SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Princes George and Edward"/1) | (@(roleclean,performerclean) "Princes George and Edward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 6530 matches on Author, 1780 matches on Performance Comments, 1572 matches on Event Comments, 741 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; MD 3, by Miles Peter Andrews and Frederick Reynolds. Prologue by Edward Topham; Epilogue by Miles Peter Andrews (Crouch, II, 229)]: With new Scenes, Dresses and Decorations. The new Music composed, and the rest selected by Shield. Morning Chronicle, 25 Feb. 1795: This Day is published The Mysteries of the Castle (2s.). [Mrs Cornelys was from the Crow Street Theatre Dublin.] Receipts: #243 12s. (241.19; 1.13)

Performances

Mainpiece Title: The Mysteries Of The Castle

Performance Comment: Principal Characters by Lewis, Quick, Incledon, Pope, Munden, Fawcett, Harley, Macready, Powel, Davenport, Thompson, Mrs Mattocks, Mrs Mountain, Miss Wallis. [Cast from text (T. N. Longman, 1795): Hilario-Lewis; Fractioso-Quick; Montauban-Incledon; Carlos-Pope; Valoury-Munden; Cloddy-Fawcett; Count Montoni-Harley; Bernardo-Macready; Fisherman-Powel; Serjeant-Davenport; Captain of Vessel-Thompson; Centinel-Williamson; Annette-Mrs Mattocks; Constantia-Mrs Mountain; Julia-Miss Wallis; Chorus of Soldiers and Sailors-Linton, Street, Gray, Williamson, Abbot, Rock, Blurton, Speechly, Spofforth, Little; Chorus of Country Girls-Miss Stuart, Mrs Henley, Miss Kirton, Mrs Arnold, Miss Leserve, Mrs Lloyd, Mrs Follett, Mrs Norton, Mrs Castelle, Miss Walcup, Mrs Bayzand; Prologue-Harley; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 14 performances only (see17950303] .These were spoken, as here assigned, at the 1st 14 performances only (see17950303] .

Afterpiece Title: Two Strings to Your Bow

Cast
Role: Landlord Actor: Davenport
Role: Ferdinand Actor: Macready
Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Edward Topham ( see text)]: With new Scenery, Dresses, &c. [Oracle, 1 Feb. 1796, recounts the financial transactions relative to this play. Thomas Harris, the cg proprietor, bought the copyright from Morton for #140; he was also to give Morton #100 on each of his benefit nights, i.e. the 3rd, 6th, 9th and 21st of the run of the play. Morton's profit was therefore #540.] Receipts: #281 16s. 6d. (278.9.6; 3.7.0)

Performances

Mainpiece Title: The Way To Get Married

Performance Comment: Principal Characters by Lewis, Quick, Johnstone, Pope, Munden, Fawcett, Davenport, Farley, Thompson, Rees, Williamson, Cross, Abbot, Wilde, Holland, Simmons, Curties, Hawtin, Mrs Mattocks, Mrs Davenport, Miss Wallis. Cast from text (T. N. Longman, 1796): Tangent-Lewis; Toby Allspice-Quick; McQuery-Johnstone [in text: Macready (see17960125)]; Capt. Faulkner-Pope; Caustic-Munden; Dick Dashall-Fawcett; Landlord-Davenport; Servants-Farley, Rees, Ledger; Jailer-Williamson; Bailiff-Cross; Shopman-Abbot; Ned-Wilde; Solicitor-Holland; Postillion-Simmons; Waiter-Curties; Town@Clerk-Coombs; Undertaker-Street; Officer-Blurton; Clementina Allspice-Mrs Mattocks; Lady Sorrel-Mrs Davenport; Julia Faulkner-Miss Wallis; Fanny-Miss Leserve; unassigned-Thompson, Hawtin; Prologue-Macready; Epilogue-Mrs Mattocks. [Prologue spoken, as here assigned, at 1st 21 performances only (see17960227). Epilogue spoken, as here assigned, at all subsequent performances.]Prologue spoken, as here assigned, at 1st 21 performances only (see17960227). Epilogue spoken, as here assigned, at all subsequent performances.]
Cast
Role: Landlord Actor: Davenport
Role: Solicitor Actor: Holland

Afterpiece Title: The Poor Soldier

Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Afterpiece Title: Cross Purposes

Cast
Role: George Bevil Actor: Macready

Afterpiece Title: Netley Abbey

Performance Comment: As17961006, but added to Capt. Oakland: A Sail on our Lee Bow-Incledon.
Cast
Role: Oakland Actor: Incledon
Role: Oakland Actor: Munden
Role: Lucy Oakland Actor: Mrs Follett
Event Comment: Benefit for Shade, Cameron, Wood, Wilson, Dangerfield, Irish, Nix, Edwards, Wooldridge, Panchaud, Cole, Gray, Hough [box-keepers]. The Last Time of the Company's Performing this Season. Receipts: #85 0s. 6d. (42.0.6; 40.6.6; 2.13.6; tickets: none listed) (charge: #204 14s. 10d.)

Performances

Mainpiece Title: The Heiress

Cast
Role: Mr Blandish Actor: Whitfield
Role: Mrs Blandish Actor: Miss Heard.
Related Works
Related Work: The Welch Heiress Author(s): Edward Jerningham

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet, as17960920

Ballet: End: The Scotch Ghost. As17970605

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: A Peep behind the Curtain or An Opera Rehearsal

Afterpiece Title: The Hermione or Valours Triumph

Event Comment: The King's Company. The date of the first performance is not known, but the fact that the play was entered in the Term Catalogues in February 1681@2 and advertised in The Loyal Protestant, 7 March 1681@2, suggests a premiere in December 1681. A certain performance on 14 Jan. 1681@2 may indicate, however, that the play did not have its first performance until that month. A song for this play, Retired from mortal's sight, set by Henry Purcell, is in Choice Ayres and Songs, 1683

Performances

Mainpiece Title: The Ingratitude Of A Common wealth Or The Fall Of Caius Martius Coriolanus

Performance Comment: Edition of 1682: Prologue by Sir George Raynsford-; Epilogue-Valeria.
Cast
Role: Sir George Raynsford Actor:
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira Or The Mistress

Related Works
Related Work: The Wrangling Lovers; or, The Invisible Mistress Author(s): Edward Ravenscroft
Event Comment: Tom Brown, writing to George Moult, 30 Aug. 1699: As I have observ'd to you, this noble Fair is quite another thing than what it was in the last Age; it not only deals in the humble stories of Crispin and Crispianus, Whittington's Cat, Bateman's Ghost, with the merry Conceits of the Little Pickle-herring; but it produces Opera's of its own Growth, and is become a formidable Rival to both the Theatres. It beholds Gods descending from Machines, who express themselves in a language suitable to their dignity; it trafficks in Heroes; it raises Ghosts and Apparitions; it has represented the Trojan Horse, the Workmanship of the divine Epeus; it has seen St. George encounter the Dragon, and overcome him; In short, for Thunder and Lightning, for Songs and Dances, for sublime Fustian and magnificent Nonsense, it comes not short of Drury-Lane or Lincolns-Inn-Fields (in Thomas Brown, Works, 4th edition, 1715, I, 212-13). [For a colorful account of Bartholomew Fair at the turn of the century, see The London Spy Compleat, 1703, Parts X and XI, particularly pages 228-58.]

Performances

Event Comment: With all the Bisings, Sinkings, and Flyings as they were originally perform'd

Performances

Mainpiece Title: The Lancashire Witches And teague O Divelly

Performance Comment: Teague-Bullock; Sir Timothy-Norris; Sir Jeffery-Bowen; Tom-Johnson; Young Hartfort-Pack; Clod-Fairbank; ThomasO Georges-Cross.
Cast
Role: ThomasO Georges Actor: Cross.
Event Comment: Written by the Author of the Careless Husband [Colley Cibber]. Never Acted before

Performances

Mainpiece Title: The Ladys Last Stake Or The Wifes Resentment

Performance Comment: Edition of 1708 lists: Lord Wronglove-Wilks; Sir George Brilliant-Cibber; Sir Friendly Moral-Keene; LadyWronglove-Mrs Barry; Lady Gentle-Mrs Rogers; Mrs Conquest-Mrs Oldfield; Miss Notable-Mrs Cross; Prologue-; Epilogue-Cibber.
Cast
Role: Sir George Brilliant Actor: Cibber
Event Comment: [By Susanna Centlivre.] Never Acted before. Whincop (pp. 189-90): On the first Day there was a very poor House, scarce Charges. Under these Circumstances, it cannot be supposed the Play appeared to much Advantage, the Audience only came there for want of another Place to go to, but without any Expectation of being much diverted; they were yawning at the Beginning of it, but were agreeably surprized, more and more every Act, till at last the House rung with as much Applause as was possible to be given by so thin an Audience

Performances

Mainpiece Title: The Busie Body

Performance Comment: Edition ca. 1709 lists: Sir George Airy-Wilks; Sir Francis Gripe-Estcourt; Charles-Mills; Sir Jealous Traffick-Bullock; Marplot-Pack; Whisper-Bullock Jr; Miranda-Mrs Cross; Isabinda-Mrs Rogers; Patch-Mrs Saunders; Scentwell-Mrs Mills; Prologue written by ThomasBaker-; Epilogue-.
Cast
Role: Sir George Airy Actor: Wilks
Role: Miranda Actor: Mrs Cross

Performances

Mainpiece Title: The Busie Body

Performance Comment: Busie Body-Dogget; Sir George-Wilks; Sir Francis-Estcourt; Sir Jealous-Bullock; Charles-Mills; Miranda-Mrs Cross; Isabinda-Mrs Porter; Patch-Mrs Saunders.
Cast
Role: Sir George Actor: Wilks
Role: Miranda Actor: Mrs Cross

Performances

Mainpiece Title: The Busie Body

Performance Comment: Sir George-Powell; Charles-Booth; Sir Francis-Norris; Sir Jealous-Leigh; Marplot-Pack; Isabinda-Mrs Bradshaw; Miranda-Mrs Moor; Patch-Mrs Cox; Sentwell-Mrs Finch.
Cast
Role: Sir George Actor: Powell
Role: Miranda Actor: Mrs Moor

Performances

Mainpiece Title: The Busie Body

Performance Comment: Sir George-Elrington; Sir Jealous-Leigh; Sir Francis-Norris; Busie Body-Spillar; Charles-Cory; Miranda-Mrs Sapsford; Isabella-Mrs Kent; Patch-Mrs Spillar.
Cast
Role: Sir George Actor: Elrington
Role: Miranda Actor: Mrs Sapsford

Afterpiece Title: The Walking Statue or The Devil in the Wine Cellar

Dance: Irish Trot-; Harlequin Dance-; French Peasant-; Dutch Skipper-; Flemming in Wooden Shoes-; Dance between a Miller his Wife and a Town Miss-; Ladder Dance-a famous Master; Night Scene between a Harlequin, a Cooper, his Wife, and others-

Performances

Mainpiece Title: The Busie Body

Performance Comment: Busie Body-Pack; Sir Francis-Estcourt; Sir Jealous-Bullock; Sir George-Wilks; Charles-Mills; Miranda-Mrs Santlow; Isabinda-Mrs Porter; Patch-Mrs Saunders.
Cast
Role: Sir George Actor: Wilks
Role: Miranda Actor: Mrs Santlow

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Pack; Sir George-Wilks; Sir Francis-Estcourt; Sir Jealous-Bullock; Charles-Mills; Miranda-Mrs Bicknell; Isabinda-Mrs Porter; Patch-Mrs Saunders.
Cast
Role: Sir George Actor: Wilks
Role: Miranda Actor: Mrs Bicknell

Performances

Mainpiece Title: The Busy Body

Performance Comment: Busy Body-Young Pervil; Sir Jealous-Young Ray; Sir George-Young Boman; Charles-Young Mills; Whisper-Young Norris; Miranda-Miss Younger; Isabinda-Miss Porter; Parch-Miss Lydell; With a new Epilogue-Miss Porter.
Cast
Role: Sir George Actor: Young Boman
Role: Miranda Actor: Miss Younger
Event Comment: Not Acted these 50 Years. Written by Shakespear in the Reign of King James the First. N.B. There will be a Play acted upon every Tuesday and Friday during the Summer-Season

Performances

Mainpiece Title: The Puritan Or Widow Of Walting Street

Performance Comment: cnl, but in Daily Courant, 19 June, this cast was listed: George Pyeboard-Mills; Captain Idle-Keen; NicholasSt. Antlings-Bullock; Sir Godfrey Plus-Johnson; Skirmish-Bickerstaff; Frailty-Norris; Corporal Oath-Bowen; Edmond-Pack; Sir Oliver Muckhill-Leigh; Sir John Pennyclub-Bullock Jr; Sir Andrew Tipstaff-Ryan; Puttock-Cross; Widow Plus-Mrs Willis; Molly-Miss Younger; Frances-Miss Willis; With a New Prologue-; Epilogue-.
Cast
Role: George Pyeboard Actor: Mills
Role: Sir Andrew Tipstaff Actor: Ryan

Performances

Mainpiece Title: The Busie Body

Performance Comment: Sir George-a Nephew of Mr Wilks's.

Performances

Mainpiece Title: The Drummer Or The Haunted House

Performance Comment: Edition of 1716 lists: Sir George Trueman-Wilks; Vellum-Johnson; Tinsel-Cibber; Fantome-Mills; Butler-Penkethman; Coachman-Miller; Gardiner-Norris; Lady Trueman-Mrs Oldfield; Abigail-Mrs Saunders; Prologue-; Epilogue-Mrs Oldfield.
Cast
Role: Sir George Trueman Actor: Wilks

Performances

Mainpiece Title: Greenwich Park

Performance Comment: Sir Thomas-Penkethman; George-Mills; Raison-Johnson; Dorinda-Mrs Horton; Florella-Miss Younger; Mrs Raison-Mrs Saunders.
Cast
Role: George Actor: Mills

Dance: Dupre, Boval, Dupre Jr, Mrs Santlow, Mrs Bicknell; Mimic Night Scene, as17161022

Performances

Mainpiece Title: The Busy Body

Performance Comment: Sir George-Leigh; Marplot-Pack; Sir Francis-Knap; Sir Jealous-Bullock Sr; Charles-Ogden; Whisper-H. Bullock; Miranda-Mrs Spiller; Isabinda-Mrs Bullock; Patch-Mrs Giffard; Scentwell-Mrs Chantrell.
Cast
Role: Sir George Actor: Leigh
Role: Miranda Actor: Mrs Spiller

Song: As17171126

Dance: As17171022

Performances

Mainpiece Title: The Masquerade

Performance Comment: Edition of 1719 lists: Sir George Jealous-Wilks; Ombre-Elrington; Smart-Miller; 1st and 2d Figure in Masquerade-Cibber; Whisper-Norris; Sophronia-Mrs Oldfield; Lady Frances Ombre-Mrs Thurmond; Caelia-Mrs Horton; Fidget-Mrs Garnet; Betty-Mrs Baker; Lady Frances Ombre's Woman-Mrs Robins; Prologue-Wilks; Epilogue-Mrs Oldfield.
Related Works
Related Work: The Wandering Jew; or, Love's Masquerade Author(s): Andrew Franklin

Performances

Mainpiece Title: The Busie Body

Performance Comment: Marplot-Pack; Sir George-Leigh; Gripe-Griffin; Traffick-Bullock; Charles-Ogden; Isabinda-Mrs Bullock; Miranda-Mrs Spiller; Patch-Mrs Giffard.
Cast
Role: Sir George Actor: Leigh
Role: Miranda Actor: Mrs Spiller

Dance: Newhouse, Pelling, Lax, Miss Bullock, it being the first Time of her Appearance on the Stage

Performances

Mainpiece Title: The Busie Body

Performance Comment: Sir George-Wilks; Marplot-Miller; Sir Framcis-Norris; Sir Jealous-Shepard; Charles-Mills; Miranda-Mrs Booth; Isabinda-Mrs Younger; Patch-Mrs Saunders.
Cast
Role: Sir George Actor: Wilks
Role: Miranda Actor: Mrs Booth

Dance: Mrs Booth, Thurmond Jr, Mrs Bullock, Miss Lindar