. 6d.@Sinking Fund 1s. 15d. 10s. 10d.@Salary Fund 1s. 15d. 10s. 10d.

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17661021, but Cloten-King; Imogen-Miss Plym.

Afterpiece Title: High Life below Stairs

Performance Comment: As17661215.
Event Comment: Benefit for King. House charges #67 2s. (Treasurer's Book). N.B. Dido is oblig'd to be deferr'd a few days (playbill). Paid Blandford (tallow chandler) #29 18s. 6d.; Paid Mr Pinto for 3 sets of symphonies #1 11s. 6d. B. Jonson's Head #1 19s. 1d.; Mrs Pritchard's gratuity #10 10s. (Treasurer's Book). Put on my old clothes and at 5 went to Drury Lane, found the Pit and 2s. gallery quite full, at last had myself squeezed into the Pit, where I was most woefully pressed, but saw very well and got a seat ere the farce began. The play was Cymbeline, with The Deuce is in Him. This play pleases me. The dresses were tolerably proper, ye scenes (particularly that of Imogen's chamber and the Cave) pretty and ye performance of ye principal characters good, but having never read the play, lost a great deal of the effect. Imogen, Mrs Yates, she is very hoarse. In Act II a Masquerade Dance, with singing by Mrs Vincent. After Act III the Vintage. After the play, King in the character of Linco, with Dorcas and others of his neighbors, asking him questions, partly spoke and partly sang, for this night only,-a new very humorous little piece called Linco's Travels, particularly in England. Glad I did not go to the other House, tho I wished to see Macklin, who played there this night only for his daughter's benefit. When the Farce began, the Gods (as those in the Upper Gallery are called) called for the Prologue, on which Packer came on and said, Mr King has not spoke the Prologue this winter, and is now dressing to play in the Farce and hopes the Audience will excuse him." Miss Pope and Miss Plym coming on again were hissed off, and after we had waited some minutes longer, King spoke the Prologue, which was lucky for me who had never heard him speak it. The gods called for it on Monday last, but desisted on the above excuse being made. Almost eleven ere all was over. I now know all the entrances into the Pit and Gallery at Drury Lane (Neville MS Diary)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17670124, but Imogen-Mrs Yates.

Afterpiece Title: The Deuce Is in Him

Performance Comment: As17670218.

Dance: III: The Vintage, as17661011

Entertainment: End: Linco's Travels. Particularly in England, a New Humorous Little Piece, that night only,-King; Dorcas-Mrs Bradshaw

Performance Comment: Particularly in England, a New Humorous Little Piece, that night only,-King; Dorcas-Mrs Bradshaw.
Event Comment: Benefit for Dodd. House charges #66 10s. [Profit to Dodd #112 4s.] Tickets deliver'd by Miss Tetley will be taken. B. Johnson's head bill #3 14s. (Treasurer's Book). Receipts: #178 14s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17670406 but Cloten-Dodd; Arviragus-J. Palmer; Queen-_.

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Dodd; Flash-J. Palmer; Capt. Loveit-Packer; Puff-Moody; Jasper-Ackman; Tag-Mrs Lee; Biddy-Miss Pope.

Dance: III: A Dance call'd The Nosegay-Duquesney, Mrs King; End: Hornpipe-Miss Tetley

Event Comment: Benefit for J. Palmer, Kear, Keen. House charges #66 12s. 6d. [Deficit to actors #36 12s.] Paid Shaw 7 nights in Cymon #3 13s. 6d. (Treasurer's Book). Receipts: #30 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17670427 but Imogen-Mrs Lessingham, 1st time; Guiderius-Keen; Cloten-King; Queen-Mrs Bennet.

Afterpiece Title: The Register Office

Performance Comment: As17670513.

Song: II: A Song, The Judicious Choice-Kear

Dance: End: A Minuet-Miss Collett, Miss Giorgi, as17670508

Entertainment: BBucks Have At Ye All-J. Palmer

Performance Comment: Palmer.

Performances

Mainpiece Title: The English Merchant

Performance Comment: As17670923.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17670926.
Event Comment: Afterpiece: With Alterations and Additions, particularly the scenes of the Patagonians

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: As17670918, but Squire Richard-Wingfield, 2nd appearance; Manly-Packer; Myrtilla-Mrs Hippisley.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17670926.
Event Comment: Mainpiece: By Desire

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17670919, but Charles-Palmer.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17670926.

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Sir John Dorilant-Holland; Modely-Palmer; Bellmour-Packer; Steward-Castle; Araminta-Mrs Abington, 1st time; Celia-Mrs Palmer; Lady Beverley-Mrs Clive.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17670926, but Others-_Messink.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17670916, but Mrs Peachum-Mrs Love.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17671008.

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17671010, but Queen-Mrs Hopkins.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17671008.

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: As17671014.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17671008.
Event Comment: Mainpiece: By Desire

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17671013.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17671008.
Event Comment: Mainpiece: Not acted these 3 years. [See 14 Jan. 1763.] Dined at Terry's. At Davies read the principal parts of As You Like It. Got into the Pit before the Play began. Stood all the time of the performance. Mrs Dancer played Rosalind with great propriety, looks very well in boys clothes...Caelia, with the Cockoo, a delightful song (not in the play) by Mrs Baddeley, being her 1st appearance in that character. This excellent comedy so well performed gave me great pleasure. End Act I, Hearts of Oak, a pretty dance by Mrs King, Giorgi, etc. The Entertainment was Harlequin's Invasion, with a prologue spoken by King. This triumph of Shakespeare over folly is one of the best and most magnificent Pantomimes and not mere dumb show (Neville MS Diary)

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King, 1st time; Orlando-Palmer; Jaques-Love; Duke Sr-Hurst; Frederick-Bransby; Oliver-Packer; Le Beau-Ackman; Corin-Hartry; Jaques de Bois-Fox; Charles-Moody; Silvius-Strange; William-Messink; Amiens (with songs)-Vernon; Adam-Havard; Celia (with song in character)-Mrs Baddeley, 1st time; Phebe-Miss Simson; Audrey-Mrs Bradshaw; Rosalind-Mrs Dancer.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17671008.

Dance: I: Hearts of Oak-Giorgi, Mrs King

Event Comment: Went into the Pit...to see Tamerlane. Havard is too old and wants power for the character of Tamerlane, Moneses by Reddish, Dervis by Bransby. Holland excels in Bajazet and was the only character in proper dress. It hurt me to see Tartars in ancient Greek dresses with ridiculous modern periwigs, and Greek christians in English habits. Mrs Dancer as Arpasia, was as great (particularly in the last scene) as in any character in which I ever saw her and received that distinguished applause she deserved. The Entertainment was Harlequin's Invasion (Neville MS Diary)

Performances

Mainpiece Title: Tamerlane

Performance Comment: As17671104, but Arpasia-Mrs Dancer.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17671008.

Performances

Mainpiece Title: Hamlet

Performance Comment: As17670915.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17671008.

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17671013.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17671113.
Event Comment: Afterpiece: By Particular Desire. Reddish made his first appearance on the Irish Stage (Smock Alley) in the character of Etan (Genest, X, 458)

Performances

Mainpiece Title: The Orphan Of China

Performance Comment: Etan-Reddish, 1st time; Timurkan-Havard; Hamet-Cautherley, 1st time; Zamti-Holland; Mirvan-Packer; Octar-Bransby; Morat-Burton; Orasmin-Ackman; Zimventi-Keen; Mandane-Mrs Hopkins.

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17671008.