SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Painter"/1) | (@(roleclean,performerclean) "Painter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1255 matches on Roles/Actors, 198 matches on Performance Comments, 93 matches on Event Comments, 3 matches on Performance Title, and 0 matches on Author.
Event Comment: This tragedy was wrote by Mr Dow,--went off but So, so.--some hisses thro' the play, and at the end also when given out.--The scenery and dresses was very fine, was well adapted, and had applause.--Miss Younge played very bad, and much disliked--Mr Holland and Mr Aickin played well (Hopkins Diary). New Scenes, Dresses, and Decorations. [The Prologue is Larpent MS 289. It follows in content the suggestions of the Prologue to the Orphan of China ten seasons earlier:@"Too much the Greek and Roman chiefs engage@The Muse's care--they languish on our stage;@The modern bard struck with the vast applause@Of ancient masters, like the painter draws@From models only.--Can such copies charm@The Heart, or like the glow of Nature warm?@To fill the scene, tonight our author brings@Originals at least, --Warriours and Kings,@Heroes who like their Gems, unpolish'd shine,@The mighty fathers of the Tartar line,@Greater than those whom classic pages boast,@If those are greatest who have conquored most."@ An account of the plot of the mainpiece is in Lloyd's Evening Post, 16-19 Dec. Concludes: The play is said to have been written by Mr Dow, who lately favored the public with an accurate History of the Hindoos. The decorations and dresses were very magnificent. The performers who were the most distinguished by the audience were Mr Holland, Miss Younge, Mr Aickin, and Mr Jefferson. Mr Holland spoke the Prologue and Mrs Abington the Epilogue the latter of which furnished infinite entertainment, from the spirit and humour of that admirable actress. A Two column resume of the play appears in the Public Advertiser, 19 Dec.

Performances

Mainpiece Title: Zingis

Afterpiece Title: The Absent Man

Event Comment: Paid Mr Richards, Painter as per Bill #74 11s. (Account Book). Receipts: #213 13s

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Harlequin's Jubilee

Performances

Mainpiece Title: Il Disertore

Performance Comment: Rosetta-Sga Guglielmi; Alessio-Lovattini; Gian Luioi-Marigi; Gianetta-Sga Bernardi; Beltramino-Savoi; Tonina-Sga Mengis Boschetti; Montacielo-Ristorini; Ballet Master-Galeotti; Principal Dancers-Mlle Heinel, Sga Crispi, Lepy, Lepy Jr, Sga Guidi, Sga Curz, Galeotti, Como; Painter, Machinist-Bigarri Jr (Edition of 1770).
Event Comment: Paid Three days Salary at #80 12s. 3d. per diem--#241 16s. 9d. Paid Mrs W. Barry (half salary) 17s. 6d. [Mr Carver (presumably Robert Carver the scene painter) received, according to the treasurer's book, one pound daily throughout the season. This payment is listed separately each Saturday, and will not be mentioned hereafter.] Paid Lampmen #2; Bill-stickers #3 12s.; Handbills 8s.; Candlemen #1 8s.; Carpenters #7 5s. 2d.; Taylors #16 11s. 10d.; Mantua Maker #3 12s.; Stevens (Porter) 18s.; Supers & Kettle Drum #3 4s. (Treasurer's Book). [As these were constant weekly items in the Treasurer's Book their averages and season totals will be given in the following table, after which no further itemization will be made.] Receipts: #197 9s. (Treasurer's Book). Item Weekly Average Season Total@Lampmen #3 4s. #115 4s.@Bill Stickers #2 14s. #97 4s.@Handbills 12s. #21 12s.@ Candlemen #8 #288@ Carpenters #5 #180@ Tailor #6 #216@Mantua Maker #2 #72@ Stevens (porter) 18s. #32 8s.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Harlequin's Invasion

Event Comment: Mainpiece: Acted but once these 20 years. Rec'd of Condell on Acct of Fruit Rent #20; Paid Richards (painter) as per bill #115 15s.; Paid Partridge & Franks (hosiers) #60 5s.; Paid Lowe & Lewis (woolen drapers) #35 15s. (Account Book). Receipts: #207 10s. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Event Comment: Paid one year's Assurance on #3000 in the Royal Exchange Assurance Office to 15 Dec. 1772...#6; Paid Morris (herald painter) #19 16s. 6d.; Paid Walker for Partizans &c. #9 6s. 6d.; Paid Snivley & Davis (worsted lace men) #4 4s. 6d. (Account Book). [The Heraldry and Partizans &c. probably for the Institution of the Garter.] Receipts: #147 1s. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Event Comment: Afterpiece: Not acted these 2 years. [See 21 April 1770.] Paid Dall (scene painter) for expenses to Windsor #6 17s. 11d. (Account Book). Receipts: #176 6s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman in Paris

Event Comment: Mainpiece: Not acted these 2 years. [See 18 May 1770.] Paid Cipriani (painter) #63 (Account Book). [Apparently his price for painting the taking of the Bohemian Standard at the battle of Cressyv. See 20 Jan.] Receipts: #163 16s. 6d. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Mother Shipton

Event Comment: Paid Mr Bibb (sword cutler) #27 3s.; Mr Hatsell (mercer) #50 17s. 6d.; Mr Stafford (glassman) #3 17s. 6d.; Mr Jones (worsted laceman) #19 14s. 6d.; Mr Branson (painter) #3 17s. 6d.; Mr Cropley (linendraper) #25 8s. 6d.; Mr Chettell (timber merchant) #116 5s. 6d.; Barrow & Co (oil merchants) #76 10s.; Mrs Vaughan (haberdasher) #21 5s.; Mrs Babel for papier machee #10 5s.; Mr R. Johnston, for carving &c. #82 13s.; Mr Palmer for spermecetti candles #126 2s. Receipts: #162 8s. 6d. (Treasruer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Event Comment: Books of the Masque, including the words of the additional Scene, to be had at the theatre. Paid Leverton & Co (bricklayers) #32 12s.; Heafford (plaisterer) #12 11s.; Wilford (painter) #15 11s. (Account Book Receipts: #172 10s. (Account Book).)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Fairy Prince

Dance: IV: The Merry Sailors, as17711026

Event Comment: Benefit for Condell, Potter and Evans (box-keepers). Charges #81 5s. Deficit to the Box Keepers #14 7s. 6d. apiece, cover'd by income from tickets: Condell #67 3s. (Box 169; Pit 116; Gallery 75); Potter #56 (Box 116; Pit 102; Gallery 117); Evans #83 13s. (Box 151; Pit 228; Gallery 117). Paid Cooper (printer) #33 10s. 6d.; Paid Richards (painter) as per bill #6 16s. 6d.; Paid Dr Arne for composing two songs one in Comus, the other in Twelfth Night #6 6s. (Account Book). Receipts: #38 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Upholsterer

Dance: IV: The Lilt, as17720326

Event Comment: Last time of company's performing this season. Benefit for Bowers and Widow Veal. Tickets deliver'd by Berrisford, Hodges, and Burroughs will be taken. Thus Ends the Season-63 different plays-36 different Farces-186 Nights in all (Hopkins Diary). Paid Watch, Rector, Cleansing, &c., cg to Lady Day last #5 18s. 4d. (Treasurer's Book). After Season Receipts: 11 June: Box Office Keeper's cash #25; Condill's 3rd and last payment for Fruit Office #20. 16 June: Candles, Oyl and Lampmen of Theatrical Fund Night 2nd inst. #3 18s. 6d. 23 June: Mr Johnston for Candle ends sold to sundry #11 7s. 6d.; Ditto for Lace burnt form the Wardrobe #205 8s. 26 June: Harrison's rent 1 yr to Lady Day last #46 but with #12 5s. in taxes deducted amount rec'd #33 15s.; Williams rent ditto (#48 with #8 6s. 8d. taxes deducted) #39 13s. 4d.; From Public Advertiser this season #50; From Daily Gazetteer #50. 3 July: Remainder of Sinking Fund #160 2s. 6d. 6 July. Mr Rowland 1 yrs rent to Lady Day last with #3 8s. in taxes deducted, #139 12s.; Mr Pope 1 yrs rent to ditto with #3 11s. 2d. taxes deducted #26 8s. 10d. 10 July: Benefit deficiencies cleared and Cash taken up by Evans as per acct. #89 7s. (Treasurer's Book). After Season expenditures: 11 June: Hopkins, Prompters Bill #8 15s.; Miss Hopkins 18 Nights full #2 5s. 13 June: 2 days salary list at #72 6s. 5d. per diem #144 12s. 10d.; S. French 6 days #1 10s. 16 June: Davies on note #7 6s.; Printer's 2 bills #11 14s.; Mas. Thomson 3 nights in full 15s.; Mrs Mann on note #2 2s.; Tallow chandler's 9th bill (#30 14s. 4d. with a discount of #26 15s. 6d. on all bills for season) #3 18s. 10d. 19 June: Miss Berkley on note #5 5s. 3 July: J. Stevens 2 weeks as usual #1 16s; Sandys & Co. for Colours #10 4s. Dorman for Coals #20 10s. and for attending practices of dances, as usual #10 10s.; Cole (turner) #14 3s.; Bibb (sword cutler) #3 12s.; Barret (wax chandler) #20 6s. 6d.; Blakes, (hatter), #5 12s.; Lowe and Co (glaziers) #16 6d.; Cropley, (linen draper) #14 7s. 6d.; Chamberlain & Co. (ironmongers), #25; Carter (scowerer) #14 12s.; Jennings (glover and furrier) #18 6d.; Scott (copper laceman), #51 19s.; Carpue, (silk dyer) #9 1s. 6d.; Mrs Chitty (coals) #28; Carver's bill #2 1s.; Chettell (timber) #14 9s.; Cubitt (Tinman) #18 2s. 6d.; Waller (hosier) #24 19s. 6d.; Barrow & Co. (only) #118; Vaughan (haberdasher) #3 6s.; Hatsell (mercer) #28 2s.; Thomson (smith) #10 15s. 6 July: B. Lyon, Wardrobe & Carp Bills #10 10s. 6d.; Stephens (manson) #6 4s.; Pope (peruke maker) #29 6s. and #3 16s. for 38 extra nights dressing &c.; Mrs Slaughter's Bill #9 2s. 6d.; Roberts (shoemaker) #3 12s. 6d.; D. Richards, 30 weeks 5 days extra salary in full for this season #30 16s. 8d.; Hewetson (laceman) #17 6s.; Mr Page in full of #25 this season #1 17s. 6d. 8 July: J. Johnston's Music Bill #37 13s. 6d.; Powney & Co., (stationers) #3 14s.; Landall for Mrs Cape's Funeral per order #4 7s. 6d.; Kirkman, (harpsichord maker) #18 14s.; John French, painter's bill #5 3s. 10 July: Palmer for Spermacetti Candles #255 8s.; Miss Collett's schooling #2 8s. 10d.; Stafford (glassman) #4 19s.; A. Johnston's bill for feathers &c. #15 6s. 6d.; Ditto four Housekeeping Bills #10 1s. 4d.; Chapman (Jubilee horsekeeping) #3 13s. 6d.; Victor 2 weeks salary as usual #5; Victor gratuity as usual #30; Evans 2 weeks salary as usual #3 and #42 in lieu of a Benefit. Books Closed 10 July. Total income #32,538 6s. 1d. Total outgo #26,410 8s. 8d. Profit #6,127 17s. 5d. paid To Managers #5,040 To Clutterbuck #1,087 17s. 5d

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Miss in Her Teens

Dance: End: Hornpipe-Walker

Event Comment: Two Young Lady's made their first Appearance in the Characters of Polly & Lucy Pupils of Dr Arne--Miss Wellers figure is very well for Polly but she wants Spirit & is apt to Sing out of Tune. Mrs Bradley is Tall & a good figure for Lucy and acquitted herself very well in that character they both met with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly: Two young Gentlewomen appeared in the characters of Polly and Lucy,--brought out by Dr Arne,--Miss Weller and Mrs Bradley.--Miss Weller's figure was very well for Polly; but she is a piece of still life, sings out of tune and will never make an actress.--Mrs Bradley,--very tall, and appears to have blackguard requisites enough for Lucy, but will not do for anything else--Hopkins Diary No 7. Mrs Bradley is since married to Mr Prior the Builder.--J. P. Kemble."] Paid Renters #8 [this payment occurs each playing night of the season, 188 times in all, and will not be further noted]; Mr Carver, six days, #6 [a weekly payment outside the pay list throughout the season. Presumably to scene painter. No further noted]; Mr S. French, 6 days, #1 10s. Renters total for season #1592. Carver total for season #088 (Treasurer's Book). [see account of Miss Weller and Miss Bradley in Town and Country Magazine (Theatre XXXVIII): The first performed the part of Polly, and the latter that of Lucy. Their figures are both genteel, and their countenances expressive. Miss weller was much confused upon her first entrance; but from the melody of her voice, tho she did not raise it sufficiently in many parts, there is reason to believe, when she was got the better of her terrors of facing an audience, that she will be an acquisition to the stage, at least as a vocal performer. Miss Bradley's performance of Lucy with great spirit, vivacity and Propriety' and her singing being so well suited to the character, she so much eclipsed Polly, that the audience formed a more indifferent opinion of her abilities than she deserved."] Receipts: #220 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Dance: II: A Comic Dance-Daigville, Sga Vidini

Event Comment: Mainpiece: By Particular Desire. Paid salary 1st 5 days at #84 6s. 11d. per diem, #421 14s. 7d.; Mr S. French, six days #1 10s.; Mr Roye on acct 1st. #4 4s.; Mr Clinch, per order #5 5s. (Treasurer's Book). [This is the last payment to Mr S. French. Mr Roye hereafter seems to take his place at #4 10s. per week during the rest of the season. Query. Pierre Royer, painter? His name spelled Royer in the Treasurer's Book, 3 Jan. 1773. His total season's payment #153. Not further itemized.] Receipts: #171 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Old Maid

Event Comment: Paid Cipriani (painter) as per bill #42. Paid McMillen (Shoemaker) #18 2s., and Love & Lewis (woolen drapers) #11 7s. (Account Book). [Cipriani possibly painted new scenes for Elfrida.] Receipts: #152 4s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Royal Chace

Event Comment: Paid Richards (scene painter) as per Bill #25 4s. Paid Mr Gard for performing 14 nights in the Ostrich to 11th inst. inclusive, #1 15s. (Account Book). [Richards possibly Painted the new scene of the Pantheonv added to Harlequin Sorcerer on 6 Jan. Mr Gard continued to receive the standard wage of 2s. 6d. per naght for performing this bird each time Harlequin Sorcerer was put on. No further notation of his payments as they occur in the account books will be made. He was paid usually after about every 12 of 14 performances.] Receipts: #166 6s. (Account Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Harlequin Sorcerer

Event Comment: Paid Stephens (mason) #13 3s., and Wilford (painter) #9 4s. 6d. as per bills (Account Book). Receipts: #202 19s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Harlequin Sorcerer

Monologue: Before: By particular desire, New Occasional Prelude. As 27 Oct. 1772, but Author-Hamilton

Event Comment: Cash advanc'd Clarke as per bond #400. Paid Richards (scene painter) as per Bill #190. Receipts. #230 6s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Sylphs

Event Comment: Benefit for Miss Bassan and Abbott. Tickets delivered by Furkins, Longley, Robson, Flight, Curteen, Paddick, Stephenson, as well as those delivered for the Inconstant and Love for Love will be taken. [No charges. House received ready money receipts plus half-value of tickets]: @Tickets Box Pit Gallery Value Half Value@Miss Bassan 22 38 43 #15 10s. #7 15s.@Abbott 18 52 72 #19 10s. #9 15s.@Furkins 27 42 19 #14 19s. #7 9s. 6d.@Longley 22 206 82 #44 12s. #22 6s.@Robson 13 107 42 #23 10s. #11 15s.@Flight .. 72 62 #17 #8 10s.@Curteen 24 57 55 #20 1s. #10 6d.@Mrs Paddick 7 30 13 #7 11s. #3 15s. 6d.@Stephenson 3 21 85 #12 8s. #6 4s.@Total 136 625 473 #175 1s. #87 10s. 6d.@ Paid Nichols (gilder) 1s. 6d., McMillen (shoemaker) #4 3s.; D. Almaine (embroiderer) #3 3s.; Morris (painter) #7 7s.; Rowson (gunsmith) #6 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Commissary

Dance: II: (By Desire) a Minuet (1st time)-Blurton, Miss Bassan; End Opera: Hornpipe-Miss Bassan

Performances

Mainpiece Title: Motezuma

Performance Comment: Parts by Rauzzini, Fochetti, Passini, Sga Galli, Sga Farinella, Sga Schindlerin. Motezuma-Rauzzini; Guacozinga-Sga Schindlerin; Fernando Cortes-Passini; Lisinga-Sga Farinella; Teutile-Sga Galli; Pilpatae-Fochetti; Ballet Master-Lany; Principal Dancers-Lany, Vallouis, Sga Baccelli, Mme Vallouis; Painter, Machinist-Signor Colomba.

Dance: I: New Ballet, La Fete de Flora-; In which a Grand Chaconne-Mlle Baccelli; II: Grand Ballet, Les Mexicains-S. Vallouis, Mme Vallouis; End opera: Grand Heroic Historic Ballet-Lany, M and Mme Vallouis, Mlle Baccelli; with Chaconnes-Vallouis, Mlle Baccelli

Event Comment: Mrs Jewel from the Haymarket Theatre made her first appearance upon this stage in Lucinda and was receiv'd with great applause (Hopkins Diary). Paid 3 days salary list #134 15s. 6d.; Lampmen #2 12s.; Bill stickets #3 12s.; Handbills 8s.; Candlemen Bill #2 15s. 6d.; Taylor's Bill #13 16s. 3d.; Mantua Maker's Bill #8 12s.; Mr French #12 12s.; Painter's Bill #3 6s.; Heath andWife #2; Roye #4 1Os. (Treasurer's Book). [The following items among those listed in the Treasurer's Book were constant weekly expenditures. Their averages and totals appear in the following table and will not again be mentioned]: @Week's Average Total expense for season@Lampmen #4 5s. #171@Billstickers #2 14s. #92 12s.@Handbills 12s. #22 16s.@Tailors #8 10s. #323@Mant. Makers #2 5s. #85 2s.@Candlemen #12 #456@Mr French #10 10s. #388@Painters #7 #266@Mr Heath and Wife #2 #76 [A spectator writes to the Public Advertiser (to inform the country readers) about the changes in the interior of Drury Lane Theatre resulting from the remodeling by the Adams@brothers. They had managed to give the impression of greater magnitude to the house. They removed the old heavy square pillars at the side of the stage, raised the sounding board on the side next to the stage, greatly improving the sound of the music and the actors' voices. Much new decoration went into the boxes making them more light and gay. Much panel glass, ornamentation, and ceiling decoration, giving it the effect of a dome. The author believes the crimson drapery over the stage is too dark for the objects around it, and the gold fringe lacks the brilliant effect. The lobby behind the front boxes was remodeled and kept clear of servants, by means of an adjoining room prepared for the servants. New arches lead into the entrance from Brydges St. toward the boxes.] Receipts: #235 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: Didone

Performance Comment: Parts by: Rauzzini, Onofreo, Savoi, Francesce Gabrielli, Sga Sestini, Caterina Gabrielli. Dido-Sga Caterina Gabrielli; Aneas-Sg Venanzio Rauzzini; Jarba-Sg Onofrio; Selene-Sga Francesca Gabrielli; Araspe-Sg Savoi; Osmida-Sg Vincenzio Sestini; Ballet Master-Bouqueton; Principal Dancers-Mr Fierville, Sg Paladini, Mr Helme, Sga Baccelli, Sga Tinti, Mlle Sophie; Painter, Machinist-Sg Colomba; Taylor-Sg Lupino (Libretto, 1775).

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Event Comment: Paid Dall, painter, on account of Salary #60. Receipts: #125 15s. 6d. (124.12.0; 1.3.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Padlock

Dance: End I: As17761015; In V: a Dance of Foresters-Harris

Event Comment: Tickets delivered by Massey, R. Palmer, Blissett, Painter and Hitchcock, prompter, will be admitted

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Nature Will Prevail

Dance: End II: As17780624