Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box at Constant Couple. See Hotson, Commonwealth and Restoration Stage, p. 378. There is no certainty that this is the first performance, but the fact that the play was advertised in the Post Man, 7-9 Dec. 1699, suggests that the first production may have occurred in mid-November. The Prologue also refers to the abandonment of Dorset Garden to "That strong Dog Sampson" (see 15 and 25 Nov. 1699). A song, Thus Damon knock'd at Celia's door, set by Daniel Purcell, was published separately about this time. Preface, Edition of 1700: All will join with me in Commendation of the Actors, and allow, without detracting from the Merit of others, that the Theatre Royal affords an excellent and compleat Set of Comedians. Mr Wilks's Performance has set him so far above Competition in the Part of Wildair, that none can pretend to envy the Praise due to his Merit. Preface to The Inconstant (1702): I remember, that about two Years ago, I had a Gentleman from France [The Constant Couple] that brought the Play-house some fifty Audiences in five months. A Comparison between the Two Stages (1702), p. 32: Critick: But above all, commend me to the ingenious Author of the Trip to the Jubilee. Ramble: Oh Lord, Sir! you won't quarrel with that Play; never any thing did such wonders. Critick: Oh 'twas admirable! admirable! I wonder the Town did not just then bespeak the Bays for him. Sullen: Nay, for ought you and I know, he may live to enjoy 'em; I assure you all the run of the Town is on his side. The Owl was never more esteem'd at Athens than the Trip to the Jubilee was here. Critick: Indeed I have known a Footman have a great stroak with his Lord at begging a Favour; if all the Footmen in Town that admire him were to club for his Preferment, I don't know what might be done. Ramble: The Footmen? Ay, and the middle Gallery too, I assure you are of his side, and that's a strong Party. Critick: Why, I believe it, 'tis about the pitch of their Understanding; but if ever it diverted one Man of tolerable Sense I'll be hang'd. Sullen: I don't know who are your People of tolerable Sense, Mr Critick, but at the play I have seen the Pit, Box and Stage so crowded--and if that is not a sign

Event Comment: London Post, 4-6 Dec. 1699: At the Request of several Persons of Quality, on Thursday next, being the 7th Inst. at the Theatre in Dorset Garden, the Famous Kentishmen, Wm. and Rich. Joy, design to show to the Town before they leave it, the same Tryals of Strength both of them, that Wm. had the Honour of showing before His Majesty, and their Royal Highnesses, with several other Persons of Quality; for which, he receiv'd a considerable Gratuity....Beginning exactly at 2, and Ending at 4. The Boxes 4s. the Pit 2s. 6d. 1st Gallery 2s. Upper Gall. 1s

Event Comment: London Post, No. 30, 1-3 Jan. 1700: This day at the Theatre-Royal in Dorset-garden, the Famous Kentish-man Mr Joy, designs to show the same Tryals of Strength, he had the honour of showing before his Majesty, the Prince and Princess of Denmark, and several Persons of Quality, viz. The lifting a weight of 2240 l. Holding an extraordinary large Cart-Horse; and afterwards breaking a Rope that will bear 3500 weight. There will likewise be shewn the Sister, carrying 5 Bushels of Wheat, or any other grain; She being but 15 Years of Age. They will also show on Thursday, Friday, and Saturday, beginning at 3 of the Clock, and ending at 4 in the Afternoon. Boxes 3s. Pit 2s. 1st Gallery 1s. Upper gallery 6d

Event Comment: HHallam from the Theatre-Royal in Covent-Garden, Over-against the Hospital Gate. Afterpiece: A new Ballad Opera. 1 p.m. to 11 p.m

Event Comment: It is Humbly desir'd that Ladies who have taken Places, will please to send for their Tickets to Mrs Cibber's Lodgings, at Mr Salt's, at Henrietta St., Covent Garden. Benefit Mrs Cibber. By Command of their Royal Highness the Prince and Princess of Wales. Stage formed into an amphitheatre, and to prevent the ladies's catching cold ciel'd after the manner of the Oratorios. Tickets sold at the door will not be admitted

Event Comment: To the Publick: Ladies and Gentleman, The Play of Othello, with Dancing by Cooke, Picq, Delamain, and Les Damoiselles Anne and Janneton Auretti, &c., being to be acted for my benefit on Monday next, at the Theatre Royal in Covent Garden; and having accidentally heard that a certain person being possess'd of a great quantity of my tickets, has some thoughts of getting them up to a considerable premium, I out of meer Friendship, not at all with regard to my own interest (if you'll believe me) do privately and secretly, in this public manner, advise you, to send away to my house, the corner of Bow St. near the said theatre, where I will oblige you with what number of tickets you please, at Par, to within an Hour of the Play's beginning. I am, Ladies and Gentlemen, Your most obedient and humble servant, Tho. Chapman

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince of Wales and Princess of Wales. This day is Publish'd The Case of Mrs Clive Submitted to the Publick. [This is Mrs Clive's 22-page complaint against the 'opression' of the managers of both patent theatres, who, it seems, formed a cartel to drive down actors' salaries, and caused by Mrs Clive's unemployment. She was dropped from Covent Garden without due notice and not for cause. She was not applied to by the Manager of Drury Lane, although he knew her to be unemployed, because he still owed her #160 12s. Her case seemed doubly hard to her since she had equipped herself with a fine wardrobe for theatrical use, had acted diligently in main and afterpiece, often on the same night to the prejudice of her health; had been at great expense in Masters for singing, for which article alone the managers now give #6 a week." Concludes by pleading for publick support of her Case. She returned to cg to play Lappet in the Miser, 30 Nov. She states that the published list of salaries in the London Daily Post of 15 Oct. 1734 is incorrect.

Event Comment: Benefit Quin. By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, and the Lady Augusta. N.B.: Servants will be permitted to keep places on the stage which will be form'd into an amphitheatre, enclos'd, covered, and kept ward, as at the late Oratorios. Tickets to be had at Quin's House in Bedford St., Covent Garden; and of Page at the stage door

Event Comment: We hear that the play Venice Preserv'd is in Rehearsal at the Theatre Royal in Covent Garden, and is to be perform'd on Friday next; and that the part of Pierre will be attempted by a Gentleman who never appear'd on any stage before (General Advertiser). [This month was published A Letter to a certain Patentee, in which the Conduct of Managers is impartially considered, and a few Periods bestowed on those darlings of the Publick, Mr G k, Mr F te, Mrs P d, &c." Addressed to Rich it is criticism of his personnel policies as manager, with side comments on his morals, and some on his performances: of his Orpheus and Eurydice, the author agrees that three flaming scenes of Hell, now left out, should have been omitted from the beginning. The Serpent, however, generally behaves himself so well, that "I have had more real pleasure in his appearance than if he had been a living one." Dislikes his replacing Ryan with Hallam, dislikes his abuse of Mrs Pritchard, criticizes his casting Hippisley as Polonius, since Polonius requires more than Hippisley can give, the latter being able to act only in the comic way.

Event Comment: Benefit for the Widow of the Late Chapman. Tickets deliver'd out by the Widow Johnson and Mrs Wallis will be taken. Yesterday Morning died Mr John Laguerre, an eminent Painter belonging to the Theatre Royal in Covent Garden; a facetious companion, universally esteemed in every Scene of Life! (General Advertiser)

Event Comment: Benefit for Mrs Elmy. Tickets and Places of Mrs Elmy at the corner of Tavistock St. next Southampton St., Covent Garden; and of Hobson at the stage door. Being the last time of acting till the Holidays. Cash, #92 12s.; tickets, #56 8s.; total, #149 (Clay MS page reproduced in Oct. 1926 issue of Connoisseur, p. 93). A few days ago arriv'd in Town Mr Sheridan, Manager of the Theatre Royal in Dublin, and we hear as his stay is to be but short, he intends to perform only once, for the benefit of the poor sufferers by the late Fire (General Advertiser). [The fire happened the 25th in "Exchange alley (London) and in the space of 10 hours consumed a great number of houses occupied by persons in middling circumstances and with large families." Subscriptions were raised and distributed by a committee of ten bankers. See General Advertiser.] Receipts: #160 (Cross); house charges, #63 (Powel)

Event Comment: To the Author of the General Advertiser: Sir: I beg leave by means of your paper, to acquaint the friends of Tom Harbin, that he intends shortly to have a Benefit at the Theatre Royal in Covent Garden: Having in consequebce of the advice of many of them, apply'd himself to Mr Rich, on that account who very generously and readily said he would contribute anything in his power to serve him; and as one night of the week might be better than another, (as his Interest lay) he gave him his choice, whereupon he chose Wednesday, as being a night of most leisure amongst people eminent in trade, on whom the city depends. He persuades himself that those who have laughed with him, will not laugh at him for requesting a favour (which his circumstances could never be supposed to put him above accepting) from persons of affluent fortunes, which the generality of his friends are; and who Experienc'd good nature, he doubts not, will serve him on this occasion. In a few days Publick notice will be given of the time, the Play, &c. I am &c. Jack Friendly, Grigsby's Coffee House, Nov. 7, 1748. [See General Advertiser, 8 Nov. See also 14 Dec.

Event Comment: Benefit for Miss Falkner. We hear that the two young Africans will be at the Theatre Royal in Covent Garden this night, to see the Spanish Fryar, for the Benefit of Miss Falkner. [Page missing from the General Advertiser with the Bill this day.

Event Comment: MMr and Mrs Dyer are arriv'd from the theatre in Dublin; and in a few days he will appear in the part of Tom in the Conscious Lovers at the Theatre Royal in Covent Garden. Receipts: #55 8s

Event Comment: A new tragedy, call'd the Earl of Essex, which has sometime been in rehearsal at the Theatre Royal in Covent Garden, will be performed in a Few Days

Event Comment: Benefit for Mr Norton Amber, formerly a Patentee, & Banker, now Pit Doorkeeper (Cross), late of the Strand (Winston MS 7). Tickets to be had at Mr Pierce's at the Castle Tavern, Corner of Henrietta Street, in Bedford Street, Covent Garden; Mr Frye's a Hosier, the Corner of James Street, Long Acre; King Street Coffee House, near Guild Hall; Batson's Coffee House, Cornhill; and at the Theatre. Places will be taken at the Stage Door of the theatre. This Day publish'd, Young Scarron, at 2s. 6d. sew'd, 3s. bound. Dedicated to the managers of both theatres. "The Stage reproves the follies of the age. For once we'll laugh at Follies of the Stage." Anon. Printed for T. Tyre, near Gray's Inn Holborn and W. Reeve in Fleet St. (General Advertiser). A comical and satirical account of summer strolling players: "When the time draws near that the Theatres Royal disband their troops, or rather grant their furloses till the next Campaign, each private Man becomes an Officer; and they who for nine months before submitted to Monarchical Government, now form themselves into several republicks for the remaining three. Then each Hero takes the path of his own ambition...The various whimsical disputes that arise from this kind of Emulation, are, in part the subject of the following sheets" (173 pp. Written by Thomas Mozeen, Biographia Dramatica). Receipts: #220 (Cross)

Event Comment: By Command of His Majesty. We hear that His Majesty will be this night at Covent Garden, as also His Royal Highness the Prince of Wales

Event Comment: Play By Particular Desire. On Saturday night his Royal Highness the Prince of Wales was at Covent Garden, where his presence gave such Pleasure, that a general Joy diffused itself in the breasts of the Audience, as might be easily discerned in all their countenances (General Advertiser)

Event Comment: Yesterday arriv'd Sg Casimo Maranesi and Sga Bugiani, two celebrated Italian Comic Dancers from the Opera at Paris, and will soon make their appearance at the Theatre Royal in Covent Garden

Event Comment: [Benefit] for 3 orphan Daughters of a Cit of London (Cross). Tickets to be had at Will's and the Union Coffee House in Cornhill; Grigsby's behind the Royal Exchange; Seagoes in Holborn; the Bedford in Covent Garden; George's in the Haymarket, and at the Stage Door of the Theatre, where places for the Boxes may be taken. Receipts: #264 (Cross)

Event Comment: We hear that a new piece of Machinery representing a Fountain, which has been preparing a considerable time will soon be exhibited at the Theatre Royal in Covent Garden

Event Comment: By Command of the Prince of Wales. We hear their Royal Highnesses the Prince of Wales, Prince Edward, Prince William, Prince Henry, Princess Augusta, and Princess Elizabeth will be this evening at Covent Garden to see the Siege of Damascus and the Italian Dancers

Event Comment: Benefit for Shuter and Miss Haughton. Tickets at stage door. [For criticism of Shuter and Miss Haughton, see Genest, IV, p. 363, from The Present State of the Stage in Great Britain and Ireland, 1753. Nineteen of the Fifty-five pages of this pamphlet defend the stage on classicial authority and moral grounds from attacks by the religious bigots, and present an ideal picture of a manager, laying under some contribution, it would seem, the character of a manager presented ten years earlier (1743) in Queries to be Answered. The author especially likes the moral of Tate's alteration of Lear. The remaining pages give a paragraph or two of criticism to the leading actors and actresses in some of their most affecting parts (sixteen pages to Drury Lane Performers, all of whom appear in the author's eye to be either "Excellent" or "Very Good.") The remaining space is devoted to the performers at Covent Garden and at the Theatre Royal in Dublin. All those spoken of fare well in the hands of this bound-to-be pleased critic. Shuter is here commended for ability to play an Old Man convincingly though he was but 22 years old, and to play at all considering his lack of education. He possesses a great fund of drollery, and bids fair to be as great in low comedy as it is possible for man to conceive.' Miss Haughton described as an actress of promise. Seems never to have got the better of a lisp, and a Newcastle manner of pronouncing the letter 'r.'] Receipts: #290 (Cross)