09 February 1796

Event Information
Theatre: King's Theatre
Theatrical Season: 1794-1795
Volume: 5
Comments: A Serious Opera (1st time at this Theatre [1st performed at Venice, 1783]); the Music by Bianchi. "The splendour of the Opera this year in point of crowd and fashion surpasses every thing within our memory. It used to be only full on the Saturday evening...Mlle Parisot, a new dancer from Paris, is a most beautiful figure, about 18 years of age...Her balance is postively magical, for her person was almost horizontal while turning as on a pivot on her toe" (Morning Chronicle, 10 Feb.). "[Mlle Parisot's] acting proves what art may effect by beautiful simplicity. She never makes use of those tours de force with which the best female dancers at Paris still endeavour to shine. Every step of Mlle Parisot is marked by the greatest truth and dignity of nature. Every one of her movements is expressive, spirited and harmonious" (Goede, pp. 264-65)

Performance List

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  • Original Data

    Source: London Stage Information Bank

    *p king's Piramo e Tisbe. [Principal Performers-Roselli, Rovedino, Mme Banti. Cast from <i>Larpent MS 114</i>:% Piramo-Roselli; Zoroa-Rovedino; Belesi-Braghetti; Zopiro-De Giovanni; Tisbe-Mme Banti; Zulima-Sga Colombati. *dEnd I: <i>A New Divertissement</i>[in which%-Mlle Parisot [will dance, for the first time in this Country%; End Opera: <i>Paul et Virginie</i>, as 16 Jan. *cA Serious Opera (1st time at this Theatre [1st performed at <i>Venice</i>, 1783]); the Music by $Bianchi=. "The splendour of the Opera this year in point of crowd and fashion surpasses every thing within our memory. It used to be only full on the Saturday evening...$Mlle Parisot=, a new dancer from <i>Paris</i>, is a most beautiful figure, about 18 years of age...Her balance is postively magical, for her person was almost horizontal while turning as on a pivot on her toe" (<i>Morning Chronicle</i>, 10 Feb.). "[Mlle Parisot's] acting proves what art may effect by beautiful simplicity. She never makes use of those tours de force with whichthe best female dancers at Paris still endeavour to shine. Every step of Mlle Parisot is marked by the greatest truth and dignity of nature. Every one of hermovements is expressive, spirited and harmonious" ($Goede=, pp. 264-65).
  • Cleaned Data

    *p1796 02 09 king's Piramo e Tisbe. Principal Performers-Roselli, Rovedino, Mme Banti. Cast from <i>Larpent MS 114</i>: Piramo-Roselli; Zoroa-Rovedino; Belesi-Braghetti; Zopiro-De Giovanni; Tisbe-Mme Banti; Zulima-Sga Colombati.*d1796 02 09 king's End I: <i>A New Divertissement</i>in which-Mlle Parisot will dance, for the first time in this Country; End Opera: <i>Paul et Virginie</i>, ^as17960116^.*c1796 02 09 king's A Serious Opera (1st time at this Theatre [1st performed at <i>Venice</i>, 1783]); the Music by $Bianchi=. "The splendour of the Opera this year in point of crowd and fashion surpasses every thing within our memory. It used to be only full on the Saturday evening...$Mlle Parisot=, a new dancer from <i>Paris</i>, is a most beautiful figure, about 18 years of age...Her balance is postively magical, for her person was almost horizontal while turning as on a pivot on her toe" (<i>Morning Chronicle</i>, 10 Feb.). "[Mlle Parisot's] acting proves what art may effect by beautiful simplicity. She never makes use of those tours de force with which the best female dancers at Paris still endeavour to shine. Every step of Mlle Parisot is marked by the greatest truth and dignity of nature. Every one of her movements is expressive, spirited and harmonious" ($Goede=, pp. 264-65).
  • Parsed Data

    Event: 49995 | 17960209 | king's | A Serious Opera (1st time at this Theatre [1st performed at <i>Venice</i>, 1783]); the Music by $Bianchi=. "The splendour of the Opera this year in point of crowd and fashion surpasses every thing within our memory. It used to be only full on the Saturday evening...$Mlle Parisot=, a new dancer from <i>Paris</i>, is a most beautiful figure, about 18 years of age...Her balance is postively magical, for her person was almost horizontal while turning as on a pivot on her toe" (<i>Morning Chronicle</i>, 10 Feb.). "[Mlle Parisot's] acting proves what art may effect by beautiful simplicity. She never makes use of those tours de force with which the best female dancers at Paris still endeavour to shine. Every step of Mlle Parisot is marked by the greatest truth and dignity of nature. Every one of her movements is expressive, spirited and harmonious" ($Goede=, pp. 264-65)
    Performance: 110557 | 49995 | p | Piramo E Tisbe | Principal Performers-Roselli, Rovedino, Mme Banti. Cast from <i>Larpent MS 114</i>: Piramo-Roselli; Zoroa-Rovedino; Belesi-Braghetti; Zopiro-De Giovanni; Tisbe-Mme Banti; Zulima-Sga Colombati.
    Cast:
    201188 | 110557 | Principal Performers | Roselli, Rovedino, Mme Banti. Cast from <i>Larpent MS 114</i>: Piramo-Roselli
    201189 | 110557 | Piramo | Roselli
    201190 | 110557 | Zoroa | Rovedino
    201191 | 110557 | Belesi | Braghetti
    201192 | 110557 | Zopiro | De Giovanni
    201193 | 110557 | Tisbe | Mme Banti
    201194 | 110557 | Zulima | Sga Colombati.
    Performance: 110558 | 49995 | d | End I: <i>A New Divertissement</i>in which-Mlle Parisot will dance, for the first time in this Country; End Opera: <i>Paul et Virginie</i>, as17960116
    AsSeeDate: 110558 | king's | d | As | 17960116

Mainpiece

Comments:
Principal Performers-Roselli, Rovedino, Mme Banti. Cast from Larpent MS 114: Piramo-Roselli; Zoroa-Rovedino; Belesi-Braghetti; Zopiro-De Giovanni; Tisbe-Mme Banti; Zulima-Sga Colombati.

Dance

Comment: End I: A New Divertissementin which-Mlle Parisot will dance, for the first time in this Country; End Opera: Paul et Virginie, as17960116

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