SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Old EnglishManner"/1) | (@(roleclean,performerclean) "Old EnglishManner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1534 matches on Performance Comments, 983 matches on Performance Title, 319 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Music: End Afterpiece: Handel's Water Musick, with Preamble on Kettle Drum by Benj. Baker

Dance: II: Peasant Dance by Tench and Miss Rogers. IV: Harlequin, Punch, and Colombine by Nivelon, Lalauze, and Mlle De L'Isle. End Afterpiece: Glover's Sailors Dance

Song: I: Mock Italian Song by Roberts. III: Dialogue by Leveridge and Mrs Wright. V: Praise of old English Beer by Leveridge, &c

Performance Comment: III: Dialogue by Leveridge and Mrs Wright. V: Praise of old English Beer by Leveridge, &c .
Event Comment: At Petty's Old Playhouse, the End of Tottenham Court, leading up to Hampstead Road. With a Representation of Merlin's Cave, and the Hermitage, as in the Royal Gardens at Richmond. Likewise several other Scenes performed by Merlin's Art. 10 A.m. to 9 P.M. [To play from 4 Aug. to 20 Aug.]

Performances

Mainpiece Title: The Birth Of Merlin, The British Enchanter; Or, The Child Has Found His Father

Event Comment: At the Old Playhouse, the Bottom of Mermaid-Court. 10 a.m. to 9 P.M. [Advertised 7, 10, 13, 14 Sept.]

Performances

Mainpiece Title: The Innocent Wife; Or, The Merry Cuckolds

Performances

Mainpiece Title: The History Of King John

Performance Comment: Cast not listed. The Amorous Old Widow. Cast not listed .

Music: By a Band of Neopolitans

Song:

Dance:

Performances

Mainpiece Title: Les Precieuses Ridicules

Performance Comment: The Scholars of Mr Fell; Master of the French Academy in Old Broad Street, behind the Royal Exchange.
Event Comment: Benefit Mrs Talbot. Mainpiece: Written by C. Cibber, Esq; Poet Laureat. [Tickets to be had at Talbot's Coffee House in the Old Playhouse Passage, Drury Lane.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: Taken from the French of Moliere. Lady Stafford to Lord Wentworth, 4 Jan.: I hear their will be a vast riot to night at the Play, for young Cibber is to act and the Templars are resolved to hiss him off the stage. 6 Jan.: Young Cibber was vastly hiss'd a Thursday, but his old friend Impudence kept him from being either out of countenance or in the least disturb'd at the noise.-Wentworth Papers, p. 541

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Mock Doctor

Dance: V: Moors Dance-Muilment, Mrs Walter

Event Comment: Benefit a Tradesman under Misfortunes. At the Old Tennis-Court in James Street...a Concert of Musick, divided into Two Parts. To which will be given gratis [the two plays]. Stage-Boxes 3s. Front Boxes 2s. Pit 1s. 6d. Gallery 1s. 6 p.m. [Announced in Daily Advertiser only.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Mock Doctor

Song: TThe Cuckow Song-

Event Comment: For the Entertainment of the Antient and Honourable Society of Free and Accepted Masons. For the Benefit of an unfortunate Brother Mason. [This program, which was given in the Old Tennis Court, included a concert; and tickets for 27 April, when the performance was intended but prevented, are received this day.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Cobler of Preston

Event Comment: RRylands MS: Old Cibber play'd Brute. [The preceding day's notice started this performance was By Command of his Royal Highness, The Prince of Wales, although no such notice appears in the day's Bill. But the following note is included on the day's bill in the London Daily Post and General Advertiser.] By His Majesty's Command, no persons to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. [Fleetwood made an earnest attempt this year to clear the stage for action. All notices up to this day contain the prohibition of members of the audience behind scenes as stated on the bill of 15 Oct. Hereafter the prohibition is enforced by His Majesty's Command.] Receipts: #182

Performances

Mainpiece Title: The Provoked Wife

Song: I: Bright Author of my Present Flame-Lowe; IV: Non Ch'amarmi a Song of Farinelli's-Mrs Arne

Dance: II: A Pierrot Dance, as17411114; III: The Drunken Peasant, as17411029; V: A Musette, as17411114

Event Comment: Written by Shakespear. Garrick to Peter Garrick (Dec. 1741): You perhaps would be glad to know what parts I have play'd, King Richd-+Jack Smatter in Pamela-Clody fop's fortune-Lothario fair Penitent-Chamont Orphan-Ghost Hamlet-& Shall soon be ready in Bays in ye Rehearsal-and in ye part of Othello-Both of which I believe will do Me and Old Cibber">Giffard great Service-I have had great Success in all, & 'tis not yet determin'd whether I play Trajedy or Comedy best-$Old Cibber has spoke with ye Greatest Commendation of my Acting, as to playing a Harlequin 'tis quite false-Yates last Season was taken very ill & was not able to begin ye Entertainment so I put on ye Dress & did 2 or three Scenes for him, but Nobody knew it but him & Giffard; I know it has been Said I play'd Harlequin at Covent Garden but it is quite false.-Little, Pineapples, pp. 28-29

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Event Comment: Mainpiece: By Particular Desire. Benefit Lowe. Amphitheatre on stage. Tickets and places to be had of Lowe, next the Seven Stars in Bedford St., Covent Garden; at the Globe and Sceptre in Old Jewry; at Ben Johnson's Head in Little Britain; and at Mr Benskin's, Stationer, next the Ship-Tavern, Gracechurch St. Receipts: #180

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Song: I: Let me Wander not unseen-Beard; III: Sweet Bird from Milton-Beard; IV: Bumper Squire Jones-Beard

Dance: II: The Italian Peasants, as17411205; V: Le Boufon, as17420325

Event Comment: Mainpiece: By Desire. [The Old Batchelor had been announced.] Receipts: #20

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Miss Lucy in Town

Event Comment: Tickets deliver'd out by Stitchbury, Morris, Levi, and others, for the Old Batchelor on Monday last, that could not be admitted, will be taken in at this Concert; as also Tickets deliver'd by Sutton

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Lying Valet

Dance: two Mwo Masters Granier, Miss Granier

Event Comment: Ever studious for Public Amusement, I...strayed last Week, to a place near the Haymarket in Westminster, and Temple Bar in Middlesex, call'd James's St., where at the New Theatre, a Play called the Miser, with an Entertainment called the Old Man Bit, or Harlequin Skeleton, I saw rehears'd. J. W. Gray's Inn 12 Oct.-Theatrical Clippings, Folger Library. Benefit Julian Late of Goodman's Fields Theatre. At the New Theatre in James St., near Haymarket...a Concert. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. 6 p.m. Note, Mr Julian taken this Opportunity to acquaint his Friends, that these Performances will be done with the utmost Regularity and Decoration, most of the Performers having belong'd to the Theatres. [This customary notice about the concert, time and prices will not be included unless changed.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Mock Doctor

Event Comment: During this month was publish'd The Dramatic Congress, a short state of the stage under present management, by W. R. Chetwynd. The older actors and dramatists sit in Elysium and discuss the fate of the theatre under Fleetwood and Rich. Much on cartels and the decay of the stage, and the chicanery indulged in to starve the Macklin-Garrick revolters. Probably about this time was also publish'd Tyranny Triumphant...Or Historical and critical remarks on the famous Cartel lately agreed on by the masters of the two theatres, by Patrick Fitz-Crambo. Discusses the rumor that Rich shut up Lincoln's Inn Fields for six months and for #600 gave the key to the Manager of Drury Lane, leaving the actors to starve, and the town to be satisfied with whatever nonsense Drury Lane chose to put on

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The School Boy

Event Comment: At the Temple Punch House, Tony Aston, the oldest approv'd Actor in the three Kingdoms, being deni'd his bread in both Theatres, this Day exhibits his learned comic demonstrative Oratory on the Face, with English, Irish, Scotch, and Negroe Songs, in proper habits, Prologue and Epilogue, and all his own Pasquin Invention. 6 p.m. 1s. He is under Misfortunes, and desires the Company of the Ingenious and Humorous. [Repeated 29, 31 Dec.; and with some changes in wording on 2, 5, 9, 25 Jan., 6, 15 Feb. 1744.

Performances

Event Comment: The New Theatre in the Haymarket will be open'd next Week, for the Summer Season, with the Tragedy of Hamlet, Prince of Denmark....The Company have several old Plays in Rehearsal which they intend to revive, and entertain the Town with twice a Week. Particular Care will be taken to have the House made cool and commodious

Performances

Event Comment: The Third Night. 7 p.m. The Company intends to revive several old pieces, and will perform every Tuesday and Friday during the summer season. Places for the Boxes at Mr Macklin's, Bow Street, Covent Garden. [A letter appeared in Daily Advertiser, 10 July, on the acting of Hamlet.

Performances

Mainpiece Title: Hamlet

Event Comment: Justices of Middlesex stop performances in a field near the Great Road leading to Bow, in Mile End Old Town.--Daily Advertiser

Performances

Event Comment: A serious riot took place this evening occasioned by Fleetwood's continuing raised prices to old entertainments. Manager called for by audience. Not being an actor, he pleaded privilege of being exempted from appearing on stage and sent word by a performer he would confer in his room with any deputation. One was sent from pit, and house waited patiently its return.--Genest, IV, 137. To The Gentlemen of the Town: Gentlemen: From what pass'd last night at Drury Lane Playhouse, I think I may congratulate you on the long-wish'd for Conquest over the Hireling Encouragers of the Pantomime Entertainments. Give me leave, therefore, Gentlemen to hope, that you will not be wanting in your endeavours to quashing future attempts to introduce what is manifestly an encroachment on the Honour and Dignity of the stage, and a glaring Imposition on the town. I am yours, Philo Dramaticus.--Daily Advertiser

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Fortune Tellers

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Captain-Oates; Leon-Paget; Cacafogo-Morgan; Duke-Kennedy; Juan-Cushing; Alonzo-Blakey; Sancho-Shephard; Old Woman, Maid-L. Hallam, Julian; Altea-Mrs Bambridge; Margaretta-Mrs Phillips; Estefana-Mrs Hallam.

Afterpiece Title: The Lying Valet

Song: Brett

Dance: As17451028

Event Comment: Benefit Davies, Bookseller (General Advertiser). Tickets to be had of Mr Cummins, Bookseller, under the Royal Exchange; at the Horn Tavern in Fleet St.; at Mr Waller's, Bookseller, over against Fetter Lane End; The Temple Exchange Coffee-House; at Lebeck's Head in the Strand; and at Mr Davies in Old Round Court in the Strand

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Virgin Unmask'd

Song: Beard

Dance: Cooke, Sga Campioni

Event Comment: Benefit Kennedy and Miss Smith. [Prices 3s., 2s., 1s.] Tickets at Kennedy's, No. 2 Lambeth St.; at Miss Smith's, next door but One to the Old Playhouse in Ayliffe St.; King Harry's Head, Red Lyon St., and at the Taphouse of the Wells

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Dance: By Desire,a Hornpipe, Wooden Shoe Dance-Banberry