SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Cross"/1) | (@(roleclean,performerclean) "Richard Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3146 matches on Event Comments, 2098 matches on Author, 1857 matches on Performance Comments, 931 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Receipts: #190 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Lethe

Event Comment: Mainpiece: By Particular Desire. Receipts: #180 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Mainpiece: Acted but once these 2 years. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: A Duke and no Duke

Event Comment: By Desire. Receipts: #110 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Chaplet

Event Comment: Mainpiece: By Particular Desire. Afterpiece: Not acted these two years. [See 30 Nov. 1749. Inspector No 191 analyzes and discusses The Orphan (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lottery

Event Comment: Receipts: #130 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Duke and no Duke

Event Comment: Mainpiece: By Particular Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lottery

Dance: I: A Masquerade Dance-Matthews, Mad Janeton Auretti; End: L'Entree de Flore-Mad Auretti; Peasant Dance-Matthews, Mad Janeton Auretti

Event Comment: Receipts: #130 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Devil to Pay

Event Comment: Mainpiece: Acted but once these five years. Mr Dexter has given us in the character of Oroonoko the greatest first essay that perhaps any stage has produced. He has great feeling, and equal expression; a fine figure, a vast deal of grace in his deportment and uncommon tenderness in his manner, and a voice formed by nature for expressing it (Inspector No 201, in Daily Advertiser and Literary Gazette). Receipts: #140 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Intriguing Chambermaid

Dance: IV: L'Entree de Flore, as17511017; Peasant Dance, as17511017

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Lottery

Dance: LL'Entree de Flore, as17511017; Peasant Dance, as17511017

Event Comment: Never were the theatres more in Estimation than at present, nor was there ever a time at which so much pains appear to have been taken, in order to continue them upon a good footing. We owe our thanks to Mr Garrick for engaging in the expence of such a number of additional performers, but we owe him also our applause for the success with which they have played (Inspector No 203, in Daily Advertiser and London Gazette). Receipts: #110 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Devil to Pay

Song: IV: Mattocks

Event Comment: mong the Addresses of the Lords and Commons to the Sovereign which appeared in the Gentleman's Magazine (Nov. 1751, pp. 513-14) one recommended that provision be made for suppressing audacious crimes of robbery and violence. A contributor called Mr Urban's attention to a "method of reformation earnestly recommended more than 40 years ago by an eminent Divine" (Dean Swift). In this treatise occured the following paragraph: "The Reformation of the Stage is entirely in the power of the Court; and in the consequence it hath upon the minds of younger people, doth very well deserve the strictest care. Surely a pension would not be ill employed on some men of wit, learning and virtue, who might have power to strike out every offensive and unbecoming passage from plays already written, as well as those that may be offered to the stage for the future, by which, and other wise regulations, the theatre might become a very innocent and useful diversion instead of being a scandal and reproach to our religion and country."] Receipts: #120 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Lottery

Dance: IV: L'Entree de Flore, as17511017; Peasant Dance, as17511017

Event Comment: Receipts: #110 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Queen Mab

Event Comment: Receipts: #150 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Queen Mab

Event Comment: MMr Ross, belonging to Drury Lane, is recover'd from his late illness, and will appear this week in the character of Lord Townly in the Provok'd Husband. Receipts: #120 (Cross)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Anatomist

Ballet: Grand Entertainment (not performed these 3 years) call'd The Savoyard Travellers. First Savoyards-Mathews, Mad Auretti; Second Savoyard-Sg Piettero, Mad Janeton Auretti; Peasants-Harvey, Sg Piettero; Savoyard Children-the Little Swiss, Miss Poplin. With Proper Decorations

Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Lethe

Event Comment: Receipts: #160 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lying Valet

Event Comment: A New Musical Entertainment, call'd the Shepherd's Lottery is now in rehearsal, at the Theatre Royal in Drury Lane, and will be perform'd there in a few days. The music is composed by Dr Boyce. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Anatomist

Ballet: SSavoyard Travellers. As17511105

Event Comment: By Desire. Receipts: #100 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Queen Mab

Song: IV: Master Vernon, As17511112

Event Comment: [T+The Anatomist, as 10 Sept., instead of A Duke and no Duke, according to the General Advertiser.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: A Duke and no Duke

Event Comment: Mainpiece: By Desire. Receipts: #120 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Chaplet

Event Comment: Receipts: #160 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lottery

Event Comment: Benefit for a Tradesman under Confinement. [This benefit had first been advertised on Monday 11 Nov. Tickets were to be had at seven Coffee Houses, at Mr Watkins' Optician, at Charing Cross, Mrs Crokett's, Harberdasher at the Seven Stars, Ludgate St., and at the stage door. On the day of the benefit one Philantropos contributed a letter in support of it which was printed in the first column of the General Advertiser. The Tradesman was a bookseller who was "the immediate instrument of ushering into the world some of the most valuable books that have been publish'd for these 30 years." But he had paid more attention to the advancement of letters than "to the lucrative views that attend the trade in general," so, in the eyes of Philantropos deserved the support of the town at this benefit.] The death of Mr Cooke mentioned in the Papers is a mistake, he being in a fair way of recovery (General Advertiser)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Lottery

Event Comment: Mainpiece: By Particular Desire. Afterpiece: Never performed but twice. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Shepherd's Lottery