SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Potter"/1) | (@(roleclean,performerclean) "Potter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 35 matches on Event Comments, 10 matches on Roles/Actors, 2 matches on Performance Comments, 1 matches on Author, and 0 matches on Performance Title.
Event Comment: Benefit for Vaughan, Green, Potter (Boxkeepers). No Building on Stage. Tickets sold at the Doors will not be admitted

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Miss in Her Teens

Dance: As17581016

Event Comment: Last time of Company's performing this season. Receipts: #83 18s. Paid Kemp 7 nights #11 4s.; Paid Sarjant on acct of his salary; Paid Martin in full for salary #10; Whitfield for 3 months #7 10s. Advanced to Poitier Jr #5 5s. Paid for 7 doz. wax candles #10 17s. Paid Potter for his attendance this season 181 nights at 2s. per night, #18 2s. Paid Mr Tarriot for his daughter's dancing this season #21. Advanc'd to Mrs Viviez #3 3s. Paid Pattinson 2 bills #31 12s. 6d. Paid Woodfall in full #83 10s

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit for Evans, Potter and Ansell, boxkeepers

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Damon and Phillida

Dance: II: The Cossacks, as17620427 End: The Pleasures of Spring, as17620212

Event Comment: Benefit for Evans, Ansell , Potter (box-keepers)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Knights

Dance: IV: The French Gardeners, as17630407

Event Comment: Afterpiece: A New Pantomime, the Overture and Comic Tunes compos'd by Potter, the Airs and Chorusses by Batishall. Nothing under Full Prices will be taken. The Words of the Airs and Chorusses in the Entertainment will be given away at the theatre (playbill). At the end of the Play a great Noise & many cry'd out, the whole! the whole, &c. Mr Holland told 'em there never was any more play'd, which a little appeas'd em; but some noise continued till the Curtain was drawn up for the Pantomime & then all was quiet. The Pantomime got great applause; the Tunes were very bad, & a great want of Business & Incidents thro' the whole. The Scenery is very Pretty & well Executed. The Elephant is excellent & has a Fine Effect (Hopkins). Machinery Pleas'd. Business so, so (Cross Diary). [Wording in comment from Hopkins Diary-MacMillan, differs only slightly.] Receipts: #269 13s

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Rites of Hecate; or, Harlequin from the Moon

Event Comment: Benefit for Vaughan, Potter and Ansell (box-keepers)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Miss in Her Teens

Dance: III: Hornpipe-Miss Pitt; End: The Calabrian Peasants, as17631222

Event Comment: Benefit for an Ancient Widow Gentlewoman and her Daughter (in great distress); Rawlins, Potter, Waylin. None admitted behind scenes. Tickets delivered by Mas. Besford, and Mrs Naylor, &c. will be taken

Performances

Mainpiece Title: The Royal Convert

Afterpiece Title: Lethe

Dance: End: Rural Love, as17641212

Event Comment: Benefit for Vaughan, Condell and Potter (box-keepers)

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Devil to Pay

Dance: II: Hornpipe-Miss Twist; End: The Village Romps, as17651019

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Event Comment: Benefit for Green and Ansell (box-keepers). Tickets sold at the Doors will not be admitted. Charges #83 1s. 6d. Deficit #53 13s., covered by income from tickets: Ansell #112 7s. (Box 341; Pit 162; Gallery 28); Green #135 4s. (Box 470; Pit 106; Gallery 18). Rec'd of Condell his deficiency and #20 in full for Fruit Rent this season: also deficiencies from Mrs Naylor and Potter. Paid Mr Scovell for copying Music in Maid of the Mill--#3 9s. (Account Book). Receipts: #53 13s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Upholsterer

Dance: End: The Merry Sailors, as17680920

Event Comment: Benefit for Ansell and Green (Box-keepers). Tickets sold at Doors will not be admitted. Charges #82 17s. Deficit to each #29 5s. 9d., covered by income from tickets: Ansell #117 12s. (Box 355; Pit 173; Gallery 29); Green #132 12s. (Box 436; Pit 128; Gallery 44); Deficiencies and half value paid up by Wild, Potter, Mrs Lampe & Mrs Jones, Mrs Paddick and Sharratt (Account Book). Receipts: #24 5s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Spanish Lady

Dance: IV: The Whim, as17691123

Event Comment: Benefit for Coldell [sic. Query: Condell?], Potter and Evans (Box-keepers). Tickets deliver'd for The Jovial Crew will be taken

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Dance: II: Comic Dance, as17701017

Music: End of Opera: Concerto on the Harpsichord-Mas. Condell, his first performance in public

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: Miss Younge having been a Season in Ireland is now return'd play'd Well & was receiv'd with Great Applause (Hopkins Diary). Potter, Theatrical Review: We must beg leave to point out a small error in her playing the part of Imogen; and which was too obvious to escape notice: --When Iachimo arrives from Italy...he is introduc'd to her by Pissanio who says..."Madam, a noble gentleman of Rome comes from my Lord with letters." And Iachimo on his first appearance informs her, that "the worthy Leonatus is in safety." These circumstances ought to awaken the highest joy and transport in Imogen, instead of which, we wer sorry to observe, she dropped a solemn curtsey, and without one joyous feature said, with the utmost langor, "Thanks good sir, &c." And even after she had read the letter...she addresses herself to him again with the same indifference. Rec'd Mrs Groath, 1 yrs. Rent to Xmas last #3, and from Mr Atkins on Acct #5 5s.; Advanc'd Mr Barry, Box Office keeper #15; Ditto to Mr Watson, Box Office Keeper #10 (Treasurer's Book). Receipts: #164 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Mayor of Garratt

Dance: III: A Comic Dance, as17710921

Event Comment: Reddish spoiled last scene by being imperfect (Potter, Theatrical Review). Paid three days salary at #81 8s. 11d. per diem--#244 6s.; Paid Mrs W. Barry's half salary 17s. 6d.; Paid Messrs. Reddish, J. Palmer, and Waldron short paid last week #1 (Treasurer's Book). Receipts: #229 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Harlequin's Invasion

Event Comment: Mr Moody Dr Cantwell 1st time--very bad (Hopkins Diary). Theatrical Review, 27 Nov.: Dr Cantwell was, this evening, played by Mr Moody on account of Mr King's illness, and, as we apprehend, it was undertaken on a short notice, we think he executed it with great propriety and justness. [Potter interprets the moral impact of the play considering it an improvement over Cibber's Non-Juror, its source.] Receipts: #108 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Institution of the Garter

Event Comment: Benefit for Condell, Potter and Evans (Box-Keepers). Tickets sold at the doors will not be admitted. Charges #81 5s. Deficit to each beneficiary #13 8s. 6d., cover'd by income from tickets. Receipts: #40 19s. 6d. (Account Book). @Tickets Box Pit Gallery Value@Condell 186 145 57 #73 19s.@Potter 130 80 99 #54 8s.@Evans 174 233 93 #87 15s.

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Commissary

Dance: III: A Hornpipe-Miller, scholar to Fishar; IV: A New Dance-Langrish, Miss Besford, as17730426

Music: End: Concerto on Harpsichord-Master Condell

Event Comment: Tickets deliver'd by Davis, Mrs Heard, Miss Bassan, Stoppelear, Mrs Morris, Mrs Lawr, Widow Warnuck, Rudd, Castephens, Potter, Walters, and Mas. Harrison, also those delivered for The Conscious Lovers will be taken this night

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Syrens

Song: III: (By Particular Desire) The Soldier Tir'd of War's Alarms-Master Harrison

Dance: IV: A Minuet, Allemande-Rudd, Miss Cranfield; End: A Hornpipe-Miss Bassan

Event Comment: Tickets delivered by Cushing, Stoppelaer, Walters, Potter. Mrs Sharpe, Mrs Warneck will be taken this Evening. Receipts: #168 17s. (50.15; 1.12; tickets: 116.10)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: Don Quixote in England

Dance: End: The Serenade, as17770426