SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "England"/1) | (@(roleclean,performerclean) "England")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 209 matches on Performance Title, 130 matches on Event Comments, 116 matches on Roles/Actors, 110 matches on Performance Comments, and 0 matches on Author.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: England's Glory; or, The Defeat of the Dutch Fleet by the Gallant Admiral Duncan on the Memorable Eleventh of October

Performance Comment: Scene I. The Deck of a Dutch Man of Warv. The Manner of Boarding it by the British Tars--the Striking of the Dutch Flag, and the Hoisting of the British. Hearts of Oak-Incledon, Chorus; Scene II. A Short Engagement between British and Dutch Sailorsv. Scene III. A Perspective View of the General Engagementv. The Defeat of the Dutch Fleet, with the Bringing Home of the Captured Ships. Scene IV. A View in Portsmouth. The Return of the British Tars. We've bade the restless Seas adieu (composed by Shield)-Incledon, Linton, Street, Gray; With pride we steer'd for England's Coast (composed by Shield)-Incledon; Scene V. The Town of Portsmouthv. With an Illumination. To conclude with Rule Britannia, with two Additional Verses,-Incledon, Townsend, Full Chorus.

Dance: In Scene V 3rd piece: a Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Performance Comment: As17971018, but in Scene I: Hearts of Oak-Townsend; in Scene IV: We've bade the restless Seas adieu-Townsend, _Incledon; in Scene V: +Rule Britannia-Townsend, Gray; from Scene IV: With pride we steer'd for England's Coast-_.

Dance: As17971018

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: England's Glory

Performance Comment: As17971020, but retained in Scene IV: With pride we steer'd for England's Coast-Townsend.

Dance: End II : Les Delassemens Militaires, as17971021; End 2nd piece: Peggy's Love, as17971021

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Dance: As17971018

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Divertisement

Afterpiece Title: England's Glory

Dance: In 2nd piece: Ballet, as17971013

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Irishman in London

Afterpiece Title: England's Glory

Performances

Mainpiece Title: King Henry The Fourth, First Part

Afterpiece Title: The Highland Reel

Afterpiece Title: England's Glory

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: England's Glory

Dance: End II: Les Delassemens Militaires, as17971021; End: Cupid and Psyche (composed by Noverre)-Mrs Wild, Mme Rose, Mme Hilligsberg, Didelot, Fialon, The Graces by Mlle St.Amand, Mme D'Egville, Mlle Philips

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: A Divertisement

Afterpiece Title: England's Glory

Dance: In 2nd piece: Ballet, as17971013; In V 3rd piece: a Triple Hornpipe, as17971018

Event Comment: Mainpiece [1st time; HIST. D 5, by George Watson. Prologue and Address by the author (European Magazine, Apr. 1795, pp. 267, 268)]: With new Dresses and Decorations. Morning Chronicle, 11 May 1795: This Day is published England Preserved (2s.). Receipts: #209 0s. 6d. (199.13.0; 9.7.6)

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: Crotchet Lodge

Ballet: Dermot and Kathlane. As17950219

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: England's Glory; or, The British Tars at Spithead

Performance Comment: Scene I. The Deck of a Ship. How shall we mortals spend our hours-Incledon, Street, Bowden; O bring me wine-Bowden; There was an Irish lad (composed by Shield)-Johnstone; The Storm-Incledon; Ye Gentlemen of England-Incledon, Townsend, Linton As17950428; Scene II. A Seascape. My name's Tippy Bob-Munden; Scene III. A View of the British Fleet. Dance-Byrn, Mlle St.Amand, Mme Rossi; Sea Song-Townsend; To conclude with a Representation of the burning of the Boyne at Spithead, and Tho' Hurricanes rattle tho' Tempests appear-Incledon, Bowden.

Afterpiece Title: The Irishman in London

Song: End II: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon

Event Comment: Benefit for the Voluntary Contribution now open at the Bank, for the Defence of our Country. Boxes 10s. 6d. Pit 5s. Gallery 2s. Upper Gallery 1s. Tickets to be had and Places to be taken of Brandon, at the Stage-Door in Hart-street. Tickets also to be had at the Bar of Lloyd's Coffee-House. [Prologue by William Boscawen (Monthly Mirror, Mar. 1798, p. 178. Author of Address unknown.] "A subscription was set on foot behind the scenes," to which most of the performers contributed #10 apiece (Monthly Mirror, ibid). Account-Book, 12 May: Paid into the Bank of England in aid of the Voluntary Contribution #394 15s. Receipts: #518 8s. (280.9; 12.2; tickets: 225.17) [the difference of #123 13s. appears to have been the house charge]

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Performances

Mainpiece Title: Henry The Second, King Of England; With The Death Of Rosamond

Event Comment: Benefit Mrs Arne. An Historical Musical Drama. The Musick composed by Command of his Royal Highness the Prince of Wales, and never perform'd in England, but at his Royal Highnesses Palace at Cliefdon. The Poem was written by Mr Thompson and Mr. Mallet. The Musick by Mr Arne. To conclude with a Celebrated Ode in Honour of Great Britain in imitation of those formerly sung at Banquets of Kings and Heroes. Boxes 6s. Pit 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. The above Day is fix'd on to avoid interfering with Mr Handel. Mrs Arne hopes humbly the Town will not be offened at this small advance of the Price, this performance being exhibited at an extraordinary expence, with regard to the number of Hands, Chorus singers, building the stage, and erecting an organ; besides all other incidentals as usual. Ladies desired to send servants by 4 o'clock. Tickets of Mrs Arne, next door to the Crown in Great Queen St, by Lincoln's Inn Fields, and places taken of Hobson at the stage Door, with whom Tickets are left

Performances

Mainpiece Title: Alfred The Great, King Of England

Performances

Mainpiece Title: George For England; Or, The Triumphs Of Roast Beef

Performance Comment: In which will be exhibited the Reception of George for England at the Court of Solymanv, the Egyptian Emperor, the love of the fair Sabrina; and the Rivalship of Mamamouchi, the Persian General, interspersed with the Humours of Don Duello Flanconado, and the extra-ordinary incidents that befell Esquire Solomon Gundy, alias Gluttonglug de Gull, and his Culinarian Armour. With the remarkable Caterwauling Combat; or Pussy Catty's Victory. or Pussy Catty's Victory.

Afterpiece Title: Triumphs of Hymen; and the Landing of the Queen

Event Comment: By Command of their Majesties. Theatrical Review, 11 March: Written by the celebrated Milton when he was very young...it would have been sufficient had he never produced anthing more considerable, to have transmitted his fame to the latest posterity. It is inimitable set to music by Mr Handel...not strictly an Oratorio, tho' perform'd as such, the subject not being taken from Holy Writ. To which was added the celebrated Te Deum, composed by Mr Handel for the peace of Utrecht...a very grand masterly piece. End of Act I, a Concerto on the French Horn by Mr Ponta, musician to his Serene Highness, the Elector of Mentz, lately arrived in England. What this gentleman executes with the horn is very surprising, but, not being suited to the genius of the instrument, it is not productive of any good effect, when considered musically; as a matter of novelty it may surprise and please, on which account it is worthy the notice of the curious

Performances

Mainpiece Title: L'allegro Ed Il Penseroso, With Handel's te Deum

Music: Concerto on French Horn-Ponta (Musician to his Serene Highness the Elector of Mentz); Solo on Violincello-Janson, his 2nd performance in England

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Music

Performance Comment: Act I, Overture-; Song-Sga Galli, Schiroli; Concerto Clarinet-Baer, first time in England; Song-Miss Davies; Act II, Song-Fochetti; Song-Schiroli; Concerto German Flute-Tacet; Song-Miss Davies; Concerto Bassoon-Ritter, first time in England; Song-Millico; Act III, Concerto Violin-Cramer; Song-Sga Galli; Concerto Violincello-Cerveto; Song-Millico; Concerto Hautboy-Fischer; Song-Miss Davies; Bach's Grand Overture- for two orchestras.
Event Comment: [Delpini's 1st appearance in England was at cg, in pantomime, 26 Dec. 1776. And see cg, 6 Oct. 1779.] Receipts: #183 12s. 6d. (133.12.0; 49.19.6; 0.1.0)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Critic

Dance: End IV:new Comic Pantomime Dance (composed by Delpini) The Sportsman Deceiv'd-Delpini (1st appearance as a dancer in England), Menage, the Miss Stageldoirs, Sga Crespi

Performances

Mainpiece Title: Everyone Has His Fault

Afterpiece Title: THE SAILOR'S FESTIVAL

Performance Comment: As17940407, but in SCENE I: Sally in our Alley by Incledon, in place of Blow high, blow low; in SCENE III: Old England will be England still by Incledon, in place of Rule Britannia .

Afterpiece Title: THE TWO MISERS

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Starboard Watch

Performance Comment: Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton, Gray; Jack at the Windlass-Fawcett; Young William was a seaman true-Incledon; Brave Betty was a maiden Queen-Johnstone; Saturday Night at Sea-Townsend; Farewell to Old England dear Mary adieu-Incledon; Great Britain still her Charter boasts-Incledon, full Chorus.

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calisto's Additional performers

Performances

Mainpiece Title: Wat Tyler And Jack Straw

Performance Comment: As17300820, but Aurelia-Mrs Haughton; Mrs Tyler-Mrs Palmer; Suky Tyler-Mrs Thomas; Goody Tyler-Burney; Genius of England-Mrs Mountfort; Epilogue-Penkethman on an Ass.

Song:

Dance:

Performances

Mainpiece Title: La Fausse Coquette

Afterpiece Title: Le Francois a Londres

Performance Comment: Le Francois-a new Actor, just arrived from Paris, who never appeared in England before; but see17341209 . but see17341209 .

Dance: