Event Comment: The Third Act entirely new; music by Buranello

Event Comment: Mainpiece: A New Comedy [by Charlotte Lennox]. Never Performed. Prologue by Colman. Epilogue by Goldsmith. Treated so badly by the audience this first night that Mrs Lennox withdrew it. Burgoyne's The Heiress [dl, 14 Jan. 1784] draws upon it (Genest, V, 242). Receipts: #234 5s. (Account Book)

Event Comment: A new comic Opera. Music by Alessandri. Benefit for Lovattini

Event Comment: N.B. On Saturday Next, 11 March, for the Benefit of Woodward will be presented Cymbeline...and a New Tragedy in Two Acts, call'd The Rival Favourites; or, The Death of Bucephalus the Great: Alexander-$Woodward; Philip-$Shuter; Statira-$Mrs Green. With a Triumphal Entry. The Funeral Procession of Bucephalus to the Monument of the Houyhnhnms and a Solemn Dirge [See Comment 7, 9, 11 March.] Receipts: #208 7s. 6d. (Account Book)

Event Comment: Benefit for the Author of the Mianpiece. Garrick to Bath apparently to recover from an illness (Winston MS 10). From the Public Advertiser: To Mrs Barry, upon her acting the part of Rivine in the new Tragedy [The Fatal Discovery]: Grosvenor-Square, March 8

Event Comment: The last night of the Subscription. A new comic Opera; Music-Fischietti [and V. Pallavicino; text by Goldoni (Loewenberg, Annals of Opera, p. 116), first performance in England.

Event Comment: Benefit for Wignell and Barnshaw. As the Indisposition of the vocal performers renders it impossible to perform the Jovial Crew, Messrs Wignell and Barnshaw, hope their Friends will honour them with their company to the above Comedy, to which, tickets delivered for the Jovial Crew, will be taken. Charges #64 10s. Deficit to actors #25 2s. covered by income form tickets: Wignell #85 (Box 69; Pit 347; Gallery 157); Barnshaw #96 1s. (Box 88; Pit 381; Gallery 169) (Account Book). Mrs Paddick paid up her 1!2 value of tickets for the 6th Inst. Paid Kirkman for a new Harpsichord and tuning the old one #62 3s. (Account Book). Receipts: #39 8s. (Account Book)

Event Comment: A new comic Opera; Music by Traetta

Event Comment: Account Book: @Receiv'd of Vincent for Music Forfeits this season #21 11s. 10d.@Rece'v'd for stage forfeits this season #14 4s. 2d.@Receiv'd of Mrs Carne for ends of Candles & Oyl #70 6s. 7d.@Receiv'd of Proprietors of Public Advertiser #50@Receiv'd of Proprietors of Daily Gazetteer #50@Paid Vincent for Music Books #4 5s. 2d.@9 June@Rec'd Assurance on 50 Renter's Old Shares at 4s. 10d. each #12 1s. 8d.@Rec'd Assurance on 50 Renter's New Shares at 2s. 6d. each #6 5s.@15 July@Rec'd of His Majesty by Mr Mathias #40@Rec'd of Madam Schellenbergen by Ditto #9@Total Income 1768-69: #30,759 16s. 2 1!2d.@Total Expense 1768-69: #24,035 8s. 3d.@31 May: Paid Arnold Composer #50 13s.@2 June: Paid Kirkman for tuning #20@

Event Comment: Benefit for Bickerstaffe. Afterpiece: For that night only, a new musical Entertainment by author of The Padlock, never acted before

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money taken at the Stage Door, nor any after the Curtain is up. Door open by 5 o'clock. Play begins at 6 o'clock. [Customary note repeated on all bills.] [This month publish'd A Letter to David Garrick on the opening of the Theatre, in which with great freedom he is told how he ought to behave, by H. W. The thesis of the pamphlet: The decline of dramatic genius is owing in great measure to your management (p. 16). "What I would earnestly recommend to you is to represent as many new plays as possible, and let them stand or fall on their own merit."

Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Event Comment: Afterpiece: By Desire, Tomorrow The School for Rakes. With a New Entertainment of Singing, Dancing, and Dialogue call'd The Jubilee, with the Pageant as it was intended for Stratford-Upon-Avon

Event Comment: The New Comedy of the Man and Wife is oblig'd to be deferr'd for a few days. Receipts: #106 19s

Event Comment: Afterpiece: With Alterations and Additions. Not acted these 7 years. [See 23 May 1763.] With New Music, Dresses, Scenes, and Decorations. The First Scene painted by the Late Mr Lambert, the last by Servandoni (playbill). [See 6 Nov. for specification of Scenes.] Receipts: #240 4s. 6d

Event Comment: A new comic Opera. Music by Piccini. Pit and Boxes together and no Persons admitted without Tickets which will be delivered this day at the Office at 10s. 6d. Gallery 5s. Second Gallery 3s. By their Majesties Commands no Persons whatsoever to be admitted behind the Scenes or into the Orchestra. Gallery Pit and Boxes open at Five. To begin precisely at 6:30 p.m. Vivant Rex at Regina. [Repeated.

Event Comment: Mainpiece: A New Comedy [by Richard Cumberland] never performed. [Genest, V, 282, reports that Garrick was in the House this night and was agreeably surprised at the complimentary reference to him in the Epilogue: Who but has seen the celebrated strife Where Reynolds calls the Canvass into life: And, 'twixt the Tragic, and the Comic Muse, Courted of both, and dubious where to chuse, Th'immortal Actor stands?' A long retelling of the plot appeared in the Freeholder's Magazine for Dec., concluding: This comedy was received with great applause by the Audience. It is said to be written by Mr Cumberland, who has already oblig'd the Public with a musical piece, called the Summer's Tale. The Performers, particularly Mr Smith, Mr Woodward, Mr Yates, Mrs Green, Mrs Bulkley, and Mrs Yates, did great justice to their characters. The Prologue was spoken by Mr Smith, and the Epilogue, which alluded to the celebrated picture of Sir Joshua Reynolds, where Comedy and Tragedy are contending for Mr Garrick, by Mrs Yates." Receipts: #215 18s

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Event Comment: Afterpiece: A dramatic enterainment by William Whitehead. New Scenes, Dresses, and other Decorations. The Farce receiv'd great applause (Hopkins Diary). [An account of the staging of the afterpiece appeared in the Freeholder's Magazine, Jan., concluding: These are the outlines of the Fable of this singular production, which, excepting the episode of Tom Southerton and Dolly Flack, seemed to give great satisfaction to the audience."

Event Comment: LLalauze stated he had been 42 years an inhabitant of this country,--retained by Rich 32 years, who promis'd him an annuity of #50 a year whenever he was incapable of performing. This was not in his Will but the Executors allowed it him 3 years. Having sold the property they discontinued it; The new parties engag'd him last year but they would not this season. So Foote gave him the House of 14 Feb. at Haymarket gratis (Winston MS 10). Paid Henry Williams for performing the Bells 4 nights #1 10s. Paid Wm Gard 4 nights in the Lyon 10s.--and Thos Singleton for same 10s. (Account Book). Receipts: #188 13s

Event Comment: Benefit for Lovattini, who humbly hopes the Nobility and Gentry will honor him with their Protection. Afterpiece: A new Intermezzo; Music by Jomelli

Event Comment: The New Tragedy of Timanthes oblig'd to be deferr'd on Account of Indisposition of Mrs Yates. Paid Hoole Balance of his 1st Night of Timanthes #147 18s. Paid Mr Mackdonald for 5 gross of artifical flowers #1 10s. (Account Book)