SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R H Prince Edward"/1) | (@(roleclean,performerclean) "R H Prince Edward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3004 matches on Performance Comments, 1341 matches on Author, 1326 matches on Event Comments, 591 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: By Desire. Paid Widow Edwards in Full of her husband's arrears #3 1s (Account Books, Egerton 2268). Receipts: #81 16s. 6d

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Royal Chace

Related Works
Related Work: The Royal Chace; or, Harlequin Skeleton Author(s): Edward Phillips
Related Work: The Royal Chace; or, Merlin's Cave Author(s): Edward Phillips
Event Comment: Yesterday the celebrated Mr Punch [Edward Pinchbeck] and all his Family quitted his Theatre at the Tennis Court, in James St, near the Haymarket. The same to be sold with or without the Scenes and Properties belonging to it; it is sixty feet long and near forty feet wide (Daily Advertiser)

Performances

Event Comment: [Treasurer's Book lists Devil to Pay as afterpiece. Cross lists The Lying Valet.] Paid to Lewis going to Dr Boyce as per order #2 6s.; Paid to Garrick as per order #197 6s.; Paid to the King's Letter as per Mr Edwards #1 1s. (Treasurer's Book). [The General Advertiser lists Devil to Pay as the afterpiece, by particular desire.] Receipts: #160 (Cross); #124 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: [The Lying Valet]The Devil to Pay

Dance: AAcis and Galatea, as17500219

Event Comment: At the New Theatre, James St. A concert, etc. Benefit for Edward. Prices 3s., 2d., 1s. To begin at six o'clock (Daily Advertiser)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Damon and Phillida

Event Comment: By His Majesty's Command. King, Duke, Princess, P. of Wales & P. Edward (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Way Of The World

Dance: Mad Auretti, Matthews, Mad Janeton Auretti

Event Comment: Mainpiece: By Particular Desire. As Mr Edward Berry, one of the comedians of Drury Lane, was returning home from Temple Bar, he was stopt at the end of Arundel St. by three Fellows, one with a Horse-Pistol, another with a short pistol, and the other with a hanger, who robb'd him of his watch, some silver, and his Neck-cloth, and then walk'd off with their booty (General Advertiser, 20 Jan.). During the Performance on Saturday Night [11 Jan.] at Drury Lane, a dispute was carried on at great length between Mr V-n and a Gentleman unknown but on the Gentleman's being made sensible of his error, and making publick submission and Gentleman-like reparation, it was amicably terminated (General Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Ranger

Event Comment: By Command of Princess of Wales, P: of Wales, Lady August-& P: Edward (Cross). Receipts: #210 (Cross)

Performances

Mainpiece Title: Barbarossa

Dance: (BBy Command) the Pantomime Dance-the children, as17551203

Event Comment: Benefit for Barry. Mainpiece [by Edward Young]: not acted these 30 years. Part of Pit will be laid into the Boxes. Servants allowed to keep places on the Stage. Tomorrow, not acted these 20 years, Ulysses for the Benefit of Mrs Woffington. A Young lady, remarkably handsome, appeared in the Pit of Covent Garden Playhouse on Monday Night last; she had on a white hat with pink ribbons; a pink colour'd Cardinal trimm'd with white fur, which she took off on account of people spitting down from the slips...She was standing near the Pit Door before the play began, but soon had room made for her at the end of one of the seats (Daily Advertiser, 22 March)

Performances

Mainpiece Title: Busiris King Of Egypt

Related Works
Related Work: Busiris Author(s): Edward Young

Afterpiece Title: The Knights

Dance: FFingalian Dance, as17551126; Les Statues Animees, as17560302

Event Comment: At Shuter's Booth. Public Advertiser: To Don Edward Shuter, at his Dispensary in Smithfield. Air: Having lately been violently afflicted with Lowness of Spirits, from drinking, or duns, or ill-luck, or catching cold...I applied to every friend I knew etc. [A commercial puff for the good humor afforded by Shuter's show.

Performances

Mainpiece Title: The French Flogg'd

Event Comment: AA Letter to Garrick on Opening the Theatre, published at 1s. [See 1 Nov. for answer. This is Edward Purdon's 33-page criticism of Garrick, on his repertoire, his personnel and casting, and his secondary position to cg in the matter of decoration.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Harlequin Ranger

Event Comment: Mr Berry dy'd (Cross). Receipts: #170 (Cross). British Chronicle; 8 Jan. 1760. (Winston MS 8): Died Mr Edward Berry in Russel St., Covent Garden, 53 years one of the comedians of tr dl. On this Sunday the body was interr'd in the Cemetery of St Martin's Church. The loss of so worthy a man was expressed by those present. His only daugher is to [....] with the following inscription to his memory, to whom he has left his fortune worth about #1000: @Epitaph@Here lies the remains of@Edward Berry@Who lived@With public applause and private esteem@The former he acquired as@An Excellent Comedian, the latter as an@Honest Man. 8 Jan 1760 Aet 5s.@Light lie the turf, what tho' no breathing Bust@Of mimic Marble dignifie thy dust?@Yet filial sorrow pays the Dudeous Tear@And heartworn Friendship heaves a Sigh sincere.@Pleas'd may thy shade these humble rites receive@The last sad tribute gratitude can give@

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin's Invasion

Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313

Event Comment: I Went With Mallet to breakfast with Garrick; and from thence to Drury-Lane house, where I assisted at a very Private rehearsal, in the Green-room, of a new tragedy of Mallet's, called Elvira. As I have since seen it acted, I shall defer my opinion of it till then; but I can't help mentioning here the surprising versatility of Mrs Pritchard's talents, who rehearsed, almost at the same time, the part of a furious Queen in the Green-room, and that of a Coquette on the stage; and passed several times from one to the other with the utmost ease and happiness. I dined with Darrel, saw The Way of the World afterward (Edward Gibbon's Journal, ed. D. M. Lowe (New York, n.d.) pp. 185-86). [Apparently Mrs Pritchard rehearsed Millamant in the morning.

Performances

Mainpiece Title: The Way Of Ye World

Afterpiece Title: The Witches

Song: III: A Cantata-Miss Young

Event Comment: Benefit for Messrs Wignel and Stoppelaer. Neither Piece Acted This Season. The Prologue and Epilogue spoken By particular Desire by Master Wignell. Charges #72 15s. [of which Wignel bore #32 2s. 6d. and Stoppelaer bore #40 12s. 6d. Their deficit codered by income from tickets: Wignel #97 6s. (Box 82; Pit 362; Gallery 225); Stoppelaer #104 15s. (Bhx 118; Pit 377; Gallery 187).] Paid Edward Bamford for the Giant in the Dragon of Wantly #1 1s. (Account Book). With difficulty got into the Pit just before began (Neville MS Diary). [He comments favorably on the play and performers. Liked Shuter, especially, as Sharp in the afterpiece, and thought Miss Baker looked well in men's clothes.] Receipts: #48 7s. (Account Book)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The Lying Valet

Dance: III: Blind Man's Buff, as17670516; End I Farce: Double Hornpipe, as17670427

Entertainment: After: The Prologue to the Apprentice-Master Wignell; End Farce: an Epilogue addressed to Most Noble Order of Bucks-Master Wignel

Ballet: End I Farce: The Wapping Landlady. As17670427

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: NNone

Event Comment: Cancelled. On account of death of Edward Augustus, Duke of York, next Brother to His Majesty. [Theatre closed to 5 Oct.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: An Attic Evening's Entertainment

Performance Comment: Readings from Milton-; Caractacus-; Gray's Elegy-Sheridan; Two Pieces of prose composition of interest to both sexes. Dryden's Ode on the Power of Music-; pieces of vocal and instrumental music-; the vocal parts-Guistinelli, Mrs Jewel [formerly Miss Edwards].formerly Miss Edwards].
Event Comment: Benefit for Reddish. Afterpiece (musical): Taken from Dryden's Don Sebastian by Bickerstaffe. Part of the Pit paid into the Boxes. Ladies send servants at 4 o'clock. Mainpiece [by Edward Moore]: Not acted in 15 years. [See 5 April 1753.

Performances

Mainpiece Title: The Gamester

Related Works
Related Work: The Gamester Author(s): Edward Moore

Afterpiece Title: The Captive

Related Works
Related Work: The Captive of Spilburg Author(s): Prince Hoare
Related Work: Troades; or, The Royal Captives Author(s): Sir Edward Sherburne

Dance: I: Cunning Love, as17710204

Event Comment: [As afterpiece Public Advertiser announces The Rival Candidates, but see Hopkins Diary, 12 Oct.] The Managers met again to-day, but nothing settled. Hamlet was given out. I saw Mr Sheridan, he told me that Mr Lacy and he had agreed that no Play should be given out, nor any Bills put up, till they had settled this Affair, which was to be done to-Morrow at Mr Wallis's (the Attorney's) where they were all to dine. I waited on Mr Lacy, who agreed to the same, and no Bills or Paragraph were sent to the Papers. All the Business of the Theatre is at a Stand, and no Rehearsal called. Wed. 16th--Mr Sheridan, Dr Ford and Mr Linley dined today by Appointment with Mr Wallis where Mr Lacy was to have met them; about four o'clock he sent a verbal Message that he could not come to Dinner, but would wait upon them in the Evening, and about nine o'clock he came, and everything was settled to the Satisfaction (of them all) and a Paragraph sent to the Papers, and the Hypocrite and Christmas Tale was advertised for Friday, but no Play was to be done on Thursday--Covent Garden did not play on Friday (Hopkins Diary). Public Advertiser, 16 Oct., summarizes the proprietors' dispute: the Drury Lane patent had been purchased [in 1747] by David Garrick and James Lacy. On his death Lacy had devised his half-share to his son, Willoughby Lacy; on his retirement from the stage Garrick had sold his half-share to Sheridan, Ford and Linley. The original agreement between Garrick and Lacy, as recited in a document retained by the attorney Albany Wallis was that, in case of the sale of either share of the patent, or any part of either share, the seller was obligated to offer the first refusal to purchase to the other partner, and that this was to be done only when the theatre was closed for the summer. In selling one half of his share to Robert Langford and to Edward Thompson, Willoughby Lacy was--so argued his three partners--acting illegally: he had not offered to them the first refusal, and he was negotiating the sale at a time when the theatre was open. Public Advertiser, 17 Oct.. prints a statement from Lacy saying that he did not feel himself bound by the original agreement between his father and Garrick, but that, in the interest of the business of the theatre, he had asked Langford and Thompson to withdraw their claim to partnership, to which request they had acceded. Receipts: #130 9s. 6d

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: Judas Maccabaeus; Alexander's Feast

Performance Comment: As17770214, but Principal Vocal Parts-Edwards (1st appearance in public).

Music: As17770214

Event Comment: New Scene [1st time; by Edward Thompson, with music by Dr Arne. Larpent MS 438; synopsis ("Macheath, after trial, is sentenced to work on the Thames" in London Chronicle, 18 Oct.]. Paid Hull on Acct. of salary as Acting Manager #30. Account-Book, 23 Mar. 1778: Paid Capt. Thompson for writing the new Scene in The Beggar's Opera #25. Receipts: #240 9s. (240.2.6; 0.6.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Commissary

Dance: End: As17771008; III: a Hornpipe-Miss Besford

Performances

Mainpiece Title: The Battle Of Hastings

Performance Comment: Principal Characters by Henderson, Palmer, Brereton, Aickin, Farren, Hurst, Chambers, Norris, Chaplin, Philimore, Bensley, Miss Younge, Mrs Colles, Mrs Yates. [Cast from text (Edward and Charles Dilly, 1778): Edgar Atheling-Henderson; Earl Edwin-Palmer; Earl Waltheof-Brereton; Earl of Northumberland-Aickin; Siffric-Farren; Raymond-Hurst; Duncan-Chambers; Earl of Mercia-Norris; Reginald-Chaplin; Harold-Bensley; Matilda-Miss Younge; Sabina-Mrs Colles; Edwina-Mrs Yates; Philimore; Prologue-Henderson; Epilogue-Miss Younge. [These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]

Afterpiece Title: Daphne and Amintor

Event Comment: By Command of Their Majesties. Afterpiece [1st time; INT 1, by Horace Walpole. Text 1st Published in Walpole's Works, vol. II (G. G. and J. Robinson and J. Edwards, 1798)]

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Dance: As17780518

Event Comment: [These performances were held in a temporary booth erected following the destruction of the theatre by fire (see 26 June). In August King Lear, with Everard as Lear and Cooke as Edgar, was acted here three times [Edward Cape Everard, Memoirs of an Unfortunate Son of Thespis [Edinburgh, 1018], p.78). Everard states that the booth was kept open for about six weeks, but no further records of what was acted have survived.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Old Maid