Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Event Comment: [Mainpiece in place of The Orphan, announced on playbill of 31 Dec. 1776. Public Advertiser assigns the Ghost to Farren.] Afterpiece: With Additions and Alterations, New Music, Scenes [by Greenwood, Leroy and French Jun. (Morning Post, 4 Jan.)], Dresses, and Decorations. Receipts: #175 1s. 6d. (137.1.0; 34.17.0; 3.3.6)

Event Comment: Mainpiece [1st time, i.e. as an alteration of Richard Savage's play; T 5, by William Woodfall. Prologue by Richard Brinsley Sheridan. Epilogue by Richard Cumberland (see text)]: with New Scenes and Dresses. Public Advertiser, 13 Feb. 1777: Sir Thomas Overbury (the Publication of which was unavoidably postponed) will be ready this Morning, at Ten o'Clock (1s. 6d.). Receipts: #212 4s. 6d. (210.7.6; 1.17.0)

Event Comment: Benefit for Dodd. Public Advertiser, 1 Mar.: Tickets to be had of Dodd, New Ormond-street. Receipts: #244 13s. (111.17.0; 11.16.6; 1.10.6; tickets: 119.9.0) (charge: #74 3s.)

Event Comment: Benefit for Mrs Barry. Mainpiece: Not acted these 6 years. Part of the Pit will be laid into the Boxes. Servants are desired to be sent by Four o'clock, and those Ladies and Gentlemen who have Places in the Pit, are respectfully intreated to come early, to avoid inconveniency in getting to their Seats. Public Advertiser, 25 Feb.: Tickets to be had of Mrs Barry at No. 10, on the Terrace, New Palace-Yard, Westminster. Receipts: #271 15s. 6d. (143.15.6; tickets: 128.0.0) (charge: #67)

Event Comment: Benefit for Bransby & Burton. Public Advertiser, 19 Apr.: Tickets to be had of Bransby, No. 10, New Pye-street, Westminster; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #196 1s. 6d. (61.11.0; 24.17.6; 0.0.0; tickets: 109.13.0) (charge: #64 9s.)

Event Comment: Mainpiece [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick. Epilogue by George Colman elder (London Chronicle, 9 May). Text 1st published (unauthorized), Dublin, 1780]: With New Scenes and Dresses. "No modern theatrical piece ever met with a fuller success, nor deserved it more... The performers deserve every sort of commendation for their spirited exertion in supporting the respective characters, especially Smith, King and the incomparable Mrs Abington" (Gazetteer, 9 May). "To my great astonishment there were more parts performed admirably in The School for Scandal than I almost ever saw in any play. Mrs Abington was equal to the first of her profession, Yates (the husband), Parsons, Miss Pope, and Palmer, all shone. It seemed a marvellous resurrection of the stage. Indeed, the play had as much merit as the actors. I have seen no comedy that comes near it since The Provoked Husband" (Walpole [13 July 1777], X, 82). Receipts: #224 10s. (215.12.0; 8.14.6; 0.3.6)

Event Comment: Mainpiece [1st time; CO 3, by George Colman elder, based on Le Barbier de Seville; ou, La Precaution Inutile, by Pierre Augustin Caron de Beaumarchais; music by Samuel Arnold and, by attribution, Pierre Alexandre Monsigny. Prologue by the author (Collection...of English Prologues and Epilogues, II, 209). Epilogue by David Garrick (Garrick's Poetical Works, II, 340). Larpent MS 436; not published; synopsis of plot in London Magazine, Sept. 1777, pp. 467-69]: With New Dresses and Scenes

Event Comment: Mainpiece: With Alterations and New Airs [composed by Fisher (Gazetteer, 6 Oct.)]. Receipts: #170 16s. 6d. (170.6.0; 0.10.6)

Event Comment: Mainpiece: The Principal Characters new dressed. Receipts: #180 15s. 6d. (178.19.0; 1.16.6)

Event Comment: Mainpiece: With New Dresses and Decorations. Afterpiece: Never acted there. Receipts: #165 18s. 6d. (164.8.0; 1.10.6)

Event Comment: Mainpiece: The Principal Parts New Dressed. Receipts: #202 15s. (201.10; 1.5)

Event Comment: Mainpiece: The Characters new dressed in the Habits of the Country. Receipts: #160 3s. (159.1; 1.2)

Event Comment: The New Tragedy of Percy [announced on playbill of 8 Dec.] is obliged to be deferred till to-morrow, on Account of the Indisposition of two principal Performers. Receipts: #99 19s. (97.19; 2.0)

Event Comment: Afterpiece: With Alterations and Additions, particularly two Grand New Scenes designed by DeLoutherbourg [see 2 Jan.]. Receipts: #163 13s. 6d. (122.15.0; 40.11.0; 0.7.6)

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece: To conclude with a grand View of Greenwich Hospital designed by DeLoutherbourg. [This was included in all subsequent performances; notice of the two New Scenes (see 1 Jan.) is omitted. Henderson, under his stage name of Courtney, had 1st acted Capt. Bobadil at Bath, 21 Nov. 1772.] Receipts: #230 1s. 6d. (204.9.0; 25.0.6; 0.12.0)

Event Comment: A new Comic Opera; the Music by Anfossi [with additions by Tommaso Giordani]; under the Direction of Giordani

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Event Comment: A new Comic Opera; the Music by Gassmann; under the Direction of Giordani