12 May 1687
Event Information
Theatre:
Drury Lane Theatre
Theatrical Season:
1684-1685
Volume:
1
Comments:
The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)
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Original Data
Source: London Stage Information Bank
*p*�dl Bellamira; or, The Mistress. [Edition of 1687:% Prologue-; Epilogue-. *c*�dl The <i>United Company</i>. This performance is on the <i>L. C. list</i>, 5@147, p. 361: $The King= at <i>ye Mistress</i>. See also <i>Nicoll, Restoration Drama</i>, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. $Sir George Etherege= to $Will Richards=, 19 May 1687: I have heard of the success of <i>The Eunuch</i>, and am very glad the town has so good a taste to give the same just applause to $Sir Charles Sedley='s writing, which his friends have always done to his conversation (<i>Letterbook</i>, ed. $Rosenfeld=, p. 212). Sir George Etherege to $Middleton=, 2O June 1687: I saw a play about ten years ago Called the <i>Eunuch</i>, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] $Thomas Shadwell=, <i>The Tenth Satyr of Juvenal</i> (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd <i>Bellamira, or the Mistress</i>, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, <i>Thyrsis unjustly you complain</i>, headed A Song in <i>Bellamira, or, the Mistress</i>. Set by $Mr Tho. Shadwell=, is in <i>Vinculum Societatis</i>, 1687 (licensed 8 June 1687). -
Cleaned Data
*p1687 05 12 dl Bellamira; or, The Mistress. Edition of 1687: Prologue-; Epilogue-.*c1687 05 12 dl The <i>United Company</i>. This performance is on the <i>L. C. list</i>, 5@147, p. 361: $The King= at <i>ye Mistress</i>. See also <i>Nicoll, Restoration Drama</i>, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. $Sir George Etherege= to $Will Richards=, 19 May 1687: I have heard of the success of <i>The Eunuch</i>, and am very glad the town has so good a taste to give the same just applause to $Sir Charles Sedley='s writing, which his friends have always done to his conversation (<i>Letterbook</i>, ed. $Rosenfeld=, p. 212). Sir George Etherege to $Middleton=, 2O June 1687: I saw a play about ten years ago Called the <i>Eunuch</i>, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] $Thomas Shadwell=, <i>The Tenth Satyr of Juvenal</i> (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd <i>Bellamira, or the Mistress</i>, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, <i>Thyrsis unjustly you complain</i>, headed A Song in <i>Bellamira, or, the Mistress</i>. Set by $Mr Tho. Shadwell=, is in <i>Vinculum Societatis</i>, 1687 (licensed 8 June 1687). -
Parsed Data
Event: 1672 | 16870512 | dl | The <i>United Company</i>. This performance is on the <i>L. C. list</i>, 5@147, p. 361: $The King= at <i>ye Mistress</i>. See also <i>Nicoll, Restoration Drama</i>, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. $Sir George Etherege= to $Will Richards=, 19 May 1687: I have heard of the success of <i>The Eunuch</i>, and am very glad the town has so good a taste to give the same just applause to $Sir Charles Sedley='s writing, which his friends have always done to his conversation (<i>Letterbook</i>, ed. $Rosenfeld=, p. 212). Sir George Etherege to $Middleton=, 2O June 1687: I saw a play about ten years ago Called the <i>Eunuch</i>, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] $Thomas Shadwell=, <i>The Tenth Satyr of Juvenal</i> (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd <i>Bellamira, or the Mistress</i>, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, <i>Thyrsis unjustly you complain</i>, headed A Song in <i>Bellamira, or, the Mistress</i>. Set by $Mr Tho. Shadwell=, is in <i>Vinculum Societatis</i>, 1687 (licensed 8 June 1687)Performance: 1677 | 1672 | p | Bellamira; Or, The Mistress | Edition of 1687: Prologue-; Epilogue-.Cast:2703 | 1677 | Prologue2704 | 1677 | Epilogue | .
Mainpiece
Title:
Bellamira Or The Mistress
Comments:
Edition of 1687: Prologue-; Epilogue-.
Edition of 1687: Prologue-; Epilogue-.
Related Works
What's this?
Dramatic works provisionally linked to this performance, including plays that may have been staged as well as their sources, adaptations, and sequels. Works are identified, where possible, with their "print witnesses:" early published editions that have been digitized by the Text Creation Partnership. TCP metadata may overlap or conflict with records curated by the LSDB team. Read more about the provenance and limitations of the data.
Work Title:
Bellamira; or, The Mistress
Associated Date?:
1687
Associated Playwright(s)?:
Sir Charles Sedley (1639 - 1701)
Print Witness(es)
Title:Bellamira, or The mistress
Author(s):Sedley, Charles, Sir, 1639?-1701.; Terence. Eunuchus.
Publication Date:1687
Work Title:
Psyche; or, Love's Mistress
Associated Date?:
Associated Playwright(s)?:
Thomas Heywood (1573 - 1641)
Work Title:
The Maid's the Mistress
Associated Date?:
Associated Playwright(s)?:
John O'Keeffe (1747 - 1833)
Samuel Arnold (1740 - 1802)
Work Title:
Love's Mistress
Associated Date?:
1636
Associated Playwright(s)?:
Thomas Heywood (1573 - 1641)
Print Witness(es)
Title:Loves maistresse: or, The Queens masque
Author(s):Heywood, Thomas, d. 1641.
Publication Date:1636
Work Title:
The Queen's Mask
Associated Date?:
1640
Associated Playwright(s)?:
Thomas Heywood (1573 - 1641)
Print Witness(es)
Title:Loves maistresse: or, The Queens masque
Author(s):Heywood, Thomas, d. 1641.
Publication Date:1636
Work Title:
Love's Mistress; or, The Queen's Mask
Associated Date?:
1640
Associated Playwright(s)?:
Thomas Heywood (1573 - 1641)
Work Title:
Bellamira, Her Dream; or, The Love of Shadows
Associated Date?:
1663
Associated Playwright(s)?:
Thomas Killigrew (1612 - 1683)
Print Witness(es)
Title:Comedies, and tragedies
Author(s):Killigrew, Thomas, 1612-1683.
Publication Date:1664
Work Title:
The Wrangling Lovers; or, The Invisible Mistress
Associated Date?:
1677
Associated Playwright(s)?:
Edward Ravenscroft (1659 - 1697)
Print Witness(es)
Title:The wrangling lovers: or, The invisible mistress
Author(s):Ravenscroft, Edward, 1654?-1707.
Publication Date:1677
Work Title:
The Innocent Mistress
Associated Date?:
1697
Associated Playwright(s)?:
Mary Pix (1666 - 1709)
Print Witness(es)
Title:The innocent mistress
Author(s):Pix, Mary, 1666-1720.; Etherege, George, Sir, 1635?-1691. Man of mode.
Publication Date:1697
Work Title:
Vice Reclaim'd: or, The Passionate Mistress
Associated Date?:
1703
Associated Playwright(s)?:
Richard Wilkinson
Work Title:
The Disappointment: or, The Maid's the Mistress
Associated Date?:
1708
Associated Playwright(s)?:
William Taverner (1677 - 1731)
Work Title:
Money the Mistress
Associated Date?:
1726
Associated Playwright(s)?:
Thomas Southerne (1660 - 1746)
Work Title:
Love's Mistress; or, the Queen's Masque
Associated Date?:
1792
Associated Playwright(s)?:
Thomas Heywood (1573 - 1641)
Print Witness(es)
Title:Loves maistresse: or, The Queens masque
Author(s):Heywood, Thomas, d. 1641.
Publication Date:1636
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