SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Oats"/1) | (@(roleclean,performerclean) "Oats")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 49 matches on Performance Title, 18 matches on Roles/Actors, 11 matches on Performance Comments, 5 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Harlequin's Museum

Dance: As17921226

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Margaret of Anjou

Afterpiece Title: The Irishman in London

Song: In 3rd piece: a Planxty descriptive of Ireland,-Johnstone

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: To Arms

Afterpiece Title: Love and War

Dance: As17930503

Song: End: a favorite old Ballad-Incledon

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Afterpiece Title: Hartford Bridge; or, The Skirts of the Camp

Dance: In afterpiece: The Lucky Escape-Byrn, Holland, Mrs Watts, Mme Rossi

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: THE PooR SOLDIER

Dance: As17931015

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: THE MIDNIGHT WANDERERS

Dance: As17931022

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: THE FARMER

Dance: As17931022

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Hercules and Omphale

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Hercules and Omphale

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Afterpiece Title: The Romp

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Dance: End: Highland Festivity-Byrn, Holland, Mlle St.Amand

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Afterpiece Title: Oscar and Malvina

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Unanimity; or, War, Love, and Loyalty

Afterpiece Title: Raymond and Agnes

Dance: 3rd piece to conclude with: Dance of Savoyards, as17980430; Ascension of the Bleeding Nun-

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew; or, Tars at Anchor

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Irish Mimic

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

Event Comment: Mainpiece: Written by the late Mr Congreve. Egerton 2320: Berry, Oats & Shepard discharg'd much noise in ye Pit for ye restoring of Oats. Griffin at Rotterdam, Jack Ray did his part. Milward's [?] a good one--the first night of Beard's playing--his success great. Receipts: #115. [For performances at the Fairs, see season of 1736-1737.] Daily Advertiser, 22 Aug.: The House [dl] is neatly decorated, and a very large Lobby prepar'd for the Servants that keep Places, with two Fire Places, Seats, near the Boxes, where a Person is to attend to call them, whe wanted by their Masters or Ladies. There is also a new Passage to the Pit, which will make it much more convenient for the Audience

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Hobby Horse

Performance Comment: Characters-King, Palmer, Dodd, Love, Moody, Aickin, Parsons, Miss Pope, Miss Plym, Ackman, Burton, Mas. Burton, Clough, Johnson, Watkins, West, Strange, Mrs Hippisley; Prologue-Bensley. [Larpent MS 253 lists parts: Lord Helicon; Sarj. Fallow; Capt. Scarlet; Capt. Dangle; Martingal; Rhymer; Metaphor; Folio; 1st Buck; 2nd Buck; Oats; Joe; John; Pamphlet; Waiter; Miss Flirt; Miss Martingal; Tripit. Farce by Capt. Edward Thompson.]Larpent MS 253 lists parts: Lord Helicon; Sarj. Fallow; Capt. Scarlet; Capt. Dangle; Martingal; Rhymer; Metaphor; Folio; 1st Buck; 2nd Buck; Oats; Joe; John; Pamphlet; Waiter; Miss Flirt; Miss Martingal; Tripit. Farce by Capt. Edward Thompson.]

Dance: End: The Irish Milk Maids, as17651209

Event Comment: Wild Oats [advertised on playbill of 10 Dec.] is obliged to be deferred on account of the Indisposition of a Principal Performer. Receipts: #173 7s. (162.14; 10.13)

Performances

Mainpiece Title: The Prussian Festival

Afterpiece Title: The Dramatist

Afterpiece Title: Oscar and Malvina

Music: As17911122

Event Comment: Benefit for R. Palmer, Russell & Dowton. 1st piece [1st time; B 1, by Edward Henry Iliff. The title-page has "by Edmund Spenser, Ynger." On his copy, now in Huntington Library, J. P. Kemble has written, "Iliffe [sic] is the real Name of the Authour"; he has made a similar notation on the playbill]: Founded on the 17th Number of The Spectator. 3rd piece [1st time; MF 1. Larpent MS 1219; not published. The characters are all taken from previous plays by John O'Keeffe, as follows: Sadboy (The Young Quaker); Signor Arionelli and Bowkitt (The Son-in-Law); Motley (The Dead Alive); Tully (The London Hermit); Lingo and Cowslip (The Agreeable Surprise); Ephraim Smooth (Wild Oats); Nipperkin (Sprigs of Laurel); Jemmy Jumps and Betty Blackberry (The Farmer); Mrs Casey (Fontainbleau)]: Written by Mr O'Keeffe. Times, 4 June: Tickets to be had of R. Palmer, No. 2, Queen's-row, Pimlico; of Russell, No. 19, Martlet-court, Bow-street; of Dowton, No. 5, Strand-lane, Surry-street, Strand. Receipts: #413 11s. 6d. (76.17.6; 37.7.0; 1.0.0 tickets: 298.7.0) (charge: #215 10s. 5d.)

Performances

Mainpiece Title: The Ugly Club

Afterpiece Title: The Castle-Spectre

Cast
Role: Boatswain Actor: Sedgwick

Afterpiece Title: A Nosegay of Weeds; or, Old Servants in New Places

Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees