SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "New Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "New Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5161 matches on Event Comments, 2741 matches on Performance Title, 1829 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: GGeneral Advertiser, 28 Sept.: We hear that Mr Lacy, Master of his Majesty's company of Comedians at D.L. has applied for leave to raise 200 men in defence of his Majesty's person and government, in which the whole company of players are willing to engage. [See 7 Oct.] On Saturday Night the Audience at the Theatre Royal in Drury Lane were agreeably surpris'd by the Gentlemen belonging to that House performing the Anthem of God Save our Noble King. The Universal Applause it met with being encored with repeated Huzzas suffciently denoted in how just an abhorrence they hold the arbitrary schemes of our invidious enemies and detest the despotic attempts of Papal Power. [See also Daily Advertiser, 30 Sept. The newspapers at this time run a three phrase slogan in bold face type vertically in the margins: No Pretender. No Popery. No Slavery, accompanied by two more phrases staring boldly from the bottom margin: No Wooden Shoes! No Arbitrary Power!]

Performances

Mainpiece Title: The Alchemist

Song: I: Lowe; IV: Colin and Phebe-Lowe, Mrs Arne; God Save our Noble King by Arne-Mrs Cibber, Beard, Reinhold (Deutsch, Handel, p. 623)

Dance: II: Grand Serious Dance-; V: Grand Comic Dance, as17450926

Event Comment: There will be no play 'till tomorrow on account of one to be performed this evening at the other theatre; the receipt of which is to be subscribed to the Veteran Scheme at the Guildhall. We hear Mrs Cibber is soon to perform the part of Polly, three nights at cg, and the Proprietor has agreed to lend his house, free of all charges; and we hear the company will contribute their pay on those days, that the performance may be entirely charge-free; the receipts of each night to be subscribed to the Veteran's scheme at Guildhall

Performances

Event Comment: Yesterday Mr Rich paid into the Chamberlain's Office at Guildhall, the sum of #602 7s. to the Veteran's scheme, being the three night's receipts arising from the Beggar's Opera, performed at cg: And he thinks it incumbent on him in justice to the several persons interested in the Said theatre, to declare, that when the above scheme was by him proposed, they all most generously subscrib'd their demands for these three nights in order to enlarge the sums to be rais'd for the above purpose.-General Advertiser. [The Gentlemen's Magazine, Dec. 1745, states the idea of this gift was proposed by Mrs Cibber, and that the tallow chandlers also gave the candles.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Orpheus and Eurydice

Event Comment: [Covering all three columns of the front page of the Daily Advertiser is a letter defending the opera as an institution. The writer states that suggestions were made to close the theatres during the Jacobite Rebellion, that the cost of presenting operas during a season is #14,000, that about #2,000 of this is carried out of the country by the singers.

Performances

Event Comment: Died, after a lingering illness, Mr Robert Turbutt, belonging to the Theatre Royal in Drury Lane, and Master of the Swan Tavern in Smithfield, a facetious and agreeable companion, greatly and justly esteem'd by all that knew him for his Sincerity where he profess'd a friendship.--General Advertiser, 27 Feb

Performances

Event Comment: Not Acted these Eight Years [see 24 April 1741]. Benefit Cibber, Jr. Tickets and places of Hobson at the Stage door. Tickets ddliver'd out for All's Well at Covent Garden theatre will be taken to the above mentioned play this night. [Mrs Clive's Prologue recommended the cause of Liberty to the Ladies of Great Britain. Cibber had pleaded in his advance advertisement on 5 April in the General Advertiser.] As I have in justice to my creditors assigned over so much of my salary as reduces the remainder to a very small pittance, I very much depend on the encouragement and indulgence of the town at my Benefit. [On the day of the benefit he inserted in the General Advertiser a long, double column address to the Publick puffing his Benefit, and scotching a rumor industriously and invidiously spread that he came to Drury Lane only to impede Mrs Cibber in her performance there. In this he washes in public the linen of his domestic affairs at some length, professing his virtue, forbearance, and generosity, and Mrs Cibber's unfairness and ingratitude, citing her salary as about #700 per year, not a penny of which would she afford for his relief from creditors, or to bail him out of the Fleet prison where he languished six months. He alleges that she was instrumental in forming a cartel between the rival theatrical managers with precluded his employment by either house, and that she refused to act a benefit for him when he was in debtor's prison.

Performances

Mainpiece Title: The Ladys Last Stake Or The Wifes Resentment

Afterpiece Title: Three Hours after Marriage

Song: I: Cantata-Lowe; III: Scotch Dialogue, as17460310 V: My Faith and Truth, as17460104

Dance: IV: Italian Peasants, as17460206; III: Scotch Dialogue, as17460310

Event Comment: Benefit Mrs Mills. Mainpiece at the desire of several Ladies of Quality. [For Mrs Woffington in this role, see 12 Dec. and 18 Feb. 1747.] Tickets to be had of Mrs Mills at her Lodgings at Mr Long's in Bow Street, and at the stage Door of the Theatre

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Intriguing Chambermaid

Song: II: Bibby; IV: Colin and Phebe-Bibby, Miss Edwards

Dance: III: Italian Peasants, as17460206

Event Comment: Afterpiece An Historical Dramatic Piece of on act (taken from Shakespear) with a representation of the Trials of the Lords for High Treason, in the Reign of King Henry V. The Characters dress'd in the Habits of the times. With proper Scenes and Decorations. On account of the Extraordinary Scenery, &c, and to prevent any interruption in the performance, it's desired no persons will take it ill that they cannot admitted behind the Scenes.--General Advertiser. [This adaption most certainly occasioned by the trial, which began in Westminster Hall on 28 July of Lord Kilmarnock, Lord Cromarty, and Lord Balmerino for participation in the Rebellion of '45! (Hogan, Shakespeare in the Theatre, p. 199).] An Historical Dramatic Piece of one act, taken from Shakespear, will be perform'd, after a play, at Drury Lane; it will be a Representation of the trials of Lord Cambridge, Lord Scroopv, &c for High Treason, in the reign of King Henry the Fifth. The Characters are to [be] dress'd in rich antique Habits of the times.--Daily Advertiser, 31 July. Last night the Dramatick Piece call'd The Conspiracy Discover'd; or French Policy Defeated, with a representation of the Trials of the Lords for High Treason, was acted at dl, with great applause, and will be performed again tomorrow night at the desire of several persons of Distinction.--General Advertiser, 5 Aug

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Conspiracy Discovered or French Policy Defeated

Event Comment: Mainpiece: Written by Shakespear. Boxes 5s. Pit 3s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage Door of the Theatre. By Reason of the many inconveniences that have arose by Gentlemen's being admitted behind the scenes, 'tis hoped it won't be taken amiss, that no money will be taken there

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Anatomist or the Sham Doctor

Song: IV: Lowe; V: Mrs Clive

Event Comment: Boxes 5s. Pit 3s. Fist Gallery 2s. Upper Gallery 1s. No money to be taken behind the scenes. Places for the Boxes to be taken of Mr Page at the stage door of the theatre. To begin exactly at Six o'clock. [Balance brought over from Day Book F, #411 os. 7d. This balance actually represents a deficit from which the night's receipts are subtracted to indicate the reduction of it. But first, from the night's receipts, were subtracted #37 9s. 10d., an amount which seems to represent standing nightly costs for music, light, heat, taxes, &c.] Receipts: #115 8s

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: The Lying Valet

Event Comment: Benefit Perry. A Concert, etc. [repeated in all notices of this theatre.] Prices 3s., 2s., 1s. 6 p.m

Performances

Mainpiece Title: Othello

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: The Devil to Pay

Song: Between the acts: Lowe, Mrs Mozeen

Event Comment: At the Old Theatre, on the Bowling Green. A Concert, etc. Benefit Daniel. 6 p.m. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance:

Song:

Event Comment: [During this year was published the Tricks of the Town Laid Open; or, a Companion for a Country Gentleman. Consisting of seventeen letters from a Gentleman in London to his friend in the country, to dissuade him from coming to London. Letters VI and VII are on the humors, customs, and tricks of the playhouse. They give an amusing account of the ways in which whores, sharpers, bullies and bawds identify a newcomer to town in the playhouse and try to bilk him. No. VII gives also some general account of audience reactions to plays. Most go, it says, for the singing, dancing, scenes and fine costumes. His conclusion: go to the theatre only if you have three hours to waste.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Anatomist

Event Comment: No Person to be admitted behind the Scenes. [The theatre is termed the Late Wells until 13 Nov.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Cushing; Ballance-Paget; Worthy-Furnival; Brazen-Orpin; Bullock-Dove; Recruits-Pinner, Hallam Sen; Kite-L. Hallam; Sylvia-Mrs Butler; Melinda-Mrs Hallam; Rose-Miss Maddox; Lucy-Mrs Beckham.

Afterpiece Title: The Lying Valet

Dance: As17461027

Performances

Mainpiece Title: 1 Henry Iv With The Humours Of Sir John Falstaff

Performance Comment: Hotspur-Lee; Henry IV-Furnival; Prince-Cushing; Worcester-Pinner; Northumberland-G. Hallam; Vernon-Lynham; Blunt-Edwards; Poins-Baker; Bardolph-Miles; Gadshill-Orpin; Peto-Simms (Daily Advertiser), Simons (Hogan, Shakespeare in the Theatre, p. 185); Lady Percy-Mrs Hallam; Hostess-Mrs Beckham; Carriers-Dove, Beckham; Francis-L. Hallam; Falstaff-Paget.

Dance: 1 As17461027

Event Comment: At the Old Theatre. Benefit Mathews. A concert, etc. By Desire of the United Body of Gentlemen Salesmen. 6 p.m. Prices 2s. 6d., 1s. 6d., 1s

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Lying Valet

Song: WWelsh Song, Monmouth's Glory-Mathews

Event Comment: By his Majesty's Command. Benefit Mlle Violette. Eight rows of the Pit will be rail'd into the Boxes, and servants will be allow'd to keep places on the stage. Places for the Boxes may be taken of Hobson at the stage door of the theatre

Performances

Mainpiece Title: The Careless Husband

Dance: Salomon, Mlle Violette, Cook

Performances

Mainpiece Title: Macbeth

Performance Comment: As17470105, but Macbeth-Cushing; Duncan-Cross [Hogan, Shakespeare in the Theatre, p. 297]; 3rd Witch-W. Hallam; Lennox-Costollo; Seyward-_; Doctor-_; Lady-_.

Afterpiece Title: Miss in Her Teens

Event Comment: This Day is Publish'd The Roman and English Comedy consider'd and compared. With Remarks on the Suspicious Husband; and an examen into the Merits of the present Comic Actors by S. Foote, Esq. This day is publish'd in Two Volumes a Companion to the Theatre or a View of our most celebrated dramatic pieces. In which the Plan, Characters and Incidents, of each are particularly explained. Interspersed with remarks Historical, Critical, and Moral. Price Bound 6s. Printed for J. Nourse, at the Lamb, over against Katherine St. in the Strand

Performances

Event Comment: [No after money. Mrs Cibber's advance notice for her Benefit the following Saturday states she]: having been oblig'd by her illness to put off her Benefit, which was advertised for the 19th of March, and not being able to get any other day than a Saturday, is afraid it should be inconvenient to some of the Gentlemen and Ladies who have done her the honour to take tickets, therefore begs leave to acquaint them that if they please to send their tickets before Thursday next to Mr Page at the stage door of the theatre in Covent Garden, the Money will be returned. Receipts: #136 5s

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Miss in Her Teens

Event Comment: Last time of playing this Season. [On Easter Monday the theatre will revert to rope dancing and pantomimes.] Prices 2s. 6d., 1s. 6d., 1s

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Miss in Her Teens

Song: Brett

Dance: As17461124

Event Comment: Yesterday died Mr Muilment, a Famous Dancer, who has given great entertainment to the town at both theatres; and was much esteem'd by all who knew him personally

Performances

Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke

Event Comment: MMrs Cibber Play'd (Cross). The Letter sign'd E. L. written in the Name of several Persons of Distinction, is receiv'd; and the Play of King Lear will be acted there, as soon as Mr Garrick is able to perform so long a Character (note "From the Theatre Royal Drury Lane" inserted in the General Advertiser). Receipts: #160 (Cross); #156 17s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved Or A Plot Discoverd

Afterpiece Title: The Double Disappointment Cross