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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ms Whitfield"/1) | (@(roleclean,performerclean) "Ms Whitfield")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2390 results for: Keyword - Ms Whitfield
We found 1451 matches on Event Comments, 1176 matches on Performance Comments, 14 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1051
20 October 1791 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Song: II: song-Incledon

1052
12 April 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Swindlers

Song: Vocal Parts, as17911214; Masque of Neptune and Amphitrite, as17911109

1053
11 June 1793 @ King's Theatre

Performances

Mainpiece Title: Odenato And Zenobia

Dance: End I: Le Jaloux Puni, as17930601 but Mlle _Gardel, Master Menage; +The Court Minuet-Favre Gardel, Mlle Millerd; a new Pas Seul-Mlle Hilligsberg

Ballet: End Opera: Iphiginia in Aulide. As17930423, but Achilles-Favre Gardel; Egisthus-Aumer? [see17930615 and 17930618

1054
28 May 1795 @ King's Theatre

Performances

Mainpiece Title: L'isola Del Piacere

Afterpiece Title: Le Nozze dei Contadini Spagnuoli

Dance: End II: Paul et Virginie, as17950411; In intermezzo: The Fandango-Mme DelCaro, Aumer

Music: End I: a concerto

1055
23 June 1795 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Afterpiece Title: Semiramide (Act II only)

Dance: As17950522

Music: As17950616

1056
14 October 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Sprigs of Laurel

1057
09 February 1796 @ King's Theatre

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: A New Divertissementin which-Mlle Parisot will dance, for the first time in this Country; End Opera: Paul et Virginie, as17960116

1058
15 March 1796 @ King's Theatre

Performances

Mainpiece Title: I Due Gobbi

Dance: End I: Divertissement-[, as17960310 End Opera: Le Bouquet- [see17960305

1059
05 November 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Charity Boy

1060
05 November 1796 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

1061
19 December 1796 @ Covent Garden

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

1062
11 March 1797 @ King's Theatre

Performances

Mainpiece Title: Il Consiglio Imprudente

Afterpiece Title: Le Nozze del Tamigi e Bellona

Dance: End I: Peggy's Love-, as17961220

Ballet: Ballet succeeding to and analogous to the Cantata. Doris-Mme Rose; Nerid-Didelot; Ocean-Gentili; Amphitrite-Mlle Parisot; Thetis-Mme Hilligsberg

1063
02 May 1797 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Sailor's Prize

Afterpiece Title: The Prisoner at Large

Song: End I 1st piece: The Storm-Incledon; In 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden, Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; Black Ey'd Susan-; Hearts of Oak-; Rule Britannia-; End I 3rd piece: Old Towler- [Incledon?]

1064
17 May 1797 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Rival Soldiers

Afterpiece Title: The Positive Man

Song: In the course of the Evening: The Life of Poor Jack (composed by Dibdin), Admiral Benbow-Incledon; Honesty in Tatters-Townsend; Arthur O'Bradley (1st time, written by O'Keeffe)-Munden

1065
11 April 1798 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

1066
21 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Escape

Afterpiece Title: The Shipwreck

1067
13 May 1800 @ King's Theatre

Performances

Mainpiece Title: il Drammatico Capricioso, Recte Il Capriccio Drammatico

Afterpiece Title: I Due Svizzeri

Dance: End 1st piece: Divertisement, as18000508; End 2nd piece: Laura et Lenza (with alterations), as18000508

1068
28 May 1760 @ Covent Garden

Event Comment: Last time of Company's performing this season. Receipts: #83 18s. Paid Kemp 7 nights #11 4s.; Paid Sarjant on acct of his salary; Paid Martin in full for salary #10; Whitfield for 3 months #7 10s. Advanced to Poitier Jr #5 5s. Paid for 7 doz. wax candles #10 17s. Paid Potter for his attendance this season 181 nights at 2s. per night, #18 2s. Paid Mr Tarriot for his daughter's dancing this season #21. Advanc'd to Mrs Viviez #3 3s. Paid Pattinson 2 bills #31 12s. 6d. Paid Woodfall in full #83 10s

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

1069
13 April 1774 @ Covent Garden

Event Comment: Benefit for Mrs Hartley. Mainpiece: By Particular Desire, with New Music, Dresses and Decorations. Interlude taken from Prior's celebrated poem, The Nut Brown Maid. Books of the Interlude to be had at the Theatre. Adapted by Henry Bate. Charges: #72 9s. 6d. Profit to Mrs Hartley #54 15s., plus #61 18s. from tickets (Box 202; Pit 76). Paid Whitfield for making cloaths #33 17s. 4d.; Paid Mr Walker for trimmings &c. #13 4s. Receipts: #127 4s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17731208; After which: New Poetical Interlude, Henry and Emma: Parts-Smith, Hull, Miss Brown, Mrs Hartley; To conclude with: a New Air and Chorus by Dr Arne-

1070
22 September 1777 @ Covent Garden

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Capt. Plume-Lewis; Justice Balance-Hull; Worthy-Whitefield [beginning with 15 Oct. the name is spelled "Whitfield"]; Scale-Thompson; Scruple-Cushing; Serjeant Kite-Fearon; Bullock-Dunstall; Recruits-Quick, Jones; Capt. Brazen-Lee Lewes; Melinda-Miss Ambrose; Rose-Miss Dayes; Lucy-Mrs Pitt; Sylvia-Mrs Lessingham; New Occasional Prologue[, not listed on playbill-Lewis (see17770924).

Afterpiece Title: The Padlock

1071
01 April 1782 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Tony Lumpkin in Town

Performance Comment: Principal Characters by Quick, Robson, Fearon, Booth, Stevens, Egan, Bates, Newton, Painter, Edwin; Mrs Davenett, Mrs Lewis. Cast not known. Prologue spoken by Whitfield .

Dance: End of mainpiece The Humours of Newmarket; with the Poney Races. Jockies-Harris, Langrish, Ratchford, Holloway; Ladies-Mrs Ratchford, Miss Francis, Miss Matthews

1072
27 April 1784 @ Covent Garden

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Performance Comment: Overture from Samson. Scene I. Collins's Ode on the Passions read by Whitfield. In which will be introduced: From the dread scene (from Judas Maccabaeus) by Mrs Kennedy and Mrs Bannister; The smiling dawn (from Jephtha) by Johnstone; Revenge! Timotheus (from Alexander's Feast) by Reinhold; Mirth, admit me of thy crew (from L'Allegro il Penseroso) by Mrs Kennedy; As when the Dove (from Acis and Galatea) by Mrs Bannister. To conclude with the Chorus From Harmony (from Dryden's Ode). Scene II. The Pantheon. To Song and Dance (from Samson) by Chorus; Let's imitate her Notes above (from Alexander's Feast) by Mrs Martyr and Mrs Kennedy. The Muse Euterpe-Mrs Bates .

Afterpiece Title: The Duenna

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

1073
11 January 1787 @ Covent Garden

Event Comment: Paid Whitfield for making Cloaths to Decr. inclusive #59 2s. Receipts: #203 19s. (201.4; 2.15)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Enchanted Castle

1074
08 January 1788 @ Covent Garden

Event Comment: Paid R. Whitfield [men's wardrobe keeper] #39 18s. 11d. Receipts: #245 8s. (242.12.6; 3.15.6)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: The Midnight Hour

1075
01 June 1793 @ Drury Lane Theatre

Event Comment: Benefit for Caulfield, Miss DeCamp, Miss Tidswell & Miss Heard. [In mainpiece the playbill assigns Mr Worthy to Benson but "an apology was made for the absence of Benson...His part of Worthy was read by Whitfield" (Thespian Magazine, July 1793, p. 50).] Tickets delivered for the 8th of June will be admitted. Morning Herald, 24 May: Tickets to be had of Caulfield, No. 8, Dartmouth-street, Westminster; of Miss DeCamp, No. 70, Tottenham-Court-Road; of Miss Tidswell, No. 3, Little Charles-street, St. James's-square; of Miss Heard, No. 13, Panton-street, Hay-market. Receipts: #182 3s. (28.17; 3.5; tickets: 150.1) (charge: #86 8s.)

Performances

Mainpiece Title: At Hay The Recruiting Officer

Performance Comment: Mr Ballance-Packer; Scale-Fawcett; Scruple-Maddocks; Mr Worthy-read byWhitfield; Captain Plume-Wroughton; Captain Brazen-Dodd; Serjeant Kite (1st time; with O! what a charming thing's a battle)-Caulfield; Bullock-Moody; Coster Pearmain-Hollingsworth; Tho. Appletree-Burton; Welch Collier-Suett; Constable-Banks; Sylvia (with a song)-Mrs Jordan; Melinda-Miss Heard (1st appearance in that character); Lucy-Miss Tidswell; Rose-Miss Pope.
Cast
Role: Mr Worthy Actor: read byWhitfield

Afterpiece Title: The Mariners