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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Paris"/1) | (@(roleclean,performerclean) "Opera Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4320 results for: Keyword - Opera, Paris
We found 2826 matches on Performance Title, 1555 matches on Event Comments, 437 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

51
24 March 1767 @ Covent Garden

Event Comment: Benefit for Shuter. Tickets to be had of Shuter at Number 2, in Martlet Court, Bow St. Covent Garden; and of Mr Sarjant, Book-Keeper. Charges: #65 2s. [Profits to Shuter #150 6d., plus #70 11s. from tickets (Box 233; Pit 82).] Paid Miss Elliott the balance of her two nights Jan. 13 and Feb. 18, #90 13s. 6d. and gave her as a present from the managers by deducting the charge of the Farce for her 2nd night, Feb. 18th, #21 (Account Book). Receipts: #215 2s. 6d. (Account Book). About 5 with great difficulty got into the Pit at Covent Garden to see...the benefit for Mr Shuter. Stood all night at the bottom of the Pit in a most disagreeable situation, though I saw very well and heard too, unless when prevented by the noise on occasion of which Shuter very smartly applied the Passage, But if we all speak together, how shall we hear one another," and again when a great noise was made about someone in the Gallery, he cried 'Give him a knock o' the head and make him quiet,' and another bawling Silence," he cried Silence, Silence why don't you be quiet.'At the end of Act II, the Cries of London', with additions by Shuter. In going off he shook his head on hearing it encored, but was oblig'd to comply by repeating the greater part. End of Opera Shuter entertained us with his Serious, Comic Post-Haste Observations in his Journey to Paris, to hear which was a principal reason of my not dining at Holliss's. The Barber in the Upholsterer inimitably played by Woodward (Neville MS Diary)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Upholsterer

Dance: TThe Female Archer, as17661215

52
30 April 1795 @ King's Theatre

Event Comment: Benefit for Mme Banti. A Grand Serious Opera (1st time in this country [1st performed at Vienna, 1767]), accompanied with Chorusses and Dances. The music entirely by Gluck. With entirely new Scenes, Dresses and Decorations. Books of the Opera now to be had at the Office of the Theatre, and at Beckett, Bookseller, Pall Mall. Morning Chronicle, 28 Apr.: To be performed exactly in the same manner as it was represented at Paris, under the direction of Gluck himself. Tickets to be had of Mme Banti, No. 3, Hay-market. Bartolozzi having presented Mme Banti, for her night, with a Ticket designed on purpose and engraved by himself, she proposes to give one of the engravings along with each Box and Pit Tickets, separately from the Ticket which will be admitted at the door. The Doors to be opened at 6:00. To begin at 7:15 [see 20 June]

Performances

Mainpiece Title: Alceste; Or, Il Tronfo Dell' Amor Conjugale

Dance: End Opera: Paul et Virginie, as17950411o other ballet listed]

53
10 January 1797 @ King's Theatre

Event Comment: A New, Grand, Serious Opera, with Chorusses (1st time [in London; 1st performed at Paris, 1788, as Arvire et Evelina]). The Music by Sacchini (being his last Work). With entirely new Scenes (painted by Greenwood), Dresses and Decorations. Books of the Opera may be had at the Office of the Theatre

Performances

Mainpiece Title: Evelina

Dance: End I: Divertissement-Didelot, Mme Rose, Mlle Parisot; End Opera: Apollon Berger-Mlle Parisot, Didelot, Mme Hilligsberg, Gentili, Mme Rose

54
14 May 1729 @ Drury Lane Theatre

Event Comment: Benefit Chetwood. At the particular Desire of several Persons of Quality. Mainpiece: Written by Mr Wycherley. Afterpiece: [By W. R. Chetwood.] A new Dramatick Entertainment of one Act. Intermixed with above 40 Airs, made to Old Ballad Tunes and Country Dances. N.B. Books of the Opera will be sold at the Theatre the Night of Performance

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The Lover's Opera

Dance: FFrench Peasant-a Gentleman just arrived from Paris; Polonese-Rainton, Miss Robinson; Village Dance-Thurmond, Essex, Houghton, Rainton, Mrs Mills, Miss Robinson, Mrs Walter, Mrs Houghton

55
21 February 1760 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Being the last time of performing this Opera till the Benefits. Receipts: #182 10s. 6d

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: As17600212

56
01 May 1766 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Last time of performing the opera this season

Performances

Mainpiece Title: The Maid Of The Mill

Cast
Role: a Dance Incidental to the Opera Actor: Fichar, Arnauld, Sga Manesiere, Miss Wilford.

Afterpiece Title: The Englishman in Paris

Dance: II: The Sicilian Peasants, as17660311

57
08 March 1768 @ Covent Garden

Event Comment: Sixth Day. For the Author. Books of the Opera to be had at the Theatre. House charges and candles #64 5s. Balances for Bickerstaffe #120 18s. (Account Book). Receipts: #185 3s. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Englishman in Paris

Dance: End of Opera: The Irish Lilt, as17670921, but Miss Valois, Sga _Manesiere

58
27 October 1773 @ Covent Garden

Event Comment: [Lucy identified as Miss Dayes by Kemble note on playbill and by Winston MS 10.] At the opening of this season Justice Sir John Fielding wrote to Garrick not to play the Beggar's Opera fearing it had a bad influence on the minds of the young. But both Garrick and Colman continued to play it (Winston MS 10). Receipts. #183 13s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman in Paris

Dance: End: New Dance, as17731021

59
05 February 1795 @ Drury Lane Theatre

Event Comment: Powell: [In afterpiece] Sir John Buck Cooke, Phillimore Ill; Classic Benson, Packer Ill. Beggar's Opera rehearsed at 10; New Ballet at 10 and at 12. Receipts: #148 3s. 6d. (103.5.0; 40.6.6; 4.12.0)

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: The Englishman in Paris

60
05 May 1774 @ King's Theatre

Event Comment: The Balletto to conclude with a Grand Chaconne of M. LeBreton's, first composer of the Opera at Paris

Performances

Mainpiece Title: Antigono

Dance: I: Ballet-Mariottini, Nina Favier; II: La Bagatelle-Bocchini, Sga Mazzoni; End of Opera: Grand Serious Ballet, L'Embarass du choix-Fierville, Nina Favier

61
05 July 1777 @ King's Theatre

Event Comment: Benefit for Rauzzini. The last Opera this Season. Part of the Figurants being gone to Paris, the Dances will be given in the best manner possible, and hope for the Indulgence of the Audience. Tickets to be had of Rauzzini, No. 5, Suffolk-street

Performances

Mainpiece Title: L'ali D'amore

Dance: End I: La Clochette, as17770617, but omitted: Sga Zuchelli; End II: Minuet de la Cour, as17770508; End Opera: Serious Ballet-Mons and Mme Simonet, Vallouy@le@cadet, Mlle Baccelli

Song: Preceding last ballet: Address of Thanks (composed for the occasion by Rauzzini)-Rauzzini, Miss Storace

62
23 March 1786 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertissement Villageois, as17860218, but Sga Angiolini in place of Sga Carolina; End of Opera a Grand Pantomime Ballet in 3 acts, Le Premier Navigateur; ou, La Force de I'Amour (originally composed by Gardel Sen., and acted at the Opera House in Paris with uncommon Applause, and now got up at this Theatre under the immediate Inspection of Vestris). Melide-Mlle Baccelli (1st appearance these 4 years); Semite, Mother to Me'lide-Mlle Mozon; Venus-Sga Angiolini; Daphnis-Vestris; Faun-Fabiani; Old Cottager-D'Egville; Lovers of Melody-Henry, Marseilles, Duquesney [Jun].; Morpheus and Priest of Hymen-Marseilles; Cupid-Miss De Camp. With a Pas de Quatre by Rozier Jun., Marseilles, Spozzi, Giorgi

Performance Comment: , and acted at the Opera House in Paris with uncommon Applause, and now got up at this Theatre under the immediate Inspection of Vestris). Melide-Mlle Baccelli (1st appearance these 4 years); Semite, Mother to Me'lide-Mlle Mozon; Venus-Sga Angiolini; Daphnis-Vestris; Faun-Fabiani; Old Cottager-D'Egville; Lovers of Melody-Henry, Marseilles, Duquesney [Jun].; Morpheus and Priest of Hymen-Marseilles; Cupid-Miss De Camp. With a Pas de Quatre by Rozier Jun., Marseilles, Spozzi, Giorgi .

63
23 April 1793 @ King's Theatre

Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

64
13 December 1796 @ King's Theatre

Event Comment: 2nd ballet: Revived, and brought forward under the direction of Barre. The Music, with additional Airs, by Mazzinghi. The Scenery entirely new, painted by Greenwood and assistants under his Direction. The Dresses new by Sestini. "This dance is the composition of the celebrated Noverre, and it is totally different from the ballet under the same title, brought out at Paris under Gardel...The torches and swords of fire in hands of Furies produced so tremendous an effect that a part of audience seemed petrified at agonies of Psyche. Much of this effect was produced by the strong reflection from glass pannels of boxes" (Morning Chronicle, 19 Dec.). The frequenters of Opera are respectfully acquainted that Posts with Chains are placed all along front of Theatre to prevent Carriages from driving upon the foot way, so that Chairs can in future come by great door in the Haymarket with perfect safety

Performances

Mainpiece Title: L'amor Fra Le Vendemmie

Dance: End I: Flora et Zephire, as17961126

Ballet: End Opera: L'Amour et Psiche. L'Amour-Didelot; Psiche-Mme Hilligsberg (Oracle, 19 Dec.); Adonis-Gentili (Morning Chronicle, 19 Dec.); unassigned-Mme Rose, Mlle Parisot, Fialon

Performance Comment: L'Amour-Didelot; Psiche-Mme Hilligsberg (Oracle, 19 Dec.); Adonis-Gentili (Morning Chronicle, 19 Dec.); unassigned-Mme Rose, Mlle Parisot, Fialon.
Cast
Role: unassigned Actor: Mme Rose, Mlle Parisot, Fialon.

65
25 April 1775 @ Covent Garden

Event Comment: Benefit for Reinhold. Part of Pit laid into Boxes. Ladies send Servants by 4 o'clock. The Englishman in Paris oblig'd to be deferr'd on account of Indisposition of Miss Macklin

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Upholsterer

Dance: End Opera: The Merry Sailors, as17741026

66
12 May 1775 @ Covent Garden

Event Comment: Benefit for Daguville (ballet master) and Helme (principal dancer). The Englishman in Paris deferr'd on account of Woodward's Indisposition

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: A New Comic Dance call'dThe Country Macaroni Assembly-Daguville, Daguville's Scholar; in which (by Desire) Minuet-Helme, Sga Vidini; End Opera: A New Dance call'd The British Bacchanalian , or The Hop-Pickers, an Interlude of Singing and Dancing,-Helme, Sga Vidini; in which The Wooden Shoe Dance- introduced by Daguville

Ballet: II: A New Grand Historical Dance of Warriors, call'd Boadicea Queen of Britain. Queen-Mrs Daguville; her Two Daughters-Miss Ross, Miss Armstrong (Scholars to Daguville); Helme, Daguville

67
10 May 1784 @ Haymarket Theatre

Performances

Mainpiece Title: [entertainments Of Music And Dancing] A Grand Symphony By The Celebrated Band Of The Opera House

Performance Comment: The Peasant Metamorphosed, as17840430 Hornpipe, as17840430 A Grand Instrumental Concert. The Country Squabble, as17840430 New Pastoral Pas de Deux by Duquesney Jun. and Mlle Constance (from the Theatre Royal, Paris). The Rival Clowns, as17840430, but added: Mrs Dagville; in which Orpheo, as17840430.

68
10 February 1789 @ King's Theatre

Event Comment: Mr Gallini Respectfully informs the Nobility, Subscribers, and Gentry that he sent a person to Paris on Monday last to engage the best capital Female Dancer that can be got; and if a good Man Dancer is to be procured, he is very ready to engage him, as he shall be happy to do every thing in his power to please the public and will spare no pains or expense for that purpose [see 7 Feb.] Didelot having had the misfortune to hurt his leg the first dance on Saturday last is unable to appear for some days

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: New Divertissement, as17890110, but _Didelot; End Opera: Les Fetes Provencales, as17890207, but _Didelot, Mlle _Normand

69
02 May 1799 @ King's Theatre

Event Comment: Benefit for Mrs Rose Didelot. Tickets to be had of Mrs Rose Didelot, No. 8, Haymarket. 2nd ballet: 1st time; composed by J. D'Egville. [In all subsequent performances this was billed as Tarare.] "D'Egville, Laborie, and St.Pierre are excellent dancers and fine manly figures. Laborie possesses more elegance than St. Pierre; but the latter greater animation. D'Egville displays much taste and poetical spirit in the invention of ballets...[which] are far richer in naive situations, and possess a more free poetical spirit than those of Paris" (Goede, 265-66)

Performances

Mainpiece Title: Elfrida

Dance: End I: Hylas et Temire, as17990418; End Opera: Tarare et Irza-D'Egville, Didelot, Laborie, St.Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg

70
31 March 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Albion Queens

Afterpiece Title: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty

Performance Comment: Edition of 1733 lists: Harlequin-LeBrun; Beau Mordecai-Stoppelaer; Old Debauchee-Berry; Justice@Mittimus-Mullart; Mons Poudre-Oates; Constable-Jones; Keeper-Burnet; Porter-Peploe; Pompey-Young Grace; Beadles-Gray, Wright; Kitty-Miss Raftor; Madam Decoy-Mrs Mullart; Jenny-Mrs Grace; Beau Brindle-Leigh; Les Capricieux-Essex, Miss Robinson; Hungarians-Houghton, Mrs Walter; Fingalians-Lally Sr, Miss Mears; Scaramouch-Lally Jr; Pierrot-Tench; Mezzetin-Stoppelaer; Ladies of Pleasure-Miss Mann, Miss Atherton, Miss Price; Marquis de Fresco-Arlequin en Chien; but Daily Post, 24 March (not later) adds: Shepherds-Lally Sr, Lally Jr, Tench, Davenport; Shepherdesses-Mrs D'Lorme, Mrs Grace, Miss Mann, Miss Price; Paris-Denoyer; Helen-Mrs Booth; Juno-Mrs Walter; Pallas-Miss Mears; Mercury-Stoppelaer; Power-Ellis Roberts; Venus-Miss Robinson; Thalia-Miss Raftor; Euphrosyne-Mrs Mullart; Aglaia-Miss Atherton; Fame-Young Cunningham.
Cast
Role: Paris Actor: Denoyer

71
21 October 1736 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Mithridates

Afterpiece Title: Harlequin Shipwreck'd: With the Loves of Paris and Oenone

Performance Comment: Harlequin-Lun Jr; Pantaloon-Dove; Colombine-Mrs Hamilton; Clown-Penkethman; Haymakers-Delagarde, Hays, H. Fayting, Mrs Dove, Miss Hughs, Miss Gerrard; Proteus-Touchbury; Tritons-Vallois, Delagarde, Lesac, H. Fayting; Paris-Kelly; Oenone-Mrs Chambers; Followers-Touchbury, Nichols, Corf, Hussy, Miss Jones, Miss Wilson, Mrs Carter, Miss Thornowets; Myrtillo-Haughton; Amaryllis-Mlle Roland; Shepherds and Shepherdesses-Lesac, Vallois, Delagarde, H. Fayting, Mrs Bullock, Mrs Woodward, Miss Gerrard, Miss Oates.
Cast
Role: Paris Actor: Kelly

72
12 March 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Judgment of Paris

Performance Comment: Written by Congreve, New Set by Mr Arne; Paris-Beard; Mercury-Lowe; Venus-Mrs Arne; Pallas-Mrs Clive; Juno-Mrs Edwards.
Cast
Role: Paris Actor: Beard

73
20 April 1748 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: The Judgment of Paris

Performance Comment: Venus-Mrs Arne; Pallas-Mrs Clive; Paris-Lowe; Mercury-Reinhold; Juno-Mrs Mozeen.
Cast
Role: Paris Actor: Lowe

Dance: Cooke, Janeton Auretti

74
19 April 1750 @ Covent Garden

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Judgment of Paris

Performance Comment: As17500405 but Paris-Lowe; Mercury-Wilder; Pallas-Miss Young; Juno-Mrs Dunstall; Venus-Miss Falkner.
Cast
Role: Paris Actor: Lowe

Song: I: A New Scots Song-Miss Falkner; set-Master Arne; II: O Sleep, Lucinge-; III: Go Rose-

Dance: IV: Tambourine-Jardin

75
14 April 1758 @ Covent Garden

Performances

Mainpiece Title: Julius Caesar: With The Deaths Of Brutus And Cassius

Afterpiece Title: The Knights

Ballet: Judgment of Paris. As17580413 Paris-Gallini; Mercury-Leppie; Juno-Miss Viviez; Pallas-Mrs Granier; Venus-Mlle Capdeville; Sicilian Peasants-Gallini, Hilliard; Shepherdess-Miss Valois

Performance Comment: As17580413 Paris-Gallini; Mercury-Leppie; Juno-Miss Viviez; Pallas-Mrs Granier; Venus-Mlle Capdeville; Sicilian Peasants-Gallini, Hilliard; Shepherdess-Miss Valois.
Cast
Role: As17580413 Paris Actor: Gallini
Role: only Paris Actor: Gallinni
Role: Paris Actor: Gallini