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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs P R"/1) | (@(roleclean,performerclean) "Mrs P R")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23723 matches on Performance Comments, 5751 matches on Event Comments, 4236 matches on Performance Title, 14 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Performance Comment: Principal Characters by Palmer, Parsons, Wewitzer, Usher, Williamson, Gardner, Davis, Baddeley, Massey, Pierce, Edwin; Mrs Inchbald, Mrs Wells, Miss Morris, Mrs Love, Mrs Bulkley. [Cast from European Magazine, July 1783, p. 67, and Public Advertiser, 7 July: Archley-Palmer; Sir Simon Howard-Parsons; Attorney-Wewitzer; Steward-Usher; Trustall-Williamson; Ragan-Baddeley; Citpup-Edwin; Emma Howard-Mrs Inchbald; Mrs Ragan-Mrs Wells; Fanny-Miss Morris; Lydia Howard-Mrs Bulkley. Gardner, Davis, Massey, Pierce, Mrs Love are unassigned. Larpent MS adds the following parts: Redtail, Richard, Betty, Hosier's Wife.) A new Prologue [read by Palmer] and Epilogue [spoken by Mrs Bulkley. These were spoken, presumably as here assigned, at all subsequent performances] .read by Palmer] and Epilogue [spoken by Mrs Bulkley. These were spoken, presumably as here assigned, at all subsequent performances] .

Afterpiece Title: The Flitch of Bacon

Performance Comment: Captain Wilson-Bannister; Major Benbow-Parsons; Captain Greville-Brett; Justice Benbow-Blissett; Kilderkin-Massey; Ned-Stevens; Tipple-Edwin; Eliza-Mrs Bannister .
Cast
Role: Eliza Actor: Mrs Bannister
Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Pope; Governor-Richardson; Blandford-Macready; Capt. Driver-Davenport; Stanmore-Williamson; Aboan-Harley; Imoinda-Mrs Pope.
Cast
Role: Imoinda Actor: Mrs Pope.

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Performance Comment: Parts by Macklin, Dyer, Woodward, Dunstall, Morris, Cushing, Barrington, Quick, Wignell, Mrs Green, Mrs Pitt, Mrs Evans, Miss Helm, Miss Macklin. Prologue-Macklin; Murrough O'Dogherty-Macklin; Count Mushroom-Woodward; Hamilton-Dyer; Fitzmongrel-Dunstall; Major-Morris; Mrs O'Dogherty-Miss Macklin; Catty Farrel-Mrs Pitt; Lady Kinnegad-Mrs Green; Lady Bab Frightful-Mrs Evans; Mrs Gazette-Miss Helm; Mrs Jolly-Mrs White Genest, V, 188, and Kirkman, Memoirs of Macklin (1799 ed.) II, pp. 1-2. The Larpent MS lists three newsmen in addition, and shows the original title The Trueborn Irishman.

Dance: End: The Dutch Milkmaid, as17671114

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Holman; Myrtle-Farren; Sealand-Aickin; Sir John Bevil-Hull; Cimberton-Quick; Humphrey-Thompson; Daniel-Blanchard; Tom-Lewis; Phillis-Mrs Mattocks; Lucinda-Mrs Mountain; Mrs Sealand-Mrs Webb; Indiana-Mrs Esten; Edition of 1791 (John Bell) adds: Isabella-Mrs Platt.
Cast
Role: Phillis Actor: Mrs Mattocks
Role: Lucinda Actor: Mrs Mountain
Role: Mrs Sealand Actor: Mrs Webb
Role: Indiana Actor: Mrs Esten
Role: Isabella Actor: Mrs Platt.

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: Characters in the Ballet-Byrne, Mlle St.Amand (from the Opera House, Paris; 1st appearance on this stage), and the rest of the Performers. Musical Characters by Munden, Darley, Marshall, Cubitt, Gray, Williamson, Linton, Tett, Kenrick, Little, Street, Mrs Mountain, Miss Broadhurst, Mrs Harlowe, Miss Stuart, Miss Barnett, Mrs Arnold, Miss Leserve, Mrs Martyr. Cast from Songs (T. Cadell, 1791): Oscar-Byrne; Carrol-Follett; Morven-Farley; Draco-Cranfield; Fingal-Blurton; Dermoth-King; Malvina-Mlle St.Amand; Pedlar-Munden; Farmer-Cubitt; Bards, Peasantry-Darley, Marshall, Gray, Williamson, Mrs Mountain, Miss Broadhurst, Miss Stuart, Mrs Martyr; Linton, Tett, Kenrick, Little, Street, Mrs Harlowe, Miss Barnett, Mrs Arnold, Miss Leserve. Linton, Tett, Kenrick, Little, Street, Mrs Harlowe, Miss Barnett, Mrs Arnold, Miss Leserve.

Song: II: song-Incledon

Event Comment: The Duke's Company. The date of the first performance is not known. Luttrell, however, dated the copy he purchased 6 July 1680 (VanLennep, Two Restoration Comedies, pp. 57-58) and attributed it to Mrs Aphra Behn. If copies were available in early July, the play was most probably performed in June 1680. Langbaine (English Dramatick Poets, p. 547) had heard that Mrs Behn was the author, but A Comparison between the Two Stages (p. 11) attributed it to Thomas Betterton. For a discussion of the authorship, see also Ten English Farces, ed. Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 203-4

Performances

Mainpiece Title: The Revenge; Or, A Match In Newgate

Performance Comment: Edition of 1680: Wellman-Smith; Friendly-Williams; Mr Shatter-Bowman; Trickwell-Jevorn; Mr Dashit-Lee; Glisten-Bright; Jock-Mumford; Corina-Mrs Barry; Marinda-Mrs Butler; Diana-Mrs Price; Ample-Anybody; Mrs Dashit-Mrs A. Lee [Elinor Leigh]; Mrs Dunwell-Mrs Norice.
Cast
Role: Corina Actor: Mrs Barry
Role: Marinda Actor: Mrs Butler
Role: Diana Actor: Mrs Price
Role: Mrs Dashit Actor: Mrs A. Lee
Role: Mrs Dunwell Actor: Mrs Norice.
Event Comment: Rich's Company. The date of the first production is not known, but the fact that it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695, indicates that it was probably acted not later than September 1695. Three songs were published separately: O how you protest, possibly set by Henry Purcell and sung by Mrs Knight; 'Twas within a Furlong, the words by Thomas D'Urfey, set by Henry Purcell, and sung by the Girl [Miss Cross]; and Man is for the woman made, the words by Pierre Motteux and set by Henry Purcell, are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XX (1916), xix-xx. Preface, Edition of 1696: Notwithstanding the many Accidents that concurr'd to the Ruin of this Play, it succeeded above my Expectations: And I must own my self infinitely oblig'd to the Town, in receiving so favourably, what I at first never design'd for the Stage. Gildon, English Dramatick Poets, p. 121: This particular Play met with pretty good Success, for the Season of the Year, considering it the first Essay by a Young Writer, unacquainted with the Town. A Comparison Between the Two Stages (1702), p. 18: Sullen: Mock-Marriage, a young Fellows of the Town, a Retainer, and kind of Pensioner to the Stage. Ramble: What was it's Fate? Sullen: Damn'd, Damn'd

Performances

Mainpiece Title: The Mock-marriage

Performance Comment: Edition of 1696: Prologue-Miss Cross; Epilogue-Mrs Knight; Lord Goodland-Disney; Fairly-Horden; Willmot-Powell; Belfont-Verbruggen; Sir Simon Barter-Johnson; Sir Arthur Stately-Lee; Lady Barter-Mrs Knight; Marina-Mrs Rogers; Clarinda-Mrs Verbrugen; Flavia-Mrs Finch; Betty-Mrs Newman; Alice-Mrs Clark; Landlady-Bullock; Quaker-Mrs Powell; Daughter-Mrs Urwin.
Cast
Role: Epilogue Actor: Mrs Knight
Role: Lady Barter Actor: Mrs Knight
Role: Marina Actor: Mrs Rogers
Role: Clarinda Actor: Mrs Verbrugen
Role: Flavia Actor: Mrs Finch
Role: Betty Actor: Mrs Newman
Role: Alice Actor: Mrs Clark
Role: Quaker Actor: Mrs Powell
Role: Daughter Actor: Mrs Urwin.
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3151, 20-23 Jan. 1695@6, and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than December 1695. According to the Edition of 1696, the music was set by John Eccles: Come, Thyrsis, come was sung by Reading and Mrs Hodgson; the other songs in the edition lack the names of the singers. In addition, Rich mines of hot love are rooted here, sung by Bowman, was in Deliciae Musicae, The First Book of the Second Volume, 1696; and Let us revel and roar, set by John Eccles and sung by Curco and Reading, was published in Thesaurus Musicus, The Fifth Book, 1696. Downes, Roscius Anglicanus, p. 44: Lovers Luck, a Comedy, Wrote by Captain Dilks, which fill'd the House 6 Days together, and above 50# the 8th, the Day it was left off. A Comparison Between the Two Stages (1702), p. 20, lists it among the plays under the heading: Damn'd

Performances

Mainpiece Title: The Lover's Luck

Performance Comment: Edition of 1696: Prologue-Mr Hodgson; Sir NicholasPurflew-Bright; Alderman Whim-Underhil; Bellair-Betterton; Breviat-Freeman; Goosandelo-Bowman; Eager-Bowen; Sapless-Dogget; Jacona-Mrs Ayloff; Mrs Purflew-Mrs Bracegirdle; Mrs Plyant-Mrs Bowman; Vesuvia-Mrs Lee; Sprightly-Mrs Lawson; Landlady-Mrs Perin.
Cast
Role: Jacona Actor: Mrs Ayloff
Role: Mrs Purflew Actor: Mrs Bracegirdle
Role: Mrs Plyant Actor: Mrs Bowman
Role: Vesuvia Actor: Mrs Lee
Role: Sprightly Actor: Mrs Lawson
Role: Landlady Actor: Mrs Perin.
Event Comment: The Duke's Company. L. C. 5@139, p. 125, lists it for 3 March, but as this date falls on Sunday, it is probably an error in dating. The play was licensed on 22 May 1667. Pepys, Diary: To the Duke's playhouse...and I in and find my wife and Mrs Hewer, and sat by them and saw The English Princesse, or Richard the Third; a most sad, melancholy play, and pretty good; but nothing eminent in it, as some tragedys are; only little Mis. Davis did dance a jig after the end of the play, and there telling the next day's play; so that it come in by force only to please the company to see her dance in boy's clothes; and, the truth is, there is no comparison between Nell's dancing the other day at the King's house in boy's clothes and this, this being infinitely beyond the other. Downes (p. 27): Wrote by Mr Carrol, was Excellently well Acted in every Part;...Gain'd them an Additional Estimation, and the Applause from the Town, as well as profit to the whole Company

Performances

Mainpiece Title: The English Princess; Or, The Death Of Richard The Third

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Performance Comment: Faithful-Giffard; Captain Constant-W. Williams; Lovely-Huddy; Manage-W. Giffard; Trusty-Bardin; Sir David Watchum-Penkethman; Clinch-Collet; Roger-R. Williams; Slouch-Pearce; Old Constant-Mynns; Squire Num-W. Bullock; Belinda-Mrs Haughton; Laura-Mrs Seal; Maria-Mrs Mountfort; Dorothy-Mrs Palmer; Lucy-Mrs Thomas.
Cast
Role: Belinda Actor: Mrs Haughton
Role: Laura Actor: Mrs Seal
Role: Maria Actor: Mrs Mountfort
Role: Dorothy Actor: Mrs Palmer
Role: Lucy Actor: Mrs Thomas.

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

Event Comment: Mainpiece: Written by Lillo, Author of George Barnwell. [Prologue by George Colman, the elder (Colman, Prose, in, 233). Mrs Bates was from CG.]

Performances

Mainpiece Title: Seeing Is Believing

Cast
Role: Kitty Actor: Mrs Lloyd

Afterpiece Title: Fatal Curiosity

Performance Comment: Principal Characters by Palmer, Bannister Jun., R. Palmer, Bensley; Mrs Bates (1st appearance on this stage), Miss Hooke, Mrs Bulkley. [Cast adjusted from text (T. Cadell, 1783): Young Wilmot-Palmer; Randal-Bannister Jun.; Eustace-R. Palmer; Old Wilmot-Bensley; Agnes-Mrs Bates; Maria-Miss Hooke; Charlotte-Mrs Bulkley.] Occasional Prologue spoken by Palmer . Occasional Prologue spoken by Palmer .
Cast
Role: Agnes Actor: Mrs Bates
Role: Charlotte Actor: Mrs Bulkley.

Afterpiece Title: Gretna Green

Song: In Act I of mainpiece a song in character by Miss Hooke

Event Comment: [Iliff was from the Edinburgh theatre; Mrs Farren from the York theatre.] Afterpiece [1st time; F 2, by John O'Keeffe]. Public Advertiser, 30 Aug. 1788: This Day is published The Prisoner at Large (1s. 6d.)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Iliff (1st appearance on this stage); Lord Randolph-Aickin; Glenalvon-Williamson; Officer-Phillimore; Old Norval-Bensley; Anna-Mrs Inchbald; Lady Randolph-Mrs Farren (1st appearance on this stage).
Cast
Role: Anna Actor: Mrs Inchbald
Role: Lady Randolph Actor: Mrs Farren

Afterpiece Title: The Prisoner at Large

Performance Comment: Principal Characters by Edwin, Williamson, Moss, Wewitzer, Burton, Mathews, Johnson, Painter, Gardner, R. Palmer, Mrs Kemble, Miss Collett, Mrs Brooks. Cast from text (G. G. J. and J. Robinson, 1788): Muns-Edwin; Lord Esmond-Williamson; Old Dowdle-Moss; Count Fripon-Wewitzer; Tough-Burton; Father Frank-Mathews; Phelim-Johnson; Landlord-Painter; Trap-Gardner; Jack Connor-R. Palmer; Frill-Phillimore see17880704; Adelaide-Mrs Kemble; Mary-Miss Collett; Rachel-Mrs Brooks.
Cast
Role: Adelaide Actor: Mrs Kemble
Role: Rachel Actor: Mrs Brooks.
Event Comment: Paid Johnston's bill #7 10s. 6d.; Supernumeraries #6 12s.; Chorus by R. Shaw #10; Mantuamaker #13 5s. 4d.; Foulis for Music Copying #2 8s.; Land Tax 1 Yr. #79 12s. 6d.; Billstickers #3 6s.; Booth, tailor, #14 13s. 1d. "Mrs Jordan has a voice, the tones of which are infinitely more musical and sweet than those of any professional singer we have. There is also an interest about her singing, arising not from what may be called musical feeling, but the impression of the subject. Thus, though sometimes a little untrue, we love her songs, and forbear to weigh them in the diatonic or chromatic scales" (Oracle, 3 Oct.). Receipts: #450 3s. (393.2; 56.3; 0.18)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Rivals

Performance Comment: Sir Anthony Absolute-King; Captain Absolute-Palmer; Faulkland-Kemble; Acres-Dodd; Sir Lucius O'Trigger-Moody; Fag-R. Palmer; David-Hollingsworth; Coachman-Phillimore; Mrs Malaprop-Mrs Hopkins; Lydia Languish-Mrs Jordan; Julia-Miss Farren; Lucy-Mrs Edwards.
Cast
Role: Mrs Malaprop Actor: Mrs Hopkins
Role: Lydia Languish Actor: Mrs Jordan
Role: Lucy Actor: Mrs Edwards.

Afterpiece Title: The Spoil'd Child

Performance Comment: Little Pickle (with songs)-Mrs Jordan; Old Pickle-Suett; Tag-R. Palmer; John-Burton; Miss Pickle-Mrs Hopkins; Maria-Miss Heard; Margery-Mrs Booth; Susan-Mrs Edwards.
Cast
Role: Little Pickle Actor: Mrs Jordan
Role: Miss Pickle Actor: Mrs Hopkins
Role: Margery Actor: Mrs Booth
Role: Susan Actor: Mrs Edwards.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Meredith (from Liverpool; 1st appearance in London), Master Welsh, Dignum, Miller, Kelly//Sga Storace, Miss Leak, Mrs Crouch. Leader of the Band-Shaw. PART I. Zadock the Priest (CORONATION ANTHEMS). He layeth the beams. Fall'n is the Foe (JUDAS MACCABAEUS). Let the bright Seraphim (SAMSON). For unto us (THE MESSIAH). O magnify the Lord. Deeper and deeper; Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) . Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) .
Event Comment: 2nd piece [1st time; MD 3, by James Boaden; some of the songs written by George Colman, ynger]: With new Musick, Scenes, Dresses, and Decorations. The new Musick by Dr Arnold. With an appropriate Overture, accompanied by two Pedal Harps and the Union Pipes, by Weippert, C. Jones, and Murphy. The Scenery by Marinari. The Dresses and Decorations designed by A. Johnston, and executed by him and Mrs Egan. Books of the Songs to be had at the Theatre. "Any exertion of impartial criticism to check the prevalent taste for the marvellous and the horrific which so wantonly conjures up the spirit (it was once thought had been for ever laid) of gross superstition and Gothic barbarism must, we fear, prove at present unavailing" (Times, 23 July). Morning Chronicle, 30 July 1798: This Day is published Cambro-Britons (2s.)

Performances

Mainpiece Title: The Deaf Lover

Cast
Role: Betsy Blossom Actor: Mrs Harlowe.

Afterpiece Title: Cambro-Britons

Performance Comment: Characters by Barrymore, Munden, R. Palmer, Suett, Johnstone, Johnston, Davies, C. Kemble, Trueman, Palmer Jun., Caulfield, Davenport, Wathen, Abbot, Waldron Jun., Lyons, Miss DeCamp, Mrs Gibbs, Mrs Bland. Cast from text (G. G. and J. Robinson, 1798): Llewellyn-Barrymore; Shenkin-Munden; Cadwall-R. Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-Johnston; King Edward-Davies; Prince David-C. Kemble; Dynevor-Trueman; Meredith-Palmer Jr; Mortimer-Caulfield; Hereford-Davenport; Door@Keeper-Wathen; Edwin-Abbot; Soldier-Waldron Jr; Latimer-Lyons; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorusses of Bards and Peasants-D'Arcy, Linton, Brown, Aylmer, Little, Walker, Willoughby, Dibble, Kenrick, Caulfield Jun., Ms Edward, Ms Menage, Ms Butler, Ms Benson, Ms Hale, Ms Gawdry, Ms Masters, Ms Norton, Ms Leserve.
Cast
Role: Lady Griffith's Shade Actor: Mrs Gibbs
Role: Winifred Actor: Mrs Bland

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Performance Comment: . Edition of 1670: Prologue-; Maximin-Mohun; Porphyrius-Hart; Charinus-Harris; Placidius-Kynaston; Valerius-Lydall; Albinus-Littlewood; Nigrinus-Beeston; Amariel-Bell; Berenice-Mrs Rebecca? Marshall; Valeria-Mrs Ellen Guyn; St Catharine-Mrs Hughes; Felicia-Mrs Knepp; Erotion-Mrs Uphill; Cydnon-Mrs Eastland; Epilogue-Mrs Ellen [when she was to be carried off Dead by the Bearers; [Downes (Roscius Anglicanus, p. 10) omits some of these roles, adds Damilcar-Mrs James [and lists Mrs Boutel [who later played the role; see the edition of 1695] for St Catharine. The edition of 1686 adds: Apollonius-$Cartwright.
Cast
Role: Berenice Actor: Mrs Rebecca? Marshall
Role: Valeria Actor: Mrs Ellen Guyn
Role: St Catharine Actor: Mrs Hughes
Role: Felicia Actor: Mrs Knepp
Role: Erotion Actor: Mrs Uphill
Role: Cydnon Actor: Mrs Eastland
Role: Epilogue Actor: Mrs Ellen
Role: adds Damilcar Actor: Mrs James
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the Songs were advertised in the Post Boy, 29-31 March 1698, and performance probably occurred in early March. One song, All things seem deaf to my complaints, set by John Eccles and sung by Mrs Bowman, was published in The A'lamode Musician, 1698. According to the Post Boy, 17-19 March 1697@8, another song, Fair Amoret is gone Astray, had its words written by Congreve, and, according to the Post Boy, 29-31 March 1698, the music set by John Eccles. A Comparison Between the Two Stages (1702), p. 20: Damn'd. Gildon, English Dramatick Poets, p. 173: I have little to say to this Play, for 'tis not fair to attack a Man that's down, tho' I do not think (considering what Plays have pleas'd) that this ought to have met with so severe a Fate

Performances

Mainpiece Title: The Pretenders; Or, The Town Unmask'd

Performance Comment: Edition of 1698: Lord Courtipell-Thurmond; Sir Wealthy Plainder-Underhill; Sir Bellamour Blunt-Kynaston; Vainthroat-Bowman; Breakage-Trefuse; Captain Bownceby-Bright; Nickycrack-Bowen; Prim-Baily; Widow Thoroshift-Mrs More; Minx-Mrs Peryng; Ophelia-Mrs Bowman; Sweetny-Mrs Lee; Nibs-Mrs Lawson; Doll-Mrs Willis; Prologue-Mrs Bowen coming upon the Stage in a great huff, follow'd by a Prompter, with a Paper in his hand, and a Boy with a Bottle and Glass; Epilogue-Mrs Moor.
Event Comment: This comedy was wrote by Mr Moor, & except ye part of Faddle meet with Universal Applause (ye Author's first play) (Cross). New Scenes and Cloaths (General Advertiser). This C. was written by Moore--it is a good play--it was acted 11 times successively--Garrick's peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to Young Belmont than can well be imagined--Macklin, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in Faddle, that have not been since equalled, particularly in marking the obsequious knave throughout--Barry in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of Rosetta was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to Mrs Woffington, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished Fidelia sat with much ease on Mrs Cibber (Dramatic Censor, II, 206). [For contemporary account of plot and discussion of the play, see Gentleman's Magazine Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also G. Stayley, An Answer to an unjust criticism on the Foundling, listed in Register of Books, Gentleman's Magazine, May 1748, p. 240; A Criticism of the Foundling, in a letter to the author, listed in Register of Books, Gentleman's Magazine, March 1748, p. 144. The Larpent MS indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 (Cross); #200 5s. (Powel)

Performances

Mainpiece Title: The Foundling

Performance Comment: Garrick, Barry, Macklin, Havard, Yates, Sparks, Mrs Woffington, Mrs Cibber. Young Belmont-Garrick; Sir Charles Raymond-Barry; Faddle-Macklin; Col. Raymond-Havard; Sir Roger Belmont-Yates; Villiard-Sparks; Rosetta-Mrs Woffington; Fidelia-Mrs Cibber; Prologue [by Mr Brooke-Mrs Pritchard; Epilogue [by Garrick-Mrs Cibber [(edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).](edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).]
Cast
Role: Rosetta Actor: Mrs Woffington
Role: Fidelia Actor: Mrs Cibber
Role: Mr Brooke Actor: Mrs Pritchard
Role: Garrick Actor: Mrs Cibber

Performances

Mainpiece Title: The Careless Lovers

Performance Comment: Edition of 1673: Mr Machworth-Norrice; Mr Lovell-Cademan; Mr Careless-Smith; De Boastado-Angell; Toby-Sherwood; Jacinta-Mrs Burroughs; Hillaria-Mrs Clough; Beatrice-Mrs Leigh; Mrs Clappam-Mrs Osborn; Mrs Breedwell-Mrs Norris; Epilogue by Mr Settle-.
Cast
Role: Jacinta Actor: Mrs Burroughs
Role: Hillaria Actor: Mrs Clough
Role: Beatrice Actor: Mrs Leigh
Role: Mrs Clappam Actor: Mrs Osborn
Role: Mrs Breedwell Actor: Mrs Norris

Performances

Mainpiece Title: Friendship In Fashion

Performance Comment: Edition of 1678: Prologue-Mr Smith; Goodvile-Betterton; Truman-Smith; Valentine-Harris; Sir Noble Clumsey-Underhill; Malagene-Leigh; Caper-Jevon; Saunter-Bowman; Mrs Goodvile-Mrs Barrey; Victoria-Mrs Gibbs; Camilla-Mrs Price; Lady Squeamish-Mrs Guin [Quin]; Lettice-Mrs Seymour; The Epilogue-Mrs Barrey.
Cast
Role: Mrs Goodvile Actor: Mrs Barrey
Role: Victoria Actor: Mrs Gibbs
Role: Camilla Actor: Mrs Price
Role: Lady Squeamish Actor: Mrs Guin
Role: Lettice Actor: Mrs Seymour
Role: The Epilogue Actor: Mrs Barrey.

Performances

Mainpiece Title: The Young Quaker

Performance Comment: Principal Characters by Palmer, Edwin, Riley, Gaudrey, Bannister Jun., Williamson, Wewitzer, Barrett, Ledger, Wilson, Parsons; Mrs Webb, Miss Morris, Mrs Lloyd, Mrs Love, Miss Hale, Miss Frodsham. [Cast from European Magazine, Aug. 1783, p. 148; Larpent MS 627; playbill of 19 July 1785: Young Sadboy-Palmer; Clod-Edwin; Lounge-Riley; Twig-Gaudrey; Spatterdash-Bannister Jun.; Capt. Ambush-Williamson; Shadrach-Wewitzer; Waiter-Barrett; Coachman-Ledger; Old Sadboy-Wilson; Chronicle-Parsons; Goliah-Miss Painter; Lady Rounceval-Mrs Webb; Araminta-Miss Morris; Pink-Mrs Lloyd; Mrs Mellefleur-Mrs Love; Judith-Miss Hale; Dinah Primrose-Miss Frodsham.] New Prologue [spoken by Palmer] and Epilogue [spoken by Miss Frodsham. These were spoken, presumably as here assigned, at all subsequent performances] . New Prologue [spoken by Palmer] and Epilogue [spoken by Miss Frodsham. These were spoken, presumably as here assigned, at all subsequent performances] .
Cast
Role: Lady Rounceval Actor: Mrs Webb
Role: Pink Actor: Mrs Lloyd
Role: Mrs Mellefleur Actor: Mrs Love

Afterpiece Title: Medea and Jason

Cast
Role: Mrs Cheshire Actor: Mrs Webb
Role: Cowslip Actor: Mrs Wells
Role: Fringe Actor: Mrs Poussin
Role: Laura Actor: Mrs Bannister.
Event Comment: Benefit for Mrs Siddons. 1st piece: Never acted in this Theatre. [Prologue by George Colman, elder. Monologue by Hester Lynch Piozzi (European Magazine, May 1797, p. 343).] True Briton, 12 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. "The scenery destroyed much of the effect of the tragedy; for the characters are supposed to be 'steeped in poverty to the very lips;' and yet their apartments would have become a family in the meridian of wealth and prosperity. Mrs Siddons was also too well dressed for Mrs Wilmot" (Monthly Mirror, May 1797, p. 308). "In the scene in which [Mrs Siddons's] son having put into her hands a casket to keep, and she having touched a spring it opens and she sees jewels, her husband (Kemble) enters, and in despair exclaims, 'Where shall we get bread?' With her eyes fixed on the jewels, she runs to him, knocks the casket against her breast and exclaims, 'Here! Here!' In Mrs Siddons's tone and in her look there was an anticipation of the murder which was to take place" (Robinson, I, 39). Receipts: #618 2s. (386.8.6; 43.19.0; 2.4.0; tickets: 185.10.6) (charge: #211 1s.)

Performances

Mainpiece Title: Fatal Curiosity

Performance Comment: Old Wilmot-Kemble; Young Wilmot-Barrymore; Eustace-Trueman; Randal-C. Kemble; Charlotte-Mrs Powell; Maria (with a song in character)-Miss Leak; Agnes-Mrs Siddons; Prologue-C. Kemble.
Cast
Role: Charlotte Actor: Mrs Powell
Role: Agnes Actor: Mrs Siddons

Afterpiece Title: The Wedding Day

Cast
Role: Lady Contest Actor: Mrs Jordan
Role: Mrs Hamford Actor: Mrs Maddocks

Afterpiece Title: The Deuce is in Him

Performance Comment: Col. Tamper-Palmer; Major Belford-Whitfield; Prattle (1st time)-Bannister Jun.; Emily-Mrs Siddons; Bell-Miss Heard; Florival-Mrs Goodall.
Cast
Role: Emily Actor: Mrs Siddons
Role: Florival Actor: Mrs Goodall.

Entertainment: Monologue. To conclude with: a Short Notice of Farewells, including her own Farewell for the Present Season-Mrs Siddons

Performance Comment: To conclude with: a Short Notice of Farewells, including her own Farewell for the Present Season-Mrs Siddons.

Performances

Mainpiece Title: The Miser

Performance Comment: As17991031, but Mrs Wisely-Mrs Whitmore.
Cast
Role: Mrs Wisely Actor: Mrs Whitmore.
Role: Mrs Dazzle Actor: Mrs Davenport
Role: Juliana Actor: Mrs Pope

Afterpiece Title: Paul and Virginia

Performance Comment: Principal Characters by Incledon, Mrs Mills, Townsend, Hill, Emery, Claremont, Atkins, Abbot, Munden, Mrs Atkins, Miss Wheatley, Miss Sims, Mrs Sydney, Mrs H. Johnston. Cast from European Magazine, May 1800, p. 386: Paul-Incledon; Alambra-Mrs Mills; Tropic-Townsend; Don Antonio-Hill; Diego-Emery; Sebastian-Claremont; Dominique-Munden; Jacintha-Mrs Atkins; Mary-Miss Sims; Virginia-Mrs H. Johnston; unassigned-Atkins, Abbot, Miss Wheatley, Mrs Sydney.

Afterpiece Title: Raymond and Agnes

Cast
Role: Claire Actor: Miss? _Bologna, Mrs _Blurton.
Role: Maugerette Actor: Mrs Mills
Role: mother of Agnes Actor: Mrs Watts
Role: Step Actor: mother to Agnes-Mrs Follett
Role: Countess of Lindenbergh Actor: Mrs Follett
Role: Agnes Actor: Mrs Parker

Dance: In 2nd piece: Dances-Blurton, Wilde, Platt, Lewiss, Klanert, L. Bologna, J. Whitmore, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs Norton, Miss Bologna, Miss Dibdin, Miss Burnett

Performance Comment: Bologna, J. Whitmore, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs Norton, Miss Bologna, Miss Dibdin, Miss Burnett.

Song: In 2nd piece: Chorusses-Linton, Street, Denman, Oddwell, Thomas, Little, Curties, Lee, Ms Trevor, Ms Leserve, Ms Castelle, Ms Norton, Ms Masters, Ms Iliff, Ms Lloyd

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 16. Whether this is the premiere is not known. A song, Amintas that true-hearted swain, with music by John Bannister, is in Choice Ayres, Songs, and Dialogues, 2d. Ed., 1675. Downes, Roscius Anglicanus, p. 34: The Jealous Bridegroom, Wrote by Mrs Bhen, a good Play and lasted six Days; but this made its Exit too, to give Room for a greater. The Tempest. Note, In this Play, Mr Otway the Poet having an Inclination to turn Actor; Mrs Bhen gave him the King in the Play, for a Probation Part, but he being not us'd to the Stage; the full House put him to such a Sweat and Tremendous, Agony, being dash't, spoilt him for an Actor

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Performance Comment: Edition of 1671: Prologue-; Epilogue-a Woman; King-Westwood [ThomasOtway, however, played it the first night]; Philander-Smith; Alcippus-Betterton; Orgulious?-Norris; Alcander-Young; Pisaro-Cademan; Fallatius-Angel; Cleontius-Crosby; Gallatea-Mrs Jennings; Erminia-Mrs Betterton; Aminta-Mrs Wright; Olinda-Mrs Lee; Isilia-Mrs Clough.
Cast
Role: Gallatea Actor: Mrs Jennings
Role: Erminia Actor: Mrs Betterton
Role: Aminta Actor: Mrs Wright
Role: Olinda Actor: Mrs Lee
Role: Isilia Actor: Mrs Clough.

Performances

Mainpiece Title: Marriage A La Mode

Performance Comment: Edition of 1673: Prologue-Hart; Polydamas-Wintershall; Leonidas-Kynaston; Argaleon-Lydall; Hermogenes-Cartwright; Eubulus-Watson; Rhodophil-Mohun; Palamede-Hart; Palmyra-Mrs Coxe; Amalthea-Mrs James; Doralice-Mrs Marshall; Melantha-Mrs Bowtell; Philotis-Mrs Reeve; Belisa-Mrs Slade; Artemis-Mrs Uphill; Epilogue-Mohun.
Cast
Role: Palmyra Actor: Mrs Coxe
Role: Amalthea Actor: Mrs James
Role: Doralice Actor: Mrs Marshall
Role: Melantha Actor: Mrs Bowtell
Role: Philotis Actor: Mrs Reeve
Role: Belisa Actor: Mrs Slade
Role: Artemis Actor: Mrs Uphill
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this performance is the premiere, but as the play was licensed for printing on 9 Jan. 1676@7, this performance may well be the first one. Downes (Roscius Anglicanus, pp.9-10) lists the same cast except for the ommission of Letice. It is not certain which Mrs Knight played Letice. Possibly it was Frances Maria Knight (see Wilson, All the King's Ladies, where she is tentatively listed for that role), but the presence of Mrs Ursula Knight on an undated L. C. list, 3@24, with the date of her swearing into the company given as 12 March 1676@7, it is quite likely that she played this role. (I owe this reference to Ursula Knight to Professor John Harold Wilson.) John Dennis: And when upon the first representations of the Plain Dealer, the Town, as The Authour has often told me, appeard Doubtful what Judgment to Form of it; the foremention'd gentlemen [The Duke of Buckingham, Earl of Rochester, Earl of Dorset, Earl of Mulgrave, Savil, Buckly, Sir John Denham, Waller] by their loud aprobation of it, gave it both a sudden and a lasting reputation (Defense and Defects of Dramatick Poetry, 1725, in The Works of John Dennis, ed. Hooker, II, 277)

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: Edition of 1677: Prologue-; Epilogue-Widow-Blackacre; Manly-Hart; Freeman-Kynaston; Vernish-Griffin; Novell-Clark; Major Oldfox-Cartwright; Lord Plausible-Haines; Jerry Blackacre-Charlton; Olivia-Mrs Marshall; Fidelia-Mrs Boutell; Eliza-Mrs Knep; Letice-Mrs [Ursula or Frances] Knight (see below); Widow Blackacre-Mrs Cory.
Cast
Role: Olivia Actor: Mrs Marshall
Role: Fidelia Actor: Mrs Boutell
Role: Eliza Actor: Mrs Knep
Role: Letice Actor: Mrs
Role: Widow Blackacre Actor: Mrs Cory.