SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "New Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5160 matches on Event Comments, 2740 matches on Performance Title, 1829 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Dances, Music, Dresses, Scenes and other Decorations entirely new. The House to be illuminated with Wax candles, and particular care taken to keep it cool. The Performance by Particular Desire. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 7:00 p.m. Places for Boxes will be taken at the Theatre. [Prices, places, and opening time repeated.

Performances

Mainpiece Title: The British Roratory; Or, Mrs Midnight's New Carnival Concert

Music: Will be introduced a NewConcerto for the Tambour de Basque-; accompanied with the Original Jews@Harp-; the Hurdy Gurdy-

Dance: DDancing-Banbaregines, Rerriminonies (just arived from +Piemons); End Concert: a New British Dance, The Cassey-a company of Lilliputians; to which will be added a new Entertainment of Music and Dancing-a company of Lilliputians just arrived, being their first time of performing in +England

Event Comment: Benefit for Mrs Hartley. Mainpiece: By Particular Desire, with New Music, Dresses and Decorations. Interlude taken from Prior's celebrated poem, The Nut Brown Maid. Books of the Interlude to be had at the Theatre. Adapted by Henry Bate. Charges: #72 9s. 6d. Profit to Mrs Hartley #54 15s., plus #61 18s. from tickets (Box 202; Pit 76). Paid Whitfield for making cloaths #33 17s. 4d.; Paid Mr Walker for trimmings &c. #13 4s. Receipts: #127 4s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17731208; After which: New Poetical Interlude, Henry and Emma: Parts-Smith, Hull, Miss Brown, Mrs Hartley; To conclude with: a New Air and Chorus by Dr Arne-

Event Comment: Mainpiece: A New Comic Opera [by R. B. Sheridan] never perform'd. The Music partly New and partly selected from the most eminent composers. With a New Overture, Scenes, Dresses, and Other Decorations. Books of the songs in the Opera to be had at the Theatre. [This note repeated on subsequent bills.] Afterpiece: Not acted these 10 years. [See 19 May 1767.] [Reviewed in the Westminster Magazine for Nov. which commented on the witty dialogue and effectiveness of the music. It was "puffed" gently in the Public Advertiser 22 Nov.: "Receiv'd with every mark of approbation that could be given. It will be repeated tomorrow evening with the Farce of the Apprentice."

Performances

Mainpiece Title: The Duenna; Or, The Double Elopement

Afterpiece Title: The Lying Valet

Dance: II: A New Spanish Dance-Sg Zuchelli, Sga Zuchelli, Dagueville, Sga Vidini

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart and M'Donald. Mainpiece: With new Dresses and Decorations. Afterpiece: With several new additions and two new characters. [Authors of Prologues unknown.] The Doors to be opened at 5:00. To begin at 6:00. No Person whatever to be admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Books of the Farce to be had at the Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Sir William-Bassingwhite; Patie-M'Donald; Roger-Stewart; Symon-Middlemist; Glaud-Riddle; Bauldy-Henderson; Madge-Mr Wilson; Mause-Mr Hamilton; Jenny-Miss Coutts; Peggy-A Young Lady [unidentified]; With a new Prologue-.
Cast
Role: With a new Prologue Actor: .

Afterpiece Title: The Students; or, The Humours of St

Dance: End I afterpiece: Hornpipe-

Music: Between the Acts: proper Scotch Music-; a new Scotch overture-

Event Comment: Prelude [1st time;PREL I, probably by Richard Cumberland. Larpent MS 472; not published]. Mainpiece [1st time; M 3, by Richard Cumberland, based on Calypso and Telemachus, by John Hughes]: The Overture and all the Music entirely new, and composed by Butler. With new Scenery painted by Richards and Carver, and new Dresses. Books of the Masque to be had at the Theatre. Public Advertiser, 27 Mar. 1779: This Day is published Calypso (1s. 6d.)

Performances

Mainpiece Title: A New Prelude And Prologue

Afterpiece Title: Calypso

Afterpiece Title: Cross Purposes

Dance: In: Incidental Dances-Dagueville, Miss Besford, Miss Valois

Event Comment: Books of the new Dance to be had at the Theatre. "Nothing could equal the manner in which the whole was conducted: the wrestling, the gladiators; the defeat of the Sabines; the besieging of Rome by the latter; their reconciliation with the Romans, &c." (Morning Herald, 13 Dec)

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Opera a new grand Ballet, composed by Lepicq, Il Ratto delle Sabine; or, The Rape of the Sabines, by Lepicq, Henry, Zuchelli, Degville Sen., Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.]

Event Comment: Books of the new Dance to be had at the Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Act II an entirely new Ballet (1st time; composed by Lepicq), he Tuteur Trompl; or, The Guardian Outwitted, by Lepicq, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, with two Pas de Basque by Mlle Theodore

Event Comment: Benefit for Mme Theodore D'Auberval. Tickets to be had of Mme Theodore D'Auberval, No. 52, Poland-street, Oxford-road. 2nd ballet: With new Decorations painted by Munich [recte Moench], late painter to the Theatre in the Haymarket, and new Machinery by Bernard. The Dresses entirely new, invented and executed by Lupino

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: La Fille Mal Gardee, as17910430; End Opera: a new Pantomime Ballet in 3 acts (composed by D'Auberval) Le Siege de Cythere-Didelot, D'Egville, Vigano, Fialon, Mlle Leonore Simonet, Mlle Troche, Mlle Deligny, Mme Vigano, Mme D'Auberval. [For assignment of parts see17910517.

Event Comment: The Company will be apprised at the doors as soon as the audience part of the Theatre is full. "When the curtain drew up for the new ballet, ladies [were] at the wings sitting...[and] several hundred gentlemen occupied the back of the stage, so that the beautiful scenery which had been prepared for the ballet lost all its effect" (Oracle, 22 Feb., which also states that the part of Roxalana was danced by Mme Hilligsberg). [Didelot and 1st appeared at the former king's theatre on 8 Dec. 1787.

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: A Divertissement-Didelot, Mme Rose Didelot; a Pas Deux by Didelot-Didelot (1st appearance at this theatre), Mme Rose Didelot (1st time in this Country); End Opera: Les Trois Sultanes [by Onorati[with music by Mazzinghi]- [in which Didelot, Mme Rose Didelot [will dance in the last act [See17950310

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Daily Advertiser: This evening their Royal Highnesses...will go to the theatre...to see the Comedy of the Committee, or the Faithful Irishman, and Dancing by Signior Brunoro, &c, being the first time of his appearing at that theatre

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Dance: II: a New Comic Dance La Mascarada-Brunoro, Borromeo, Mlle Bonneval, Sga Costanza; V: New Comic Dance Les Matelotes-Brunoro, Borromeo, Mlle Bonneval, Sga Constanza

Song: III: Song-Beard

Music: IV: Concerto-Veracini

Event Comment: Benefit Leveridge. Tickets to be had at his lodgings in Hanover Street, the third door on the right hand from Long Acre, and of Page at the stage door of the theatre. The Man in the Moon, about nine at night Will wait you all home, with his fullness of light

Performances

Mainpiece Title: The Miser

Song: I: A new song The Cure for all Grief-Leveridge; III: The Favourite song in Il Penseroso, beginning The Trumpet's Loud Clangor excites us to Arms by $Handel-Beard; IV: The Miser's Passport-Leveridge; V:A New song call'd Advice to all Britons-Leveridge; followed with To Arms, Britons Strike Home-Beard, Reinhold

Dance: II: Serious Dance-Cooke, Mlle Bonneval; V: Grand Ballet, as17440404

Event Comment: SSg and Sga Sabatini have prepared a New Dance in Comic characters, call'd Pandours, which will be performed at Drury Lane tomorrow. The Comedy call'd the Chances will be performed at the same theatre this week. The characters will all be New-Dress'd after the old Italian and Spanish manner. Receipts: #150 (Cross)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Queen Mab

Song: IV: The Original Song, O' Gentle Sleep (New Set)-Beard

Event Comment: Opera Not Performed this Season. No persons admitted behind the scenes, nor any money return'd after the curtain is drawn up. [But no mention is made of full prices.] Books of the Opera to be sold at the Theatre

Performances

Mainpiece Title: Artaxerxes

Dance: I: A New Comic Dance, The Catalonian Marriage-Duquesney, Sga Manesiere; II: A New Comic Dance, The Tyrolese-Sg Muzioli, 1st appearance English Stage, Sga Manesiere

Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Event Comment: Books of the Opera to be sold at the Theatre. Never acted before. Comic opera, Music composed by Dr Arne

Performances

Mainpiece Title: The Guardian Outwitted

Dance: I: New Comic Dance call'd The Tyrolese Peasants-Duquesney, Miss Wilford; II: New Grand Ballet call'd Rural Love-Fichar, Manesiere, Arnauld, Leppie, Miss Wilford, Miss Twist, Miss Pitt

Event Comment: A New Musical Comedy in 3 Acts never performed before. New Scenes and Habits. Book of the Comedy to be had at the Theatre. [Richard Cumberland's second dramatic piece, and first one to be performed (Genest, V, 104).

Performances

Mainpiece Title: The Summer's Tale

Dance: I: The Garland, as17651003; II: A New Grand Ballet, call'd The Gallant Shepherds-Fichar, Sga Manesiere, Miss Wilford

Event Comment: [R+Rich's Register lists The Hermit as afterpiece.] Paid salary list 5 days at #72 6s. 8d. per diem, #361 13s. 4d.; Atkins not on list #1 7s. 6d.; Rollet on note #7 7s.; Vernon on note per order Mr L, #12 12s.; Bill for 2 suit Men's cloathes #15 15s. (Treasurer's Book). [See engagement contract for Guidetti (Private Correspondence of David Garrick, II, 454) arranged for in Paris by Jean Monnet in early August 1766. He was engaged as Premier Danseur and composer of Ballets at 150 Guineas a year plus "300 Livres argent de France" for travelling expenses. He was to dance for no other theatre without explicit permission from Garrick.] Receipts: #130 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Polly Honeycombe

Dance: II: A New Comic Dance call'd The Vintage-Sga Giorgi, Sg Guidetti (his first appearance in England); End: A New Entertainment of Dancing call'd The Italian Bakers-Guidetti, Mrs King

Event Comment: A serious opera composed by Vento and other celebrated composers. Prices: Pit and Boxes, 10s. 6d. First Gallery 5s. 2nd Gallery 3s. 6:30 p.m. By their Majesties Command, no persons can be admitted behind the Scenes or into the Orchestra. Vivant Rex et Regina. [Manager's plea for subscribers to pay up to Bankers Drummond and Co. or to Mr Crawford (treasurer) at his dwelling adjacent to the Theatre. Repeated.

Performances

Mainpiece Title: Sofonisba

Dance: I: Slingsby, Mlle Grenier; II: A New Serious Ballet-Fierville, scholar of Lepy Sen; Last Act: A New Grand Ballet-all the principal dancers

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews and William Augustus Miles; Larpent MS 485; not published; Synopsis of plot in London Magazine, July 1779, pp. 306-7]: The Airs partly selected from Dibdin, Giordani, Dr Arne, &c. The Overture and New Music composed by Dr Arnold. With New Dresses and Decorations. The Scenes painted by Rooker. Songs of the Opera to be had at the Theatre

Performances

Mainpiece Title: Summer Amusement; Or, An Adventure At Margate

Afterpiece Title: Piety in Pattens

Dance: Mainpiece: With Two New Dances-(see17790705

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by various eminent Composers [Anfossi, Myslivecek and Piccinni]. Amongst them several airs by Handel. Under the Direction of Bertoni. With entire new Scenes, Dresses and Decorations, both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. and 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughtout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. To prevent mistakes, Ladies who have not sent the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the office of the Theatre, in order to [permit] their Tickets being engraved. Subscriptions are received by Johnson in Union Court, Hay Market

Performances

Mainpiece Title: Alessandro Nelle Indie

Dance: End I: Indian Ballet (composed by Zuchelli), adapted to the Opera-Sg and Sga Zuchelli, Henry, young Miss Simonet; End II: new Pastoral Ballet (composed by Zuchelli and Slingsby)-Slingsby, Sg and Sga Zuchelli, Sga Tantini (1st appearance in England); End Opera: Grand Serious Ballet connected with the Opera (composed by Favre Guiardele, ballet master), in which the celebrated Chaconne of Jomelli's-Slingsby, Sga Tantini, Favre Guiardele (1st appearance in England)

Event Comment: 3rd piece [1st time; past 2, by Matthew Feilde. MS: Larpent 585; not published; synopsis of plot in Public Advertiser, 22 Feb.]: With New Overture and Music, composed by [Michael] Arne. New Dresses, Scenes and Decorations. Books of the Songs to be had at the Theatre. Receipts: #247 12s. (243/19/6; 3/12/6)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Vertumnus and Pomona

Dance: End of Epilogue a new Pastoral Dance, Palemon and Lavinia, by Aldridge, Langrish, Mrs Davenett, Miss Francis, Miss Rowson, Miss Besford

Event Comment: Mainpiece [1st time; CO 3, by Thomas Holcroft]: The Overture and the rest of the music entirely new, by Shield. With new Dresses, &c. Books of the Songs to be had at the Theatre. Public Advertiser, 22 Nov. 1785: This Day is published The Choleric Fathers (price not listed). Receipts: #240 4s. (238/3; 2/1)

Performances

Mainpiece Title: The Choleric Fathers

Performance Comment: Characters by Johnstone, Quick, Edwin, Wilson, Wewitzer, Palmer, Thompson, Gardner; Mrs Kennedy, Mrs Martyr, Mrs Morton, Mrs Bannister. [Cast from text (G. G. J. and J. Robinson, 1785): Don Fernando-Johnstone; Don Julio Pimiento-Quick; Pedro-Edwin; Don Salvador-Wilson; Fabio-Wewitzer; Don Fabricio-Palmer; Don Velasco-Thompson; Alguazil-Gardner; Footmen-Helme, Swords, Newton, Ledger, Bates; Laura-Mrs Kennedy; Jaquelina-Mrs Martyr; Donna Isabel-Mrs Morton; Donna Zelida-Mrs Bannister.] hathi. hathi.
Cast
Role: Footmen Actor: Helme, Swords, Newton, Ledger, Bates

Afterpiece Title: Appearance is against Them

Dance: End of Act II of mainpiece The Recruiting Serjeant [performers not listed (see17851007)]; End of mainpiece new dance, The Piping Pedlar, by Byrn and Mrs Goodwin

Event Comment: A Serious Opera in 2 acts; the music entirely by Handel, and selected from the various Operas set by that admirable composer, under the direction of [i.e. arranged and added to by] Dr Arnold. Benefit for Carnevale, deputy manager. No receipts listed. "In order to induce the king to visit the theatre called his own [see 17 Mar.], but which he seldom frequented, the Giulio Cesare of Handel was revived, or rather a medley from his Italian works, for little of the original music was retained, and many of his most favorite songs from other operas were introduced, Verdi prati [from Alcina], Dove sei [from Rodelinda], Rendi sereno il ciglio [from Sosarme], and others. This ancient music was particularly suited to Rubinelli, and was familiar to Mara, both of whom sung it incomparably well" (Mount-Edgcumbe, 61)

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: End I: a new ballet, representing The Muses on Mount Parnassus-; End Opera: a new ballet, The Triumph of Julius Caesar-

Event Comment: 1st piece [1st time; PREL 1, by Richard Cumberland. Larpent MS 958; not published]. Without insisting on the great Expence that has been incurred in re-building this Theatre (in the erecting of which no other Object has been attempted but the greater ease, safety and accomodation of the Spectators) it appears upon the Books that the Annual Disbursements of the past Seasons have gradually been encreasing from Year to Year, under the Direction of the present Proprietor, to nearly the sum of #10,000 per Annum more than the usual Expenditure of any of his Predecessors; it is therefore trusted the Necessity of the following small Advancement of the Prices of Admission to the Boxes and the Pit will be sufficiently apparent to the Justice of that Public whose Liberality has never yet been doubted. E. Barlow, Treasurer. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. The Office for taking Places for the Boxes is removed to Hart-street. The principal new Entrance to the Boxes is from the Great Portico in Bow-street; from the Small Portico are Entrances to the Pit and Gallery only. In the Old Passage from the Piazza are new Entrances to the Boxes, Pit, and Gallery. Carriages coming to Bow-street Entrances are desired to set down and take up with the Horses' Heads towards Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 12 Nov.]. [The audience objected vociferously to the increased prices of admission and to the absence of a 2nd gallery (and see under 19 Sept.). "The Prelude passed off without a syllable of it being heard...Two acts of The Road to Ruin displayed the performers' skill in pantomime, for not a word was heard...The Irishman in London then walked over the stag amidst the same riot and confusion which attended the preceding pieces" (Times, 18 Sept.).] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

Event Comment: Afterpiece [1st time; P 2, author unknown]: The Pantomime partly new and partly compiled. The principal parts of the Compilation from The Choice of Harlequin, The Magic Cavern, The Enchanted Castle, The Sylphs, and The Sorcerer. The Music compiled from, and composed by, Michael Arne, Shield, J. C.? Bach, Spofforth, &c. The Scenery, Machinery, and Decorations are partly new, and the rest completely repaired by Hodgins, Phillips, Hollogan, Blackmore, and assistants. The Dances composed by Byrn. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #274 14s. 6d. (254.13.0; 20.1.6)

Performances

Mainpiece Title: Speculation

Afterpiece Title: Harlequin's Treasure 0; or, Jewels New Set

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Performance Comment: Part II. An exact Representation of the Telegraphe-, in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.; A View of Dover, with the Fleet prepared for Sea-The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet; new song by Spofforth-Haymes; Park Wall changes to a Public House; The Trick Tea Chest; Harlequin's Leap and Transformation; The Kitchen Scene- by Messink.; Harlequin changes to a Lobster.; A Landscape-; painted by Lambert.; A new Drinking Song and Chorus by Spofforth-Bowden; The Wash@House Scene- (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.; The Statuary Yard- invented by Messink-the formation of the Stone Figure invented by Delpini.; A Dark Wood-;Harlequin and Columbine, guarded by Virtue, are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. This is succeeded by the Temple of Virtue, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, Faith, Hope, and Charity. Harlequin and Columbine are united at the Altar by Hymen, and the Piece concludes with a Finale-; Grand Dance-Byrn, Holland, Mlle St.Amand.