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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New York"/1) | (@(roleclean,performerclean) "New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6809 results for: Keyword - New York
We found 3237 matches on Event Comments, 2688 matches on Performance Title, 1650 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.

4701
26 November 1719 @ Coignand's Great Room

Event Comment: [Author unknown. Apparently not published.] Benefit the Author. A new Comedy

Performances

Mainpiece Title: The Benefit Ticket; Or The Self Rival

4702
27 November 1719 @ King's Theatre

Event Comment: A meeting of the Court of Directors of the Royal Academy of Music initiated arrangements for a new season. For details, see Lord Chamberlain's Office, 7@3, Nicoll, p. 286, and Deutsch, p. 97

Performances

4703
04 December 1719 @ Drury Lane Theatre

Event Comment: Afterpiece: A new Dramatick Entertainment of Dancing, compos'd by Mr Thurmond (after the Manner of the Pantomimes)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: A Duke and No Duke

4704
11 January 1720 @ Lincoln's Inn Fields

Event Comment: Mainpiece: [By Charles Molloy.] Never Acted before. Afterpiece: [By John Leigh.] A new Farce...being the Sequel to Country Wake. [The Prince present.

Performances

Mainpiece Title: The Half Pay Officers

Afterpiece Title: Hob's Wedding

Dance: Bashful Maid, Irish Trot-Mrs Fryer

4705
27 January 1720 @ Drury Lane Theatre

Event Comment: On this day a new license was issued to Wilks, Cibber, Booth

Performances

4706
22 March 1720 @ Lincoln's Inn Fields

Event Comment: Benefit Leveridge. Afterpiece: A new Pastoral of Musick, in Two Interludes

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Happy Shepherd

Song: The Tippling Philosophers at the Request of several Persons of Quality-

4707
02 April 1720 @ King's Theatre

Event Comment: [By Paolo Antonio Rolli. The Scenes by Roberto Clerici, Engineer to the Royal Academy.] A New Opera. Pit and Boxes by tickets only at half a guinea

Performances

Mainpiece Title: Numitor

4708
22 April 1720 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Theatre

Performance Comment: With a new Prologue to the Town by Sir Richard Steele-.

Afterpiece Title: Hob

Afterpiece Title: Amadis

Dance: As17200120; The Italian Shadows-

4709
04 May 1720 @ Lincoln's Inn Fields

Event Comment: Mainpiece: [Author unknown. Apparently not published.] A new Farce of three Acts. Benefit Ryan. By His Royal Highness's Command

Performances

Mainpiece Title: Mississippi

Afterpiece Title: The Country Wake

Afterpiece Title: The Walking Statue

4710
30 May 1720 @ King's Theatre

Event Comment: [Music by Dominico Scarlatti, with additional numbers by Thomas Roseingrave. Text by P. A. Rolli.] A new Opera. Pit and Boxes together at half a guinea. Gallery 5s. Stage one Guinea. N.B. When the Tickets are disposed of, no Person will be admitted for Money; places will be kept in the Boxes only

Performances

Mainpiece Title: Narcissus

4711
13 June 1720 @ Hounslow

Event Comment: At Bullock's and Pack's Great Booth at Hounslow during the Fair. Mainpiece: a new Droll

Performances

Mainpiece Title: The False Friend; With The Comical Humours Of Sir Timothy Timberhead And His Sister Jezebel

Dance: The Tavern Bilkers-

4712
08 October 1720 @ Drury Lane Theatre

Event Comment: Not Acted these Five Years. All the Characters being new dress'd

Performances

Mainpiece Title: The Comical Lovers; Or, Marriage A La Mode

4713
10 October 1720 @ Drury Lane Theatre

Event Comment: All the Characters being new dress'd

Performances

Mainpiece Title: The Comical Lovers

4714
19 November 1720 @ King's Theatre

Event Comment: [Text by P. A. Rolli. Music by G. Bononcini.] A New Opera. Four Hundred Tickets (for Pit and Boxes) will be deliver'd out, and after they are disposed of, no Person whatsoever will be admitted for Money. Neither Director nor Subscribers will be admitted on the Stage. A proper Officer will attend at each Door, to deliver Every Subscriber his Ticket, without which he will not be admitted. Pit and Boxes at a half guinea. Gallery 5s. The Doors to be open'd at Five a Clock. To Begin exactly at Six. [The Royal Family present.

Performances

Mainpiece Title: Astartus

4715
19 January 1721 @ Lincoln's Inn Fields

Event Comment: Mainpiece: [By Thomas Odell.] A new Farce of one Act. Benefit J. and Ch. Rich. Receipts: money #112 5s.; tickets #14 5s

Performances

Mainpiece Title: The Chimera; Or, An Hue And Cry To Change Alley

Afterpiece Title: The Emperor of the Moon

Afterpiece Title: Amadis

4716
26 January 1721 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: See17201215., but With a new Prologue to the Town by Mr Welstead-.

Afterpiece Title: Amadis

4717
27 January 1721 @ Lincoln's Inn Fields

Event Comment: As 26 Jan. Receipts: #42 15s. Daily Journal, 27 Jan.: A New Tragedy, call'd, Friendship Betray'd; Or, the Injured General, was to have been Acted on Tuesday next...but is deferred, on Account of Mrs Bullock's hourly Expectation of being brought to Bed, she having the Principal Part in the Play

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Cobler of Preston

4718
01 February 1721 @ King's Theatre

Event Comment: [Text by P. A. Rolli. Originally set by Signor Orlandini, with some songs composed by Signor Phillipo Amadei.] A new Opera. Admission as 19 Nov. 1720

Performances

Mainpiece Title: Arsaces; Or, Amore E Maesta

4719
04 March 1721 @ Lincoln's Inn Fields

Event Comment: [By Eliza Haywood.] Never Acted before. Receipts: #37 12s. 6d. Weekly Journal or Saturday's Post, 4 March: Since the late Riot at the New Playhouse, his Majesty has been pleased to order that Company the same Number of Guards they have at Drury Lane

Performances

Mainpiece Title: The Fair Captive

4720
16 March 1721 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Seymour.Afterpiece: A new Dramatick Entertainment of Dancing in Grotesque Characters. Receipts: money and tickets #101 6s

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Afterpiece Title: The Magician; or, Harlequin a Director

4721
13 April 1721 @ Lincoln's Inn Fields

Event Comment: [By John Mottley.] A new Tragedy. Receipts: #11 12s

Performances

Mainpiece Title: Antiochus

4722
15 April 1721 @ King's Theatre

Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

4723
18 April 1721 @ Haymarket Theatre

Performances

Mainpiece Title: Les Disgraves D'arlequin

Afterpiece Title: Arlequin Limondier

Performance Comment: In which a new Arlequin will perform that Part, who has had the Honour of representing in several Foreigh Courts with Applause: The late Arlequin, Monsieur Francisque, bein gone.

4724
20 May 1721 @ King's Theatre

Event Comment: [Text by P. A. Rolli.] A new Opera. Admission as 19 Nov. 1720

Performances

Mainpiece Title: Cyrus; Or, Odio Ed Amore

4725
02 September 1721 @ Southwark Fair

Event Comment: At Penkethman, Miller, and Jubilee Dicky's New Theatrical Booth in Blue-Maid Alley, adjoining the the Half-Moon-Inn

Performances

Mainpiece Title: The Injur'd General; Or, The Blind Beggar Of Bednal-green; And The Woman Never Vext; With The Comical And Diverting Humours Of Squire Sousecrown And His Man Gudgeon